Strap on your seat belts and get comfortable for a 7,000 mile drive. This documentary invites you to travel along with the Center for Land Use Interpretation as they find suggested photo spots across North America.
[This] is my first attempt to construct a video piece using one set of generative intervals for both sound and color.
UK, November 26th 2005
The perception of an Anglo-American hotel room is coloured by new revelations about 'The War on Terror' and 'The Special Relationship' that exists between Britain and the USA.
Conversations is a live Slow-Scan Television (SSTV) work realized at the Centro Cultural Três Rios [Três Rios Cultural Center], in São Paulo, on November 17th, 1987.
"A meditation on history, memory, and change in Central and Eastern Europe, Buried in Light is a non-narrative journey, a cinematic collage.
We came into the world under the sign of Saturn, the star of the slowest revolution, the planet of detours and delays. Saturn pulls the word down into its vortex and turns the flow of events into rings, lines and particles. There we are all invisible.
Robert Irwin (b.
Among the handful of video recordings of Lanesville TV that exist today, this tape is particularly special for its documentation of one of its very first programs to run on the air.
In this tape the Videofreex document an impromptu experimental art gathering in 1971, hosted by New York artist, Tosun Bayrak.
I was an Artist in Residence for three months on Five East, the ward for chronically ill adolescents at Children’s Hospital, Los Angeles. Five East is a series of video portraits.
"code switching began as a contemporary reaction to Adrian Piper's Cornered (1988).
Tell Me About Your Mother investigates matrilineal lineage, domesticity and creativity.
This film uses the ‘old fashioned’ conventions of documentary film practice to stand history on its head.
Covid Messages is a video in six parts, based around broadcasts of Prime Minister Boris Johnson’s COVID-19 press conferences. The work focusses on the British government’s attempts to el
Robert Cumming (b. 1943) is an American photographer/sculptor/bookmaker who borrows from the artifice of theatrical sets to construct his elaborate and often absurd images. He has also published several books of photography and narration.
Miyoko Ito was known as an “abstract surrealist.” Her paintings are landscape-based abstractions of very intense subtleties of structure and color. Ito was born to Japanese parents in Berkeley, CA in 1918. She studied art at the University of California at Berkeley for a short time until she was imprisoned in a Japanese-American camp after the bombing of Pearl Harbor. Ito continued her education in prison, after which she attended Smith College. She was then given a scholarship to attend the School of the Art Institute of Chicago. It was in Chicago that Ito's career as an artist flourished, where she explored cubism and latent abstraction in her works. Ito remained in Chicago until her death in 1983.
Prime Time is a video collage of violent imagery appropriated from American commercial network television. The work features rapid-fire editing (i.e., for analog 3/4" video technology) often used by network pro
In these two videos, Cumming investigates the worlds of a pair of abject heroes, Colin and Pierre, one a recovering alcoholic, the other an addict.
Between 1892 and 1927, almost 16 million people came to Ellis Island attempting to immigrate to the United States.
Joan Mitchell (1925-1992) was a "second generation" abstract expressionist painter and printmaker. She was an essential member of the American Abstract expressionist movement, and one of the few female painters to gain critical and public acclaim in the era.
Sections 31-60 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.
These are the ghosts of a haunted civilization, a culture of progress that hides the social and political horror behind the Olympic Games. These are the haunted figures in the Capitalocene era. A sinister dance of macabre abstraction.
"Like any other great city, this one offered its populace more than merely every evening freedom. It offered a variety of slaveries to which the freedom might be put.
The seemingly groundless debate as to whether a river is "riley" or "roily" can be interpreted as an example of language's descriptive failure.
Gravity Hill Newsreels: Occupy Wall Street comprises Jem Cohen’s twelve-part series as a continuous and complete compilation.
flight is a frame-by-frame re-editing of an astronaut walking on the moon into a seven-minute long meditation on technological transcendence. The unstable, stuttering image depicts the astronaut's struggle to separate from his body.
Created and commissioned for Little Sun, Fast Forward short film series exploring a sustainable world.
Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight! Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly
A shot-for-shot remake of the climax of Tokyo Story (Yasujiro Ozu, 1953).
George is in Tampa, Florida to do a one-day video workshop, so they make a fast-moving trailer for a non-existent UFO abduction movie.
Based on accounts of girlhood anorexia, Swallow unravels the masked and shifting symptoms that define clinical depression.
Cindy Sherman received an MFA from the State University of New York at Buffalo in 1976, where she studied photography. During this time she was also involved with HallWalls, an alternative gallery space in Buffalo.
Shot over one day, this program records the events and protests in Washington DC on May Day, 1971.
Sunstone tracks Fresnel lenses from their site of production to their exhibition in a museum of lighthouses and navigational devices.
As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.
Buckminster Fuller (1895-1983) was both a pioneer architect of the modern era and a global theorist. Fuller developed a system of geometry that he called “Energetic-Synergetic geometry,” the most famous example of which is the geodesic dome.
Primate Cinema: Apes as Family is a drama made expressly for chimpanzees – and the chimps' reaction to its screening at the Edinburgh Zoo. Chimpanzees watch television as a form of enrichment in captivity.
In this interview, American cartoonist and author Lynda Barry (b. 1956) describes the philosophy of teaching that has inspired and mobilized her art since the 1970s.
Using highly-manipulated and over-processed images, Latham investigates the process of video as inherently fragmented. Weaving together various people’s impressions of the artist and her work, the work demonstrates important parallels between video, storytelling, and the formation of identity — all processes of active fabrication that blend “lies” and truth in the construction of a certain reality, history, or past. Labeling an image of herself talking as “her most recent explanation,” Latham addresses “the construction of her video personality” as an identity outside of herself.
The film reexamines J. Robert Oppenheimer's speech at Princeton Theological Seminary in 1958.
Since comets have been recorded, they've augured catastrophe, messiahs, upheaval and end times.
The fear of bridges.
The Situated Cinema Commission Project for WNDX - Winnipeg’s Festival of Film and Video art
Director of photography: Eric Cinq-Mars
Consultant: Daniel Watchorn
Music: Frères Lumières
You Are What You Are Born For features three blind sisters who sing for their survival on the streets of Campina Grande, Brazil.
Elizabeth Murray (1940-2007) was an American painter, printmaker and draughtsman.
Three aimless millennials in a go-nowhere band are recruited as willing pawns by a shadow revolution, an insurrection led by an unlikely anti-government cabal of Buddhist sovereign citizens, telepathic Native American separatists, hardline&nb
"The films of John Smith conduct a serious investigation into the combination of sound and image, but with a sense of humour that reaches out beyond the traditional avant-garde audience.
The third in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jean Lamar, Hung Liu, Lorna Simpson, and Kathy Vargas—discuss their work and its cultural contexts. Moderated by Lucy Lippard.
Company Line is a film about one of the first predominately Black neighborhoods in Mansfield, Ohio.
Although trained as an art historian, Jeff Wall has been working on his expansive photographic light boxes of staged scenes for more than 25 years.