Silver directs and performs all the roles in this raucous and hilarious music video rendition of Lynyrd Skynyrd’s "Freebird", the infamous Southern rock anthem for an entire generation of 1970s male youth.

This is the fourth work of Eiko's 2020 Wesleyan Virtual Creative Residency and a collaboration with William Johnston.

A winter chill sets in making the furry residents of various dwelling places a center of affection and reflection. The images conjured up are steeped in a twilight worthy of polar pinpoints in the grip of glaciated gloom.

I could not remember anything about my childhood before the age of twelve. I made a decision to remember.

Logging and approximating a relationship between audio recordings of the artist and his father, and videos gathered of the landscapes they both separately traversed.

Based on live testimony, historical documents from my Egyptian Jewish family’s archives, and fragments from the renowned Cairo Geniza discovered in the 19th century in the Ben Ezra synagogue in Cairo, which includes documents from the 9th-19th cen

Part of the paraconsistent sequence series.

Over a montage of family photographs, Freed’s narration questions the consistency of memory and self over time, with Freed displaying a quizzical and sometimes hostile relation to her past.

This film is an appropriation from the 1955 movie Oklahoma.

Oued Nefifik: A Foreign Movie is an experimental narrative that incorporates an actual political situation. The film was shot in the immediate aftermath of violent repression following food riots in Casablanca, June 1981.

In our 'freelancer' age in general, even before the lockdowns, many find themselves domestically confined, using mostly a computer screen to branch out.

The Soft Science “Cinema of Attractions” is a series of short movies by scientists. Commission and concept by Rachel Mayeri, electronic compositions and musical accompaniment by Joe Milutis.

In this interview, extreme performance artist and 1990s culture warrior Ron Athey (b.1961) discusses the genesis of his provocative performance style and the memories and desires that continue to motivate his practice. Athey describes how his particular approach to performance developed dually from his religious upbringing and exposure to devotional theater, as well as from his later interest in the DIY grandiosity of the Los Angeles punk scene.

In this interview with Melika Bass, a Chicago-based filmmaker and installation artist, Camilo Restrepo discusses how he became a filmmaker and how he chooses to document his native home of Colombia.

“Take back the airwaves: Mexico’s video art doyenne Ximena Cuevas books herself onto the tabloid talk show Tombola (Raffle), toying at first with whimsical deconstruction until she turns the whole affair on its head by seizing the televisual flow itself.”

Laurie was inspired by Laurie Weeks’ uncanny ability to simultaneously embody her characters and write them from a clear distance.

“We lose good artists to the past all the time because their work was ephemeral, or difficult, or fashion wasn’t on their side.

Portuguese House is a journey throughout Lisbon, visiting the houses built by African communities from the Portuguese ex-colonies that have already been demolished.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

The third installment in the Action Series. Two characters engage Ann Hamilton's Headlands kitchen-space and create temporal resonances. To survive they must break the fast (a midnight snack) and service the meal.

Though difficult at times to understand what is happening due to audio damage, this tape provides rich historical documentation of a protest on Wall Street in May of 1971.

In the center of the rising Temple, the history, myth, ancestral and infrareal combine their rhythms into the cycle life of ritual cinema. Trance and shamanic visions arise into the ancient Teocalli.  

Ice is fashioned into a magnifying lens and it is used to start a fire. Created in 1974 and restaged 2004.

Torn over the pressure to perform for his audience, Acconci fantasizes about "a dancing bear" who takes his place, performing in the spotlight, doing what others want, "what I always had to do."  The viewer is placed in the position of an authority

Vanessa is based on the untimely death of Vanessa Jordan. A work about loss and Michelangelo.

"This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher.

Skip Blumberg of the Videofreex conducts an interview with Charles “Cappy” Pinderhughes, the Lieutenant of Information of the New Haven branch of the Black Panther Party.

In the four videos on this compilation, Helen Mirra utilizes performance, repetition, and the recitation of song to evoke the natural world, the sea, and landscape.

An example of what Reeves terms “video poetics,” layered images of a deserted village in the Spanish countryside play counterpoint to poetry by Cesar Vallejo and Pablo Neruda.

Presenting his bare torso to the camera, Nauman meticulously applies, and removes, layers of white and black pigment, to his face, arms, and chest.

"Conspiracy Of Lies speaks of the alienation of minorities, of consumer culture, urban isolation and the fine balance between mental order and chaos.

The secret lives of invisible magnetic fields are revealed as chaotic ever-changing geometries. All action takes place around NASA's Space Sciences Laboratories, UC Berkeley, to recordings of space scientists describing their discoveries.

As an ominous voice guides us through Best Is Man’s Breath Quality, we are confronted by dense and complex images and sounds that appear and disappear before us.

Body Images is an exploration of the television screen as a graphic surface, and movement, line, shape and time are the elements used as design tools.

Part of paraconsistent sequence series and the hauntology series.

The Look of Love: A Gothic Romance is an experimental video/audio collage in four acts. Performing in various guises, Suzie Silver embarks on a quest for the magnificence—and horror—of desire and pleasure.

Oral Fixations is a single channel video installation that evolves over a seven hour time period. The project is a darkly humorous look at a habit of endless consumption and the resulting accumulation of waste.

The New Year is upon everyone in Bay City. Music plays, strangers mingle, friends get raunchy and the calories pile on as the sky comes ablaze with pyrotechnic pizzazz.

Grappling with a latent gas mask fetish, in Less Lethal Fetishes Cuthand muses on art world political controversies, toxic emissions from the petrochemical industry, and complicity in repression and pollution as an artist enmeshed in an art and

The music of John Bender punctuates a flow of processed images.

In Reel 1, newly re-mastered in 2005, a series of vignettes and jokes to camera take place, some starring Wegman’s droll and obliging canine partner Man Ray.

A fairy tale, a road movie, a folly.

"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture.  These projection surfaces in turn alternate with images of a rock band whose music continuo

Lesser Apes tells the story of a love affair between a primatologist, Farrah, and a female bonobo ape, Meema. Bonobos are the species with which humans share the most DNA, but unlike our species, they are matriarchal, live without conflict, and are unabashedly sexual. A paean to perversion, the film combines animation, live action and song to challenge attitudes about sex, language and our relationship to nature.

The Choco area in Colombia is isolated between the sea and the forest. Religious missions, military operations, and tourists have come and gone within the region — coexisting and ignoring each other simultaneously.

Danny Tisdale is a performance artist from New York City.

For Example: Decorated is a talk show featuring art world personalities Britte Le Va, Peter Gordon, and James Sarkis.

Revolving around a movie mogul’s familial intrigues, Made In Hollywood tells the story of two artists selling out to make movies, and a simple country girl’s angelic rise to fame despite it all.

A silent, moving poem, this video incorporates the “voices” of a wide variety of text sources into one scrolling script.

A film titled Dance Movie (or, alternatively, Rollerskate) appears in many Warhol filmographies, but no work with this title has been found in the archive. The lost film, starring dancer Fred Herko, was shot in 1963.