Taking its title from the four consonants of the ancient Hebrew name for God, Tetragramaton contemplates the relationship between man, technology, and ecological systems.
In Barbier’s meditative journey through India, she deconstructs the myth of the objective documentary by using textual commentary and off-camera remarks to address the problematic relationship of observer to observed.
An audiovisual experience of the current Mexican war.
Fred Tomaselli’s mosaics and collages compose patterns and images that suggest ancient global influences.
The University of Virginia gospel choir Black Voices returns home from a triumphant concert in Hampton Roads.
Cloudless Blue Egress of Summer is a two-channel synchronized video installation. A composite of the two channels presented side by side in one video is available from Video Data Bank for educational use only.
This is the new choreography of devotion, via the vlog of southern nightmares. This is the light that never goes out. This is the line describing your mom.
This absurdist, microscopic film noir follows the activities of an underground network of ill people, desperate to create alternative methods of self-care in a world where natural resources are disappearing.
Segalove relates a tale from her childhood of a man's exposure with text (“the painter wagged it at me right here”), while an arrow blinks over a shot of the house where she grew up.
Reverend Howard Finster was a preacher-turned-folk artist. He created Paradise Gardens Park & Museum, a product of all his murals, drawings, sculptures, and mosaics—and Summerville, Georgia’s largest tourist attraction.
A detective is hired to find the original copy of a lost ancient book. The book recounts the tale of a plague. A form of radiation, unknown at the present time, activates a virus.
Vision of Anahúac: Traveler, you have reached the most transparent region of the air.
During Videofreex member David Cort's travels to Jerusalem, a scene was shot in a hospital where a female patient is having electrodes attached to her body.
There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.
In Mute, fragmented images of the female body, recalling sensuous landscapes, suggest the objectification of women in a culture that renders them silent.
Europlex tracks distinct cross-border activities through the Spanish Moroccan borderlands and seeks to make these obscure paths visible.
Three people are taken for a short ride on the River Thames hanging upside down on the back of a speedboat. The journey is both a test of endurance and a simple way of forcing people to see differently.
Frances, a young Gay Indian (2 Spirit), played by Lacey Hill, is struggling with the aftermath of a gay basing. Through her friendship with her ex Jean, she gathers the strength to go out in public again.
“Collaboration is competitive” – this is the tag line for the artist collective Type A, composed of Adam Ames and Andrew Bordwin.
In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times – the period just after Chairman Bobby Seale was wro
Turistas deals with the letdown of a world that is pre-mediated and post-digested—a video travelling guide that updates the 19th century artist's Grand Tour and downgrades it to 21st century not-so-Grand status.
While moving through the streets of Paris, a brother and sister confront their incestuous past under the watchful eye of their female taxicab driver.
The tapes in Facing the Self: Program 2 are organized around the appearance of the female form, particularly the face.
A HalfLifers journey to a lush interior landscape where some domestic chores and an unexpected encounter provoke a crisis at Mission Control, paving the way for a seasonal reflection upon the meaning of "home."
In 1972, Robert Morris and Lynda Benglis agreed to exchange videos in order to develop a dialogue between each other’s work. Morris’s video, Exchange, is a part of that process—a response to Benglis’s Mumble.
A pair of de-iced dove wings are on the floor next to his bed, states the poet who is deeply in love, and falling deeper, in this pictoral poem.
There is no better place to meet people than in the temporary community which gathers under a scant awning on a New York street in a downpour.
A video poem about memory and loss. The abstraction in the meaning of words and how they become more dynamic in our consciousness.
California has been multicultural for at least 100 years, home to Indians, Spaniards, and Anglos. An 1884 romance novel, in fact, paired a half-European/half-Indian woman with the son of a Luiseño Indian chief.
La Intolerancia en el Jardín de las Mentiras y el Pecado (The Intolerance in the Garden of Lies and Sin) recounts the rupture of the relationship between friends due to the ambition of the prized object.
Neither a Sierra snowfield nor a tunnel proves to be the perfect studio space for the improvement of one’s craft. Only practice counts.
Impetigo is the story of passion and possession in a steamy nocturnal landscape. The title is a reference to the poem A Man All Grown Up is Supposed To, by Terry Stokes.
Juxtaposing the text of Off Limits, a film made in 1987 about Saigon circa 1968, with the soundtrack and image of the last five minutes of Easy Rider, made in 1968, Tajiri parallel edits these representations to play with the evocation
Touch Parade is a 5-channel HD video installation consisting of crush (9:22 min. loop,) squeeze-2-pop (5:49 min. loop,) wading (3:41 min. loop,) glove love (6:58 min.
BAGHDAD IN NO PARTICULAR ORDER is an ambient video essay of life in Baghdad before the invasion and occupation. Men dance, women draw and sufis sing as they await the coming of another war.
“Trypps #7 (Badlands) charts, through an intimate long-take, a young woman's LSD trip in the Badlands National Park, before descending into a psychedelic, formal abstraction of the expansive desert landscape.
"Look at a landscape and imagine a different one there. Touch the body and let it slip from memory. Imagine a desert when what you see is winter.
Mr. Thomas is in the back garden, performing his new moves in the glorious sunlight, making things happen. Somewhere between ritual, a white suburban war dance and 1970's "keep fit" exercise to lovely music, Mr.
Syms’s 4-channel installation — avaliable through VDB as a single channel video — follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of vie
All that burns melts into air as “All that is solid melts into air” by Marx and Engels brings us to an imaginary of the present time marked by the reality and urgency of global warming.
An ailing, elderly man listens to a private performance in his room. The singing is a halting mix cross-cultural-Inuktitut and Country & Western. Transgressive and mesmerizing, Karaoke distorts the landscapes of sound and body.
Nobody counts the hours and nobody cares how the years are piling up. Souls begin and end. Then comes the night. A snow landscape of souls.
A Japanese student is taken by his teacher to the land down under from Frisco (LA) and gets to meet the mighty that fuel our lust for entertainment and art with gregarious gusto.
Contains Videofreex tapes Buzzy and the Flute, Buzzy at the Gaslight, Buzzy at the Videofreex Loft, Buzzy Linhart at the Record Plant
“Mining an ironic vein by turning technology against itself, AlienNATION undercuts the sociological ramifications of modern living.
An examination of venture capital, Nothing Ventured documents the tough negotiations that take place when entrepreneurs and bankers meet.
Produced in collaboration with MICA-TV, Summer of Love is a public service announcement produced for the American Foundation for AIDS Research. Featuring The B-52’s, David Byrne, Allen Ginsburg, Quentin Crisp, John Kelly, and others.
Relying on the magic echo found in an old power Station in Norway, the artist whistles and marches to the Internationale, a May Day workers’ song.
The dark and sloppy side of touring college towns with your work. An internal expose of external secretions that unfortunately make it to the boob tube in full color.
Documentarian and independent film producer Warrington Hudlin co-founded the Black Filmmaker Foundation in the late-1970s to help develop and promote emerging artists.