This film originated as an expanded portrait of artist Carol Bove as she created four monumental sculptures commissioned by the Metropolitan Museum of Art. One week after filming began, New York City went into its first pandemic lockdown.

Created from 2014 footage shot at Ethan Cohen Fine Arts Gallery with a mirrored curtain, the performer here meets a ghost of herself.

Performer: Elisa Osborne

Camera: Liliana Gao

Editor: Adam Burke

“Nancy Holt’s Revolve, a videotape where the artist, off-camera, interviews her friend Dennis Wheeler who is dying of leukemia, uses his illness and mental reflection as a metaphysical site.

I was fourteen when I put on my first wig. It was, I believe, my sister’s idea. So she and my mother and I went – I forget where…Simmons and Co.? – some elegantish salon with gold lame drapes where they did not do such splendid work.

The third compilation in this series of progressive, creative public service announcements for under-reported issues.

Crush consists of six chapters, the first five portray the transport, bending, piercing, and crushing of various vehicles, cars and trucks.

Freed intercuts still color imagery of Roy Lichtenstein’s paintings with a close quarters interview conducted in Southampton, N.Y in Summer 1972.  Lichtenstein discusses the creation of his work, points of inspiration and his recurring aesthetic ch

This is an edited excerpt of Eiko and Iris McCloughan's experiment working over Zoom on May 5, 2020 as a part of Eiko's Virtual Creative Residency hosted by Wesleyan University. 

In 50 Blue a young man (the artist’s brother) pushes an elderly disabled man (the artist’s father) in a wheel chair through a muddy landscape. It is a long and exhausting trip to an unknown destination only discovered at the end.

"What if... Colleen's life, in her own words, has been "wretched." She was sexually abused by her father, betrayed by her husband, separated from her children, driven by her love for a heroin addict to attempted suicide.

Rosa juxtaposes the life of the filmmaker in two extreme locations (Baghdad and Montana) through three elements of nature: dust, rust and wind.

This video focuses on the troubles at a large hospital beset with calamity and vice. We meet the doctors and nurses and get a glimpse of their personal traumas.

Netherlands, January 29th 2006/January 29th 2007

An independent film portrait of singer/songwriter Elliott Smith in Portland, Oregon in 1996, wherein he plays three songs. The songs were done live acoustic--in his old studio, a living room, and a bathroom (it was quiet in there).

Bezuna explores the complexities of fleeing a war-zone through the analysis of peripheral details.

Told through the voices of three elderly South Carolinian's who reside in the homes in which they were born, Steven Go Get Me A Switch is an oral history mapping dichotomies of gender, familial mythologie

Reverend Howard Finster was a preacher-turned-folk artist. He created Paradise Gardens Park & Museum, a product of all his murals, drawings, sculptures, and mosaics—and Summerville, Georgia’s largest tourist attraction.

The Soft Science “Cinema of Attractions” is a series of short movies by scientists. Commission and concept by Rachel Mayeri, electronic compositions and musical accompaniment by Joe Milutis.

The season sweeps through in a blur of glitches, gulps and sweetened goo, as chimes wring out the old and ring in the new.

This episode includes: two more adverts, considerations of the future, a multiple projection spectacular in miniature, a riverine jaunt, much fog, and an ending x 2.

Arguably, the most successful of the four “Gerald Ford’s America” shows was “Chic To Sheik,” a TVTV tour of the private culture of the official Washington.

Addressing the tear that Lucio Fontana cut in the canvases of his Spatial Concepts, the performer, Russ Nordman, rejoins and repairs the split screen.

Dee Dee Halleck is a media activist, one of the founders of Paper Tiger Television and the Deep Dish Satellite Network, and was a professor in the Department of Communication at the University of California-San Die

In February 1970, the Freex visit the garage of the Hells Angels to informally discuss American politics and motorcycle maintenance. In this video, David Cort leads an extensive interview with the group’s president, Sandy Alexander.

It is a tribute of hyperkinetic colors to the Chilean poet Vicente Huidobro in times of pandemic vortex and post-Cubist quarantine. This is Altazor's color drop. Part of the Harmonic and Hyperkinetic Color Film Series.

In turns funny, disturbing, and glisteningly sensual, small lies, Big Truth is a tape about love, relationships, and the joy and banality of sex in the late 20th Century. It also touches on such issues as morality, voyeurism, nature vs.

The compilation What Was Always Yours And Never Lost, provides an essential introduction to recent works of video art and experimental documentary by indigenous film and video makers from throughout North America.

Reeves approaches the issues of life and death through a meditation on light and dark, a minute observation of movement and stillness.

Blind Huber is a film interpretation of a poem by the American writer Nick Flynn loosely based on the life of Francois Huber, the blind 18th Century beekeeper, who sat before a series of hives for fifty years unlocking an unknown world.

The five-and-dime store pulsates with the stench of she-who-shops. Follow this ragdoll apparition as she haunts the futuristic landscape of our buried past and rejoice in the resurrection of the cellar celebrity.

This is the invocation to the gods, the incense to the gods. A kinetic dance to the gods.

Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

The video hovers tentatively between therapy, documentary, poetics and mystic traipsery and ends, like all good things, in surrender to song.

A woman stands on top of a hill in Namibe desert in Angola, looking into an extensive horizon of a vast desert, she signals the hope of crossing these borders symbolizing the repossession of the land and the regaining of a lost identity.

The first of the series includes:

What Does Away Mean? by Jem Cohen advertises the need to recycle through reconsideration of landfills and garbage disposal.

From the crashing waves of a wintry Pacific to the haunted vestibules of a Bay Area mansion, allow entry to this motley crew of ravished revelers who bring their choppers down on an assortment of improvised bon-bons.

Identically dressed, and with sibling-like resemblance, performance artists Trevor Martin and Kym Olsen shift between spoken word and athletic dance choreography in a collection of 29 scenes.

Crush is the story of a man who wants to turn into an animal as told by the man himself, and one or two observers.

Paulette Jones Morant waxes poetically about being one of the first Black Women scholastic athletes at the University of Virginia.

Segalove comes out as the child of a movie star haven where messy lawns are reported to the police and designer labels are removed from hand-me-downs for the maids.

Upon entering the harbor, the voyager leaves the exceptional condition of the boundless sea--this traversable space of maritime immensity--to come ashore in an offshore place, in a container world that only tolerates the trans-local state of not being o

Spanish painter Chema Cobo discusses his early years of studying and creating art in Southern Spain. His career began in the mid-1970s, exhibiting at the Buades and Vandrés galleries, along with a generation of now-established artists.

Forest Mind is a video work that emerges from the artist’s longstanding interest in the human interaction with the natural world.

A voice for which an event impossible to internalize remains distant. An event that in its distance does not cease to make the narration of something that should not take place anywhere foreign.

Looking like a 1970’s version of “Rosie the Riveter”, Mogul takes on the persona of an artist who makes a living posting billboards on the Sunset Strip in Hollywood.

A fireworks display heralds the appearance of our heroine. She walks a hotel corridor with balloons held aloft and champagne on call. But then she stumbles. The perils of success.

This two-part episode features Glenn Belverio and Duncan Elliott participating in an ACT UP demonstration at President George Bush’s summer house in Kennebunkport, Maine, interviewing activists and documenting this historic event.

Next Atlantis is a video/sound collaboration between composer Sebastian Currier and filmmaker Pawel Wojtasik.

Acconci explodes the notion of an artist’s creation, his creative act being the build-up and discharge of saliva, an activity more properly belonging to the realm of necessary and autonomic bodily functions than art.