They wait for voices to reach them, touch them!

Sea In The Blood is a personal documentary about living with illness, tracing the relationship of the artist to thalassemia in his sister Nan, and AIDS in his partner Tim. At the core of the piece are two trips.

Functioning as both a fake documentary and a fake advertisement, Meet the People deals with issues of desire, complicity, and identity in the age of mass media, as 14 “characters” talk about their lives, desires, and dreams.

Part of the paraconsistent sequence series.

The two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

A summer sojourn is fleshed out for maximum solar exposure in this video travelogue of sun, sea and epidermal exhibitionism.

For over two years we made it our business to document abandoned working gloves on the streets of NYC.

"The head of a Berlin advertising agency explains his proposed strategy to his potential client, a Danish optical company.

Stop action animation, paint on a single canvas.

Rising fundamentalism and a government that cites faith to defend war actions have helped grow a desperate society.

This tape examines the meaning, impact, and future of the early-1980s avant-garde through interviews with artists (Scott B., Robert Longo, Walter Robinson, Michael Smith), an art dealer (Helene Winer, Metro Pictures), a museum director (Marcia Tucker, T

An audience-interactive game of Mad Libs, with support from a linguistically challenged newcomer. We replace various parts of speech in newspaper articles to create new, customized meanings.

The artist uses wire to suspend a block of ice in a pit-like industrial space. He swings the ice block, which is lit by a similarly swinging light bulb on a separate pendulum.

The Blindness Series consists of eight short videos that investigate blindness and metaphors.

This promotional initiation video lures inductees with promises of decolonization and settler remediation.

The Nothing That Is stems from the environment of our streets, both the “virtual” and “other reality” which inhabits them.

The personal odyssey recorded in The Laughing Alligator combines methods of anthropological research with diaristic essay, mixing objective and subjective vision.

Small biographies and musing generalizations--men’s relations to each other and their lives. There is hope and loneliness, companionship and isolation and the simplest of filmic elements to contrast the complexity of human emotions.

The performance artist Stephen Varble spent the last five years of his life working on an epic, unfinished performance-turned-video titled Journey to the Sun (1978-1983).

Made with Stanton Kaye, and the only Lynda Benglis video with a discernible plot, The Amazing Bow-Wow follows the adventures of a talking, hermaphroditic dog given to Rexina and Babu by a carnival barker.

A prop-filled encounter with a young fantasy filmmaker eventually becomes muffled by an earwax problem I develop; but not before the viewer is dragged through Studio 8 where my class and I are concocting a sordid, high school melodrama. 

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora.

Scenes from the Micro-War explains, "The worst of times—riots, famine, war—could be just around the next corner and, in the battle to survive, this family is going to be battle-ready from here on in." This fractured narrative follows the misadv

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons. As the phony, Gibbons recounts his influence among rock legends Iggy Pop and Brian Wilson. Brilliant superimposed computer animation by Emily Breer provides an additional layer of biting commentary.  

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

Award winning documentary filmmaker and cultural critic Joan Braderman takes a look at the National Enquirer and demolishes the newspaper's ideology and content.

A kind of warped Folktale, the video follows two women through a bizarre, broken landscape of collapsing signs and imploding meanings, on a pilgrimage to the Winter Gardens, Blackpool, to cure their green baby.

Part 2 of Two Movies by Mike Kuchar.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

Frisco anxiously awaits the pyrotechnic birth of a New Year while the remnants of holiday greenery still burn bright in all the right places.

Gautam Chatterjee uses the streets, parks, and temple grounds of the city of Varanasi, India, to teach his students a 2000-year old method of acting.

Shot during the fall of 2009 in Wesleyan University, this short documentary follows Eiko & Koma as they construct the first exhibition of their Retrospective and ponder upon questions the project asks. Directed and edited by Joanna Arnow.

What happens when memory collapses into an unknown landscape? Upside-down train tracks merge and blur the distinction between reality and imagination.

Because of the War things were changing. Very few toys or games were left and music was almost over. Tap water was tasting female and television only came in nasty spasms…

A black cat and a polka-dotted string puppet frolic amid the painted backdrops of a happy universe, while outside, in the real world, the reality washes away amid the onslaught of H2O and granulated granite. A merging of the plastic and the profane.

This title is only available on Kip Fulbeck Selected Videos: Volume One.

Directed by artist and filmmaker Tiffany Sia, The Sojourn imagines a restless landscape film in Taiwan. Visiting scenic locations shot by King Hu, the short experiments with the road movie genre and its intersection with the martial arts epic.

Back in the days of hippy bliss, Ulrike and her husband used to believe that the world would be revolutionized by their activities, consisting mainly of smoking pot and having sex.

“A spoof on current art attitudes [that] stretches the definition of what can be considered art. Because the late 1960s and early 1970s were periods of innovation, using the human body as art, making process equivalent to product...

A structure of Lawrence Weiner. Based upon the LP Niets Aan Verloren (1976) and the performance tape Niets Aan Verloren (1984).

A teenage lesbian's attempts to form friendships with older lesbians leads her on a disturbing ride through the ageist terrain of the dyke community.

People black and blue with life’s bruises, People who glow red with hot passions, or turn deep purple with spiritual purpose are here, boldly rendered in the widescreen format.

As If the World Had No West tells of the journey of a young woman who travels through the desert and who, through her relationship with the Mirabilis, ancient plants, listens to the cosmos.

Adapted from psychologist A.R.

We are still here. We the birds. Part of hauntology Film Archives and shamanic materialism. 

The Palace at 4 am is the experience of a fragile palace of collisions suspended in a montage vision. A hazy patchwork of structures. The Palace becomes visible only to repeatedly collapse in a liminal interference of the absence.

Between job losses, foreclosures, living with family, and the Cande’s constant desire to return to Mexico, Pancha and Cande work through the strains of their marital relationship in San Diego County.

The waters run deep as massive jaws chomp and bubbles burst in a world gone mad with technological delusion and prehistoric puppetry.

This first program deals with stories of captivity. To start, Hostage: The Bachar tapes by Walid Raad presents us with an imagined hostage presumably held in custody along with the American hostages in Lebanon during the 1980’s.

An Anthology of Collaborative Works by Guillermo Gómez-Peña