stammering forward backward GIANT is a re-edit of George Stevens' 1956 film Giant - an epic story of Texas, oil and racism.

Mike Builds a Shelter is a performance comedy with apocalyptic overtones, a narrative extension of Smith's installation Government Approved Home Fallout Shelter/Snack Bar.

Berlin-based Danish artist Olafur Eliasson complicates and simulates perception through his installations, sculptures, and photographs.

“Nobody likes you if they think you’re rude- you better act the way you should.” But we didn’t.

Syms’s 4-channel installation — avaliable through VDB as a single channel video — follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of vie

This suite is a set of circular and fragmented compositions, in which a rhythmic and haunted dance hides an eroded lunar landscape. The microscopic rubble of our contemporary civilization. Part of the Lunar Films series.

Une Ville de l'Avenir uses the lens of Alphaville to look at the City of the Future that we live in today. The modernism of La Defense in Paris is the setting for this chilling revisiting.

A feature-length trilogy of films by filmmaker-choreographer Sarah Friedland, Movement Exercises deconstructs and revises the choreographic vocabularies of exercises practiced across home, work, and school spaces.

The Liverpool African Diasporic Filmmakers Network is a collective of filmmakers from the African Diaspora that centre black identity in their work.

Invited to speak at an Indigenous Revolutionary Meeting, the narrator describes an intimate encounter with an Evil Colonizing Queen which leads to Turtle Island's contraction of an invasive European

A primer in satellite system operation, Send/Receive extends the critique of media as commodity by asking questions concerning the people's right to access satellites.

This sensualist's dream follows Louise Brooks look-alike Rodney O'Neal Austin on his search for the Beloved.

Acid Migration of Culture occupied the main windows of the Donnell Library, the branch of the New York Public Library directly across from the Museum of Modern Art.

UK, November 26th 2005

The perception of an Anglo-American hotel room is coloured by new revelations about 'The War on Terror' and 'The Special Relationship' that exists between Britain and the USA.

Four short pieces: three featuring anecdotes and conversations, the fourth an icy landscape.

Baldessari has Ed Henderson examine obscure movie stills and attempt to reconstruct the films’ narratives.

Eiko Otake, with her collaborator Merian Soto, visited a friend Bonnie Brooks in her country house and had a long walk in the forest. There was a small island occupied by three deers.

"In the spring of 2002 I handed over to Charles Atlas a collection of films and videotapes in various formats that I had been accumulating with an eye to his editing them into what I call a "faux Rainer portrait" (though he may well call the final produ

Child uses the soap opera format to play with the structure and expectations of the family melodrama.

China, Beijing, I Love You! is an animated film about extraction of nickel and cobalt along China's Maritime Silk Road.

Ripe fruit in sweaty socks; soft eyes, stained and suffering in the origin of consciousness, and a soul needing refrigeration, for it has nearly gone bad!

The everyday performance of domestic labor is teleported into a surreal game world where an emotionally responsive AI chatbot provides no answers.

This very funny video plays with the identification of the camera as phallus, as an instrument of power and domination intruding upon reality; never an innocent bystander, it is always the organizing locus of events.

"I, Soldier is the first part of a video series in which I am dealing with the state-controlled ceremonies for the national days of the Turkish Republic.

Using performance as a means of personal transformation and catharsis, Mitchell’s Death mourns the death of Montano’s ex-husband.

Alice Neel (1900-1984) is known for portrait paintings of well-known persons and eccentric New York street types.

When she was 16, Benning stopped going to high school for three weeks and stayed inside with her camera, her TV set, and a pile of dirty laundry. This tape mirrors her psyche during this time.

This film is an appropriation from the 1965 movie The Sound of Music. Each sync sound frame of the Prelude and opening song "The Hills are Alive" is

Skating softly, but carrying a big stick, performer Kristin Elliott engages in an interlocking series of skits involving simple, slapstick activities performed by a pristine outdoor pool and in a venetian blind windowed corner of a room.  Bodies of

Polycephaly in D is a densely collaged exploration of the existential drift, collective trauma, and psychological free-fall of the contemporary moment.

Veronica Majano depicts the character of a street in the Mission District of San Francisco.

Dó is an audio/visual synthesis between a dual screen video installation and a sound installation which was developed in collaboration with the Portuguese-Cape Verdean rapper/music composer Chullage.

The 2008 iteration Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2008 campaigns, and highlights the development of the political strategy and marketing techniques of

It’s a delight; not fragile yet.

It’s not hockey bashing and blades.

Not the escapades, or a snake.

It’s an expanded definition of drawing.

The soundtrack begins with the artist stating the conditions: “An artist may construct a work and/or a work may be fabricated and/or a work need not be built.

Dan Sandin designed the Image Processor that, partly because of his decision to give away the building plans, has effected an energetic and aesthetic investigation of the technological structures of electronic media.

The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

A metropolis awash in electrical overdrive crashes in the heat of summer and sends a Bronxite into the clutches of a waterworld further north.

A man is shot inside an empty room and he moves and takes on positions continuously out of center.

Set in East Berlin in 1977, this short experimental documentary interviews the Dadaist artist Hannah Höch as she reflects upon her experiences living and working during in 1920s Berlin. Höch compares

The “greca”, the meander, is the main symbol weaved in the textiles made by the Navarro sisters, from Santo Tomás Jalieza, México.

Antonio Muntadas and Marshall Reese have been documenting the selling of the American presidency since 1984, and have expanded and updated the series with every election.

Acconci listens to his own recorded monologue of sexually intimate secrets and repeatedly tries to obscure these secrets by shouting over the tape, demonstrating the paradoxical situation of the artist confounded by two desires: to reveal oneself for th

For 200 Nanowebbers, Semiconductor have created a molecular web that is generated by Double Adaptor's live soundtrack.

The scales of the snake refract a trance and invocation. In the epicenter, the pyramids join Izcóatl's battle, the Obsidian Serpent propagates an exhortation: all the dances against the war.

The frame is filled with two concentric magnifying lenses, one larger than the other. Behind them is a mirror. The mirror turns and reflects the landscape around it.

Ree Morton (1936-77) was an American artist working with large-scale mixed media installations.  Her mature career was brief, extending from 1971 to 1977.  However, her output and growth during these years was unusually large.  This was the first of two interviews Lyn Blumenthal and Kate Horsfield conducted with Morton; the second was for the journal Heresies in 1977.

“What's junk to some people, is treasure to others,” an idea that motivated the work of humanitarian Dorothy Davis.

A three-part series featuring important new works by internationally renowned conceptual artist, Lawrence Weiner, these works continue the themes of role- and game-playing, and the use of language.