Juxtaposing feminist readings of medical tracts, narratives of patient treatment and archival footage, I Need Your Full Cooperation reveals the evolution of women’s relationship to modern medicine.

Budlong Memorial Middle School is heating up.

In Home Tape Revised, Benglis took a portable tape recorder with her when she visited her family in Louisiana.

Skim Milk & Soft Wax explores Jewish identity from the point of view of the American filmmaker, who was raised to believe that Israel is the "land of milk and honey".

In Oh, Rapunzel, when Rapunzel flees the tower, Condit's mother leaves her home for an independent living facility and a freedom that she has never known. A collaboration between Cecelia Condit and Dick Blau. Music by Stephen Vogel.

The combination of a found site (an old power station in Norway), and a found object (a log) and a found instrument ( a wooden floor) produce a found sound in this acoustically alive action.

Joan Mitchell (1925-1992) was a "second generation" abstract expressionist painter and printmaker.  She was an essential member of the American Abstract expressionist movement, and one of the few female painters to gain critical and public acclaim in the era.

The Pyramid used to be a mountain.

Gallup, New Mexico, in the American Southwest, has hosted the Inter-Tribal Indian Ceremonial annually since 1922.

In February 1970, the Freex visit the garage of the Hells Angels to informally discuss American politics and motorcycle maintenance. In this video, David Cort leads an extensive interview with the group’s president, Sandy Alexander.

I Have Always Been A Dreamer is an essay film about globalization and urban ecology using the examples of two cities in contrasting states of development: Dubai, UAE and Detroit, U.S.A.

"It may indeed be questioned whether we have any memories at all from our childhood: memories relating to our childhood may be all that we possess.

This 1978 conversation between poets Anselm Hollo and Robert Creeley, was updated in 2015 as Adam Burke relays their conversation.  Images of Hollo, Creeley, and Burke are juxtaposed on top of one another.

Part of a campaign initiated in 1989, this video is a component of Gran Fury’s plan to raise consciousness and advance medical and federal reform on AIDS policy.

A reflection on the deep and the creatures that attempt to fathom its resources (such as baked salmon and rubbery crocodile meat).

Shot in low-light style, Kuchar documents his experiences with various underground filmmakers such as James Broughton and Ken Jacobs, then moves on to the other side of Hollywood lifestyle to visit Nicholas Cage.

Storyteller recomposes aerial shots from the Las Vegas casino skyline to create a slick, artificial world, reminiscent of science fiction. At first glance, the viewer might think of jewelry-like space ships floating slowly through the universe. When the camera zooms in on buildings and architecture, the detailed glitter and kitsch of the city hypnotically reveals something of pure beauty and madness.

In a visually difficult construction, Silver plays with the viewer’s ability to focus and take in an entire image.

Flat is Beautiful is an experimental live-action cartoon using masks, animation, subtitles, drawings, and dramatic scenes to investigate the psychic life of an androgynous eleven-year-old girl.

St. Marks: New Years Eve combines political commentary with non-narrative segments that celebrate the medium of video.

In this tape, shot in August 1970, a number of Hells Angels are interviewed on the street in New York City. They talk about their bikes and their preparations for a “run”, and their reactions to the way they are portrayed by the mainstream media.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

Hotel Globo critically examines the changing urban surface of Luanda through video, photographic and performative incursions into the interior landscapes of the 1950s Hotel Globo in Luanda, Angola.

The earliest of Benglis's videoworks, Noise calls attention to the assemblage element of video by allowing the image to disintegrate into static between edits.

In this piece I am exploring the idea of belonging by tracing the outline of the shifting skyline. Through imagination, learning, and a continuous adjustment, I strive to relate the communal with personal identity.

— Ezra Wube

Buckminster Fuller (1895-1983) was both a pioneer architect of the modern era and a global theorist. Fuller developed a system of geometry that he called “Energetic-Synergetic geometry,” the most famous example of which is the geodesic dome.

In the beginning was the weave, and the transmission of its workings, a curse of mortality—so ends Quantum Creole with the fabulous words of the Papel weaver, Zé Interpretador.

In this 1996 interview, African-American sculptor, printmaker and designer Valerie Maynard (b.1937) describes growing up in Harlem in the mid-20th Century and her awareness of the importance of community during her upbringing. Recalling the prominence of the Baptist church in her early life, Maynard discusses how religion brought her into contact with local politicians who impressed upon her the importance of affecting change. The artist notes how an early affiliation with Congressman Adam Clayton Powell and her brother’s incarceration propelled her interest in social justice and the workings of the judicial system.

"I asked the inmates in my Art Group on the HIV/AIDS unit - Del Norte to talk about their experiences from the womb to the present moment. Here are their stories."

–Wendy Clarke

A portrait of the artist as a not-so-young man. The filmmaker attempts to enter the digital age by making a new video version of one of his old films.

Originating from personal affection toward Seoul, Twelve Scenes portrays the spectacles in daily life by juxtaposing urban space in a twelve month sequence.

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

In the first tape, Two Dogs and Ball, Wegman uses the area framed by the camera as his performance space, employing a single, fixed camera to record the scenes as he, Man Ray and Fay Ray, his Weimeraners, act them out.

Though the use of fairytales and dark fantasies, these works combine the commonplace with the macabre to construct a new world of the subconscious.

An ex-student of mine opens up in the privacy of her home and shows me her etchings (watercolors) as we talk of art and things that slip under the fabric of daily attire. - George Kuchar

Offering was co-commissioned by Dancing in the Streets (New York), the Walker Art Center (Minneapolis, where the proscenium version premiered January 9, 2003) and the University of Arizona (Tucson).

"It was as if I was living by the Nike slogan Just Do It."
— George Barber

Although trained as an art historian, Jeff Wall has been working on his expansive photographic light boxes of staged scenes for more than 25 years.

In Dry Blood (Sagre Seca), various historical moments of political activism in Mexico are superimposed and corroded on the emulsion of expired film.

A cinematic exploration of African American intellectual, social, and political life at University of Virginia during the 1970s.

John Malpede is a performance artist and Director of the Los Angeles Poverty Department (LAPD), a performance art and theater group whose members include the city’s homeless.

Which celebrity do you most resemble? For artist Kip Fulbeck, this question starts a rollicking ride that is part autobiography, part family portrait, part pop-culture survey, and all Disney* all the time.

Satoshi Uchiumi, Japanese abstract painter, believes that the beauty of painting lies within paint itself. He has pursued beauty by painting thousands of colored dots.

Child masterfully composes a rhythmic collage of symmetries and asymmetries in a fluid essay that forefronts the treatment of the body as a mechanized instrument — placing the body in relation to the man-made landscape of factories, amusement parks and

“Levy's work is both ramified and momentous, addressing environments of many kinds, and filled with stories in which human behavior has played a decisive role.”

Earthmoves is a continuation of Semiconductor's exploration into how unseen forces affect the fabric of our world.  The limits of human perception are exposed, revealing a world which is unstable and in a constant state of animation as the

"'I am nice. I... am nice. I am... nice," repeats the narrator, in this personal and highly poetic exploration of the construction of self. Mirra favors repetition as the device for reconstructing the stage of development when a child learns its name.

Made using voicemails the Kuchar brothers left on her home answering machine, the artist reveals George and Mike in all their candid honesty leading up to and following George’s untimely death in 2011.

During Videofreex member David Cort's travels to Jerusalem, a scene was shot in a hospital where a female patient is having electrodes attached to her body.