Shot in December 1969, this video documents a live performance by the Incredible String Band at the Fillmore East, NYC.

“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general.

In Deux Pieds, video is used to create dance illusions, effects impossible to achieve in dance except via video technology.

Rackstraw Downes’s “observation” paintings, executed on-site at ponds, intersections, and baseball parks, began as a mischievous response to the dogma of style and modernist criticism.

A video recording of a computer-generated abstract animation that is keyed, wiped and matted by electronic oscillators and feedback. The sound of the electronic oscillators is delayed and pitched to produce modulations.

Gone is a two-channel installation based on the second episode of An American Family — the landmark PBS verité docu

American sculptor and land artist Robert Smithson made art as a meditation on transition and change.

Featuring Ken and Louise from Wendy Clarke's One on One video series, this video exchange encompasses a shared passion for music and pure emotional vulnerability that creates an incredibly intimate relationship between these two strangers throu

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood.

The unusual combination of a sound like a singing saw accompanies sweet images of frolicking lambs in the meadow, galloping horses, and a strange boy, is eerily beautiful and pure.

In this collection of videos, Susan Mogul casts her diaristic lens to the nature of motherhood.

This meditation on family and friends uses, as a point of departure, the relationship between the maker and his grandparents.

Awarded a MacArthur “Genius” Fellowship in 2014, Rick Lowe is a leading practitioner of social practice art. His Row Houses project is a highly lauded example of relational aesthetics successfully deployed.

This is the flowers under attack. An entire ecosystem under attack. This is the omen of the bugambilia. This is the pulsation of the nervous trance of petals in the anthropocentric times. Part of the Hauntology series.

An old Russian Akula submarine, armed with ballistic nuclear missiles, is assigned a new captain. But Captain Pavel seems to care very little for Navy protocol.

Through a process of degeneration of both sound and image, Just endows the iconic American flag with new context and implication.

Audio-visual recordings of zoo-animals are woven into a fine web of actions and reactions, that finally spiral into a collective animalistic concert.

In this tape the Videofreex document an impromptu experimental art gathering in 1971, hosted by New York artist, Tosun Bayrak.

Clarke works with four men (Paul, Solomon, Eli, and Leslie) making masks for their video image. The video was made through the Arts in Corrections program at the California Institution for Men in Chino, California.

In the second part of the Classics Exposed series, a neurotic scholar (Gibbons) leads a "buggy" ride tour through historic Charleston where, according to the professor, Franz Kafka wrote The Metamorphosis after taking a wrong turn on h

Exploring climate change, the destruction of nature, and industrial pollution, these four works by Paweł Wojtasik paint horrific yet meditative landscapes of global infrastructures including meat production, waste treatment, and laboratory experimentati

white and fifteen movies starring Charlton Heston is a stroboscopic work made from fifteen films starring Charlton Heston. Each film has been algorithmically condensed down to thirty seconds in length.

Two bizarrely costumed characters – a human ‘chicken’ in a fat suit, and an elaborate folksy creature called an ‘authenticity fetish’- meet and debate their plight.

Horace Bristol discusses his long career in photography, which began with shooting for Life and Fortune magazines in the 1930s. His photojournalism took him to the Dutch East Indies and post-war Japan.

Executive produced by Sara Diamond at the Banff Art Centre, co-produced by Michelle Baughn and Suzanne Lacy, directed by Tom Weinberg and Dick Carter, and edited by Holen Kahn.

Naked is a "living" environmental installation created for and commissioned by the Walker Art Center in Minneapolis, where EIko & Koma were "on view" all the hours the museum was open for the month of November 2010.

An incomplete and imperfect portrait of reflections from Standing Rock. Cleo Keahna recounts his experiences entering, being at, and leaving the camp and the difficulties and the reluctance in looking back with a clear and critical eye.

Sadie Curtis (1931-2012) was a Navajo woman descended from five generations of weavers. Filmed inside her hogan, Sadie talks about learning to weave as a child and how she gained fame from the creation of an American flag in the Navajo style.

Peter Schjeldahl (b.1942) began writing his “poetical criticism” for Tom Hess at ArtNews in the mid 1960s.

A brief glimpse into the cycles of Coyolxauhqui, the moon goddess, whose cycles used to be a dance. A fast-paced jazz soundtrack accompanies the quick, darting movements of the moon.

Obscure signs portend a looming, indecipherable slump. An oracular decoding of the landscape.

Love Songs #1 is composed of three pieces that pose questions about urban culture, race, and politics. Found footage images are manipulated and juxtaposed with popular music; the effects are unsettling, ironic, and sometimes humorous.

The scales of the snake refract a trance and invocation. In the epicenter, the pyramids join Izcóatl's battle, the Obsidian Serpent propagates an exhortation: all the dances against the war.

Walt Disney's re-imagineering of Martin Scorsese's classic film Taxi Driver follows Mickey Mouse-obsessed Travis Bickle as he looks for love in a rapidly transforming New York City. A 'fair use' parody by Bryan Boyce.

A philosopher and intermedia artist, Adrian Piper focuses on xenophobia, racism, and racial stereotyping

Family Court introduces us to the world of good, clean, family fun and leisure. 

A collection of early feminist videos curated by Maria Troy, Associate Curator of Media at the Wexner Center in Columbus, Ohio.

A short portrait of artist Anne Truitt (1921-2004).

Seven homosexuals, ages ranging 28-85, and strangers to one another, convene in a Los Angeles bookstore.

It’s the first day of autumn, and Gibbons can already smell death in the air.

A two-headed calf died when one head atrophied. It became a trophy that the artist used as a source for this 16mm film transferred to video.

Logging and approximating a relationship between audio recordings of the artist and his father, and videos gathered of the landscapes they both separately traversed.

Why Not A Sparrow is about a girl who enters a fairy tale land where the distinction between human and other animal species is blurred. In this kingdom, survival and extinction are on the tip of every birds’ tongue.

Feminist performance artist, Martha Wilson (b.1947), is director and founder of the alternative New York art space, Franklin Furnace Gallery, in operation since 1976. In this interview, Wilson discusses her Quaker upbringing, the impetus for her move from Nova Scotia to New York, and the founding of Franklin Furnace, as well as her involvement in the feminist punk band collective Disband.

"In the late 1980s I saw ads in New York for a telephone 'Confession Line'.  To call in and 'confess' was free; listening in incurred a by-the-minute charge. The soundtrack was built from a collection of these actual, anonymous calls.

This film uses the ‘old fashioned’ conventions of documentary film practice to stand history on its head.

Rosa juxtaposes the life of the filmmaker in two extreme locations (Baghdad and Montana) through three elements of nature: dust, rust and wind.

This experimental video breaks many the silences surrounding lesbians and AIDS. Interweaving the voices of two friends—an HIV+ Latina lesbian and an HIV- Jewish lesbian—the video juxtaposes two very different yet overlapping experiences.

More than three thousand insects appear in this film each for a single frame. As the colours glow and change across their bodies and wings it seems that the genetic programme of millions of years is taking place in a few minutes.

In collaboration with Iris McCloughan.