The colors of fall are muted by the fog of a lingering summer and the memory of that which is dark and naked among the dappled crimson.

"Wedding takes its name from the predominantly Turkish neighborhood in Berlin where most of the footage of the film has been recorded.

A troupe of male and female jugglers and musicians perform for a growing crowd in Central Park, New York, led by Hovey Burgess and Judy Finelli.  The sun is shining, and the troupe are skilful, playful, and flirtatious. 

A performer lip-synchs to archival audio featuring the voice of author and anthropologist Zora Neale Hurston as she describes her method of documenting African American folk songs in Florida.

Made at the time of the 1988 presidential election, this piece is about media power and market censorship.

Laurie was inspired by Laurie Weeks’ uncanny ability to simultaneously embody her characters and write them from a clear distance.

Why do teenagers get drunk?

Plowman's Lunch is called a documentary because its intent was to explore actual occurrences—be these the building of the work, or what befalls the players.

This video is staged as a reading of the great Soviet poet Vladimir Mayakovsky's famous poem A Cloud in Trousers, written 1914-15.

This sprawling drama about a group of country folk sucked into the fashion world of magazine layouts and romantic intrigue features a cast of glamorously garbed gals and good-natured bumpkins.

20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere.

This is the state of mind in the post-Covid quarantine. This is the state of the images in the pandemic vortex. This is our post-Covid screen. The constant monitoring of a global demonic and satanic presence.

Eiko Otake, based in the United States since 1976, is a highly regarded artist who has performed in many countries as part of the performance duo Eiko & Koma.

This film is an appropriation from the 1965 movie The Sound of Music. Each sync sound frame of the Prelude and opening song "The Hills are Alive" is

Tour Without End is an experimental hybrid feature-length video work that casts real-life musicians, artists, and actors as fictional bands on tour; the piece evolves into a cross-generational commentary on contemporary culture and politics in the Trump era. Shot over the course of four years between 2014-18 at over 15 DIY music spaces in and around NYC, Tour Without End functions as a time capsule — made more apparent by the shuttering of many of its locations due to NYC’s rapid gentrification.

The work’s multitude of characters are legendary performers in the downtown NYC arts scene, including: The Wooster Group founder Kate Valk, Jim Fletcher (New York City Players), Lizzi Bougatsos (Gang Gang Dance), Kathleen Hanna (The Julie Ruin), Brontez Purnell (The Younger Lovers), Eileen Myles, Alexandra Drewchin (Eartheater), Nicole Eisenman, K8 Hardy, Johanna Fateman (Le Tigre) Shannon Funchess (Light Asylum), JD Samson (MEN), Gary Indiana, Kembra Pfahler (Voluptuous Horror of Karen Black), Rachel Mason, Tom McGrath, Matthew Asti (MGMT), Becca Blackwell, Christen Clifford, Alessandra Genovese (Crush), Rogelio Ramos (Love Pig), Kenya Robinson (Cheeky LaShae), and Neon Music (Youth Quake).

There were three brides, and they all married at different times to different people in different places.

"A group of students and teachers gather in an historical mansion in the woods of West Virginia for a week-long retreat in spoken Latin. I observe and I participate while navigating the errata with my camera."

— Sky Hopinka

In this episode of Glennda and Friends, Glennda Orgasm and Mark Allen drink at Marie's Crisis Café, a piano bar in Manhattan.

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self.

Laurie Anderson (b. 1947) began her career as a gallery artist specializing in photography, before moving to critical work as a writer for Art News and Art in America.

A dissemination of suspended bodies in the liminal space.

A weeklong, episodic live-streamed landscape film that attempts to reimagine the genre of a road movie in Hong Kong. Each of the seven short films begin at exactly at the moment of the official sunrise in Hong Kong.

The interior of a trash processing plant. The rhythmic intensity of the machinery as it deals with an endless river of refuse becomes a reflection on the madness of unbridled consumption. 

“In Left Side Right Side, Jonas explores the ambiguities caused by her attempt to identify correctly the spatial orientation of images simultaneously played back by a monitor and reflected in a mirror. This is confusing because, contrary to what one might expect, the monitor image gives back a ‘true’ reading of the space while the mirror reverses it.… Throughout the course of the tape, the image switches back and forth between the double image of monitor and mirror to the simple ‘real’ image of Jonas’s face.”

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing.

Chris Burden came into prominence in the late 1960s, but unlike many of the performance artists of his generation, Burden was interested in empirical and scientific investigations.

On May 11 2004, Steve Kurtz phoned 911 to report Hope, his wife of 20 years, was unresponsive. When paramedics came to his house, one of them noticed that Kurtz had laboratory equipment, which he used in his art exhibits.

Exploring climate change, the destruction of nature, and industrial pollution, these four works by Paweł Wojtasik paint horrific yet meditative landscapes of global infrastructures including meat production, waste treatment, and laboratory experimentati

An independent film portrait of singer/songwriter Elliott Smith in Portland, Oregon in 1996, wherein he plays three songs. The songs were done live acoustic--in his old studio, a living room, and a bathroom (it was quiet in there).

Rist explores the macrocosm of humanity in a video art and music collaboration. A lyrical tale of a witch's coven is played over images of a person where each body part symbolically represents an area of the world.

A trans performers enacts an improvised strip-tease in silence, adhering to directions of positioning and movement. 

Rackstraw Downes’s “observation” paintings, executed on-site at ponds, intersections, and baseball parks, began as a mischievous response to the dogma of style and modernist criticism.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Fulbeck force-feeds the viewer scores of all-too-familiar Asian female/Caucasian male pairings in Hollywood films, and combines them with contemporary excerpts from best-selling novels, magazines, and dating services.

Stardust is the second part of the trilogy where Nicolas Provost investigates the boundaries of fiction and reality by filming everyday life with a hidden high resolution camera and turning the cinematic images into a fiction film by using cine

Philip Glass, a pioneer in minimalism in music, gave a two-day lecture at the School of Art Institute of Chicago in 1974.

These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the Olympic Games. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction.

A young boy caught in an emotional web spun by adults must untangle the relationships that are deep as the sea surrounding him.

A two-part study of the self-sustaining lifestyle of a communal farm in Vermont. 

In Birth of a Nation, Jem Cohen takes his camera to Donald Trump’s presidential inauguration and to the next day’s protests.

Video artist meets a handsome and enigmatic Marlboro Man; video artist gets a sexually transmitted disease.

As a "Post-Mexican” performance artist operating out of the US for over 20 years, one of my conceptual obsessions has been to constantly reposition myself within the hegemonic maps.

A silent, moving poem, this video incorporates the “voices” of a wide variety of text sources into one scrolling script.

"The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones.

This tape addresses spiritual closure.

This video is about two fictional characters, as in letters, and two fictional characters, as in anthropomorphized mice, falling in love.

Using performance as a means of personal transformation and catharsis, Mitchell’s Death mourns the death of Montano’s ex-husband.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

For the video series Kita’s World, Syms created a digital avatar modeled on Cita of Cita's World, the late-1990s BET music video show.

The first twelve minutes features Phil keying his own image over his left eye (right on the screen), where he smokes and performs various facial gestures.