In 1971 Robert Smithson (1938-73) was invited to create an earthwork in the Netherlands on the occasion of the recurring outdoor exhibition Sonsbeek.
"I made this video after assisting at a conference where the artists acted like flies in a barnyard. They gathered tropical fruits to make it less disagreeable for themselves."
—Ximena Cuevas
Following on from the 2006 Israeli aggression on Lebanon, the filmmaker tries to film the destruction of Beirut.
The result of over five years of Super-8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative into a complex meditation on city life.
A series of one-minute interview-based spots Martha Rosler made with the American Indian community during her residence in Seattle from 1991 to 1995.
This video is about seduction. The audience is seduced by the female narrator, while at the same time repelled by the seductress' desperate need for love and approval.
A portrait of New York author Joe Westmoreland. Joe is reading from his short story Sweet Baby Joe. This video was shot in 2014 in Joe's Chelsea loft, and the reading was recorded in 2016.
On September 22, 2018 artists Ligorano Reese installed a 2500 pound sculpture of the word Truth carved in ice on the National Mall in front of the U.S. Capitol.
Joan Fontcuberta was born in Barcelona in 1955. His work has been widely exhibited internationally. Fontcuberta uses photography as a conceptual medium, often testing the limits of the image’s credibility.
Using color video Freed captures three mirrors in various positions on a grassy lawn. As the title suggests, Freed employs reflections in the work to signify video’s intrinsic quality of spatial manipulation.
All About A Girl is a story of a girl coming to terms with aspects of her own identity and how they relate to the expectations of others.
Set in East Berlin in 1977, this short experimental documentary interviews the Dadaist artist Hannah Höch as she reflects upon her experiences living and working during in 1920s Berlin. Höch compares
"Here is Everything presents itself as a message from The Future, as narrated by a cat and a rabbit, spirit guides who explain that they've decided to speak to us via a contemporary art video because they understand this to be our highest form
Feathers: An Introduction is a self-portrait centered on the story of Latham's grandmother’s comforter which, old and worn, scatters feathers everywhere.
Gone is a two-channel installation based on the second episode of An American Family — the landmark PBS verité docu
In the dark night of a prairie city, a vampire considers her future with a fetching mortal. But requiring blood for sustenance brings a host of problems to the relationship.
In this conversation, Cathy Lee Crane (b.
Charles Simonds (b.1945) majored in art at the University of California at Berkeley. There he discovered an area of clay pits that had once provided the raw material for some of Manhattan's older buildings.
The two Social Studies videos call into question fundamental assumptions about the cross-purposes of entertainment: to entertain, to present cultural values, to mediate public policies, and to define social relationships.
A newly re-mastered collection of 22 comedic performances to camera, produced during 1973-74.
How Little We Know of Our Neighbours is an experimental documentary about Britain's Mass Observation Movement and its relationship to contemporary issues regarding surveillance, public self-disclosure, and privacy.
I loved and was haunted by Jon Krakauer’s book Into the Wild and found Sean Penn’s cinematic adaptation to be absurdly overwrought. My original plan for condensing it was to string together all of its grandiose slow-motion shots.
“Nobody likes you if they think you’re rude- you better act the way you should.” But we didn’t.
This is the state of mind in the post-Covid quarantine. This is the state of the body into the pandemic vortex. This is our post-Covid eyes. Part of the Hauntology and Post-Covid series.
A super 8 film which references the essay On the Jewish Question by Karl Marx.
A mirror reflects voiceless eyes with stories to tell, ‘stories’ about feet attempting to climb steps to "perfection"....."stories" about canvasses that are traps for a caged artist who’s paint brush needs colors that
This music video for the band Julie Ruin, fronted by Kathleen Hanna, formerly of Bikini Kill, critiques the cynical music marketeers of corporate America.
Bee Film is a collaboration between filmmaker Cathy Lee Crane and composer Beth Custer that explores the life of bees in Hilo, Hawaii and their human caretakers who are working to preserve an endangered species.
"I don't put myself into my movies because that would be too much--my pictures reflect my own feelings. So hopefully it's entertaining. Otherwise I can't bear looking at them, ha ha!"
–– Mike Kuchar
Combining collage and animation with an Asian-influenced soundtrack, images of women dancing sensually and devotional imagery, Matsushima Ondo compares religious devotion with sexual representation.
Never Rest/Unrest is a hand-held short film about the relentless political actions in Hong Kong, spanning early summer to late 2019.
Susan Mogul's fantasies of success have always a comic, congenial twist, as in Dear Dennis, a video letter to Dennis Hopper inspired by her discovery that they share the same dentist.
Berlin Zoo is a video loop set in the train station and terminal interface of the same name.
Black Body is a harsh and compelling meditation on the contradictory values assigned to black bodies in American culture: they exist as both desired and feared, abject and powerful.
A fable-like tale, Splash explores the interplay between identity, fantasy, and homosexual desire in pre-adolescence within the narrow confines of black masculinity.
Vito Acconci (b. 1940) is known as a conceptual designer, installation and performance artist.
In Nibbles, George Kuchar crafts a mini-travelette documenting his adventures around Cape Cod. Shot primarily in Provincetown, Massachusetts, Kuchar visits friends and takes every opportunity to sample the local cuisine.
A wide-screen video diptych of scenes shot during two different periods in Moscow––old footage from 1990 and newer from 2009.
Memo Mori is a journey through Hackney tracing loss and disappearance.
Fiber artist Claire Zeisler discusses her techniques, ideas on art, and training; the conversation is inter-cut with images from her 1979 retrospective at the Art Institute of Chicago. “I... realized I cannot change my techniques too often.
Until his untimely death from AIDS in 1992, Tom Rubnitz produced short, humourous videotapes featuring some of New York’s most outrageously talented musicians, artists and drag queens.
I was drawn to the early cave paintings of Lascaux and Altamira for as long as I can remember. One day looking thru some reproductions in an art history book with portable video camera in hand I recorded a still of a Lascaux bull.
Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin.
Hal Foster is Professor of Modern Art at Princeton University, and has written and edited numerous influential books on postmodernism, art, and culture.
In this piece I am exploring the idea of belonging by tracing the outline of the shifting skyline. Through imagination, learning, and a continuous adjustment, I strive to relate the communal with personal identity.
— Ezra Wube
My contribution to the group exhibition 1d for Abroad at Tintype gallery: a perky 4 minute consideration (made up) of a whole lot of postcards.
"On January 22, 1987 an unjustly convicted Budd Dwyer grasped onto the pages of his final speech as Pennsylvania's State Treasurer before shooting himself in front of news cameras.
Broken up into "chapters," Phosphoresence features an array of abstractions created by manipulating television images. At times almost painterly, the resulting images are set to an ambient electronic soundtrack.
Mel Chin (b. 1951) received national attention when he had to defend the artistic merits of his work Revival Field to the NEA in 1990.
Deaf Dogs Can Hear is an autobiographical work that traces the tragic yet humourous episodes of the artist as a young girl, and her pet chihuahua.