The title gives a bitter meaning to the uneasy image of a woman who is brushing her hair over her face with fierce movements.
In a world of Internet and high technology, there still remains something so arcane, so simple and extraordinary, so absolutely incredible as a circus of educated fleas. Marvel at Maria Fernanda Cardoso's work as the powerful Brutus (The Strongest Flea on Earth) pulls a locomotive that weighs 160,000 times his own weight. See the flea ballerinas dressed in micro-tutus, dance to the rhythms of Tango! Hold your breath as the highwire artists defy gravity on the tightrope and swing precariously on a miniature trapeze.
Red Chewing Gum is a video letter that tells a story of separation between two men, set within the context of the changing Hamra, a formerly booming commercial center.
Among the leading pioneers of the eco-art movement, the collaborative team of Newton and Helen Mayer Harrison (often referred to simply as “the Harrisons”) have worked for almost forty years with biologists, ecologists, architects, urban planners and ot
In 1993 President Mitterrand visited Korea.
In collaboration with Ishmael Houston-Jones.
On September 1, 2022, Eiko and Ishmael Houston-Jones performed in Beverly McIver's painting exhibition Full Circle, curated by Kim Boganey.
"Three months in an architects’ firm in Berlin. From the architecture down to the tiniest door handle, a questioning of matter and the verb."
— Harun Farocki
Appealing concurrently in this video essay to various
The film suggests a link between three political figures from the history of Mexican resistance: the Soldadera (woman guerrilla fighter), the Zapatista (member of the Zapatista Army of National Liberation), and the Normalista (students from the Ayotzina
Set in Charlottesville during the early 1990s, an aspiring writer finalizes stories for the latest issue of Pride, a student-run newspaper at the University of Virginia.
This video is a 7-minute single channel piece consisting of two monologues: the first is a speech prepared for Richard Nixon in the event of a moon landing disaster in 1969, the second is the final words of the computer HAL from the film 2001.
For the past 20 years Alexis Smith's mixed media work has explored primal American myths: the open road, the bad/good guy/gal, the quest for romance, and the search for paradise.
Erase the 1940s. The desire to better appearances. To try to record a love story. It's in this way that a facial can become the biggest remaining pleasure.
Moments of resistance are collapsed and woven together; from documentation of the Indigenous led occupation of Alcatraz, to the reclamation of Cahokia and the repatriation of the ancestors, to one’s reflections on their body as they exist in the world t
Concentrating on abstract shapes and color value, Animation 2 is a record of images manipulated through computer animation.
VDB TV: Decades
1980s: Problematizing Pleasure / Punk Theory
This compilation features 11 of Jem Cohen's collaborations with musicians.
This is a tape which analyzes its own discourse and processes as it is being formulated. The language of Boomerang, and the relation between the description and what is being described, is not arbitrary.
A major figure among underground filmmakers, Stan Brakhage (1933-2003) boasted a prolific career that spanned more than 50 years and 300 films.
La Intolerancia en el Jardín de las Mentiras y el Pecado (The Intolerance in the Garden of Lies and Sin) recounts the rupture of the relationship between friends due to the ambition of the prized object.
Shooter explores the idea of overt manliness, exposing it to be a flaccid gesture and an exercise in posturing.
Forti uses the camera as a research tool to record the movements of three grizzly bears pacing anxiously behind the bars of their cage in the Brooklyn Zoo. The collected visual information becomes part of the basis for Forti's movements in Solo No.
The confession of a woman who took flight... A woman tells a tragic story straight to camera. The camera seems to be looking for the spot where the pain is, but the woman is too quick for the viewer.
Touch Parade is a 5-channel HD video installation consisting of crush (9:22 min. loop,) squeeze-2-pop (5:49 min. loop,) wading (3:41 min. loop,) glove love (6:58 min.
Dykes and trans guys take over the Jackhammer for a punk show.
Right after the first Iraq war, the filmmaker visits his family in Iraq. He tries to reconstruct the war from different points of view, all depicted on the same screen at the same time: U.S.
If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.
A loosely structured and evocative drama that centers around the search for a lost oasis. Shot in a bizarre Californian landscape, the piece is a contemporary desert fantasy.
Exploring climate change, the destruction of nature, and industrial pollution, these four works by Paweł Wojtasik paint horrific yet meditative landscapes of global infrastructures including meat production, waste treatment, and laboratory experimentati
This is a video that celebrates the New Year with a banging of plates and licking of bowls. The viewer gets to witness a house of canned celluloid and the watery vistas of a Bay Area burgh.
"Benglis manipulates generations of video footage to confound our sense of time; she implies an infinite regression of time and space — Benglis making faces in front of a monitor of her making faces in front of a monitor of her... ad infinitum. The viewer retains a sense of the images sequentiality, although the sequence of creation is not revealed in a logical, orderly fashion, and is heavily obscured by the random layering and continual repetition of aural and visual components."
The videopoem Reversed Mirror is a single-channel piece that presents a constant flow and transformation of images which oscillate and create ephemeral words, dissolving and emerging as new words.
Prophecies of doom, disaster and political catastrophe envisioned by some of the world’s most famous psychics between the 1960’s and the year 2001 are conjured up through 3D-animation, industrial films, text and historical footage -- the sum of which co
Nobody counts the hours and nobody cares how the years are piling up. Souls begin and end. Then comes the night. A snow landscape of souls.
"Look how the willow shoots its fine sprays into the air! Look how through them a boat passes, filled with indolent, with unconscious, with powerful young men. They are listening to the gramophone; they are eating fruit out of paper bags.
“Mining an ironic vein by turning technology against itself, AlienNATION undercuts the sociological ramifications of modern living.
In i am wise enough to die things go (2023), Syms explores the idea of psychosis through an unnamed protagonist reciting a monologue.
CB is an experimental bio-pic: its heroine, Charlotte Brontë. A collaboration between Doug Ischar and Tom Daws, CB was commissioned by the Laumeier Museum, St. Louis, for their inaugural Nightlight series.
NYC: A morning walk to the Esplanade near where the Towers had been — just to watch and record water taxis ferrying people between New Jersey and New York City — then riding across a piece of handmade canvas scanned into the computer.
Filmed from the artist’s window during lockdown, Citadel combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline
A meditation on maritime trade routes, SEA – SHIPPING – SUN is a short film directed by Tiffany Sia (b. Hong Kong) and Yuri Pattison (b.
George goes to Oklahoma, but there's a lull in storm activity. It's spring, and though there's romance in the air, the lightning just doesn’t strike; so George makes his own rain—of sorts. Despite the drought, the videos must go on.
Andries Botha (b.1952) creates sculptural forms made of found objects and natural materials which serve to interrogate the natural and social order. His work has been exhibited extensively throughout Africa and Europe. Botha lives and works in Durban, KwaZulu-Natal, South Africa.
In collaboration with DonChristian Jones.
Room was produced during 2020 virtual creative residency of Eiko Otake supported by the Center for the Arts, Wesleyan University in Middletown, CT.
“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.”
Taking its title from a sound design maxim and using it as a conceit to grasp the desire for connection, See A Dog, Hear A Dog probes the limits and possibilities of communication.
A chilling and revealing look at bureaucratic techno-speak, Finley provides a course in “official” media rhetoric, presenting terms and decoding for the audience (i.e.
Part of the paraconsistent sequence series.
Angel appears to Weirdo and forces a distasteful issue.
Taped on Prince Street in Soho, New York City, Skip Blumberg creates a one-word performance.