Breakfast of Champions is an installation created in 1991 by the artist duo Ligorano Reese, comprising Nora Ligorano and

Eiko Otake, based in the United States since 1976, is a highly regarded artist who has performed in many countries as part of the performance duo Eiko & Koma.

Judy Chicago (b.1939) creates large-scale, collaborative artwork has brought greater prominence to feminist themes and craft arts such as needlework and ceramics.

In Jane and Mike Visit, George Kuchar documents a visit from his brother Mike and their friend and former Kuchar actress Jane Elford.

Shot in Naples, Vienna, and New York, Some Chance Operations explores the notion of an archival form, in this instance film, as an unstable memory receptacle that can vanish.

Beach House is a film about a unique example of rural modernism built on the UK coast of Suffolk by the architect John Penn. As well as being an architect, Penn was a painter, musician and poet.

In the midst of the 2011 revolution in Cairo, a few beduins listen to their car's radio near Jericho, a place which looks like the end of the world.

Robert Cumming (b. 1943) is an American photographer/sculptor/bookmaker who borrows from the artifice of theatrical sets to construct his elaborate and often absurd images. He has also published several books of photography and narration.

A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.

Patti Smith asked if I would do a short film to accompany the release of her version of Nirvana's Smells Like Teen Spirit.

A visualization of phrases used by Prime Minister David Cameron during his Oxfordshire speech addressing the events of August 2011.

Revived as part of the Retrospective Project, White Dance is the first piece that Eiko & Koma performed in America.

American figurative artist Alex Katz (b.1927) has produced a remarkable and impressive body of work but is best known for his large-scale, flat, yet realistic portraits of friends and family notable for their relaxed attitudes and uncomplicated bearing.

George Kuchar’s Acid Redux is a raucous journey into the murky domains of mysticism and liminality.

A Yosemite gargoyle climbs two gothic arches.

Sensemayá is a shamanic composition, an ecstatic dance, and ritualistic spell which distills and exudes the kinetic motion of the ancient snake that inhabits our present dislocated times.

Body Prep helps fortify and support the body during any level of activity—low, medium, or high intensity. It compares various alternatives to weightlifting with natural and artificial light sources.

This archival film remixes the systemic violence and power throughout the 1984 National Day Parade, the 1989 Tiananmen Square Protests, and the 2014 Umbrella Movement. 

John Tagg is a writer, educator, and a leading contributor to the development of art-historical and photographic theory, focusing on political analysis of institutionalized culture and interventions within it.

Phalloi Phaerie emerges from the wood. Forest nymphs with carnivorous flowers begin their mating rituals in a playful, polymorphously perverse return to arcadia.

Jim Finn’s films and videos have been described as “Utopian comedies.” In the four works that comprise Jim Finn Videoworks: Volume 2, the comedy that emerges through Finn's (not so) exaggerated interrogation of the products and symbols of auth

In Oh, Rapunzel, when Rapunzel flees the tower, Condit's mother leaves her home for an independent living facility and a freedom that she has never known. A collaboration between Cecelia Condit and Dick Blau. Music by Stephen Vogel.

In(sul)ar marks the dichotomy between reality and fiction, by creating meta-images of an imagined island, where time and space are confused with each other.

With wit and humor, seven-year-old Kendra portrays ten female stereotypes, including an ingratiating Southern belle, a motorcycle-riding tough chick, and a simpering housewife.

Meredith Monk (b.1942) has been composing, choreographing, and performing since the mid-1960s. Monk is primarily known for her vocal innovations, including a wide range of extended techniques, which she fir

A Memory of Astoria, commissioned for Museum of the Moving Image, is an impressionistic portrait of the blocks surrounding the Museum in Astoria, New York.

In a conversation with one of the Hells Angels at a party the motorcycle gang has thrown in Manhattan, the interviewee introduces “Kenny, from the Videofreex” to his friends, commenting (presumably explaining the Videofreex project): “like low class soc

Pitayas are the sacred Mesoamerican fruits that grow on Mexican nopales, an ancient plant. This is the colorful body, the vibrant blood and the radiant skin of the open life.

5% is a ten-minute work that questions the cult of pop stardom, deconstructs music industry practices, considers the problematics of live performance, and suggests other, more anonymous working strategies.

The fleeting memories of a melting infant – live action, animation and re-photography (through ice).

Burrow-Cams features footage from cameras that have been placed inside underground animal habitats (dens, burrows, etc.).

Goodbye Thelma synthesizes footage from the 1991 film Thelma & Louise with footage of the author’s own making to create a mysterious, and at times disturbing, exploration of traveling alone.

The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process.

Showcasing a solo organ recital, Victor Solo features seven sets of organ works. A narrator, possibly the organ player, announces work titles before each set.

The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his y

The language and imagery related to celebrity perfumes (both descriptive and visual) are a starting point to think about consumer desires and the corruptness of branding. Give us your songs, your smells and we will give you everything.

What Farocki Taught is literally and stubbornly a remake — that is, a perfect replica in color and in English, of Harun Farocki’s black and white, 1969 German language film, Inextinguishable Fire.

Imagining future Deep Time, Post-extinction, using dark humor to speculate on the defiant vitality of matter to evolve life again. Two billion years from now, the oceans are beyond understanding.

This carefully structured documentary is both a character study of DeVito's grandmother, Adeline LeJudas, and an incisive social critique of patriarchal society.

The earliest of Benglis's videoworks, Noise calls attention to the assemblage element of video by allowing the image to disintegrate into static between edits.

Duet for Tap and Galoshes is a visual restructuring of a real time tap performance, presented in two parts.

Focusing on the mentorship of Eiko and Koma with the young artists who study and work at the Reyum Institute of Arts and Culture in Phnom Penh, Cambodia, Cambodian Stories evokes questions of tradition, i

“This melodrama, staged by me and produced with my students at the San Francisco Art Institute, follows the turbulent journey of an aspiring singer as she flees a frigid environment to heat up a tepid career.

Tom Poole is an organizer of many things.

My Only Idol is Reality is a video work created from an excerpt of Season One of MTV’s The Real World. The piece uses repetition as a framework for abstraction

At this time even the flowery wars are ready to begin and the flowery atavism begins to flash. The flowers, the skulls, the moon and the sun are ready for the sacrificial trance. Part of Tonalli.

Lost Sound documents fragments of discarded audio tape found by the artists within a small area of East London, combining the sound retrieved from each piece of tape with images of the place where it was found.

These films were made from The New York Times newspaper articles. The semi - automated animation process resulted in sentence recombinations that sometimes made sense while randomly emphasizing certain words and images.

Tired of underworld and overworld alike, Isis escourts her favorite son on their final curtain call down the Nile, leaving a neon wake of shattered tombs and sparkling sarcophagi.

Strapping a video camera to himself as he drives a motorcycle around an island, Palestine harmonizes with the engine, maniacally repeating the phrase, "Gotta get outta here...gotta get outta here..." His chanting voice merges with the vibrations of the