Joan Fontcuberta was born in Barcelona in 1955. His work has been widely exhibited internationally. Fontcuberta uses photography as a conceptual medium, often testing the limits of the image’s credibility.

Created in a deadpan presentational style reminiscent of Coonley's faux-instructional Pony videos, the Experimental Philosophy Trilogy fuses a farrago of materials appropriated from stock media archives, chroma-key mischief, and simula

The HalfLifers exhume cinema’s favorite incarnation of mindless, decaying mortality, the Zombie, in the hopes of breathing new life into this misunderstood figure.

"Real time digital buffer recording, light bulb, panning camera motor and turntable. Light Bulb, the title says it almost all. Real time recording events.

Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS

Vision of Anahúac: Traveler, you have reached the most transparent region of the air.

Talent Show satirizes music videos, while exploring sexual development in the age of the spectacle.

The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images.

Europlex tracks distinct cross-border activities through the Spanish Moroccan borderlands and seeks to make these obscure paths visible.

"Inside a Lithuanian synagogue, young Domas Darguzs regales the filmmaker with a whispered, wide-eyed account of mythical events, while the film cross-cuts to images of farm-life.

Vice President Mike Pence eagerly plays cheerleader in chief for Donald Trump.

Depicting a sailing party gone wrong, McCarthy questions the effects that violence and mutilation, both real and simulated, have on the viewer in contemporary culture.

An excerpt from Assassin of Youth: A Kaleidoscopic History of Harry Anslinger’s War on Drugs [University of Chicago Press (2016)] as written and spoken in voice over by Alexandra Chasin.

Film time takes on book time. An homage to a Bette J. Davis’ illustrated text, itself an homage to the small music makers of the insect world.

Camera, edit, sound design: Deborah Stratman

Music: Fontanelle

“The tape ultimately addresses all the big questions — death, origin and family, religion — as well as the small discomforts of the body, only to reverse their order of importance.”

Voice: off is the autobiography of a forgotten man. Brain damaged, body violated, emotions crushed, Gerry who rarely spoke has now lost the power of speech.

In 1972, Robert Morris and Lynda Benglis agreed to exchange videos in order to develop a dialogue between each other’s work. Morris’s video, Exchange, is a part of that process—a response to Benglis’s Mumble.

A commissioned portait of Pamplona, a small city in the North of Spain, shot and edited there in under 2 weeks. The film is a humble set of observations of place, people, atmospheres, and local rituals.

This music video for the band Julie Ruin, fronted by Kathleen Hanna, formerly of Bikini Kill, critiques the cynical music marketeers of corporate America.

La Intolerancia en el Jardín de las Mentiras y el Pecado (The Intolerance in the Garden of Lies and Sin) recounts the rupture of the relationship between friends due to the ambition of the prized object.

Combining collage and animation with an Asian-influenced soundtrack, images of women dancing sensually and devotional imagery, Matsushima Ondo compares religious devotion with sexual representation.

Touch Parade is a 5-channel HD video installation consisting of crush (9:22 min. loop,) squeeze-2-pop (5:49 min. loop,) wading (3:41 min. loop,) glove love (6:58 min.

A trip to the Marin headlands at the Golden Gate of San Francisco Bay headlines this video diary. The viewer gets to eves and eye drop on various verbal and real time activities that are of a wet nature now and then.

Dykes and trans guys take over the Jackhammer for a punk show.

Exploring climate change, the destruction of nature, and industrial pollution, these four works by Paweł Wojtasik paint horrific yet meditative landscapes of global infrastructures including meat production, waste treatment, and laboratory experimentati

46+ years after Debord wrote "...the heart of the unrealism of the real society...," a nine-year-old child is instructed to repeatedly recite thesis #6 from The Society of the Spectacle. The recitations are re-mixed at one-second intervals form

The videopoem Reversed Mirror is a single-channel piece that presents a constant flow and transformation of images which oscillate and create ephemeral words, dissolving and emerging as new words.

A portrait of the American artist Ray Johnson (1927-95), driving force behind the New York Correspondence School of the early 1960s.

Nobody counts the hours and nobody cares how the years are piling up. Souls begin and end. Then comes the night. A snow landscape of souls.

Peggy and Fred, sole inhabitants of post-apocalyptic Earth, weather a prairie twister and scavenge for sense and sustenance amid the ruined devices of a ghosted culture.

“Mining an ironic vein by turning technology against itself, AlienNATION undercuts the sociological ramifications of modern living.

Concentrating on abstract shapes and color value, Animation 2 is a record of images manipulated through computer animation.

A volume of illustrated horrors arrives to stimulate the chatter of those who behold its weighty extravagance.

In i am wise enough to die things go (2023), Syms explores the idea of psychosis through an unnamed protagonist reciting a monologue.

Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin.

Filmed from the artist’s window during lockdown, Citadel combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline

Paul D. Miller (b. 1970) is a conceptual artist, writer, and musician better known as DJ Spooky.

A meditation on maritime trade routes, SEA – SHIPPING – SUN is a short film directed by Tiffany Sia (b. Hong Kong) and Yuri Pattison (b.

A son discreetly records fleeting moments in his parents’ suburban home. An intimate portrait of a stable life lived according to the rules of society.

George goes to Oklahoma, but there's a lull in storm activity. It's spring, and though there's romance in the air, the lightning just doesn’t strike; so George makes his own rain—of sorts. Despite the drought, the videos must go on.

Through a process of degeneration of both sound and image, Just endows the iconic American flag with new context and implication.

In collaboration with DonChristian Jones.

Room was produced during 2020 virtual creative residency of Eiko Otake supported by the Center for the Arts, Wesleyan University in Middletown, CT.

Taking its title from a sound design maxim and using it as a conceit to grasp the desire for connection, See A Dog, Hear A Dog probes the limits and possibilities of communication.

Broken up into "chapters," Phosphoresence features an array of abstractions created by manipulating television images. At times almost painterly, the resulting images are set to an ambient electronic soundtrack.

Part of the paraconsistent sequence series.

This collection features a selection of short early video works by Laurie McDonald created between 1973 and 1977.

From the outskirts of Santa Fe, New Mexico, to the innards of a castle of contraptions, this video explores the creative bric-a-brac of several entities who pioneered a wired frontier filled with fire wires and fire water.  Join them as they schmoo

Angel appears to Weirdo and forces a distasteful issue.

In this futuristic computer-animated landscape, confused relationships between objects and people play out before the backdrop of a lush garden and interactive theatre known as the Big Ghost.

Commissioned by Visual AIDS for STILL BEGINNING: The 30th Annual Day With(out) Art