These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence.

“We each have only one single life which is our real life, starting at the cradle and ending at the grave.

I Have Always Been A Dreamer is an essay film about globalization and urban ecology using the examples of two cities in contrasting states of development: Dubai, UAE and Detroit, U.S.A.

A huge isolated rock in the midst of the desert in Australia: Ayers Rock.  I produced two contrasting films around this rock: Moments at the Rock was shot with an amateur video camera, amazing color changes, and time-lapsed compressed sequ

The body as a percussive instrument.

Performers: Ellen Krueger & Monica Wilson

A short story about new bodies, the power of denial, and a state of no sunshine. Two infantile bodies float in a cyberspace ball, connected by two subconscious bodies in the background.

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood.

“I hung back, held fire, danced and lied. I was not going to come crawling out of my ruined house, all bloody, no, baby, sing no sad songs for me.”

—James Baldwin, “The Black Boy Looks at the White Boy,” Esquire (May 1961)

This essay film confronts questions of accessibility through the filmmaker’s attempt to record their open-heart surgery.

(In) Visible Women shows the heroic responses of three women with AIDS in the context of their respective communities. In the face of adversity, these women confront all aspects of the AIDS crisis in their lives.

Andries Botha (b.1952) creates sculptural forms made of found objects and natural materials which serve to interrogate the natural and social order. His work has been exhibited extensively throughout Africa and Europe. Botha lives and works in Durban, KwaZulu-Natal, South Africa.

"Playing like a series of overheard conversations, Life and People grapples with communication, language, and recitation by staging common situations—a doctor’s prognosis, a teacher’s report to a parent—in the director’s signature deadpan, but

Five improvisers are asked to ‘channel’ the psyche of Tony Blair. George Barber asks questions, and also feeds the improvisers anecdotes from various sources about Tony Blair’s life and experience as the Prime Minister of the United Kingdom.

This are the scattered fragments, the scattered mineral fragments in its oceanic evolution, an intermittent becoming of geological massiveness. The mineral geology under the spell of an scattered dance. This is the mobilized fossil.

A Perfect Pair posits the idea that individual consumers are walking billboards for the products they use; product slogans and brand names peeking out from every crevice and cranny of the actors’ bodies.

Formally eclectic but heartfelt tribute to the holiday home movie heritage of low gauge formats.

Une Ville de l'Avenir uses the lens of Alphaville to look at the City of the Future that we live in today. The modernism of La Defense in Paris is the setting for this chilling revisiting.

This audio, visual laxative empties the mind of inhibitions to allow the spectator entrance into the whirlpool of sexual fixations.

A rising moon and lowering standards in secular shenanigans highlight this documentary on the making of a sci-fi epic for mini-adults.

"I asked the inmates in my Art Group on the HIV/AIDS unit - Del Norte to talk about their experiences from the womb to the present moment. Here are their stories."

–Wendy Clarke

50 doves fly out of a window, one by one. Some escape in a rush, some take their time and seem to be hesitating. The Dove symbolizes new hope and new beginnings after a disaster, as in the biblical story of the flood.

Book Report explores themes of sexual assault, the weaponization of language, and the futility of escape.

This lyrical piece celebrates the male body simply and elegantly. Its subject, Christophe, is exquisitely portrayed by the sepia-toned balletic video. Three men dressed in overcoats dance in and out of the frame in front of a mostly stationary camera.

Made collaboratively with the filmmaker's mom Deborah, I Can Hear My Mother’s Voice documents her process of learning how to use the filmmaker's video camera.

Two bizarrely costumed characters – a human ‘chicken’ in a fat suit, and an elaborate folksy creature called an ‘authenticity fetish’- meet and debate their plight.

RECKONING 7 is something of an instrumental interlude between longer, denser episodes of the RECKONING series, which is now being made and released "out of order.” Through an 

This dreamlike, poetic video provokes the viewer to question the nature of the most human of experiences.

Their first longer piece entirely in silence. The backdrop and floor were painted with a burned flour paste which crumbled down as they moved.

Louise Bourgeois (1911–2010) utilized wood, metal, plaster, and bronze in creating her sculptures.

Museum collections of various kinds are the object of artist Dana Levy's ongoing, consistent study in the past decade.

A Pilot For A Show About Nowhere is a two-channel video that examines the politics of television viewership, incorporating footage from a number of sources to create a plurivocal narrative. 

This is a rhythmic invocation of the ancestral fire, in which dazzling flames reanimate bones and natural elements. This is the shining of color.

Short Circuit is an experimental documentary—a semi-autobiographical rant that challenges the obsolescence of human labor at the vortex of the machine and digital ages.

A cinematic exploration of African American intellectual, social, and political life at University of Virginia during the 1970s.

Decidedly low-tech, this optical abstraction begins with a shot of an aluminum reflector inside a lamp; a lightbulb in the shot’s center flicks on and off.

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

Andres Serrano was born and raised in New York. At fifteen he dropped out of high school. A few years later he attended the Brooklyn Museum School and studied painting and sculpture.

Removing keyframes from a digital version of John Ford's The Searchers, Baron and Goodwin attack the film's temporal structuring to render a kinetic “painted desert” of the West. The dust kicked up by the movement in the film is pure pixel, unanchored from the photographic realism that used to constrain it.

Pochonovela is a bilingual, bicultural blend of Latin America’s and the United States’ most popular television genres—the telenovela and the sitcom, respectively.

Short for "Probably The Last" (of the series), Spiral PTL uses the image processor like a musical instrument to create variations on a spiral, transforming its basic form into an ever-moving gyro.

The interstice of art and technology has proved to one of the most generative locations in contemporary transdisciplinarity.

A 3D video cover version of Michael Snow's seminal structural film Wavelength (1967).

The Diaspora Suite

Archives recovers the formal community that mobilizes the diagrammatic experience of archives, a formal community that claims the sensory nucleus where hypertrophic rhythms, abstract machines, monuments and memorials, digital servers, corporate

Parnes moves further into her interrogation of horror genres and the art world, with their sometimes over-lapping cults of personality.

Listen To This is a fragment of collective memory that finds critical relevance in contemporary Queer discourse.  Tom Rubnitz weaves narration, image, and a form of temporality, dislocated from ‘real time’, into a video where artist and AIDS activist David Wojnarowicz’s loss and anger is palpable.

The death that happens to others, the death that is in you already, the life that is in this death.

Go-Rilla Means War is a filmic relic of gentrification featuring 35mm film salvaged from a now demolished Black Civil Rights Theater in Bedford-Stuyvesant, Brooklyn.

Using the opening of Godard's film Alphaville as a foundation, Lord constructs a vision of the evolving global city during the last years of the 20th Century.

Screened in the 1997 Whitney Biennial, the video Ladies, There's a Space You Can't Go is both a deconstruction and a distortion of an episode of Sally Jesse Raphael titled My Daughter Dresses Like A Hooker.