3 Peonies is a brief, poetic 16mm film of a simple sculptural action.

Every Wandering Cloud is the first installment in a series of experimental videos inspired by the writings of Oscar Wilde.

By assembling these three films, the Endless Dreams compilation provides a unique opportunity to explore the vast array of cinematic modes employed by Green’s filmic oeuvre, and how these are articulated in her layered spatial and extrasensory

The foliage and sprouting of urban greenery becomes the subject of this celebration to all things pollinated. The video explores hidden gardens that lie sequestered amid an array of dwellings inhabited by the not so rich and famous.

"This is an experimental virtual reality artwork, and while it offers opportunity for interaction, calling this a game goes too far. It is a disappointment simulator, a best-artist-ever-all-the-time artist simulator, a hospice simulator.

Double Sigh is a video in which my mother reenacts a moment from my adolescence. In confronting the viewer directly, my mother's anger, frustration and sadness are imposed on the audience.

– Julia Hechtman

Androgina is a stand-alone work excerpted from Generic Video Art.

This waltz is a set of circular and fragmented compositions, in which a rhythmic and haunted dance hides an eroded lunar landscape. The microscopic rubble of our contemporary civilization. Part of the Lunar Films series.

This is a video of musical terror where I superficially — this is the beginning of a larger project —l look at one of the Mexican phenomena that horrifies me the most: internalized racism, being ashamed of one's own roots.

Pulling Up Roots is the emotional journey of a woman who is navigating the tenuous strain between the past and the future.

Using the fictional character of “Vicki” as a foil, this confessional boy story confronts sexual politics head on.

Unhinging the narrative conventions and stereotypical elements of the whodunit occult thriller, Chained Reactions is an update of film noir style.

TV's invasion of viewers' domiciles gets turned upside down in the video as a fan's (Millner) domestic life is superimposed onto the set of Roseanne, driving home unexpected reverberations as the nuclear family teeters on the edge of dysfunctio

An independent film portrait of singer/songwriter Elliott Smith in Portland, Oregon in 1996, wherein he plays three songs. The songs were done live acoustic--in his old studio, a living room, and a bathroom (it was quiet in there).

Last Man is made of the raw footage of security cameras that stream online.

Former East/Former West was shot in Berlin three years after German reunification. Comprised largely of street interviews conducted in various parts of the city, the video documents Berliners' feelings about their national identity.

West coast artists, Mike Mandel (b.1950) and Larry Sultan (1946-2009) became artistic collaborators in 1972 while both enrolled in the San Francisco Art Institute’s MFA program.

A piece of movie film has survived the forthcoming Ice Age and is discovered by Venusian scientists--5000 years from now... This work is a correspondence of two information fragments of different origins and times that met by accident.

In the Post Pony Trilogy, Coonley serves as frustrated host to a series of flawed lessons on currency markets and current events. His heartbreak over a missing pony sidekick presents an obstacle to achieving his pedagogical goals.

"This is the first of a set of pieces that involve combining a series of electronic video process recordings, musics, texts and appropriated materials. These multiple elements, simple and tricky grammars, trigger expanding electronic narratives.

Sitting at an altar decorated with a kitsch collection of cultural fetish items, and wearing a border patrolman’s jacket decorated with buttons, bananas, beads, and shells, Gómez-Peña delivers a sly and bitter indictment of U.S.

A collaboration with DonChristian Jones.
Filmed during the Rauschenberg Foundation Residency November 2017.

This flashy drama about theater life was made with my students at the San Francisco Art Institute and follows the various personalities that make up the show-biz milieu of a fictitious city on a fog bound coast.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times – the period just after Chairman Bobby Seale was wro

Part of the paraconsistent sequence series.

McGuire constructs a murky black and white soap-opera world of endless, timeless, and placeless limbo, where the characters talk to each other entirely in clichés, bad poetry, and other contrite forms of speech — a short TV show in which nothing is reso

There were three brides, and they all married at different times to different people in different places.

The fourth video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on t

This humorous video begins with two women—one white, the other Asian—attempting to fit into a Japanese bathtub.

A satire of the political television spot, Perfect Leader shows that ideology is the product and power is the payoff.

A queer rewriting of the events surrounding the 1968 National Democratic Convention in Chicago from the point of view of French writer Jean Genet. Along the way Genet will meet, amongst others, Allen Ginsberg, William S.

In Two-Spirits Speak Out, Brenda and Glennda interview members of We'Wah and Bar-Chee-Ampe, one of the first Two-Spirit Native American organizations in New York.

A portrait of risk and language, DAREDEVILS, presents the experimental narrative of a writer as she interviews a well-known artist and feels the reverberations of their discussion throughout her day.

Modeled after NBC’s long-running science program Watch Mr. Wizard, this tape features Torreano as Mr. Wizard instructing a skeptical boy on how to build a diamond out of pieces of wood.

At the heart of Alone With You is the notion of impassioned avarice, i.e. the kind of motivated acquisitiveness that drives both erotic desire and obsessive collecting.

Prime Time is a video collage of violent imagery appropriated from American commercial network television. The work features rapid-fire editing (i.e., for analog 3/4" video technology) often used by network pro

Scratch of image. As a consequence of a global quarantine, an entire device emerged. With much of humanity locked up and eager for communication, a pandemic exhibitionism went viral. Covid-19 mobilizes an audiovisual pandemic.

A rising moon and lowering standards in secular shenanigans highlight this documentary on the making of a sci-fi epic for mini-adults.

A Palestinian filmmaker is writing a script in his New York apartment during the first Gulf war. As much as he tries to shut himself off from the exterior world, images of past wars in the Middle East come back to haunt him.

The introductory title to The Blindness Series, aletheia presents an indexing of categories investigating different aspects of blindness as metaphor.

A video about the conception of video and of life itself. This work suggests that all that is conceived transcends the division between the external and interior worlds.

In Portuguese with English subtitles.

Going Around In Circles continues Holt's interest in perception and point of view. A board with five circular holes is placed in front of the camera.

The everyday performance of domestic labor is teleported into a surreal game world where an emotionally responsive AI chatbot provides no answers.

It’s the first day of autumn, and Gibbons can already smell death in the air.

Born in Los Angeles in 1933, Michelle Stuart spearheaded the use of non-traditional materials from nature in the early '70s, and has produced and exhibited her work internationally.

a/k/a Mrs. George Gilbert extends Coco Fusco’s in-depth examination of racialized imagery.

In Dani Leventhal’s Platonic, geometric specters twirl in space; pet cats foam at the mouth; a little boy mistakes his junkie dad for a superhero; and a confused adolescent worries he has sired a centaur. Platonic references both the ancient philosopher’s metaphysics of ideal Forms, which simultaneously exist outside our perceptions and yet give rise to them, and the related meaning in common parlance of non-romantic love.

Company Line is a film about one of the first predominately Black neighborhoods in Mansfield, Ohio.

Love Songs #1 is composed of three pieces that pose questions about urban culture, race, and politics. Found footage images are manipulated and juxtaposed with popular music; the effects are unsettling, ironic, and sometimes humorous.

When she was 16, Benning stopped going to high school for three weeks and stayed inside with her camera, her TV set, and a pile of dirty laundry. This tape mirrors her psyche during this time.