Part of the paraconsistent sequence series.

The video hovers tentatively between therapy, documentary, poetics and mystic traipsery and ends, like all good things, in surrender to song.

A short animation commissioned for Peter Burr’s touring media project Special Effect connecting Tarkovsky’s Stalker to its original text Roadside Picnic by the Strugatski Brothe

Circle's Short Circuit is an experimental feature-length work with neither a beginning nor an end—the film can be viewed from any random point.

"Superimposing the stories of two women—the filmmaker’s late grandmother and the amateur filmmaker Joan Thurber Baldwin—Home When You Return explores the psychogeographies of mourning through a variety of

Woman, monster, animal? A portrait of a woman's face, the movement slowed down and reversed, the grotesquely made-up face examined in close-up.

Jessica Bardsley is an artist-scholar working across film, writing, and studio art.

Four tales about cannibal monsters narrated and performed by the Waiãpi Indians. “We have made the video,” say the Waiãpi, “to teach people to be more careful with monsters they never heard about.

Born in 1987, Ibrahim Mahama is an artist and author who creates monumental installations out of materials originating from Ghana, Mahama's home.

This tape exemplifies Snyder’s early experiments with the image processor. Articulated patterns of alternating wavelength and amplitude of both sound and light are arranged to produce abstract compositions.

"Between March 1972 and February 1977, the Videofreex aired 258 television broadcasts from a home-built studio and jerry-rigged transmitter in an old boarding house they rented in the tiny Catskill Mountain hamlet of Lanesville. It was a revolutionary act in defiance of FCC regulations — the first unlicensed TV station in America."

Using footage from the legendary Bruce Lee’s last, unfinished, film, Fulbeck turns the subtitled martial arts movie on itself—levelling criticism and commentary with the genre's own tools, and examining the various representative functions of the late a

Staged at the Haus der Kulturen der Welt, Berlin, Conakry is a sequence shot on 16mm film that travels through time, space and media to revisit one film reel from the Guinean archive.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

As the camera looks out through a barred window and the clock strikes four in a Swiss city, the death of Yasser Arafat provides the starting point for a journey back in time.

This is our proposal: Make the rich pay for Covid-19.

In this interview, Brian Holmes, an influential art critic, activist and translator, discusses social forms of alienation, human ecologies of power, and the impact of technology on geopolitical social networks. Holmes reflects on his ongoing study of the ways in which the rhetoric of revolution has been institutionalized, as well as artists’ resistance to such cooption. For him, artists working in collectives have the potential to create a new artistic milieu that is not aligned with the dominant model of production. This argument is born out in his published collection of essays, Hieroglyphics of the Future (2003).

We hear a female voice with a subtle Jamaican accent speak about her life.

See a boy turn into a tiger. See the lad vomit colors of the rainbow. Watch him toss marbles onto wet bathroom tiles while holding up a green skull.

Opening with jarring violence, Dani Leventhal's Tin Pressed proceeds to negotiate a balancing act between the bewildering tonal variances of daily life — with all of its unnameable and enchantingly fragmented specifics — and the gravitational u

Originally presented as a live performance piece using actors, multiple monitors, and music, Modern Times is a consolidation of seven short chapters in the life of a modern woman.

Shifting Positions is a semi-autobiographical/fictional trilogy exploring becoming queer later in life, my father's dementia, and our mid- and end-of-life crises.

Sable Elyse Smith's How We Tell Stories to Children is a single channel video that combines found footage, music clips, and audio of the artist reading with video clips of her father recording himself from prison.

Made with my production class at the art asylum called the San Francisco Art Institute, this wide-screen drama of run-a-way spectacle and crazed emotion depicts a lurid tale of familial fury and unleashed passions.

Vanessa is based on the untimely death of Vanessa Jordan. A work about loss and Michelangelo.

Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and c

"This compilation is a selection of six short films and videos, made in London over the period 1994 to 1999.

Set to music by Bikini Kill (an all-girl band from Washington), Sadie Benning's Girl Power is a raucous vision of what it means to be a radical girl in the 1990s. Benning relates her personal rebellion against school, family, and female stereotypes as a story of personal freedom, telling how she used to model like Matt Dillon and skip school to have adventures alone. Informed by the underground “riot grrrl” movement, this tape transforms the image politics of female youth, rejecting traditional passivity and polite compliance in favor of radical independence and a self-determined sexual identity.

A two-headed calf died when one head atrophied. It became a trophy that the artist used as a source for this 16mm film transferred to video.

The inverted camera catches Nauman standing at the end of the room, slowly spinning around on one foot, first head down in one direction, then head up in the other direction.

This tape is a media arts collaboration between Joe Leonardi, Cathleen Kane, and radio artist Joe Frank. It is a synthesis of three “dark humored” radio pieces adapted for video.

After the shrieks and howls of Hymn of Reckoning, I felt that I needed to close out the Oto trilogy with a gentle flashback, to a 1980s sunset beach on a tropical island.

Introduces the audience to the rockin' talkin' pony, who provides musical accompaniment for a series of Texas country-dance lessons.

Part of paraconsistent sequence series and the hauntology series.

A classic example of feminist performance videos of the 1970s, which often incorporated autobiography, expansion of self through personae, and assertions of a new identity for women.

"Over the course of one year, I periodically shot footage from the front window of my third floor apartment. This material became the basis of Window, a video about knowing. How do we come to know a place or a person?

Reclamation is a documentary-style imagining of a post-dystopian future in Canada after massive climate change, wars, pollution, and the after-effects of the large-scale colonial project which has now destroyed the land.

Based on the filmmaker's autobiography, You Are Here examines the search for home within our era of transnational displacement.

Sirrocco was a drag performer and club icon in Cincinnati, Ohio during the 1980s and 1990s, and was also a close neighbor and friend of Teramana’s.

"I'm not finished. I don't know how long it's going to take. As far as I'm concerned I'm officially dead."

During my residency in New York I was designing a computer virus, which would contaminate computers through a screensaver that read “there is so much love in this world”.

A massive video drama made with my students at the San Francisco Art Institute that chronicles a man and wife parting ways amid the clatter of dice in a gambling resort on a painted desert of painted women and panting men.

This interview depicts American writer, activist, and AIDS historian Sarah Schulman (b.

Next Atlantis is a video/sound collaboration between composer Sebastian Currier and filmmaker Pawel Wojtasik.

Steve Seid of Pacific Film Archive calls it, “An episodic adventure about extra-evolutionary transformation. Organized as 'lesson plans’, this unique work is an ambitious tutorial for the neo-nauts of inner space."

This moving video portrait follows a group of teenage boys who attend the Masada School, a school for juvenile delinquents and social misfits.

An interview that charts the activities of the Polish critic and curator Sebastian Cichocki. The dialogue is centered around, particularly, the difficulties of operating in a peripheral, Eastern European artworld context.

Is Miley more or less happy than June Cleaver?

John Cage’s compositions and performances have had a profound influence on generations of musicians and artists. In this tape, he initiates For the Third Time as author Richard Kostelanetz interviews him.

A performer lip-synchs to archival audio featuring the voice of author and anthropologist Zora Neale Hurston as she describes her method of documenting African American folk songs in Florida.