Eiko's first piece without a human.

In this reinterpretation of the mikveh — a purifying ritual bath performed by Jewish brides about to marry — the filmmaker and his husband’s immersions are disrupted by a government who refuses to recognize their marriage.

Dee Dee Halleck is a media activist, one of the founders of Paper Tiger Television and the Deep Dish Satellite Network, and was a professor in the Department of Communication at the University of California-San Die

Their first longer piece entirely in silence. The backdrop and floor were painted with a burned flour paste which crumbled down as they moved.

On the horizon, beyond their reach lies the shores of Poetry, and beneath their feet the chaos of Hell!

This fictional docudrama—based in part on the careers of Anita Bryant, Phyllis Schlafly, and Marabel Morgan—covers the fictitious assassination of Clovis Kingsley, a powerful, pro-family, anti-feminist ideologue, and fictional author of The Power of

Parnes moves further into her interrogation of horror genres and the art world, with their sometimes over-lapping cults of personality.

This is a rhythmic invocation of the ancestral fire, in which dazzling flames reanimate bones and natural elements. This is the shining of color.

Matt Wolf returns to Joe Brainard's iconic poem I Remember (1970) in this videowork. His archival montage combines audio recordings of Brainard reading from the poem, as well as an interview with his lifelong friend and collaborator, the poet Ron Padgett. The result is an inventive biography of Joe Brainard, and an elliptical dialog about friendship, nostalgia, and the strange wonders of memory.

In 1927 Henry Ford bought land in the Brazilian Amazon and called it Fordlandia.

2 Spellbound is a frame-by-frame re-editing of Alfred Hitchcock’s 111-minute psychoanalytic thriller (1945) into a seven-and-a-half-minute dance video.

Breder had met Conceptual Artist and Painter Lucio Pozzi during the Painting after the Death of Painting exhibition in Moscow in 1989, ande the Visual Practice/Visual Theory Area Studies Group chose the occasion of his participation a

Jennifer Bartlett (b. 1941) is a writer and painter who makes large paintings with enamels on fabricated panels. She uses an overall grid structure on which she repeats images in a variety of styles ranging from lyric abstraction to childlike representation.  Near the end of this interview with Kate Horsfield, she reads the chapter “Dreaming” from her book The History of the Universe (1985). “I decided: 1) I didn’t want to stretch a canvas again, 2) I wanted to be able to work on a lot of things at once. I didn’t want to exercise my own taste, which seemed boring and hideous. I wanted something modular, a constant surface."

A historical interview originally recorded in 1976, edited in 2010 with support from the Lyn Blumenthal Memorial Fund.

Luis Cruz Azaceta (b.1942) creates paintings and mixed media works which use the recurring theme of the displaced individual. Marked by his own exile from Cuba—he emigrated to the U.S.

Accidental Confessions combines scenes from a demolition derby with statements taken from automobiles insurance claims.

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

A documentation of a performance/installation. Guillermo Gómez-Peña and Roberto Sifuentes created a fictional religion based on inter-cultural confessions.

Fifeville is a film about a neighborhood in Charlottesville, Virginia. It focuses on the details, gestures, and material life of the citizens of Fifeville as they communicate their understandings of the neighborhood’s changing landscape.

Produced at the San Francisco Art Institute, and featuring a few musical numbers, this jungle drama deals with a commercial corporation infiltrating the Amazon to sell beauty aids to the indigenous peoples.

Rosa Barba’s work Disseminate and Hold investigates man-made geographies and landscapes, and how these are often deeply enmeshed with political agendas and utopian visions.

American, minimalist painter Sol Lewitt (1928-2007) used the grid as a foundation for his many artworks. Seeing himself in the role of architect or composer, Lewitt was most concerned with the concept behind the piece rather than the final product.

Archives recovers the formal community that mobilizes the diagrammatic experience of archives, a formal community that claims the sensory nucleus where hypertrophic rhythms, abstract machines, monuments and memorials, digital servers, corporate

The death that happens to others, the death that is in you already, the life that is in this death.

