In this conversation, Cathy Lee Crane (b.
Cats meow and claw at exits beyond the reach of those who suffer within the walls of their own litter boxes.
As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.
Ring attempts to exhibit the “sweet science” of boxing in an elegant way.
Aura of IEVE, edited by Phil Morton, is video documentation of the first Interactive Electronic Visualization Event (IEVE) at the University of Illinois Circle Campus.
A nostalgic glazier shows off his knowledge and expounds his theories. Taking glassmaking processes and history as its central theme, Slow Glass explores ideas about memory, perception and change.
This title documents the participation of artist Aldo Tambellini at the opening of the 1970 exhibition Vision and Televison.
Logging and approximating a relationship between audio recordings of the artist and his father, and videos gathered of the landscapes they both separately traversed.
“When I moved to Hudson Valley, NY state in 1984 after being tied to Tehching Hsieh in his ART/Life: One Year Performance, I began meeting remarkable elders over 80, and sometimes 90, years old.
A collaboration between Jem Cohen and the Washington DC band Fugazi, the project covers the ten-year period following the band's inception in 1987.
The work of Dani Leventhal explores the complicated space that exists between decay and renewal, intimacy and disconnection and the sacred and mundane.
Created at Eiko & Koma's home in the Catskills and set to Gamelan music, Grain was first presented during a month-long season in an East Village loft.
In Final Exit, an aged one is confronted with his options in blunt terms. Does he want to drag out his existence, increasingly infirm and a burden to his caretakers, or go quietly before resentment overwhelms sentiment?
In Oh, Rapunzel, when Rapunzel flees the tower, Condit's mother leaves her home for an independent living facility and a freedom that she has never known. A collaboration between Cecelia Condit and Dick Blau. Music by Stephen Vogel.
REVOLVER is a short film that weaves the perceptual phenomenon of pareidolia (a situation in which someone sees a pattern or image of something that does not exist) with an oral history narrated by a descendent of Exodusters.
Marcia Tucker (1940 - 2006) was a curator, writer and art historian, known for founding the New Museum of Contemporary Art after her dismissal from her curatorial post at the Whitney Museum of American Art due to creative disagreements. Tucker served as the visionary director of the New Museum from 1977 to 1999, during which time she organized major exhibitions like The Time of Our Lives (1999), A Labor of Love (1996), and Bad Girls (1994), and edited the series Documentary Sources in Contemporary Art. As a curator,Tucker championed social engagement, exploration and artistic process. She considered the museum a “laboratory” organization where both art and the practices of the institution itself were always in question. After leaving the New Museum, and until her death in 2006, Tucker worked as a freelance art critic, writer, and lecturer.
Commissioned by Visual AIDS for STILL BEGINNING: The 30th Annual Day With(out) Art
And They Came Riding Into Town on Black and Silver Horses looks at how media representations shape our perception of violence and violent crime, in effect creating racist stereotypes.
A man is shot inside an empty room and he moves and takes on positions continuously out of center.
In a vile and ingenious way, Acconci pleads with the camera/spectator to join with him, to come to him, promising to be honest and begging, "I need it, you need it, c'mon...
As the artist writes on a paper pinned to the wall in chalk, the left hand writes a mirror image of the right hand. The text reads "Symmetry is nature's way of seeing itself. P Kos 2004-2016"
Painter/mixed media artist David Dunlap creates installations and performances that draw from the notebooks he has kept since the mid-’70s—giving three-dimensional, public form to his intimate thoughts and diaries.
In Aspect colour, light and shadow shift across the surface of the forest as the duration of a calendar year is condensed into minutes.
O, Persecuted turns the act of restoring Kassem Hawal’s 1974 Palestinian Militant film Our Small Houses into a performance possible only through film. One that involves speed, bodies, and the movement of the past into a future that collides ideology with escapism.
Production Notes allows us to eavesdrop on the business decisions behind the creation of our daily diet of television commercials.
Through a process of degeneration of both sound and image, Just endows the iconic American flag with new context and implication.
An abandoned rural house, the Ravel Quartet in F major and then rain, wind, snow and fog are the elements of which this video is composed. In an impossible procession, one take presents four atmospheric agents to strike against the house.
A rural sunset at the edge of the water in WandaWega Waters. The natural rhythmic movement of the water’s surface becomes a highly colored abstraction in motion, a meditation on the intersection of nature and technology.
These are the remnants of mass culture in the collective unconscious that spill into reality. Part of the Hauntology and Post-Covid series.
"Starring an inflatable wig holder that I got at a car boot sale in Bremen, Germany, this film began as a demonstration of different film animation techniques, but evolved into a bizarre improvised narrative in which the head escapes from the violent cl
Just a Soul Responding is a four-channel synchronized video installation. A composite of the four channels presented in one video is available from Video Data Bank for educational use only.
The interior of a trash processing plant. The rhythmic intensity of the machinery as it deals with an endless river of refuse becomes a reflection on the madness of unbridled consumption.
This carefully structured documentary is both a character study of DeVito's grandmother, Adeline LeJudas, and an incisive social critique of patriarchal society.
In this interview with Melika Bass, a Chicago-based filmmaker and installation artist, Camilo Restrepo discusses how he became a filmmaker and how he chooses to document his native home of Colombia.
In this video, Brenda and Glennda attend and interview participants at the 1991 New York City Pride March.
Mohamed Yousry: A Life Stands Still (also known as Good Translator) is a short documentary about Mohamed Yousry, a naturalized American citizen who's life changed radically after September 11, 2001.
"In this record of a live performance, Acconci gives physical manifestation to the subterranean regions of the artist’s mind and will, revealing the effort he must make as an artist to simultaneously convince himself and his audience.
Social Media Exodus (Call and Response) is part two of Zach Blas's Contra-Internet Inversion Practice series.
In the second part of the Classics Exposed series, a neurotic scholar (Gibbons) leads a "buggy" ride tour through historic Charleston where, according to the professor, Franz Kafka wrote The Metamorphosis after taking a wrong turn on h
Rubnitz’s short cooking clip showcases a chicken casserole recipe from the kitchen of Elaine Clearfield. All you need is chicken, rice, a packet of Lipton onion soup mix, a can of cream of mushroom condensed soup, and water!
A picture of the day-to-day life of Shomõtsi, an Ashaninka Indian living on the border of Brazil and Peru. Valdete, a teacher and one of the village video makers, highlights his hardheaded and witty uncle.
Illness, treatment, recovery, conversation. This experimental short presents stories of illness and disfunction, bringing together but also separating two performers, their stories, their bodies.
Going Around In Circles continues Holt's interest in perception and point of view. A board with five circular holes is placed in front of the camera.
Five improvisers are asked to ‘channel’ the psyche of Tony Blair. George Barber asks questions, and also feeds the improvisers anecdotes from various sources about Tony Blair’s life and experience as the Prime Minister of the United Kingdom.
As a "Post-Mexican” performance artist operating out of the US for over 20 years, one of my conceptual obsessions has been to constantly reposition myself within the hegemonic maps.
lovehotel uses excerpts from the book Fleshmeat by Australian Internet artist Francesca da Rimini, detailing her life online from 1994 to 1997.
Since the early 1970s, Rackstraw Downes has committed himself to painting from observation, on site, from start to finish. He has painted both urban and rural landscapes, as well as interior spaces, in New York, Texas, and Maine.
Victor Burgin (b.1941) is known as a highly influential artist and a renowned theorist of still and moving images.
The popular images of Asian American males, historically propagated in the mass media, range from "silent, sex-less, obedient houseboy" to "mystic martial arts master".
In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force.