Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

Breder painted the words of Donald Kuspit’s poem in white on scraps of paper and then floated them down Old Man’s Creek, the site of many legendary Intermedia performances near Iowa City.

Walt Disney's re-imagineering of Martin Scorsese's classic film Taxi Driver follows Mickey Mouse-obsessed Travis Bickle as he looks for love in a rapidly transforming New York City. A 'fair use' parody by Bryan Boyce.

Setting her pixelvision camera on herself and her room, Benning searches for a sense of identity and respect as a woman and a lesbian.

Divino explains how he got introduced to video. “Filming is my profession; that’s what I was born to do... not for the work with the axe. I wasn’t born to plant.

Only a few weeks after the United States invaded Iraq in 2003, former President George W. Bush gave a televised speech on the aircraft carrier USS Abraham Lincoln declaring that his country had prevailed.

A remarkable work about the struggle of the Waiãpi tribe, an indigenous people of Brazil, to combat the encroachment of prospectors on their land.

The Diaspora Suite

Under the spell of Toloache, the hypnotic images come up.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

A Fourth of July celebration ignites the Id and unleashes a digital demon hungry for imagery of the young and the restless to appease the contraption it sees through: the cannibal camcorder in a state of carniverous conniptions!

A love letter to the Internet from a feral cat in Brooklyn.

Peter Schjeldahl (b.1942) began writing his “poetical criticism” for Tom Hess at ArtNews in the mid 1960s.

Guerilla Girls are artist activists who have dedicated themselves to informing the public of the gender and racial inequalities that persists in the art world.

In this tape the Videofreex document an impromptu experimental art gathering in 1971, hosted by New York artist, Tosun Bayrak.

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

A nostalgic glazier shows off his knowledge and expounds his theories. Taking glassmaking processes and history as its central theme, Slow Glass explores ideas about memory, perception and change.

Love is in the air as newlyweds chomp on cake, brides marry werewolves, and hatchets fall on adulterous heads.

1. The idea that a film about a city, a quiet, architectural film no less, can tell us anything that we don’t already know about urban life at this point in our new century is perhaps a bit arrogant.

This is the contained power of the sacred seeds, the vibration of the ancient seeds of corn and their passage through an ocean of pulsating luminosity. A germinal liturgy of holy seeds.

In Joan Does Dynasty — a hilarious classic of feminist media deconstruction — critic Braderman literally projects herself onto the set of the favorite series of one hundred million people in 78 countries.

This humorous selection of performance-oriented videos maps a trajectory between consumer society and psychoanalytic confession. HalfLifers perform two rescue missions using colored snack food and everyday objects as means towards transcendence.

X-Mission explores the logic of the refugee camp as one of the oldest extra-territorial zones.

In collaboration with Iris McCloughan.

Storms threaten to tarnish the Golden State as I wander through the rooms of my apartment, seeking a high in the lowering barometric pressure.

"In Some Dark Place, filmmaker Cecelia Condit explores the dislocations of identity and memory that aging forces upon us, without losing sight of life's beauty."

— Milwaukee Film Festival, 2016

Adopting the movements of various animals, Forti begins the performance by walking hypnotically in circles. She falls to the floor and begins a cycle of walking and crawling that becomes an open metaphor for evolution and aging.

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

Students reclaim a popular gathering spot on the campus of the University of Virginia.

The unstable earth becomes the epicenter of this videotape document which explores—in a fractured way—the relationships between the people, places, and furniture that sit atop the San Andreas Fault.

The filmmaker accepts the challenge of the philosopher and changes not only a table but also chairs, shoes, jugs, teapots and almost everything else lying around his house.

A promotional vehicle with lane-changing tendencies, but both hands kept on the wheel at all times.

A man with two dogs crosses a landscape. A person walks along a ridge and stops to look at the skyline. Other people run while nature shrinks back to its enigmaticness.

An alcoholic, emaciated father; a grossly obese, tattooed mother; a goofy, hormone-addled brother—all together in a claustrophobic council flat. Welcome to the Billinghams'. Richard Billingham wowed the art scene with his book Ray's A Laugh.

Lambert is a Chicago-based musician and media artist. His creative output primarily consists of vocal driven art-pop music and pop-inflected video art made from repurposed industrial and commercial media.

Brilliant Noise takes us into the data vaults of solar astronomy.

Segalove re-enacts the trials and travails of her desperate, hormonal, pubescent years with actors dancing their way through what looks like a techni-color version of the Cleaver’s backyard.

The second part of the Damnation of Faust Trilogy centers on the development of Marguerite, the female character in the Faust legend. Masterfully composing fragmentary "memory" images in elegant 19th Century Japanese compositions, Birnbaum traces the process of deception and abandonment through the heroine’s mournful description of her state of mind. Passing images are suffused with light, obscured in a blinding brightness, to suggest forgetting.

This tape was produced by Artists TV Network, documenting a symposium that included composer John Cage, choreographer Merce Cunningham, writer Richard Kostelanetz, and video artist Nam June Paik with art critic Dore

A brief dialogue between Marianne Renoir and Pierrot and a short description-reading from ‘Pierrot le fou’ about Diego Velázquez – these intersect with a visual moment to constitute the outline of a perception and the occurrence of the idea of ‘el puebl

In the fall of 1974 Doug Hall and Jody Procter began to develop a presidential archetype, which they called "the Artist-President." Procter wrote the speeches that Hall delivered "presidentially" in performances.

A voyage through a California Christmas that begins in the turd-smeared streets of San Francisco and ends in a botanical wonder of ethnic endurance and faith. A journey that incorporates pelicans, palaces, and platters of plenty.

A holiday video of good cheer and feline ferocity, this annual tradition of videotaped festivities centers on the oriental and occidental tidbits that make the season worthy for bipeds on wheels as they pedal from one calorie laden event to another.

Originally commissioned by the Harvard Art Museums in response to the life and work of David Wojnarowicz, Survivor’s Remorse looks at how both art and bodies are maintained and the socio-economic influences that create a chasm between the value

Nascentes Morimur grew out of a series of works on autopsy — an earlier video and a number of still images — that were exhibited together as Like a Shipwreck We Die Going Into Ourselves.

A self-help speaker encourages self-reflection. Friends in Chicago hang out.

Using a Super-8 camera, Henricks employs time-lapse photography to document the interior and exterior of his apartment.

This video develops from a real event that took place during a theater seminar in the masters degree program at the University of Antioquia in Medellín, Columbia.  The seminar occurred during one of the university's worst periods of violence. 

Smith’s gentle, recusant comedy is a critique of masculine domination, focusing on the myth of manifest destiny.

Video artist meets a handsome and enigmatic Marlboro Man; video artist gets a sexually transmitted disease.