Doubling Forbidden Planet is a feature length reedit of the 1956 science fiction film Forbidden Planet.

46+ years after Debord wrote "...the heart of the unrealism of the real society...," a nine-year-old child is instructed to repeatedly recite thesis #6 from The Society of the Spectacle. The recitations are re-mixed at one-second intervals form

The 1970s witnessed unprecedented artistic development of non-traditional media – chief among them were textiles and fabrics.

In 1985, Hollis Sigler, a leading feminist artist in Chicago, was diagnosed with breast cancer, a disease that had also stricken her mother and great-grandmother. This interview with Hollis Sigler focuses on the period of her life beginning with the work entitled Breast Cancer Journals, a series of paintings, drawings, and collages expressing a wide range of emotional responses to the various stages of her struggle with cancer encompassing more than 100 works. Art in America called Sigler’s Breast Cancer Journals “one of contemporary art's richest and most poignant treatments of sickness and health.Taking on a kind of religious conviction, her jewel-colored symbols imbue a death-haunted situation with miraculous, celebratory life.” 

5% is a ten-minute work that questions the cult of pop stardom, deconstructs music industry practices, considers the problematics of live performance, and suggests other, more anonymous working strategies.

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

Community Action Center is a 69-minute sociosexual video by A.K. Burns and A.L. Steiner which incorporates the erotics of a community where the personal is not only political, but sexual.

In Fagtasia Solstice, Brenda and Glennda attend a Radical Faerie event in New York City to commemorate the Summer Solstice.

Videotaped on August 13th 1972, this tape features a number of scenes shot for Lanesville TV, including the Videofreex at the Catskill Game Farm shooting footage of the animals.

Made using voicemails the Kuchar brothers left on her home answering machine, the artist reveals George and Mike in all their candid honesty leading up to and following George’s untimely death in 2011.

With wit and humor, seven-year-old Kendra portrays ten female stereotypes, including an ingratiating Southern belle, a motorcycle-riding tough chick, and a simpering housewife.

The Action Series finds our alienated heroes in desperate attempts to communicate and find a way out of their endless crisis scenarios. The two pieces share a domestic setting, though this is no comfortable home away from home.

Born in 1943 in Poland, Wodiczko lives and works in New York and Cambridge, MA, where he has been professor at MIT since 1991.

In the case of Carlos Motta’s career, the impetus has always been on, not adhering to particular medium or a particular style, but rather using media as it becomes appropriate tell a story that has heretofore been stifled by dominant power structures.

A dragumentary about a day in the life of a score of drag queens on the lookout for photo opportunities at Lincoln Center, the Guggenheim Museum, Tiffany’s, and in SoHo.

This first work in the HalfLifers' Action Series plunges into a world of frantic heroes trapped in a continual crisis of dissolution and reification. An ordinary domestic setting is recast as a psychoactive landscape in which the concept of function becomes situational and fluid. Only through the strategic application of organic and inorganic “devices” can this zone be successfully navigated and the mission be saved.

At a garbage transfer station in suburban Connecticut, seagulls make a home for themselves among the mountains of trash, skillfully co-existing with massive bulldozers, trucks and masked workers.

Cool sheets and warm male bodies ignite the screen with antics that go from hot pink to black and blue as they romp, stomp, spit and strut their "goods" before your eyes.

This arresting early work conveys a tension that emanates from what Tanaka posits as life's basic dualities: male/female, past/present, known/unknown.

‘ODDS AND ENDS’ is a dazzling patchwork of moods, lost and found, for the eye to savor.

Starting out as equal parts authors, editors and thieves, the Disambiguation project began when two artists were invited to curate a screening together.  Since they live in separate cities, Chicago and London respectively, they decided to

Ree Morton (1936-77) was an American artist working with large-scale mixed media installations.  Her mature career was brief, extending from 1971 to 1977.  However, her output and growth during these years was unusually large.  This was the first of two interviews Lyn Blumenthal and Kate Horsfield conducted with Morton; the second was for the journal Heresies in 1977.