A live performance on a public-access cable program in New York deconstructing the messages in Vogue and its advertising. The work looks at the institutional slants of the magazine industry and the fashion industry’s reliance on sweatshops.

A collection of videos made at Miami-Dade Community College Mitchell Wolfson New World Center as part of Miami Waves Film Festival. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

A Tale I Know Nothing About features themes of resurrection, entertainment and death.

As recent state cut-backs force many mental patients out into the real world, Tony Oursler and Joe Gibbons team up to address psychiatric deinstitutionalization from a comic angle.

"Finn seamlessly blends actual space footage with his own lovingly handcrafed and carefully art directed scenes of Eastern Block cocktail parties, field hockey teams and space capsules.

Bezuna explores the complexities of fleeing a war-zone through the analysis of peripheral details.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force.

The young and the innocent at the mercy of a palpable presence oozing menace and scarlet-stained goodness as a strawberry sundae melts under the glare of future hell-firestorms in search of kindling.

e-[d]entity: Female Perspectives on Identity in Digital Environments is a two-part collection of videoworks created from 1982-2000 that explores the cyber environment and how it affects, expands, confuses, and involves female identity.

Media artist Cyrille Phipps has been involved with numerous alternative media and lesbian activist projects, including Dyke TV and the Gay and Lesbian Emergency Media Campaign.

John Killacky is Eiko's long time friend. It was in July 2018 when both of them were attending the tree planting ceremony of their mutual friend Sam Miller at the Jacob's Pillow that Eiko invited John to join her Duet Project.

“I fear nomads. I am afraid of them and afraid for them too.”

—Jane Bowles, “Camp Cataract” in My Sister’s Hand in Mine (New York: Ecco Press, 1978)

"A refreshing look at karaoke, psychedelic dance moves, and donuts all mashed together into a small and swinging film about a man who considers his private thoughts and private jokes worth sharing with a large audience.

1968 was the opening of the Summer Olympics in Mexico City, ten days after the massacre of students and civilians by military and police on October 2 in the "Plaza de las Tres Culturas, Tlatelolco."

Two Black University of Virginia hospital employees talking about the job site in a Albemarle County speakeasy.

A fast-talking and fabulous teen recounts his experiences as an out and loud Toronto queer.

This episode includes: two more adverts, considerations of the future, a multiple projection spectacular in miniature, a riverine jaunt, much fog, and an ending x 2.

Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight!  Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly

Crosswinds  is part of the fieldtrip series. By definition a crosswind is any wind that has a perpendicular component to the line or direction of travel.

Reflecting upon the figure of “Trickster” in African and Native American culture while recounting the story of his first love, Harris creates a graceful, deeply moving lament for the loss of innocence in a world without magic.

A deliberately tasteless drama about televangelist scandals.

This title is also available on The World of George Kuchar.

This video consists of raw footage from a Women’s Liberation Rally in New York City, shot on March 7th 1970, in celebration of International Women's Day. The first two thirds of the piece consist of footage of the crowd and speakers.

Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the cor

Fulbeck force-feeds the viewer scores of all-too-familiar Asian female/Caucasian male pairings in Hollywood films, and combines them with contemporary excerpts from best-selling novels, magazines, and dating services.

“Now too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn’t count.”

--Toni Morrison, “Beloved”

Lunar Pond is part of an audiovisual series about lunar cycles and rhythms in an attempt to evoke, integrate and develop the mythical presence of the Aztec lunar goddess Coyolxauhqui, thus evoking the eroded contemporary landscape of our t

In this interview, Kori Newkirk (b.1970) describes his interest in the space that exists between categories. Hailing from the Bronx, earning a BFA at the School of the Art Institute of Chicago (SAIC), and finally settling on Los Angeles as his base of operations, Newkirk has always been motivated by a desire to eschew provincialism. In this conversation, he discusses the idea of regional identity, his complex relationship with the Los Angeles art community, and how his experience as a student at SAIC helped him move beyond the boundaries of a simple material definition of painting.