Take a trip into and out of the body to ponder Time’s endless depths where Earth spirits roam and inner Demons lurk, and find secrets that hide behind the "self".

Filmed in June 1998 at the Whitney Museum of American Art and produced by the New York Public Library for the Performing Arts/Dance Collection. Breath is a creative archive project of Eiko & Koma’s living installation of the same

“Trypps Number Three transports the documented transcendence of Jean Rouch's Les Maîtres Fous from the Hauka movement to a Lightning Bolt concert where overlapping bodies, swaying to noise rock, are fram

Swerving between branded content, documentary, and a decolonial episode of MTV 'Cribs', the film revolves around a tour of an apartment which has supposedly been "given back" - led by reformed Native American impersonator, and frequent New Red Order col

"The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones.

In this futuristic computer-animated landscape, confused relationships between objects and people play out before the backdrop of a lush garden and interactive theatre known as the Big Ghost.

Beloved by filmmakers such as John Waters and Todd Solondz, George Kuchar has been working with the moving image for nearly half a century.

Grieving the recent death of his father, filmmaker Cam Archer distracts himself with the regular photographing of a particular young man.

Taking aim at the social standardization enforced particularly on women's bodies, Rosler critiques the politics of "objective" or scientific evaluation that result in the depersonalization, objectification, and colonization of women and Others.

Untitled (shaving performance 2010) is a document of a privately held performance, in which Hubbard used a straight razor to remove the hair from the lower half of Burns’ body.

The Trick Pony Trilogy is a series of parodic instructional videos hosted by the artist and a talking mechanical hobbyhorse.

I was drawn to the early cave paintings of Lascaux and Altamira for as long as I can remember. One day looking thru some reproductions in an art history book with portable video camera in hand I recorded a still of a Lascaux bull.

The supposed existence of a golden kingdom motivated numerous expeditions, and the belief remained in force until the 19th century, although its location moved from Colombia to the Guianas, as the process of conquest and colonization of the South Americ

The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process.

A brief trip to the Miami '09 art festival was the moving (or swimming) force to instigate this travelogue. There are some bathing sequences sprinkled about and lots of munching going on in this latest addition to my Christmas video series.

In this satirical video the Yonemotos deconstruct the myth of Oedipus within the framework of the myth of Kappa: a malevolent and hedonistic Shinto god of fresh water, whose prankish harassment of young maidens includes hiding beneath outhouses to pinch

On the narrow stairway that exits Paul Kos’s Tunnel\Chapel, where his 27-channel Chartres Bleu installation is housed, Kos writes with both hands on opposite walls, recording the narrative of Noah’s Ark.

Pixilated, an archaic word meaning enchanted, bewitched, magical, insane, and the stop frame animation of objects and people.

Working with his Collie-breeding parents, their dogs, and the puppy play kink community, Lax explores the rituals by which humans tame and use animals to mitigate disaster and themselves.

Over grainy, black and white images of a woman giving birth, Montano reads the story of a nun’s sexual self-discovery—recounting Sister Joan’s growing awareness of her body’s sensuousness and sexuality.

A wide-screen video diptych of scenes shot during two different periods in Moscow––old footage from 1990 and newer from 2009.

"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies.

Edited from over seven hours of interviews with Houstonian Beverly (last name withheld), Telephone Dating: A Quest for That One Special Man is about the oftentimes frustrating s

Skip Sweeney was an early and proficient experimenter with video feedback. A feedback loop is produced by pointing a camera at the monitor to which it is cabled.

The Battle of Karbala (680) resulted in the death of Hussein, the grandson of prophet Muhammad and all his supporters. This battle is central to Shi'a Muslim belief in which the martyrdom of Hussein is mourned by an annual commemoration, Ashura.

Susan Mogul's first video diary work, produced two years before Everyday Echo Street: A Summer Diary (1993), follows the arti

The orchestra begins and a male and female dancer move from opposite sides of the stage. The dancers embrace and begin the White Swan pas de deux from the ballet Swan Lake. However this is not the ballet as it is normally performed.

A portrait of Luce Vigo, film critic, educator, and the daughter of pivotal French filmmaker Jean Vigo.

Pandora is one who communicates to the human world the powers of the night. These are glimpses of her visions.

You Are What You Are Born For features three blind sisters who sing for their survival on the streets of Campina Grande, Brazil.

stammering forward backward GIANT is a re-edit of George Stevens' 1956 film Giant - an epic story of Texas, oil and racism.

a woman washes her hair in the kitchen sink while telling her friend about a memory of sitting in a bathtub and watching her aunt get ready to go out. 

A collection of videos made at Miami-Dade Community College Mitchell Wolfson New World Center as part of Miami Waves Film Festival. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

In this experimental travelogue, efforts to sound human and look natural instead become artifical.

Using footage from mainstream British and Hollywood films, and excerpts from a poem by Shani Mootoo, this video explores the impact of cultural imperialism and the erasure of language—residual tools of oppression on members of post-colonial societies.

This film is the result of an intimate time spent between the filmmaker, who lives today in Belgium, and his father who is a former political prisoner. It looks at the complex political system of Egypt under Nasser.

Audrey Flack uses an airbrush to produce large photorealistic paintings and works from slides for her precision. She selects subjects with great personal significance that also represent fragments of contemporary American life.

John Smith, throughout his 40-year career, has approached the moving image from film, video and installations, generating a tremendous body of work that’s as diverse in its topics as it is in its methods.

As two heavily made-up women take turns directing each other and submitting to each other's kisses and caresses, it becomes increasingly obvious that the camera is their main point of focus.

Wake is a cinematic dance collaboratively created by Eiko & Koma and James Byrne. It was filmed in special sessions during the premiere run of the living installation Naked, at Walker Art Center, November 2-30, 2010.

Holzer adopts the form and language of commercial messages to disrupt communication, presenting kamikaze texts that are designed to stimulate thought, with humor, and inspire a critical attitude in an often passive audience.

This is our proposal: Make the rich pay for Covid-19.

“It is curious that in the most important periods of one’s life, one never keeps a diary. There are some things that even a habitual diary-keeper shrinks from putting down in words—at the time, at least.

I could not remember anything about my childhood before the age of twelve. I made a decision to remember.

Painter and multi-media artist Jack Goldstein lived and worked in New York City. His airbrushed paintings of lightning and night skies are shown here accompanied by synthetic music, which the artist also composed.

1968 was the opening of the Summer Olympics in Mexico City, ten days after the massacre of students and civilians by military and police on October 2 in the "Plaza de las Tres Culturas, Tlatelolco."

Based on a Story explores the widely-publicized encounter between a Jewish Cantor, Michael Weisser, and Nebraska's former Ku Klux Klan Grand Dragon, Larry Trapp.

Sadie Curtis (1931-2012) was a Navajo woman descended from five generations of weavers. Filmed inside her hogan, Sadie talks about learning to weave as a child and how she gained fame from the creation of an American flag in the Navajo style.

In Manpower, a bulldozer, a screaming man and a crying baby are among the images that Tanaka combines with a suggestive soundtrack to create an eerie portrait of male strength and weakness.

Bar hopping in the City of Angels.