A caricature of a professor teaching English to non-native speakers. Her mannerisms, her accent, the content of her speech—all are absurd, in the tradition of an Ionesco character.
Crossings and Meetings explores the image and sound of a walking man, expanding a simple image into increasingly complex permutations and arriving at what Emshwiller calls a "visual fugue" in time and space.
Feminist artist Lynda Benglis is known for her sculptures, video performances, paintings, and photography. Her work in the 1970s was controversial, delving into issues of gender roles within and outside the art world.
This sumptuous Valentine sent by Miss Philly unfolds with the lavish lushness of love for HIM whom she adores.
A three-part series featuring important new works by internationally renowned conceptual artist, Lawrence Weiner, these works continue the themes of role- and game-playing, and the use of language.
"Here is Everything presents itself as a message from The Future, as narrated by a cat and a rabbit, spirit guides who explain that they've decided to speak to us via a contemporary art video because they understand this to be our highest form
A portrait of Luce Vigo, film critic, educator, and the daughter of pivotal French filmmaker Jean Vigo.
Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin.
This is the common audiovisual system that interconnects the body of the workers and the industrial machinery of the actual system.
The performers are seated around a pink octagonal table on pink, violet, and silver cinder blocks. One performer (Robert Stearns) stands up, recites the credits for the piece, and then says, “Do you believe in water?
On December 1st 1990, watched by the world's media, construction worker Graham Fagg of Dover climbed through a hole in a chalk wall 40 metres below the seabed of the English Channel, shook the hand of Philippe Cozette of Calais, and shouted "
Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and c
"Despite the didactic promise of its title, Carl Elsaesser’s new film will not teach you how to complete this obscure action.
In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl rubbing his legs under the table.
The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.
This is not a sight-seeing film, but a poetic journey through light and darkness reflected on the city of New York, where I often found empty spaces and times like Ma in Japanese. You do not often see the people walking on the streets or in the bu
Part of the paraconsistent sequence series.
"The films of John Smith conduct a serious investigation into the combination of sound and image, but with a sense of humour that reaches out beyond the traditional avant-garde audience.
Wake is a cinematic dance collaboratively created by Eiko & Koma and James Byrne. It was filmed in special sessions during the premiere run of the living installation Naked, at Walker Art Center, November 2-30, 2010.
"This is the first of a set of pieces that involve combining a series of electronic video process recordings, musics, texts and appropriated materials. These multiple elements, simple and tricky grammars, trigger expanding electronic narratives.
Never Rest/Unrest is a hand-held short film about the relentless political actions in Hong Kong, spanning early summer to late 2019.
This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons, whose springboard becomes a surfboard as he fantasizes about his days as a lifeguard in 1963, when the young Brian Wilson would sit and jot down the songs he would sing while saving lives.
Chance observations of New York's Chinatown, commissioned by the Museum of Chinese in the Americas.
"A sleepwalker's circumnavigation of one of the less homogenized parts of the city."
--Jem Cohen
In 1958, Allan Kaprow (1927-2006) published an article on Abstract Expressionism entitled The Legacy of Jackson Pollock in which he suggested the separation of the art-making activity from the art itself.
Breder had met Conceptual Artist and Painter Lucio Pozzi during the Painting after the Death of Painting exhibition in Moscow in 1989, ande the Visual Practice/Visual Theory Area Studies Group chose the occasion of his participation a
Focusing on the mentorship of Eiko and Koma with the young artists who study and work at the Reyum Institute of Arts and Culture in Phnom Penh, Cambodia, Cambodian Stories evokes questions of tradition, i
“In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model’s role in numerous paintings....
A watchful dog in a confusion of reflected chairs begins and ends Cohen’s finely tuned observational portrait of London’s Essex Street, and the inhabitants who work the shops and throng the pavement there.
An experimental video about cultural and political disputes surrounding immigration and naturalization processes. Work In Progress explores the effects of the 1986 U.S.
Water and paths of migration converge to shape the borderlands along the U.S./Mexico boundary when staging actors in a politicized landscape leads to the rupture of fiction for fact.
A sculptor dabbles in the wetness of his craft while the skies threaten a soaking to the winterized wonderland of a western shoreline.
"When we show you pictures of napalm victims, you'll shut your eyes. You'll close your eyes to the pictures. Then you'll close them to the memory.
Pemp traces the 25-year struggle of the Parakatêjê (Gavião) to maintain autonomy in the face of huge development projects in the south of Pará.
Millie Wilson is an installation artist whose work proposes a relationship between modernist art practices and modernity’s production of deviance, particularly regarding lesbian stereotypes.
Applying the same economy used in César's other films — one shot which uses the duration of an entire 16mm film reel — Porto 1975 is a tracking shot that unfolds at the social housing complex Cooperativa das Águas
Calling for oil like the Tin Man in The Wizard of Oz, Son Of Oil is a tale of the well-greased machine of the mind breaking down. Nuts fall off; thoughts turn bad; things don't work.
Nobody counts the hours and nobody cares how the years are piling up. Souls begin and end. Then comes the night. A snow landscape of souls.
The tale of a fanatical tool collector who recreates the world according to a logic dictated by his cross-wrench.
Removing keyframes from a digital version of John Ford's The Searchers, Baron and Goodwin attack the film's temporal structuring to render a kinetic “painted desert” of the West. The dust kicked up by the movement in the film is pure pixel, unanchored from the photographic realism that used to constrain it.
Rhythmically chewing their meals, a herd of cattle creates interesting shapes, patterns, and movements in this “keyed” (a process of dividing areas of a black and white image into percentages of gradation) and colorized work.
"In this eight-minute video work, we are given nonnarrative footage sutured together to form a fragmented, hallucinatory sensation.
Listen To This is a fragment of collective memory that finds critical relevance in contemporary Queer discourse. Tom Rubnitz weaves narration, image, and a form of temporality, dislocated from ‘real time’, into a video where artist and AIDS activist David Wojnarowicz’s loss and anger is palpable.
Part of the Hauntology Film Archives series.
The Templo Mayor was the center of the Aztecs' religious life in Tenochtitlán, a ceremonial building in the heart of Mesoamerica. A center of political battles of contemporary Mexico. A ritual of resistance.
A lavish home is visited, shutters click, bottoms are exposed, water splashes and a welcome wetness stains an area unquenched for so long. A jacuzzi bubbles to life in a bedroom community that floats to sleep on aqua-filled rubber.
On September 11, 2021, Eiko Otake performed at 7am and 6pm at Belvedere Plaza in Battery Park City by the Hudson River, directly west of where the Twin Towers once stood. This video work is from the 6pm performance.
With Cold Harbor, Donigan Cumming uses a minimum of elements to create a powerful anti-war message. Initially, the video seems enigmatic, almost abstract.
The Action Series finds our alienated heroes in desperate attempts to communicate and find a way out of their endless crisis scenarios. The two pieces share a domestic setting, though this is no comfortable home away from home.
The house in the film is Maison de l'Armateur, "the ship owner's house", one of the few houses in Le Havre, France that remained in tact after the city was completely destroyed in the allied bombings of D-Day, 1944.
Sirrocco was a drag performer and club icon in Cincinnati, Ohio during the 1980s and 1990s, and was also a close neighbor and friend of Teramana’s.