Making himself into a “minimalist” prop sculpture in the manner of Richard Serra, Nauman moves through various poses in realtion to the floor and wall.

A military installation is beset by unidentified flying objects while the personnel try to come to grips with their own mysterious yearnings and the cumbersome protuberances that protrude from their own species.

They just flew in from New York, and boy, are their arms tired...

Tapping into cable because of his lousy reception, Mike gets more than he bargained for as he unwittingly becomes trapped in the medium—the “star” of his own cable TV show.

Four short videos by artist Miranda July, covering the period 1996 to 2001.

Earth, in the remote future, is visited by a Cyborg sent out to populate the Universe. The Sun will soon go Nova in its old age, and the Cyborg's visit is a 'mission' to save his earthbound humans from total extinction in this Sci-Fi saga.

"It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess.

In Two-Spirits Speak Out, Brenda and Glennda interview members of We'Wah and Bar-Chee-Ampe, one of the first Two-Spirit Native American organizations in New York.

"I brought live reptiles, birds of prey and exotic flowers to a very stereotyped and neglected section of the city of St.

Part of an ongoing video correspondence with sculptor Robert Morris, Mumble brings together repeated scenes and gestures, featuring Morris and Jim Benglis (the artist's brother), and a narrative of irrelevant, confusing, and often purposefully

Since his early days in Ant Farm, Lord’s evocation of the automobile has been the car as avatar, as the spirit of America—that consummate combination of superior organized corporate technology and the pioneering triumph of the willful individual driver.

In this agit-pop double feature, Cokes celebrates civil disobedience and deconstructs race relations. Cokes inter-cuts political slogans and social facts with an array of footage and juxtaposes the images with pop, rock, and rap soundtracks.

In conversation with David Getsy — an art historian focusing on queer and transgender methodologies in sculpture theory and performance history — Cassils discusses their monumental performance artworks and inspirations.

This is a colorful fable of many foibles involving a man of the cloth who wishes to shed those accouterments for something of a more sinister fabric.

In a fictional conduit space, language and function are recontextualized as the HalfLifers struggle to re-assess the nature of their mission while engaged in an eternal cycle of maintenance and communication routines.

In this reinterpretation of the mikveh — a purifying ritual bath performed by Jewish brides about to marry — the filmmaker and his husband’s immersions are disrupted by a government who refuses to recognize their marriage.

A collection of love tapes made at the Metropolitan Correctional Center, a federal prison in New York City. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

A woman sets out to photograph moments of intimacy.

Utilizing a four-way split screen, Divided Alto documents Landry’s improvised flute performance—focusing on the harmonics of the instrument as he plays double and triple chords.

Addressing the tear that Lucio Fontana cut in the canvases of his Spatial Concepts, the performer, Russ Nordman, rejoins and repairs the split screen.

Primavera is a frenetic experimental animation that documents the pandemic and the Black Lives Matter protests as they intersect in springtime Brooklyn.

This slow-motion film is a glass snow globe with dancers who topple and bounce off the sides of the frame. Re-purposed by Breder at his Dortmund retrospective as Weisse Tasse in which a video was projected on the side of a white cup.

Performing artist Neil Bartlett plays a gay lecturer whose attempt to go back into the closet is betrayed by the contents of his briefcase.

A compilation of two videos that wittily explore counter-cultural identity through lesbian portrayals of iconic stars: in this case, the Beatles and British playwright Joe Orton.

ḤARAM is an essay film portraying the urgent contemporary situation at the Haram Al Sharif/ Noble Sanctuary in the Old City of Jerusalem reflecting on the growing Temple Mount Faithful movement whose goal is to build the Jewish Third Temple on

Illustrating the modern woman’s mantra “I shop therefore I am", Barbara Latham’s Consuming Passions examines the passion for sweets as a replacement for a sense of security and a source of erotic satisfaction.

Emotions and urges, like ripples on a pond in an unexplored forest, reverberates in the human heart where forgotten memories rise to the surface, reflecting souls now haunted and intoxicated by a far place lost in time. 

