In 1993 President Mitterrand visited Korea.

Soliloquy is from Martine Syms’ Kita’s World series. In the series, Kita enacts the performances of everyday life in a hyper-digitized world.

"Three months in an architects’ firm in Berlin. From the architecture down to the tiniest door handle, a questioning of matter and the verb."

— Harun Farocki

3 Church Walk is a film made with writer Jonathan P. Watts and sound composer Simon Limbrick about the empty and neglected Suffolk house of modernist architect H. T. ‘Jim’ Cadbury-Brown.

New to the 2 Spirit lifestyle? `Want to talk to someone in the Spirit and the Flesh instead of reading The Spirit and the Flesh? We have just the service for you!

This video is a 7-minute single channel piece consisting of two monologues: the first is a speech prepared for Richard Nixon in the event of a moon landing disaster in 1969, the second is the final words of the computer HAL from the film 2001.

Arlene Raven (1944-2006) was a feminist historian, theoretician, poet, and art historian who has published numerous books on contemporary art and written criticism for The Village Voice and a variety of other newspapers, art magazines, exhibiti

Erase the 1940s. The desire to better appearances. To try to record a love story. It's in this way that a facial can become the biggest remaining pleasure.

Utilizing a mix of documentary and improvisational styles, the portraits featured in these three videos highlight the often forgotten, the marginal, those on the edge of society.

Nauman stands with his back to the camera, repeatetedly drawing the bow across the strings of a violin tuned D, E, A, D.

Sections 31-60 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.

This compilation features 11 of Jem Cohen's collaborations with musicians.

Part of paraconsistent sequence series and the hauntology series.

This meditation on family and friends uses, as a point of departure, the relationship between the maker and his grandparents.

Domestic life in south London filtered through stories of weight (and waiting), local history, bad dreams and the ongoing colonisation of the moon.

Original music by Bruno De Angelis.

No Damage is a composition made out of fragments from over 80 different feature and documentary films that show the architecture of New York City — its architectural presence as captured on film over eight decades.

"Superimposing the stories of two women—the filmmaker’s late grandmother and the amateur filmmaker Joan Thurber Baldwin—Home When You Return explores the psychogeographies of mourning through a variety of

"The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones.

An over thirty-minute static long take of a grass lawn in front of a lake. A camera is set still to capture a day trip of a group of people around the lake.

Hotel Globo critically examines the changing urban surface of Luanda through video, photographic and performative incursions into the interior landscapes of the 1950s Hotel Globo in Luanda, Angola.

The sun pretty much shines throughout this romp back East as waves crash against a land of plenty while the residents bathe in its nutritional offshoots.

Born in 1987, Ibrahim Mahama is an artist and author who creates monumental installations out of materials originating from Ghana, Mahama's home.

This video is about seduction. The audience is seduced by the female narrator, while at the same time repelled by the seductress' desperate need for love and approval.

A short story about new bodies, the power of denial, and a state of no sunshine. Two infantile bodies float in a cyberspace ball, connected by two subconscious bodies in the background.

Staged at the Haus der Kulturen der Welt, Berlin, Conakry is a sequence shot on 16mm film that travels through time, space and media to revisit one film reel from the Guinean archive.

Space Ghost compares the experiences of astronauts and prisoners, using popular depictions of space travel to illustrate the physical and existential aspects of incarceration: sensory deprivation, the perception of time as chaotic and indistinguishable, the displacement of losing face-to-face contact, and the sense of existing in a different but parallel universe with family and loved ones.

Physical comparisons such as the close living quarters, the intensity of the immediate environment, and sensory deprivation, soon give way to psychological ones: the isolation, the changing sense of time, and the experience of earth as distant, inaccessible, and desirable. The analogy extends to media representations that hold astronauts and prisoners in an inverse relationship: the super citizen vs. the super-predator. Astronauts, ceaselessly publicized, are frozen in time and memory whereas prisoners, anonymous and ignored, age without being remembered.

In this experimental interview with Jill Ker Conway, Freed outlines a portrait in chalk on a black surface as the soundtrack conveys Conway describing her fascination with the way ones visual self appears on camera and the way an artist perceives their

Cheang has taken her camera to the streets for a candid glimpse of lesbian public sexuality.

We hear a female voice with a subtle Jamaican accent speak about her life.

See a boy turn into a tiger. See the lad vomit colors of the rainbow. Watch him toss marbles onto wet bathroom tiles while holding up a green skull.

The second in the Jaws series. Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

Using a pulsing rock soundtrack and music video-style editing, X-PRZ combines archival footage of Malcolm X, advertisements, and corporate logos in No Sell Out to provide a scathing commentary on commodity culture.

Sable Elyse Smith's How We Tell Stories to Children is a single channel video that combines found footage, music clips, and audio of the artist reading with video clips of her father recording himself from prison.

Part of the Long Beach Museum of Art’s Institute for Art and Urban Resources' Collectors of the Seventies series, this video focuses on the Betty Asher’s acquisitions. "I started collecting in 1939.

A cold stone structure stands in frigid defiance to the moral decay which shrivels the leaves of erect extensions to the human lust for creative expression.

"This compilation is a selection of six short films and videos, made in London over the period 1994 to 1999.

“In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model’s role in numerous paintings....

This lyrical piece celebrates the male body simply and elegantly. Its subject, Christophe, is exquisitely portrayed by the sepia-toned balletic video. Three men dressed in overcoats dance in and out of the frame in front of a mostly stationary camera.

After the shrieks and howls of Hymn of Reckoning, I felt that I needed to close out the Oto trilogy with a gentle flashback, to a 1980s sunset beach on a tropical island.

Small Miracles is a suite of eight video animations in which the artist conjures up and controls forces of nature.

This is the crude and unnatural state of civilization, an image not yet processed or refined that hides and displays in its intermittence all the crude violence of the anthropocenic industry. The raw and fossil image of the Capitalocene.

Playing off the notion of “interactivity”, Utopia poses itself as a video game plugged into the social consciousness of contemporary California.

1.1 Acre Flat Screen is a 45-minute video about a year-long effort to improve a lot of 1.1 acres of desert land in Utah, which we purchased on September 4th 2002 on eBay.

Reclamation is a documentary-style imagining of a post-dystopian future in Canada after massive climate change, wars, pollution, and the after-effects of the large-scale colonial project which has now destroyed the land.

"Here is Everything presents itself as a message from The Future, as narrated by a cat and a rabbit, spirit guides who explain that they've decided to speak to us via a contemporary art video because they understand this to be our highest form

Meditation is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

Deaf Dogs Can Hear is an autobiographical work that traces the tragic yet humourous episodes of the artist as a young girl, and her pet chihuahua.

In a radical action like Nam June Paik destroying a violin, and rolling up in bandages the bodies of the players in in a concert by Yoko Ono, the international avant-garde group Fluxus changed not only art, but the concept of it.

Horizontes incorporates scenes from a popular Cuban soap opera with running commentary in the form of a propagandistic advertising text.

This interview depicts American writer, activist, and AIDS historian Sarah Schulman (b.