German curator Ute Eskildsen (b. 1947) was born in Itzehoe (Schleswig-Holstein).

Addressing the tear that Lucio Fontana cut in the canvases of his Spatial Concepts, the performer, Russ Nordman, rejoins and repairs the split screen.

Parnes moves further into her interrogation of horror genres and the art world, with their sometimes over-lapping cults of personality.

Matt Wolf returns to Joe Brainard's iconic poem I Remember (1970) in this videowork. His archival montage combines audio recordings of Brainard reading from the poem, as well as an interview with his lifelong friend and collaborator, the poet Ron Padgett. The result is an inventive biography of Joe Brainard, and an elliptical dialog about friendship, nostalgia, and the strange wonders of memory.

Buffalo, New York, which was once a prosperous city, is home to several architectural masterpieces built in the late 19th century to the early 20th century, such as the Darwin D.

In this sequel to Rainy Season, George recovers from his depression and experiences a "little joy" during a New Year's Eve of champagne cork-popping.

2 Spellbound is a frame-by-frame re-editing of Alfred Hitchcock’s 111-minute psychoanalytic thriller (1945) into a seven-and-a-half-minute dance video.

Adapted from a performance by the same name, this courageous video fuses autobiographical material with information about how an alcoholic family perpetuates addictive behavior.

Jennifer Bartlett (b. 1941) is a writer and painter who makes large paintings with enamels on fabricated panels. She uses an overall grid structure on which she repeats images in a variety of styles ranging from lyric abstraction to childlike representation.  Near the end of this interview with Kate Horsfield, she reads the chapter “Dreaming” from her book The History of the Universe (1985). “I decided: 1) I didn’t want to stretch a canvas again, 2) I wanted to be able to work on a lot of things at once. I didn’t want to exercise my own taste, which seemed boring and hideous. I wanted something modular, a constant surface."

A historical interview originally recorded in 1976, edited in 2010 with support from the Lyn Blumenthal Memorial Fund.

In the case of Carlos Motta’s career, the impetus has always been on, not adhering to particular medium or a particular style, but rather using media as it becomes appropriate tell a story that has heretofore been stifled by dominant power structures.

Colonial Transfer vindicates the eidetic chasm that produced the arrival of television in the cinema as well as the absorption, transduction and digital expansion of television and historical film archives, all linked by the negentropic outburs

A documentation of a performance/installation. Guillermo Gómez-Peña and Roberto Sifuentes created a fictional religion based on inter-cultural confessions.

The crossword puzzle addiction.

Produced at the San Francisco Art Institute, and featuring a few musical numbers, this jungle drama deals with a commercial corporation infiltrating the Amazon to sell beauty aids to the indigenous peoples.

Illness, treatment, recovery, conversation. This experimental short presents stories of illness and disfunction, bringing together but also separating two performers, their stories, their bodies.

American, minimalist painter Sol Lewitt (1928-2007) used the grid as a foundation for his many artworks. Seeing himself in the role of architect or composer, Lewitt was most concerned with the concept behind the piece rather than the final product.

Sixty-five years after the Allied invasion of Southern France, the director's mother, Cecily Barker Finley, tries to recall her involvement as a social worker aboard a WWII Red Cross ship.

A fragmented, experimental biography of the 19th-century poet and writer Isabelle Eberhardt, whose brief, unusual life ended abruptly in a flash flood in the desert.

Stephen Varble (1946-1984) staged gender-confounding costume performances on the streets of 1970s Manhattan, and he became infamous for his anti-commercial disruptions of galleries, banks, and boutiques.

Bitter with a Shy Taste of Sweetness contrasts the fragmented past of the filmmaker growing up in Baghdad with his surreal California present.

A live performance on a public-access cable program in New York deconstructing the messages in Vogue and its advertising. The work looks at the institutional slants of the magazine industry and the fashion industry’s reliance on sweatshops.

A collection of early feminist videos curated by Maria Troy, Associate Curator of Media at the Wexner Center in Columbus, Ohio.

As recent state cut-backs force many mental patients out into the real world, Tony Oursler and Joe Gibbons team up to address psychiatric deinstitutionalization from a comic angle.

Developed in collaboration with and performed by DonChristian Jones.

"Finn seamlessly blends actual space footage with his own lovingly handcrafed and carefully art directed scenes of Eastern Block cocktail parties, field hockey teams and space capsules.

There is no better place to meet people than in the temporary community which gathers under a scant awning on a New York street in a downpour.

The young and the innocent at the mercy of a palpable presence oozing menace and scarlet-stained goodness as a strawberry sundae melts under the glare of future hell-firestorms in search of kindling.

A voice for which an event impossible to internalize remains distant. An event that in its distance does not cease to make the narration of something that should not take place anywhere foreign.

Media artist Cyrille Phipps has been involved with numerous alternative media and lesbian activist projects, including Dyke TV and the Gay and Lesbian Emergency Media Campaign.

Paulette Jones Morant waxes poetically about being one of the first Black Women scholastic athletes at the University of Virginia.

“I fear nomads. I am afraid of them and afraid for them too.”

—Jane Bowles, “Camp Cataract” in My Sister’s Hand in Mine (New York: Ecco Press, 1978)

"A refreshing look at karaoke, psychedelic dance moves, and donuts all mashed together into a small and swinging film about a man who considers his private thoughts and private jokes worth sharing with a large audience.

An experimental investigation into the use of race as an arbitrary signifier.

Hydroglyphs pictographic writing in water, is a work that experiments with the lyrical qualities of shapes, colors, and forms occurring in water reflections and how these elements create an electronic painting unfolding in re

A fast-talking and fabulous teen recounts his experiences as an out and loud Toronto queer.

Ike is about a person showing their special gift — if pushed. The truth, fiction and lore of a brick thrower with deadly accurate aim.

Cast: Deondre “Champ” Jones, Derron Everson, Anthony Jerrell Jones.

Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight!  Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly

Paris, as in other metropolitan European cities, is rejuvenated by the influx of border crossing urbanites.

Reflecting upon the figure of “Trickster” in African and Native American culture while recounting the story of his first love, Harris creates a graceful, deeply moving lament for the loss of innocence in a world without magic.

In these lunar paths the moon is the celestial body of brilliant colors that crosses with its cyclical and mythical dance the dark space of our present time and in whose dance the moon enters, moves away, approaches and lies on itself in a cycle rhythmi

Pat Steir is an American painter and printmaker whose work has resisted artworld currents and factions for decades, while expanding its reach and maintaining enthusiastic critical support.

Found-footage video about America’s obsession with guns and some of the negative consequences of that obsession. 

A window or two on the outside world is not enough, especially when you have such a lousy view of things as I had in this Oklahoma residential care home.

The second video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on t

Part of shamanic materialism and the aesthetic of trance. 

Sadie Curtis (1931-2012) was a Navajo woman descended from five generations of weavers. Filmed inside her hogan, Sadie talks about learning to weave as a child and how she gained fame from the creation of an American flag in the Navajo style.

In Final Exit, an aged one is confronted with his options in blunt terms. Does he want to drag out his existence, increasingly infirm and a burden to his caretakers, or go quietly before resentment overwhelms sentiment?

Playing Dead is a film about lying still to stay alive. A news reporter queries the survivor of a brutal attack.

"The content of the rogue computer animation Boy/Analysis is perfectly illustrated by the integral title, namely, a drastic abbreviation of Melanie Klein's 1961 key study on child psychology.

Fifteen holopoems compiled under the collective title Holopoetry.