The four-part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

The unstable earth becomes the epicenter of this videotape document which explores—in a fractured way—the relationships between the people, places, and furniture that sit atop the San Andreas Fault.

In Islands, Fung deconstructs the 1956 John Huston film Heaven Knows Mr. Allison to comment on the Caribbean’s relationship to the cinematic image.

Rosa Barba produced a science fiction film based on interviews with local residents and individuals involved in the land suppletion project for Maasvlakte 2. Barba asked the interviewees to imagine what this new land could look like in the future.

The everyday performance of domestic labor is teleported into a surreal game world where an emotionally responsive AI chatbot provides no answers.

Cyclops / "monitor" / minotaur.

Note: A 20-second video loop self-portrait.

This film is an appropriation from the 1953 movie Gentlemen Prefer Blonds.

“What's junk to some people, is treasure to others,” an idea that motivated the work of humanitarian Dorothy Davis.

Part bio, part memoir, Mom’s Move is an intergenerational film about mothers and daughters, women and photography, remembering and forgetting, and the tension between women’s private and public selves.

"I, Soldier is the first part of a video series in which I am dealing with the state-controlled ceremonies for the national days of the Turkish Republic.

In the 1960s and '70s, Hollis Frampton (1936-1984) emerged as one of the most important experimental filmmakers, creating structuralist works such as Zorns Lemma (1970), Poetic Justice (1972), and Nostalgia (1973).

Immaterial Terrain is a film made by Emily Richardson along a seven-mile stretch of the UK coast between Sizewell nuclear power station and the mythic drowned city of Dunwich.

Appealing concurrently in this video essay to various

In the first of George Kuchar’s Alumni Series, he braces the unusually volatile weather, contending with torrential rain and flooding on his way to visit the apartment of alumni Peter Van Langen.

Originally from Canada, Agnes Martin (1912-2004) moved to the U.S. in 1931. Martin lived in Taos, New Mexico from 1954 to 1957, and then moved to New York, where she established her name as an important minimalist painter.

An unexpected ASMR respiratory exam. ASMR is a popular genre of videos on youtube, lead by soothing sounds believed by its creators to generate euphoria, a sound porn of sorts.

The three videos that comprise Jesse McLean Videoworks: Volume 1 (The Eternal Quarter Inch, Somewhere only we know and The Burning Blue) all concern various facets of our complicated emotional and psychological r

Produced in collaboration with MICA-TV, Summer of Love is a public service announcement produced for the American Foundation for AIDS Research. Featuring The B-52’s, David Byrne, Allen Ginsburg, Quentin Crisp, John Kelly, and others.

A three-part series featuring important new works by internationally renowned conceptual artist, Lawrence Weiner, these works continue the themes of role- and game-playing, and the use of language.

This flashy drama about theater life was made with my students at the San Francisco Art Institute and follows the various personalities that make up the show-biz milieu of a fictitious city on a fog bound coast.

Too Many Things visits the world of objects — their accumulation and dispersal — and their creation of cummunities of curiosity.  The title is somewhat ironic.  My work has always fed on things as the symbolic and incidental expressio

Photographer, theorist, and lecturer Victor Burgin lives and works in London.

...Each of these two movies, (both ten minutes in length), deal with elemental Spirits of the imagination and with the cosmic forces in Space and Time...

Two bizarrely costumed characters – a human ‘chicken’ in a fat suit, and an elaborate folksy creature called an ‘authenticity fetish’- meet and debate their plight.

A series of one-minute interview-based spots Martha Rosler made with the American Indian community during her residence in Seattle from 1991 to 1995.

A series of portraits either stroked on canvas or snapped on photo emulsions becomes the theme of this travelette as the viewer relives the visions that confronted me during a hop and skip excursion over state lines and bodily curvatures.

Robert Heineken (1931-2006) used technically sophisticated photographic methods to mingle erotic images with visuals from TV and advertising.

