Oued Nefifik: A Foreign Movie is an experimental narrative that incorporates an actual political situation. The film was shot in the immediate aftermath of violent repression following food riots in Casablanca, June 1981.

Welcome to David Wojnarowicz Week is the follow up to A Boy Needs a Friend. Reinke proposes a new holiday with the motto MORE RAGE LESS DISGUST: David Wojnarowicz Week and takes us through his seven days of celebration.

Part of the paraconsistent sequence series.

"Let Each One Go Where He May is the stunning feature debut of celebrated Chicago-based filmmaker Ben Russell.

Cutting to the core of cinematic realism, Fountain presents the plot-less character of human encounters.

In this interview, American writer, artist, performer Eileen Myles (b.1949) discusses the various philosophies that motivate her work, including the language of film, embodied performance, and the alienation evoked by bodily vulgarity. Myles links her wide range of artistic and literary practice with notions of abstraction, improvisation, and the mythology of gender, which she explores in relation to her own identity as a working, middle-class lesbian woman. She reflects on the significance of geographical locations, both New York City and San Diego, on her art, and shares how her past struggles with addiction have shaped her life and practice.

In this classic personal elegy, Kubota mourns her father's death and recounts the last days of his life.

Grieving the recent death of his father, filmmaker Cam Archer distracts himself with the regular photographing of a particular young man.

Super 8mm film transferred to digital video. Installation composed of footage from three separate sequences that interweave frame by frame. Shot in the interiors of empty homes in Amman, Jordan. Sound composed of recording of food ingredients for unspecified dishes looped repetitively over ambient noise from film transfer to digital video.

In conversation with David Getsy — an art historian focusing on queer and transgender methodologies in sculpture theory and performance history — Cassils discusses their monumental performance artworks and inspirations.

In this video diptych, Snyder uses image and music to depict opposing forces in semi-abstract terms.

Gusella's title creates a pun on the term video "tape" by using a split screen in which one half is the electronic negative of the other. Gusella set up a glass sheet and suspended it from light poles. The glass was covered with black or white tape.

A pair of de-iced dove wings are on the floor next to his bed, states the poet who is deeply in love, and falling deeper, in this pictoral poem.

Nang has lived outside the box. Born in a Trinidadian village in 1934, she grew up poor, illegitimate, mixed-race and female, but she survived by defying convention.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

Horace Bristol discusses his long career in photography, which began with shooting for Life and Fortune magazines in the 1930s. His photojournalism took him to the Dutch East Indies and post-war Japan.

They called him Umbrella Boy when he started his business. After repairing umbrellas on the same city block for over fifty years, he became Uncle Umbrella, a man who earned the respect and affection of his neighbors and customers.

This black and white drama of romance, adventure and outer space intervention was mounted at the San Francisco Art Institute.

Sentences is a beguiling, hypnotic meditation on the poetics of space.

Consisting of 13 brief spots, Experience: Perception, Interpretation, Illusion features works by artists included in a Pasadena Armory exhibition.

Taped shortly after the creation of the Air Gallery, this conversation between painter Howardena Pindell and Hermine Freed concerns the women’s independent gallery and its role in the feminist movement.

"When we show you pictures of napalm victims, you'll shut your eyes. You'll close your eyes to the pictures. Then you'll close them to the memory.

In Laser Games with Shirley Clarke, the Videofreex visit the apartment of independent filmmaker Shirley Clarke.

A journey that begins in a Kansas City hotel and ends up in New Mexico. The bumpy ride is fuelled with libidinous juices as it lurches through college dormitories and sun-baked ghost towns. Rocks are lifted and things crawl out for all to see.

Estelle Jussim (1928-2004) was regarded as one of the most influential voices in photography and media. An art historian and a communications theorist, Jussim wrote extensively about photographers, movements, and institutions, incorporating postmodern, deconstructionist, and feminist viewpoints in her many writings without being hemmed in by any one critical ideology.  Jussim was the award-winning author of Slave to Beauty and the pioneering Visual Communication and the Graphic Arts, which charted new ground in the investigation of the meaning of images. 

One minute, two mysteries: The shelf-life of genius and why we try to make pictures when, as Robert Lowell put it, "No voice outsings the serpent's flawed, euphoric hiss.

This feature-length video follows several inflicted characters and recounts the ways in which they find resolve.

These five short videos examine the relationship between the female body and the camera’s gaze.

In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites — gestures, hesitations, stares, off-the-cuff remarks, jokes — details of an ideo

Palace of Pope is an experimental video composed of found photographs, original text and sound art.

The New Year is upon everyone in Bay City. Music plays, strangers mingle, friends get raunchy and the calories pile on as the sky comes ablaze with pyrotechnic pizzazz.

In January 2001, the KEN BURNS’ JAZZ promotional blizzard hit New York City.

Part of paraconsistent sequence series and the hauntology series.

An island. A mountain. A City of Angels who scoop up the pellets dropped by other winged creatures.

This title is also available on The World of George Kuchar.

A trip to a barren landscape of jagged peaks and deep crevasses becomes a playground for an over-dressed hiker and his beefcake buddy as they secrete and imbibe fluids from various containers.

An experimental documentary that asks “What is Hip Hop?” Media Assassin deals with popular magazine coverage of the black music scene and efforts to define the new musical forms emerging since the late 80s.

Eco-artists Helen and Newton Harrison define truth as a series of interactions that anyone may join. The Harrisons choose survivalist subjects because we have so encroached upon this environment, we must give it every advantage we can.

RECKONING 3 is the first in a series of investigations into:

1. Terror and wonder in big-budget virtual worlds

…..Listen!….. hear the words from warm skin…..’words’ that whisper….’words’ that shout.

Created with artist Jolie Ruelle. 

Roger Brown's (1941-1997) quirky, stylized paintings were influenced by such disparate sources as comic strips, hypnotic wallpaper patterns, medieval panel paintings, and early works of Magritte. His work is epitomized by a series of claustrophobic urban scenes with their drop-curtain-like gray clouds and cardboard-box apartment buildings, suggesting an amalgamation of boyish enthusiasm for model making and adult despondency. In 1996 he donated his apartment, complete with all of his belongings, artworks, writings, and automobile to the School of the Art Institute in Chicago, where it is on public display.

He is mute flesh that the stroking of fingers can bring to sing.

-- Mike Kuchar

Using the structure of a feature film as its basic format, A First Quarter adopts the principles of nouvelle vague cinema.

Set in Medellín, Colombia, Como crece la sombra cuando el sol declina (Like Shadows Growing as the Sun Goes Down) features tireless car traffic, jugglers at intersections, and employees on breaks, focusing on precise movements marking

In this experimental interview with Jill Ker Conway, Freed outlines a portrait in chalk on a black surface as the soundtrack conveys Conway describing her fascination with the way ones visual self appears on camera and the way an artist perceives their

This experimental video breaks many the silences surrounding lesbians and AIDS. Interweaving the voices of two friends—an HIV+ Latina lesbian and an HIV- Jewish lesbian—the video juxtaposes two very different yet overlapping experiences.

This is "limbo" in which the objects of capital are found. Part of Hauntology Films Archives series.

Nancy Graves (1939-1995) was a New York sculptor, painter, and filmmaker who used natural history as a reference for dealing with the relationships between time, space, and form.

A performance by A.K. Burns and Ulrike Müller.

The title is also available on A.K. Burns: Early Videoworks. 

Born out of an "objective hazard" (a 16mm roll where two different subjects were imprinted by mistake), jeny303 is a composite work intertwining two portraits.