Since the 1970s Mary Kelly (b.1941) has worked at the fore of feminist art and theory. She has continued to address issues and methods of activist politics, psychoanalysis, political science, literature, and the history of women and gender.

In Bataille, fragments from the Akira Kurosawa’s film Rashomon are subject to a mirror effect. A scene in which two samurai fight each other becomes a cosmic field of monsters where horror and pain evoke beauty and joy.

Nazlı Dinçel’s hand-made work reflects on experiences of disruption.

Skip Blumberg of the Videofreex conducts an interview with Charles “Cappy” Pinderhughes, the Lieutenant of Information of the New Haven branch of the Black Panther Party.

Eyal Weizman is a British-Israeli architect and academic. He’s the founder of Forensic Architecture, which uses architectural research to investigate violations of human rights around the world.

In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries.

Now That I've Lost My Buffalo, I Don't Know Who to Grind is a short animation conceived through the collaboration of three visual artists — Diane Christiansen, Jessie Mott, and Alejandra Trigoso — that stages a volatile theater of bodies in flu

I Wanted You shows a woman who is crawling over the floor. She is wearing only tights and a pair of red shoes with high heels.

The film-essay Mined Soil revisits the work of the Guinean agronomist Amílcar Cabral, who studied soil erosion in the Alentejo region of Portugal through the lens of his political engagement as a leader of the African Liberation Movement of the

In this diptych, Yi-Ching Chen plays the lowest possible sound on her tuba and Magenheimer's own electronically synthesized voice sings a letter that Ada Byron, the world's first computer programmer, wrote to her mother.

‘ODDS AND ENDS’ is a dazzling patchwork of moods, lost and found, for the eye to savor.

The annual holiday video is off and swinging with this foray into festive chatter and explosive fireworks. Sweet treats are served up along with ice cream and jungle jingles befitting this season of goodwill toward man and beast.

"In this eight-minute video work, we are given nonnarrative footage sutured together to form a fragmented, hallucinatory sensation.

Phyllis Bramson (b.1941) is a Chicago painter whose post-imagist style emphasizes content and the deeply personal.

Nathan Lyons (b.1930) has contributed to the field of photography as a critic, author, curator, educator, and photographer.

One of several videos the artist made with her brother while still in graduate school at the University of Illinois at Chicago. Two Dogs and a Ball is a cover of William Wegman’s piece of the same title from the late 60’s.

This compilation features several of Cohen’s pieces from the late 1980s and early 1990s: a paean to both the physical and mental aspects of the New York City landscape, an exploration of cinematic genres from narrative to music video, a sensual and roma

"I made this video after assisting at a conference where the artists acted like flies in a barnyard. They gathered tropical fruits to make it less disagreeable for themselves."

—Ximena Cuevas

The city of Kinshasa and its liberation architectural spaces are here embodied through a journey of a woman that walks alone through the ghosted spaces of history.

EMR has created a sigil, a magic sex symbol abstracted from the words TRUST ME (NOT) TO HURT YOU that is spread across rituals of the beast.

In an interview I did earlier this year for the Milan Game Video/Art exhibition, I deflected a question about the connection between Hymn of Reckoning and Reckoning 3, discouraging the idea that there was much of a link betwee

A series of one-minute interview-based spots Martha Rosler made with the American Indian community during her residence in Seattle from 1991 to 1995.

An all-over textile constructed under the spell of Arachne, an audiovisual textile in five parts that exposes a web of raids in construction over the american houses, a landscape of protests under the webs of segmented time, the entrails of the american

The secret history of hobo and railworker graffiti.

Taking its title from the sea nymphs in Homer’s Odyssey—the treacherous spirits whose sweet voices lured sailors to their death upon the rocks—Sirens presents four hallucinatory scenes, visual puns authored by a mischievous agent.

Joan Fontcuberta was born in Barcelona in 1955. His work has been widely exhibited internationally. Fontcuberta uses photography as a conceptual medium, often testing the limits of the image’s credibility.

Shot in video-8 at the 1988 Chicago Auto Show, this work examines the artist's personal history with automobiles against the back-drop of an auto plant closing in Kenosha, Wisconsin.

The HalfLifers exhume cinema’s favorite incarnation of mindless, decaying mortality, the Zombie, in the hopes of breathing new life into this misunderstood figure.

Hidirtina (Sisters) is based on a mythology from Eritrea and northern Ethiopia. It is part of a larger story collection project that began in 2004.

"Real time digital buffer recording, light bulb, panning camera motor and turntable. Light Bulb, the title says it almost all. Real time recording events.

Images of friends and landscapes are cut, fragmented, and reassembled on an overhead projector as hands guide their shape and construction in this film stemming from Hollis Frampton’s Nostalgia.

Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS

This video is about seduction. The audience is seduced by the female narrator, while at the same time repelled by the seductress' desperate need for love and approval.

An example of what Reeves terms “video poetics,” layered images of a deserted village in the Spanish countryside play counterpoint to poetry by Cesar Vallejo and Pablo Neruda.

The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images.

Apichatpong Weerasethakul is a venerated Thai artist and moving image maker who has directed many short works, and several feature films.

The planting of the "cempasuchil" for the celebrations of the "Day of Death" is one of the last jobs that the Ayotzianapa normal students did before they were brutally disappeared, with small Lomokino 35mm cameras, which we had to compose-hit several ti

As profecias da Orixá Oxum (The Prophecies of the Waterfall Spirit Oxum) was filmed at Iguaçu Falls, Brazil/Argentina, and is intended for viewing in Virtual Reality.

"Inside a Lithuanian synagogue, young Domas Darguzs regales the filmmaker with a whispered, wide-eyed account of mythical events, while the film cross-cuts to images of farm-life.

still/here is a meditation on the vast landscape of ruins and vacant lots that constitute the north side of St.

Depicting a sailing party gone wrong, McCarthy questions the effects that violence and mutilation, both real and simulated, have on the viewer in contemporary culture.

2 Spirit Dreamcatcher Dot Com queers and indigenizes traditional dating site advertisements.

Film time takes on book time. An homage to a Bette J. Davis’ illustrated text, itself an homage to the small music makers of the insect world.

Camera, edit, sound design: Deborah Stratman

Music: Fontanelle

A transcription of what I have been told during intimate experiences while separating from my husband.

Voice: off is the autobiography of a forgotten man. Brain damaged, body violated, emotions crushed, Gerry who rarely spoke has now lost the power of speech.

Charles Simonds (b.1945) majored in art at the University of California at Berkeley. There he discovered an area of clay pits that had once provided the raw material for some of Manhattan's older buildings.

A commissioned portait of Pamplona, a small city in the North of Spain, shot and edited there in under 2 weeks. The film is a humble set of observations of place, people, atmospheres, and local rituals.

Pixilated, an archaic word meaning enchanted, bewitched, magical, insane, and the stop frame animation of objects and people.

This music video for the band Julie Ruin, fronted by Kathleen Hanna, formerly of Bikini Kill, critiques the cynical music marketeers of corporate America.

"Noted critic Judith Williamson ventures from her English home to a shopping mall in Southern California to proffer some opinions on the working of American culture under capitalism.