Part of paraconsistent sequence series and the hauntology series.

O, Persecuted turns the act of restoring Kassem Hawal’s 1974 Palestinian Militant film Our Small Houses into a performance possible only through film. One that involves speed, bodies, and the movement of the past into a future that collides ideology with escapism.

A one-hour heliocopter flight over the suburban sprawl of Long Island to Fresh Kills, the New York City Landfill on Staten Island; accompanied by an operatic audio-mix of bad-mouth talk-radio mayhem and historic nostalgia.

In this 2002 interview, filmmaker Joe Gibbons (b.1953) discusses his early work and the path that led him to an interest in both narrative and experimental film. Gibbons recalls how exposure to P.

“In Baldessari’s wonderful Inventory, the artist presents to the camera for thirty minutes an accumulation of indiscriminate and not easily legible objects arranged in order of increasing size and accompanied by a deadpan description — only to have the sense of their relative size destroyed by the continual readjustment of the camera [in order to] keep them within the frame. Who can forget Adlai Stevenson’s solemn television demonstration of the ‘conclusive photographic evidence’ of the Cuban missile sites, discernible over the TV screen as only gray blurs?”

“Animists are people who recognise that the world is full of persons, some of whom are human, and that life is always lived in relationship with others.”

-- Graham Harvey, Animism

In a version of the “teenage diary,” Benning places her feelings of confusion and depression alongside grisly tales from tabloid headlines and brutal events in her neighborhood.

Wobbly's very eccentric approach to music produces sounds and noises that consistently battles Anne McGuire's melodic voice. Anne's lyrics turned poems find a very differenct life in her performances as Freddy McGuire.

Lament is a collaboration with video artist James Byrne. Movement material is adapted from Eiko & Koma's 1984 performance work Elegy. Sound mix by Eiko & Koma.

LYNDALE is a story of shifting family dynamics, told through the relationship of two brothers.

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons, whose springboard becomes a surfboard as he fantasizes about his days as a lifeguard in 1963, when the young Brian Wilson would sit and jot down the songs he would sing while saving lives.

In this video, the unseen narrator describes her inability to communicate to the camera what she wants to say and to whom she wants to say it.

Constituting an Outside (Utopian Plagiarism) is part one of Zach Blas's Contra-Internet Inversion Practice series. Contra-Internet Inversion Practice confronts the transformation of the internet into an instrument for sta

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology.

Irradiation is the thermal emanation of vital heat, the ancestral support that immerses beings in the solar blood. This is the immersion of beings in the bloody solar flow that gives the intense color of our present time.

Super 8 footage layered with Sharpie marked lines and circles obscuring the image illustrates the story of the Cuthand’s experience with temporary episodes of migraine related blindness and his cousin’s self induced blindness later in life.

Taped in Normal, Illinois, during the height of autumn, a snapshot of a young girl triggers a meditation on dying innocence and sizzling sausages as a low, winter sun ignites the smoke of greasy longings and meat-eating hunger.

In Woodstock Festival 1969: First Aid, the Videofreex interview visitors and volunteers in and around the first aid tent about the level of health and hygiene at Woodstock.

Mexican video artist Ximena Cuevas documented the preparations and opening of the Marina Abramovic Videoinstalaciones exhibit at Mexico City's Laboratorio Arte ALameda, the first Abramovic exhibition ever to take place in Mexico, in November of

Southern California visual artist Jud Fine seeks to promote democracy in art—the idea that anyone can be an artist. This video presents the artist and his work in a style that reflects the multi-layered dimensions of his artwork.

Embark on an expressive excursion into the body of a young man who’s lips issue words from his soul.

Millie Wilson is an installation artist whose work proposes a relationship between modernist art practices and modernity’s production of deviance, particularly regarding lesbian stereotypes.

The 1970s witnessed unprecedented artistic development of non-traditional media – chief among them were textiles and fabrics.