“Images from the maximum-security prison in Corcoran, California. A surveillance camera shows a pie-shaped segment of the concrete yard where the prisoners, dressed in shorts and mostly shirtless, are allowed to spend half-an-hour a day.
A cavalcade of characters in conflict with consciousness is conjured up within the confines of Studio 8 at the San Francisco Art Institute and digitized for analysis.
The small cruelties of a subliminal fog roll in. A pandemic thwarts intimacy. Perched from their little planets, this cast of wildly colorful creatures question their futures and navigate the longing for connection.
Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska — or the Indian Pipe Plant — used by the Ho-Chunk to revive those who have fainted.
19 out of the 41 shots fired in 10-seconds by four members of the NYPD Street Crimes Unit hit the defenseless body of one Amadou Diallo as he stood in the vestibule of the building where he lived in the Bronx.
Ireland, October 20th 2007
The filmmaker returns to the city where he made the first video in the series and looks back at the events of the past six years.
Production Notes allows us to eavesdrop on the business decisions behind the creation of our daily diet of television commercials.
What are all of these photographers trying to capture, and just who is collaborating with whom? This short piece could be a take on fame and the cult of the personality — or a tourist portrait with the audience as subject.
A short breather that smells of ocean salts and barbecued chicken. Friends gather for a celebration in the sun as the surf rolls in and the smoke heads skyward toward who knows what destiny?
Made for Madrid Pride 2017, Wonders Wander is a location based mobi-web-serial with four fictional episodes set in Madrid.
In these lunar paths the moon is the celestial body of brilliant colors that crosses with its cyclical and mythical dance the dark space of our present time and in whose dance the moon enters, moves away, approaches and lies on itself in a cycle rhythmi
“In Baldessari’s wonderful Inventory, the artist presents to the camera for thirty minutes an accumulation of indiscriminate and not easily legible objects arranged in order of increasing size and accompanied by a deadpan description — only to have the sense of their relative size destroyed by the continual readjustment of the camera [in order to] keep them within the frame. Who can forget Adlai Stevenson’s solemn television demonstration of the ‘conclusive photographic evidence’ of the Cuban missile sites, discernible over the TV screen as only gray blurs?”
An examination of venture capital, Nothing Ventured documents the tough negotiations that take place when entrepreneurs and bankers meet.
TVTV's inside view of the 1972 Republican National Convention made broadcast history.
Among the handful of video recordings of Lanesville TV that exist today, this tape is particularly special for its documentation of one of its very first programs to run on the air.
In this 2013 interview, experimental animator and School of the Art Institute of Chicago alumna Jodie Mack discusses the developments that have taken her from an interest in musical theater and playwriting to organizing microcinemas and DIY filmmaking.
Mack describes her interest in early cinema history and the relationship between its technologies and spectacle, particularly the manner in which video production incorporates planned obsolescence. Referring to the “scavenger nature” of her work, Mack discusses her interest in waste and her desire to use reclaimed materials in her work. Using fabric and paper to create shifting fields of color, Mack references corroded and glitched digital media in her work. Her use of quotidian materials reflects upon the role of abstract animation in everyday life, and serves to draw audience awareness to the spectacle of televisual technology.
– Kyle Riley
Medicine Bundle is about a bundle that was used in my family to heal my Great Great Grandfather from a smallpox epidemic and a life threatening wound from a gatling gun used against him during the Battle Of Cutknife Hill in 1885.
An experimental video for electro-feminist-performance-artists Le Tigre, the early eighties MTV aesthetic unpacks a thoroughly current obsession: the hidden erotics of office supplies.
Displays of violent weather conditions, electrical storms, tornados, floods, fires and other eruptions are contrasted and equated with equally awe-inspiring images of technology that harnesses or mimics nature.
Paternal Rites is a first-person essay film that examines the secret underbelly of a contemporary Jewish American family as they grapple with the aftereffects of physical and sexual abuse on their present-day lives.
A collision of separate pasts, this film pieces together fragments of the director's own images and text from a 1991 visit to the East German town of Halle with those produced by Bauhaus painter Lyonel Feininger in 19
If second lives have grown into the landscape of social network space and avatars engage a full range of human emotions and experience, it follows that they would eventually encounter existential questions.
Using Wagner's Faust as a touchstone, Damnation of Faust is a trilogy of highly structured and composed video works evoking a free-floating, non-linear dream or memory.
This tape is, in effect, a ready-made. Produced by the Pepsi Cola Company for its own use, it was accidentally substituted for one of my tapes in 1974.
