Embark on an expressive excursion into the body of a young man who’s lips issue words from his soul.

“The syntactic structure and lateral movement of Arcade match its fairground equivalent.

This meditative silent video features gradual evolving swirls on top of vertically synced bars. Their ever-changing color, shapes, and sizes demonstrate the subtleties achieved through  image processing.

stammering forward backward GIANT is a re-edit of George Stevens' 1956 film Giant - an epic story of Texas, oil and racism.

In response to the 1994 Republican campaign Contract with America that ushered in the first GOP House majority in over 42 years, Ligorano Reese screen printed men’s and women’s cotton briefs with the face of Newt Gingrich on the crotch a

In this episode of The Brenda and Glennda Show, Brenda and Glennda comically debate changing the name of their show to Drag Queens for Jesus, in order to convert all the secular homosexuals to Christianity

Rosie Cutler, a middle school lunch lady, and TJ Fortune, a outcast student, have an unusual relationship.

Berlin-based Danish artist Olafur Eliasson complicates and simulates perception through his installations, sculptures, and photographs.

“Nobody likes you if they think you’re rude- you better act the way you should.” But we didn’t.

The first in a pair of silent Super 8 films centering on the backyard of a modest house in a coastal community of north San Diego County.

M+ Museum presented A Body in Hong Kong in two locations as part of Mobile M+: Live Art, 2015. Tim Mei Avenue, where Eiko chose and performed, was the main site of 2014 Umbrella Revolution.

Une Ville de l'Avenir uses the lens of Alphaville to look at the City of the Future that we live in today. The modernism of La Defense in Paris is the setting for this chilling revisiting.

Partially Buried explores a web of genealogical traces. In this work the artist probes the notion of sites of memory as well as site-specific work by focusing on the location of Kent, Ohio.

At the computer, I cut video threads of wind storms and quaking trees.

A surreal vision of one man's endeavor to contact the spirit world and come to terms with nightmares of a mysterious death.  A séance is orchestrated according to instructions written in 1920 by revered parapsychologist Hereward Carrington, voiced

A primer in satellite system operation, Send/Receive extends the critique of media as commodity by asking questions concerning the people's right to access satellites.

Performance engineers Survival Research Laboratories (SRL) construct machines that live in their own fictional world, acting out scenarios of perpetual torment, exasperated consumption, and tragic recognition.

UK, November 26th 2005

The perception of an Anglo-American hotel room is coloured by new revelations about 'The War on Terror' and 'The Special Relationship' that exists between Britain and the USA.

Baldessari has Ed Henderson examine obscure movie stills and attempt to reconstruct the films’ narratives.

Banshee is a duet between Margaret Leng Tan playing The Banshee (Henry Cowell) and Eiko's Night With Moths (camera by Rebekkah Palov) in a performance of The Duet Project: Distan

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture.

Nurit Sharett visited the city of Hebron over the course of a year, teaching video art to a group of young Palestinian women. Over time the artist established firm relationships with three of her students and their families.

Strangely Ordinary This Devotion is a visceral exploration of feral domesticity, queer desire, and fantasy in a world under the threat of climate change.

This is the flowers under attack. An entire ecosystem under attack. This is the omen of the bugambilia. This is the pulsation of the nervous trance of petals in the anthropocentric times. Part of the Hauntology series.

The union of humankind and the camera is a long and sordid tale. This lyrical dance illustrates the inseparable nature of the two.

There were three brides, and they all married at different times to different people in different places.

Decidedly low-tech, this optical abstraction begins with a shot of an aluminum reflector inside a lamp; a lightbulb in the shot’s center flicks on and off.

A defiant, weird, DIY lament on not keeping calm in toxic times.

A young boy caught in an emotional web spun by adults must untangle the relationships that are deep as the sea surrounding him.

A one-hour heliocopter flight over the suburban sprawl of Long Island to Fresh Kills, the New York City Landfill on Staten Island; accompanied by an operatic audio-mix of bad-mouth talk-radio mayhem and historic nostalgia.

Slip is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

Inspired in part by the cover of "Megatron Man," Patrick Cowley's archetypal 80s disco album, Robot Love is a celebration of the playful, synthetic, party-driven, disposable culture of disco.

The 1949 Housing Act, often seen as the beginning of urban renewal, reshaped the landscapes of many American cities.

In 1971, graduate student Gloria Orenstein receives a call from surrealist artist Leonora Carrington that sparks a lifelong journey into art, ecofeminism, and shamanism.

My Heart Belongs to Daddy is the third in a trilogy of experimental videos (Mad About the Boy and Can't Help Lovin' Dat Man).

Best known for her carved wooden heads wrapped in black leather affixed with zippers, glass eyes, enamel noses, spikes and straps, Nancy Grossman (b.1940) is accomplishe

In 1973 Joan Nestle co-founded the Lesbian Herstory Archives, an essential collection of documents, writings, and artifacts of lesbian cultural history.

A cross-generational binding of three filmmakers seeking alternative possibilities to the power structures they are inherently part of. Each woman extends her reach to a subject she is outside of.

An evening-length collaboration work with the celebrated avant-garde pianist Margaret Leng Tan. The stage set is by Eiko & Koma and the lighting is by David Ferri.

I drove around the U.S. filming these super maximum-security prison buildings the spring and summer after the World Trade Center bombing.

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self.

Filmed directly from the screen of a smartphone using a language translator app that has been told to translate from French into English, Steve Hates Fish interprets the signage and architecture in a busy London shopping street.

It's the season of joy once again and this video depicts the tasty and the troublesome in big, heaping spoonfuls.  Witness a social whirlpool of whipped confections and stripped confessions tastefully prepared in soupy symbolism.  See man and

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.

Multiple sources of feedback-generated computer animations mixed with images and sounds from electronic oscillators via an analog video switcher. The sound is delayed with Max/ MSP.

Too Many Things visits the world of objects — their accumulation and dispersal — and their creation of cummunities of curiosity.  The title is somewhat ironic.  My work has always fed on things as the symbolic and incidental expressio

Buffalo, New York, which was once a prosperous city, is home to several architectural masterpieces built in the late 19th century to the early 20th century, such as the Darwin D.

Social Media Exodus (Call and Response) is part two of Zach Blas's Contra-Internet Inversion Practice series.

Two bizarrely costumed characters – a human ‘chicken’ in a fat suit, and an elaborate folksy creature called an ‘authenticity fetish’- meet and debate their plight.

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.