Epilogue: The Palpable Invisibility of Life is the final chapter in The Blindness Series, a body of eight videos on blindness and its metaphors that was begun in 1992.

Each film in this series is a condensed experience of a feature film, a single 360-degree time lapsed shot in an empty cinema where the sound becomes a cacophony of past projections and the aural experience is closer to that of the projectionist t

From 1970 to 1972, Arthur Ginsberg and Video Free America recorded the private life of a not-so-average American couple-Carel Row and Ferd Eggan. She is a porn actress and filmmaker; he is a bisexual junkie.

In 2006 I began to think again about the handwoven canvases based on the biblical Babel text that I created in the 1980s.

A kind of warped Folktale, the video follows two women through a bizarre, broken landscape of collapsing signs and imploding meanings, on a pilgrimage to the Winter Gardens, Blackpool, to cure their green baby.

Dan Sandin demos the Digital Image Colorizer, a digital module that was part of the analog Image Processor.

Segalove takes her mom as subject in these short pieces, recording her stories, her advice, and her daily routine. What results is a portrait of a contemporary mother-daughter relationship, touchingly devoid of drama and full of whimsical humor.

A meditation on the milieu of elevated threat addressing national identity, gun culture, wilderness, consumption, patriotism and the possibility of personal transcendence.

The Badger Series has issues and attempts, each episode, to resolve them. Recasting a glove puppet show through his own present day sensibilities, Paul assumes the role of kindly uncle mentor to a household of capersome woodland creatures.

Part cloning experiment, part documentary, Stories from the Genome follows an unnamed CEO-geneticist whose company sequenced the Human Genome in 2003 — a genome that secretly was his own.

Shadows haunt a room, tables and rugs spin in the air, and paintings fly off the wall. A voice narrates the changes to a beat.

In this video, drawing from Bob Dylan's song Just Like Tom Thumb's Blues, layers of experiences circling loss and longing are overlaid between images of landscapes and movement.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

"Perhaps Cuevas' most chilling work, Cinepolis forecasts an image-driven invasion of everyday life, picture-perfect and unnoticed.

The Bats details the mating habits of flying mammals in an abandoned Mayan temple in the 14th Century.

This distanced narrative, which approximates a soap opera or a TV interview of bereaved relatives of a victim, confronts two means by which food is used as a weapon: the internalized oppression of self-starvation as a consequence of social learning (ano

The Passion According to Sevilla focuses on the celebration of Holy Week in Seville, Spain. Statues of the Virgin and other religious images and figures are carried through the streets on parade floats.

Tripping out on loneliness, The Loner drifts through one daydream about “Her” after another. Oursler nightmarishly fantasizes about the dismal prospect of looking for love in a sleazy singles bar.

“Video is a fugitive medium,” said Getty Research Institute’s Glenn R. Phillips, and he should know.

Through the floating garden, into the mountain of signs and chants, arise the path of the winged stone. A stone that used to be a fossil.

On September 21, 2014 Ligorano Reese installed a 3,500 pound ice sculpture of the words The Future at the intersection of Fifth Avenue and 23 Street in New York during the People's Climate March.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Shot in a creaky, wooden floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of Resistance (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983

The Magic Hedge explores a bird sanctuary located on a former Cold War Nike missile site on the Northside of Chicago.

Sea In The Blood is a personal documentary about living with illness, tracing the relationship of the artist to thalassemia in his sister Nan, and AIDS in his partner Tim. At the core of the piece are two trips.

This piece investigates the possibilities and limits of writing a history of the Lebanese civil wars (1975-1991). The videos offer accounts of the fantastic situations that beset a number of individuals, though they do not document what happened.

A short, poetic QuickTime video about the gray areas of gender identity."

115 years later, a(nother) remake of the Lumiere Brothers pseudo-actuality film La Sortie des usines Lumière.

A meditation on birth, silence and American cinema, sealed with a kiss.

Part of paraconsistent sequence series.

Irreverent yet poignant, The Eternal Frame is a re-enactment of the assassination of John F. Kennedy as seen in the famous Zapruder film.

This surprisingly candid tape between two men looking to avoid the draft and a draft counselor offers unique entry into conversations that often only took place behind closed doors during the Vietnam War.

The Source is a Hole poses a web of loose connections and liminal associations to sculpt a treatise on transexual mourning.

There are times when concurrent multiple realities demand an attempt to determine who has this "place in the sun" and where, exactly, it is located. Hearts and Helicopters occurs at that moment in the lives of four people.

Using selected details of TV’s Hollywood Squares, Birnbaum constructs an analysis of the coded gestures and “looks” of the actors, including Eileen Brennen and Melissa Gilbert.

Another dream film. Eschewing the hyperkineticism so beloved of Super 8 makers, I locked off my camera and wrote a slow narrative, combining live action and animation.

“[A] rather perverse exercise in futility,” this tape documents Baldessari’s response to Joseph Beuys’s influential performance, How to Explain Pictures to a Dead Hare. Baldessari’s approach here is characteristically subtle and ironic, involvi

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival. 

"Between the Lines is an exploration of what Muntadas terms the 'informational limits' of television—the selections, programs, decisions, edits, time schedules, image fabrications and so on—specifically addressing the means by which 'facts' in

A Return to The Return to Reason is a tribute to Man Ray's 1923 film Le Retour à La Raison (A Return to Reason), the first film to use his 'Rayograph' technique in whic

The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh.

This experimental Pixelvision piece explores the tenuous boundaries of gender through a series of mini-sequences, among them a group of anecdotes told by women who have been mistaken for men and a must-see synchronized barbershop scene.

"A chamber drama set in the confines of an apartment’s sun room, this video further explores visual themes and obsessions found in my earlier works and adds in a few new ones for good measure.

Through a stack of personal journals, this video reconstructs a biography of the South Dakota-born, New York City-enlightened artist James Wentzy.

In the second installment of The Mexican Tapes, Hock begins to participate more in the family life of La Colonia, attending baptisms and helping shop for new cars.

This is the burial hymn for thousands of souls in anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.

A rockumentary about East Village club Pyramid star John Sex.

The movement’s founder Lois Severin, a former Trotskyite turned suburban housewife, was responding to the move from mass sociopolitical engagement of the 1960s and '70s to the personal fulfillment fant

The daily life of the Panará village during the peanut harvest, presented by a young teacher, a woman shaman and the village chief.

Direction and photography: Paturi and Komoi Panará

Editing: Leonardo Sette and Vincent Carelli