In Greetings from Lanesville, the Videofreex tour the countryside of Lanesville, New York interviewing the local people for a weekly broadcast program all from behind the wheel of the Lanesville TV Media Bus.

Reportedly shot in the back office at Leo Castelli’s New York gallery, an ashtray is used to demonstrate five different actions related to artistic work. With the camera static, the video opens with the ashtray in the center of the screen.

From the crashing waves of a wintry Pacific to the haunted vestibules of a Bay Area mansion, allow entry to this motley crew of ravished revelers who bring their choppers down on an assortment of improvised bon-bons.

Acconci literally feels the music in this tape as he lays down on speakers playing jazz. The sound pulses through his body while a collaborator massages his nude back in time with the music, occasionally striking Acconci like a rhythm instrument.

Stephen Varble (1946-1984) staged gender-confounding costume performances on the streets of 1970s Manhattan, and he became infamous for his anti-commercial disruptions of galleries, banks, and boutiques.

Water and paths of migration converge to shape the borderlands along the U.S./Mexico boundary when staging actors in a politicized landscape leads to the rupture of fiction for fact.

During my residency in New York I was designing a computer virus, which would contaminate computers through a screensaver that read “there is so much love in this world”.

This essay film confronts questions of accessibility through the filmmaker’s attempt to record their open-heart surgery.

Ned the dog eats, growls and passes gas as we, the viewers, pass the time with him and his keepers as they share the stolen hours with us all. It’s all here: the pizza, the memories, the good times and the bad.

The first video work created collaboratively with DonChristian Jones as a part of Eiko's The Duet Project: Distance is Malleable. The video was projected as part of The Value of Sanctuary: Building a House Without Walls exhib

Re-Animation 3,4, & 2 are short animations created by looping images of dead insects taken from the artist’s own amateur entomological collections.

"In Some Dark Place, filmmaker Cecelia Condit explores the dislocations of identity and memory that aging forces upon us, without losing sight of life's beauty."

— Milwaukee Film Festival, 2016

RECKONING 3 is the first in a series of investigations into:

1. Terror and wonder in big-budget virtual worlds

Joan Logue cuts down considerably Andy Warhol’s projection of fifteen minutes of fame, with this compilation of 30-Second Spots.

The time is now!  The present can be replaced in real time. Not quite yet by the future, but very easily by the past? eteam's video Track One is a replay of such time disjuncture. As they keep following the memory of a yellow cab that keeps driving through the now deserted streets of Taipei, their pastime augments itself with a mesmerizing sense of reality.

A minister recounts the perceived catastrophe that is butt sex. Pegging ensues.

Masked men prowling in the bushes and not touching anything but satin, dandelions and flesh.

VDB TV: Decades
1980s: Problematizing Pleasure / Punk Theory

Made collaboratively with the filmmaker's mom Deborah, I Can Hear My Mother’s Voice documents her process of learning how to use the filmmaker's video camera.

It stands as a mecca to 16mm film, and weathers the withering breath of a shifting climate. Bundled-up in opulence and optimism, the film festival goes onward and upward while I succumb to a glacial deposit that proves unflushable.

Tapping into cable because of his lousy reception, Mike gets more than he bargained for as he unwittingly becomes trapped in the medium—the “star” of his own cable TV show.

A woman confronts symbols of eternity while walking alone in the woods.

"A group of students and teachers gather in an historical mansion in the woods of West Virginia for a week-long retreat in spoken Latin. I observe and I participate while navigating the errata with my camera."

— Sky Hopinka

Slogans is a visual deconstruction of advertising slogans, a literal and metaphorical illustration of the disintegration and loss of meaning in the contemporary media landscape.

In these lunar paths the moon is the celestial body of brilliant colors that crosses with its cyclical and mythical dance the dark space of our present time and in whose dance the moon enters, moves away, approaches and lies on itself in a cycle rhythmi

"It is only shallow people who do not judge by appearances" wrote Oscar Wilde.

China, Beijing, I Love You! is an animated film about extraction of nickel and cobalt along China's Maritime Silk Road.

I Wanted You shows a woman who is crawling over the floor. She is wearing only tights and a pair of red shoes with high heels.

Stephen Varble (1946-1984) staged gender-confounding costume performances on the streets of 1970s Manhattan, and became infamous for his anti-commercial disruptions of galleries, banks, and boutiques.

Animal Charm's Ashley seems to develop a conventional story about a modern mother and wife with typically modern desires. But the insertion of incongruous soap opera scenes soon ensures that the seductive images take on an absurd and oppressive charge. “The antiseptic cleanliness of the imagery has a superficial appeal, but begins to feel claustrophobic — or toxic — after prolonged exposure.”

As the cacophony of grieving opens onto the deep quiet of mourning, this poetic journey explores mortality as the psychic space of dwelling.

The videopoem Reversed Mirror is a single-channel piece that presents a constant flow and transformation of images which oscillate and create ephemeral words, dissolving and emerging as new words.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl rubbing his legs under the table.

It is a tribute of hyperkinetic colors to the Chilean poet Vicente Huidobro in times of pandemic vortex and post-Cubist quarantine. This is Altazor's color drop. Part of the Harmonic and Hyperkinetic Color Film Series.

A sculptor dabbles in the wetness of his craft while the skies threaten a soaking to the winterized wonderland of a western shoreline.

"We are happy. (Silence.) What do we do now, now that we are happy?"

-- Samuel Beckett, Waiting for Godot

Ken Mate, a 56 year old solipsistic individual, recites Finnegan's Wake while doing sit-ups, talks about talking, and kvetches when a neighbor "steals" the first tomato from his hand-cultivated garden.

Cyclops / "monitor" / minotaur.

Note: A 20-second video loop self-portrait.

Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO.

American sculptor and land artist Robert Smithson made art as a meditation on transition and change.

The 1970s witnessed unprecedented artistic development of non-traditional media – chief among them were textiles and fabrics.

Red Chewing Gum is a video letter that tells a story of separation between two men, set within the context of the changing Hamra, a formerly booming commercial center.

George goes to Oklahoma, but there's a lull in storm activity. It's spring, and though there's romance in the air, the lightning just doesn’t strike; so George makes his own rain—of sorts. Despite the drought, the videos must go on.

Made with my students at the San Francisco Art Institute, this video drama explores the thrills and terrors of the Big Top as a travelling circus comes to town bringing with it the promise of cotton candy, eternal youth, and high-flying beefcake.

Through the testimonies of five women, this video lays out the complex problem of anorexia, detailing how the disease develops as a response to both personal and societal pressures.

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death.

PANEL originated as a performance-based, multi-channel video/sound installation, drawn from a transcript of a discussion at “Schizo Culture,” the notorious conference on schizophrenia and radical politics organized by Sylvère Lotringer at Columbia Unive

A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.

The desire to own and name land and the pleasures of seeing from a distance color this personal survey of the history of mapmaking in the New World.