The seventh in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here–visual anthropologist Wendi Starr-Brown, Hapa video and performance artist Kip Fulbeck, Japanese-American artist Dorothy Imagire, Chicana mix
The daily life of the Hunikui village of Sâo Joaquim, on the river Jordâo in the state of Acre. Augustinho, village shaman and patriarch, and his wife and father-in-law, remember the fetters of the rubber plantations and celebrate a new era.
Linda Montano (b. 1942) is an American performance and video artist. At the source of’s work is her search for a personal harmony and balance.
Abscam (Framed) frames the FBI sting operation known as "Abscam" by mixing FBI surveillance footage of Congressman Michael "Ozzie" Meyers with footage shot by Lord at the Motel where the original sting occurred—in the process, inserting the art
Acconci explodes the notion of an artist’s creation, his creative act being the build-up and discharge of saliva, an activity more properly belonging to the realm of necessary and autonomic bodily functions than art.
Contemporary American composer and performance artist Robert Ashley (1930-2014) was a pioneer in the development of large-scale, collaborative performance works and new uses of language in operas and recordings.
A combination of experimental and narrative approaches which explore the commodification of rebellion as it is marketed to youth culture, through the eyes of two drug-dealing, teenage girls from Brooklyn who "accidentally" kill and mutilate their favori
Gallup, New Mexico, in the American Southwest, has hosted the Inter-Tribal Indian Ceremonial annually since 1922.
Home Movies Gaza introduces us to the Gaza Strip as a mircrocosm for the failure of civilization.
A foley artist creates sounds for a film featuring a dressage horse and dissolves into their own imitation.
Born and raised in Japan and a resident of New York since 1976, Eiko Otake is a movement-based, interdisciplinary artist.
In My Dinner With Weegee Donigan Cumming weaves together two life stories.
A journey into the centre of Hell; Dante's The Divine Comedy, illustrated by Gustav Dore's wood engravings and animated by scratching directly into the surface of the film.
Danh Vo is a Vietnamese-born Danish conceptual artist, currently living and working between Berlin and Mexico City. His large installations often deal with issues of personal identity and belonging.
In this cooking demonstration/performance, Sobell wears a chicken carcass over her face while dressing (literally, in baby clothes) a chicken to be cooked for dinner.
Cacheu is a 10-minute shot of a lecture, performed by Joana Barrios, revolving around four colonial statues, which are stored today at the Fortress of Cacheu, one of the first bastions constructed by the Portuguese in 1588 in order to facilitate slave trade in the West African country of Guinea Bissau. Barrios evokes symbolic conflicts by tracing back different contexts in which the statues make an appearance: on a pedestal during Portuguese colonialism, dethroned and broken in pieces after Independence in the film Sans Soleil by Chris Marker, as background ghosts in Mortu Nega by Flora Gomes, and finally displayed at the Cacheu fort. The montage is a process that takes place before shooting, so that the image production is a result of a performative assemblage between text, acting, projected image and the framing of the camera by the director of photography, Matthias Biber.
In a garden of roses and memorabilia from darkest Africa, a man and woman ponder the joy of cooking and the companionship of cats. Goodies for the guts abound in this visual essay on feline friendship and far away places.
1! is part of the Pop Manifestos series, a five video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE.
Hotel Globo critically examines the changing urban surface of Luanda through video, photographic and performative incursions into the interior landscapes of the 1950s Hotel Globo in Luanda, Angola.
Primate Cinema: Apes as Family is a drama made expressly for chimpanzees – and the chimps' reaction to its screening at the Edinburgh Zoo. Chimpanzees watch television as a form of enrichment in captivity.
The word-based art and performances crafted by world-renowned artist Alison Knowles (b.1933) are central to the 1960s international Fluxus movement and its enduring legacy.
This sumptuous Valentine sent by Miss Philly unfolds with the lavish lushness of love for HIM whom she adores.
Carole S. Vance is an anthropologist and writer and Associate Research Scientist of Public Health and Director of the Program for the Study of Sexuality, Gender, Health and Human Rights at Columbia University.
Modeled after NBC’s long-running science program Watch Mr. Wizard, this tape features Torreano as Mr. Wizard instructing a skeptical boy on how to build a diamond out of pieces of wood.
An electronic disturbance created during a live audio meltdown by Animal Charm as part of their Hot Mirror Mix in the fall of 1998.
Shot in Lebanon, Syria and Jordan, this essay uses transportation, video, and photography to examine images circulating in a historically charged, and presently war-torn and divided, Middle East.