Born out of an "objective hazard" (a 16mm roll where two different subjects were imprinted by mistake), jeny303 is a composite work intertwining two portraits.

A billboard looming over the 5 Freeway advertised a mortuary called “Eternal Valley.” In Green Valley, California, the road stops, eroded and dysfunctional, but continues to be nothing other than a road.

The tapes in Facing the Self: Program 2 are organized around the appearance of the female form, particularly the face.

Prophecies of doom, disaster and political catastrophe envisioned by some of the world’s most famous psychics between the 1960’s and the year 2001 are conjured up through 3D-animation, industrial films, text and historical footage -- the sum of which co

A video about the conception of video and of life itself. This work suggests that all that is conceived transcends the division between the external and interior worlds.

In Portuguese with English subtitles.

I Wanted You shows a woman who is crawling over the floor. She is wearing only tights and a pair of red shoes with high heels.

An intense conversation between two people one evening leads to a pictorial love story about loss and longing.

“Nancy Holt’s Revolve, a videotape where the artist, off-camera, interviews her friend Dennis Wheeler who is dying of leukemia, uses his illness and mental reflection as a metaphysical site.

This are the scattered fragments, the scattered mineral fragments in its oceanic evolution, an intermittent becoming of geological massiveness. The mineral geology under the spell of an scattered dance. This is the mobilized fossil.

The third compilation in this series of progressive, creative public service announcements for under-reported issues.

In July of 1971, American artist Lee Lozano gave a talk at NSCAD art college in Halifax, called “The Halifax 3 State Experiment”.

Three Songs of Lenin is an 11-minute piece made from three one-second samples taken from the second song We Loved Him of Vertov's film Three Songs About Lenin.

Freed intercuts still color imagery of Roy Lichtenstein’s paintings with a close quarters interview conducted in Southampton, N.Y in Summer 1972.  Lichtenstein discusses the creation of his work, points of inspiration and his recurring aesthetic ch

"What if... Colleen's life, in her own words, has been "wretched." She was sexually abused by her father, betrayed by her husband, separated from her children, driven by her love for a heroin addict to attempted suicide.

The word-based art and performances crafted by world-renowned artist Alison Knowles (b.1933) are central to the 1960s international Fluxus movement and its enduring legacy.

This is an over-the-top Video bouquet audaciously delivered by flamboyant "Pan" – like poets determined to paint the world pink.

This video focuses on the troubles at a large hospital beset with calamity and vice. We meet the doctors and nurses and get a glimpse of their personal traumas.

An independent film portrait of singer/songwriter Elliott Smith in Portland, Oregon in 1996, wherein he plays three songs. The songs were done live acoustic--in his old studio, a living room, and a bathroom (it was quiet in there).

"It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess.

Reverend Howard Finster was a preacher-turned-folk artist. He created Paradise Gardens Park & Museum, a product of all his murals, drawings, sculptures, and mosaics—and Summerville, Georgia’s largest tourist attraction.

Inspired by an unaccomplished personal project, in this animation, I’m exploring ideas of intention, extension, and failed romanticism.

The season sweeps through in a blur of glitches, gulps and sweetened goo, as chimes wring out the old and ring in the new.

Part of paraconsistent sequence series and the hauntology series.

In Nibbles, George Kuchar crafts a mini-travelette documenting his adventures around Cape Cod. Shot primarily in Provincetown, Massachusetts, Kuchar visits friends and takes every opportunity to sample the local cuisine.

Arguably, the most successful of the four “Gerald Ford’s America” shows was “Chic To Sheik,” a TVTV tour of the private culture of the official Washington.

Hidirtina (Sisters) is based on a mythology from Eritrea and northern Ethiopia. It is part of a larger story collection project that began in 2004.

Dee Dee Halleck is a media activist, one of the founders of Paper Tiger Television and the Deep Dish Satellite Network, and was a professor in the Department of Communication at the University of California-San Die

La Trinchera Luminosa del Presidente Gonzalo is a recreation of one day at the Canto Grande prison in Peru, following women guerrillas from the Maoist Shining Path movement, from their morning marches to their bedtime chants.