Showcasing a solo organ recital, Victor Solo features seven sets of organ works. A narrator, possibly the organ player, announces work titles before each set.

Imagine that the camera is possessed with a psychosis similar to human schizophrenia; suppose that this disease subtly changes every single frame of film while leaving the narrative superficially intact.

"Here is Everything presents itself as a message from The Future, as narrated by a cat and a rabbit, spirit guides who explain that they've decided to speak to us via a contemporary art video because they understand this to be our highest form

Eiko performed unannounced in the Cathedral of St. John Divine, New York City as an artist in residence in 2016-2018.

Camera by Alexis Moh.

The result of a three-year project with inmates from a high security prison in Romania, Wings for Dogs is an essay about language and its capacity to simultaneously communicate and hide issues connected to guilt and responsibility.

Les Levine has had a longstanding involvement with media. His works-video, installations, public posters, and other forms-have often dealt with the effect of images on our lives.

The colorized abstractions of Moog Images were created by feeding Moog synthesizer oscillators into the video inputs of a television monitor.

Shot in December 1969, this video documents a live performance by the Incredible String Band at the Fillmore East, NYC.

This is the invocation to the gods, the incense to the gods. A kinetic dance to the gods.

“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general.

Rackstraw Downes’s “observation” paintings, executed on-site at ponds, intersections, and baseball parks, began as a mischievous response to the dogma of style and modernist criticism.

Sable Elyse Smith's How We Tell Stories to Children is a single channel video that combines found footage, music clips, and audio of the artist reading with video clips of her father recording himself from prison.

Starting with an activity as basic as four hands clapping, Landry composes an arresting visual documentation of the fundamentals of music through a play of visual and sonic rhythms.

Gone is a two-channel installation based on the second episode of An American Family — the landmark PBS verité docu

This compilation is a fresh, witty, and compelling addition to video’s rich legacy of media deconstruction.

Featuring Ken and Louise from Wendy Clarke's One on One video series, this video exchange encompasses a shared passion for music and pure emotional vulnerability that creates an incredibly intimate relationship between these two strangers throu

The unusual combination of a sound like a singing saw accompanies sweet images of frolicking lambs in the meadow, galloping horses, and a strange boy, is eerily beautiful and pure.

A shot-for-shot remake of the climax of Tokyo Story (Yasujiro Ozu, 1953).

A dissemination of suspended bodies in the liminal space.

This meditation on family and friends uses, as a point of departure, the relationship between the maker and his grandparents.

Awarded a MacArthur “Genius” Fellowship in 2014, Rick Lowe is a leading practitioner of social practice art. His Row Houses project is a highly lauded example of relational aesthetics successfully deployed.

An old Russian Akula submarine, armed with ballistic nuclear missiles, is assigned a new captain. But Captain Pavel seems to care very little for Navy protocol.

Futures for Failures is a double narrative of failure: architectural and social. Archival footage from a demolition of the Pruitt-Igoe building in St. Louis manifests as the materialization of modernity’s failure.

Through a process of degeneration of both sound and image, Just endows the iconic American flag with new context and implication.

Eyal Weizman is a British-Israeli architect and academic. He’s the founder of Forensic Architecture, which uses architectural research to investigate violations of human rights around the world.

In this tape the Videofreex document an impromptu experimental art gathering in 1971, hosted by New York artist, Tosun Bayrak.

In the second part of the Classics Exposed series, a neurotic scholar (Gibbons) leads a "buggy" ride tour through historic Charleston where, according to the professor, Franz Kafka wrote The Metamorphosis after taking a wrong turn on h

white and fifteen movies starring Charlton Heston is a stroboscopic work made from fifteen films starring Charlton Heston. Each film has been algorithmically condensed down to thirty seconds in length.

Offering was co-commissioned by Dancing in the Streets (New York), the Walker Art Center (Minneapolis, where the proscenium version premiered January 9, 2003) and the University of Arizona (Tucson).

Horace Bristol discusses his long career in photography, which began with shooting for Life and Fortune magazines in the 1930s. His photojournalism took him to the Dutch East Indies and post-war Japan.

In this moment when the believability of our reality continues to stretch - blue people are hoping to enter into our reality environment.

In English, Chinese, Haudenosaunee, and Spanish. This video is originally a 2-channel video installation.

Executive produced by Sara Diamond at the Banff Art Centre, co-produced by Michelle Baughn and Suzanne Lacy, directed by Tom Weinberg and Dick Carter, and edited by Holen Kahn.

At this time even the flowery wars are ready to begin and the flowery atavism begins to flash. The flowers, the skulls, the moon and the sun are ready for the sacrificial trance. Part of Tonalli.

An incomplete and imperfect portrait of reflections from Standing Rock. Cleo Keahna recounts his experiences entering, being at, and leaving the camp and the difficulties and the reluctance in looking back with a clear and critical eye.

Peter Schjeldahl (b.1942) began writing his “poetical criticism” for Tom Hess at ArtNews in the mid 1960s.

Wittnerchrome, Exacto Knife, Fishing Line, Sewing Machine

Obscure signs portend a looming, indecipherable slump. An oracular decoding of the landscape.

Love Songs #1 is composed of three pieces that pose questions about urban culture, race, and politics. Found footage images are manipulated and juxtaposed with popular music; the effects are unsettling, ironic, and sometimes humorous.