Go-Rilla Means War is a filmic relic of gentrification featuring 35mm film salvaged from a now demolished Black Civil Rights Theater in Bedford-Stuyvesant, Brooklyn.

Eco-artists Helen and Newton Harrison define truth as a series of interactions that anyone may join. The Harrisons choose survivalist subjects because we have so encroached upon this environment, we must give it every advantage we can.

Rosa juxtaposes the life of the filmmaker in two extreme locations (Baghdad and Montana) through three elements of nature: dust, rust and wind.

Black Body is a harsh and compelling meditation on the contradictory values assigned to black bodies in American culture: they exist as both desired and feared, abject and powerful.

One of several videos the artist made with her brother while still in graduate school at the University of Illinois at Chicago. Two Dogs and a Ball is a cover of William Wegman’s piece of the same title from the late 60’s.

Magenheimer’s video explores the bounds of narrative and the illusion of received wisdom in the seven minutes and twenty-two seconds it takes to rob a house.

Under the spell of the alphabet, the silent figures of a past that has not been forgotten persist, a pedagogical reconstruction of a contradictory nation in transit as well as the emergence of a background color that delimits the contour and the persist

Red House is an animation that playfully explores metamorphosis in relation to the stability and structure of housing.

Forest Mind is a video work that emerges from the artist’s longstanding interest in the human interaction with the natural world.

The third compilation in this series of progressive, creative public service announcements for under-reported issues.

For the past 20 years Alexis Smith's mixed media work has explored primal American myths: the open road, the bad/good guy/gal, the quest for romance, and the search for paradise.

Vice President Mike Pence eagerly plays cheerleader in chief for Donald Trump.

A video response to September 11th and the public dialogue captured on radio, including this call-in radio program’s discussion about whether Mohammed Atta’s last meal in a Pizza Hut undermined his proclaimed spiritual motive.

"A piece about self-consciousness and the fearful noise of wind in the trees.

A rock. Buildings. Trees. Nothing happens. But something is always moving. People walk by. Time passes by. Seasons change. The Earth’s tectonic plates are in constant but imperceivable motion, which slowly move apart or crash together.

Swamp Swamp and Wurmburth are each comprised of a series of tightly cropped shots of small, hand-made table-top sculptures or "sets".  Paint and many other materials that behave like paint (i.e.

Credits is about re-reading information. Recycling. Image-making. Wallpaper TV. Zen. Money. Labor. And of course, credits.

Portable Channel, a community documentary group in Rochester, New York, was one of the first small format video centers to have an ongoing relationship with a PBS affiliate (WXXI).

Compromise is Episode 1 of the video art trilogy, This is More Than Love I Feel Inside, in which Jillian Peña traces a queer relationship from inception to demise.

A watchful dog in a confusion of reflected chairs begins and ends Cohen’s finely tuned observational portrait of London’s Essex Street, and the inhabitants who work the shops and throng the pavement there.

A psychedelic baroque interpretation of religion under a visual hyperbole. The Christ, the Passion, and the Trinity are some symbols present.

Shot with my students at the San Francisco Art Institute, this colorful drama with song and dance numbers (plus burlesque acts) follows the libidinous poisoning of Vatican personnel by an otherworldly intruder.

The first video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on the int

A portrait of Catania, Sicily. Includes the ocean at 5 a.m., the fish market, the distributor of pornographic films, the woodworker, the elephant statue, housing projects, and a young girl in an orange sweater.

Grieving the recent death of his father, filmmaker Cam Archer distracts himself with the regular photographing of a particular young man.

The frenzied detritus of trading floors, smart weaponry and the religious right are woven through the petrochemical landscapes of Southeast Texas.

Subverting dramaturgical conventions in his Plot Point trilogy, Provost masterfully presents the man in the street as a film protagonist.

Exploring climate change, the destruction of nature, and industrial pollution, these four works by Paweł Wojtasik paint horrific yet meditative landscapes of global infrastructures including meat production, waste treatment, and laboratory experimentati

El Livahpla (Alphaville spelled backwards) is about the ways in which we "normals" are encapsulated in architecture and technology.

This film is about a five-day seminar designed to teach executives to "sell themselves" better.

A video documenting Rara Avis, a telepresence artwork in which participants interact with birds in the gallery space – locally and remotely – from the point of view of a telerobotic macaw located in a large aviary.

Coral is part of the harmonic and hyperkinetic colors film series. In this part the transcendental experience of his harmony leads us to an aesthetical suspension of content. Part of the Harmonic and Hyperkinetic Color Film Series.

There has to be a way to win is the refrain. Three women fold clothes, stroll and shop as they discuss jealousy, murder and dead bodies. An enquiry into the generosity of women.

Players: Trina Vester, Karin Westerlund, Lise Kelleman.

"Inside a Lithuanian synagogue, young Domas Darguzs regales the filmmaker with a whispered, wide-eyed account of mythical events, while the film cross-cuts to images of farm-life.

German filmmaker Valeska and her crew—soundwoman Constanza and cameraman Albert—arrive at Maple Tree Farm during the Thanksgiving holiday of 1971 to film a piece for German TV on the Videofreex.

Ensconced in my urban Los Angeles bed, I recount growing up "safe" on suburban Long Island. A cameraman from KCET filmed and lit the piece. This is the only film I ever made that was not filmed by a colleague, friend, or myself.

Part of a trilogy known as the Video Wallpaper Series in which George uses his new audio/video digital mixer to create a range of impressions of people and places.

Taped shortly after the creation of the Air Gallery, this conversation between painter Howardena Pindell and Hermine Freed concerns the women’s independent gallery and its role in the feminist movement.

Jediism, a movement devoted to establishing an internationally recognized faith, was born in 1977, shortly after the release of George Lucas's first Star Wars film.

In these seven short video performances directed by Isaac Artenstein, Gómez-Peña confronts Mexican-American culture clashes, stereotypes, and the Fourth World (immigrants).

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.”

Filmed from the artist’s window during lockdown, Citadel combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline

A major figure among underground filmmakers, Stan Brakhage (1933-2003) boasted a prolific career that spanned more than 50 years and 300 films.

Androgina is a stand-alone work excerpted from Generic Video Art.

A two-part study of the self-sustaining lifestyle of a communal farm in Vermont. 

Utilizing a mix of documentary and improvisational styles, the portraits featured in these three videos highlight the often forgotten, the marginal, those on the edge of society.

A collaboration with DonChristian Jones.
Filmed during the Rauschenberg Foundation Residency November 2017.

The innocence of creating a mirror, only to repeatedly crush it underfoot.

This short animation explores various ways to narrate an incident that once took place in the mythical Hotel Carlton.

Sections 1-30 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.