Clarke works with four men (Paul, Solomon, Eli, and Leslie) making masks for their video image. The video was made through the Arts in Corrections program at the California Institution for Men in Chino, California.

The sale of a plot of land marks the kickoff of an unlikely road trip in this strange American odyssey. When eteam buys an acre of the Southwestern desert on eBay, the deed fails to arrive and the pair attempt to track down the phantom seller.

American, minimalist painter Sol Lewitt (1928-2007) used the grid as a foundation for his many artworks. Seeing himself in the role of architect or composer, Lewitt was most concerned with the concept behind the piece rather than the final product.

Benning illustrates a lustful encounter with a “bad girl,” through the gender posturing and genre interplay of Hollywood stereotypes: posing for the camera as the rebel, the platinum blonde, the gangster, the '50s crooner, and the heavy-lidded vamp.

In Danza Solar, Super8 archival footage of dancers is superimposed with 16mm views of the sun (suns). The film evokes a communal solar trance, both Andean and Mesoamerican.

“Trolling for news we call it,” says Bart Friedman a minute into this video, as he pushes down a road the Lanesville TV News Buggy – a baby carriage filled with video equipment, spilling over with wires.

A video recording of a computer-generated abstract animation that is keyed, wiped and matted by electronic oscillators and feedback. The sound of the electronic oscillators is delayed and pitched to produce modulations.

Award-winning videomaker Kip Fulbeck brings his blistering pace, comedic skill, and critical eye to bear on the Hapa and Asian American male experience—parodying the relationships between sex, love, and martial arts movies.

The language and imagery related to celebrity perfumes (both descriptive and visual) are a starting point to think about consumer desires and the corruptness of branding. Give us your songs, your smells and we will give you everything.

Your Money or Your Life is a video essay on street crime, and on the role played by an atmosphere of pervasive (white) urban fear in structuring and renewing racial antagonism and inequality.

A short breather that smells of ocean salts and barbecued chicken. Friends gather for a celebration in the sun as the surf rolls in and the smoke heads skyward toward who knows what destiny?

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

In this angry answer to the expectations advertising culture places on women and their bodies, Tanaka deftly edits commercial images and sound-bite slogans to underscore the message such images carry: that women exist to please men, as wives, mothers, a

The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images.

Ned the dog eats, growls and passes gas as we, the viewers, pass the time with him and his keepers as they share the stolen hours with us all. It’s all here: the pizza, the memories, the good times and the bad.

"We Utopians are happy / This will last forever"

Concentrating on abstract shapes and color value, Animation 2 is a record of images manipulated through computer animation.

It was 1990 and, although the iron curtain was falling, Soviet official control was still iron-fisted.

Child uses the soap opera format to play with the structure and expectations of the family melodrama.

Military Road is a project of visual mapping of the suburban realities of the city of Lisbon in connection to the migrant fluxes to Europe conected to de-colonization and the end of the Portuguese Empire in Africa.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.

Statement

A last stand for the silent guardians of the old order. Take It Down is a filmic day of reckoning for the Old Confederate South. What is up must come down, like the Confederate soldier monuments standing in court house squares across the South. At long last, a grand inversion! Solarized film makes positives bleed into negatives. The South is renewed.

This film looks to North Carolina to describe the cultural fissure that runs through the South, a legacy of the Civil War. In the context of the divisive Trump presidency and the increasing visibility of white supremacist activism, these Confederate memorials have become sites of conflicting politics and historical narratives. 

Historians agree that a majority of Confederate statues were erected as propaganda tools legitimizing racism in the era of Jim Crow laws. For example, “Silent Sam”, a statue depicted in the film, was erected on the quad of the University of North Carolina campus. In an act of civil disobedience in Fall 2018, students and protestors tore down the statue in a statement against white supremacist oppression.

“Ursonate 1986 is the result of a transference process which utilizes computer and video technology to transport a 1932 phonetic poem, Ursonate, by the German artist Kurt Schwitters into a contemporary context.