"It was as if I was living by the Nike slogan Just Do It."
— George Barber

This experimental documentary meditates on the space between two bodies and explores three key bodies in transition: the erotic "cruising" body, the transgender body, and the pregnant body.

We are what we eat, and we talk about what we are; so, naturally, we get hungry all the time. Join my friends as we not only hear, but see what they are and taste the essence of each one without the fear of emotional attachment.

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

Displaying a broad range of Golden Age Hollywood animation, Manifestoon is an homage to the latent subversiveness of cartoons. Though U.S.

This found-footage video looks at the demagogic aspirations of Huey Long, Father Charles Coughlin, Joseph McCarthy, and George Wallace, concluding with Donald Trump. American history is filled with such characters.

In 1985 the great soprano Leontyne Price sang the title role in Verdi’s Aida as her farewell opera. After the ‘O patria mia’ aria, the audience breaks into a four-minute applause.

Pemp traces the 25-year struggle of the Parakatêjê (Gavião) to maintain autonomy in the face of huge development projects in the south of Pará.

This is sort of an Easter holiday affair as it has bunny images in it, plus the finale was shot on an Easter Sunday visit to a friend’s gallery.

By assembling these three films, the Endless Dreams compilation provides a unique opportunity to explore the vast array of cinematic modes employed by Green’s filmic oeuvre, and how these are articulated in her layered spatial and extrasensory

Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the cor

Appealing concurrently in this video essay to various

Using the fictional character of “Vicki” as a foil, this confessional boy story confronts sexual politics head on.

South Circular first shows us two women, in the shadow of nondescript ruins over the Tagus river in Lisbon.

A brief dialogue between Marianne Renoir and Pierrot and a short description-reading from ‘Pierrot le fou’ about Diego Velázquez – these intersect with a visual moment to constitute the outline of a perception and the occurrence of the idea of ‘el puebl

Pagan and Christian souls clash in this student-collaborated mix of the defrocked and the deflowered.

"Beginning in 2020, in response to the cultural and political upheavals that were playing out in the United States, I started making a series of videos to help me understand and cope with what was going on around me.

The secret history of hobo and railworker graffiti.

Originally commissioned by the Harvard Art Museums in response to the life and work of David Wojnarowicz, Survivor’s Remorse looks at how both art and bodies are maintained and the socio-economic influences that create a chasm between the value

A camcorder diary and chronicle of public opinion in Moscow during a time of huge political, economic, and hence cultural, changes in the former Soviet Union.

An audiovisual being who has the power to shape shift. Part of shamanic materialism. 

In response to the dominant impression that gay people are white people, Orientations aims to set the record straight on homosexual identity.

Everglades is a project Levy began while a resident artist in Florida's Everglades National Park.

This social satire on total, faceless authority begins with Smith bewildered by forces he doesn’t understand.

Paris, as in other metropolitan European cities, is rejuvenated by the influx of border crossing urbanites.

CB is an experimental bio-pic: its heroine, Charlotte Brontë. A collaboration between Doug Ischar and Tom Daws, CB was commissioned by the Laumeier Museum, St. Louis, for their inaugural Nightlight series.

Tortillas are an ancestral and sacred food, our transmuted corn. The circular nourishment that represents the luminous and colorful side of the moon on which our life is nourished.

A stutter-step progression of "extended moments" unmasks the technological "miracle" of Wonder Woman's transformation, playing psychological transformation off of television product.

Space Ghost compares the experiences of astronauts and prisoners, using popular depictions of space travel to illustrate the physical and existential aspects of incarceration: sensory deprivation, the perception of time as chaotic and indistinguishable, the displacement of losing face-to-face contact, and the sense of existing in a different but parallel universe with family and loved ones.

Physical comparisons such as the close living quarters, the intensity of the immediate environment, and sensory deprivation, soon give way to psychological ones: the isolation, the changing sense of time, and the experience of earth as distant, inaccessible, and desirable. The analogy extends to media representations that hold astronauts and prisoners in an inverse relationship: the super citizen vs. the super-predator. Astronauts, ceaselessly publicized, are frozen in time and memory whereas prisoners, anonymous and ignored, age without being remembered.

Framing the solo exhibition Prophetic Memory, this video remediates images of the NYC nonprofit art gallery, Artists Space, with the filmmaker’s grandmother's descriptions of how she would use her interior design

Soliloquy is from Martine Syms’ Kita’s World series. In the series, Kita enacts the performances of everyday life in a hyper-digitized world.

An insert square of a man running is superimposed over a magnified mouth that speaks to him — first in nurturing encouragement, then with a no-win Mommie Dearest kind of criticism. Originally presented as an installation on six monitors, Deadline focuses on “the stress man feels in the urban environment,” using a range of digital video effects to stretch, compress, flip and fracture the image.

Kentridge's hauntingly beautiful series of animated black and white drawings brings viewers into the artist's unconscious.

Invited to speak at an Indigenous Revolutionary Meeting, the narrator describes an intimate encounter with an Evil Colonizing Queen which leads to Turtle Island's contraction of an invasive European

A collage piece. Oppositions of agony and ecstasy are explored. Morticia trims yet another rose stem, while Bugs Bunny takes up Zen. Guilt-wracked, a nun tries furtively to cleans herself of imagined sin. Or attain spiritual release.

Representing the complex lives of transgender and gender variant musicians in the US and Canada, Riot Acts offers a first-hand perspective of the intersections between gender performance and stage performance.

Taped on Prince Street in Soho, New York City, Skip Blumberg creates a one-word performance.

Eiko Otake’s I Invited Myself is a multi-volume installation which features choreography of place, movements of both performer and viewers, along with projections of selected video and film works created by Eiko over the last 40 years

Christmas Eve. A man alone finds someone he can talk to.

The later 1950s and early 1960s saw the development and proliferation of radically new forms of dance driven by a desire to understand the essentiality of movement divorced from traditional, balletic and modern syntaxes.

A Palestinian filmmaker is writing a script in his New York apartment during the first Gulf war. As much as he tries to shut himself off from the exterior world, images of past wars in the Middle East come back to haunt him.

Shared Resources depicts the filmmaker’s family after their father was fired from his job as a debt collector and their parents declared bankruptcy, largely due to the filmmaker’s own debt.

Part of the paraconsistent sequence series.

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons, whose springboard becomes a surfboard as he fantasizes about his days as a lifeguard in 1963, when the young Brian Wilson would sit and jot down the songs he would sing while saving lives.

This film is an appropriation from the 1949 movie On the Town.

...were repeatedly raised and lowered and people grew exhausted from never knowing if the moment was at hand or was still to come A project of The Speculative Archive "Peace. I don't want it. Justice. Why? Victory? Makes me sick! Love?

"Superimposing the stories of two women—the filmmaker’s late grandmother and the amateur filmmaker Joan Thurber Baldwin—Home When You Return explores the psychogeographies of mourning through a variety of

A short, hilarious cooking mantra, featuring Sister Dimension, The "Lady" Bunny, RuPaul, David Dalrymple, Lahoma Van Zandt and Maria Ayala. "Where's the pickle? That's the surprise!"

Feminist artist Lynda Benglis is known for her sculptures, video performances, paintings, and photography. Her work in the 1970s was controversial, delving into issues of gender roles within and outside the art world.

The latest in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2004 campaigns, and highlights the development of the political strategy and marketing techniques of the T