Presidential candidates are sold like commercial products and naturally television is the ideal medium.

Breder painted the words of Donald Kuspit’s poem in white on scraps of paper and then floated them down Old Man’s Creek, the site of many legendary Intermedia performances near Iowa City.

A formidable collage of striking images, this powerful and provocative work confronts racial violence through images of ecological mayhem, machismo, pornography, and Third World poverty — images which return to the taboo body of a black man.

"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies.

"Wedding takes its name from the predominantly Turkish neighborhood in Berlin where most of the footage of the film has been recorded.

The Look of Love: A Gothic Romance is an experimental video/audio collage in four acts. Performing in various guises, Suzie Silver embarks on a quest for the magnificence—and horror—of desire and pleasure.

The Diaspora Suite

In this video, made soon after the death of his mother Stella, we accompany George to the wake, and on to a trip to Albert Maysles holiday home on Fisher's Island.

This is the apparition, the ghostly flight over our present time of the infamous conqueror Pánfilo de Narváez. The exterminating angel of our times. Part of the Hauntology and Post-Covid series.

A love letter to the Internet from a feral cat in Brooklyn.

Guerilla Girls are artist activists who have dedicated themselves to informing the public of the gender and racial inequalities that persists in the art world.

In conversation with Carol Vontobel (behind the camera) and Nancy Cain, Curtis (Mary Curtis) Ratcliff describes getting her first legal abortion, soon after the state of New York legalized the procedure in 1970.

Gregg Bordowitz is a writer, AIDS activist, and film and videomaker.

A teenage girl recounts the artist’s stories, ones which emphasize the complexities of youth, family, love, and friendship. The muddling of self with other complicates these stories further.

In Precious Products we are subtly reminded of this country’s obsession with consumerism and narcissism.

Mike Builds a Shelter is a performance comedy with apocalyptic overtones, a narrative extension of Smith's installation Government Approved Home Fallout Shelter/Snack Bar.

Magenheimer’s video explores the bounds of narrative and the illusion of received wisdom in the seven minutes and twenty-two seconds it takes to rob a house.

A Japanese student is taken by his teacher to the land down under from Frisco (LA) and gets to meet the mighty that fuel our lust for entertainment and art with gregarious gusto.

Comalli is the ancestral tool to cook our sacred food, our corn and tortillas. The circular tool that represents the dark side of the moon on which our earthly food burns. The cosmic dance of food and fire that nourishes our bodies.

From the fall colors of the Bronx, we travel up the Hudson River to Bard College and chew the fat with some notable faculty in the film department, who live in the shadow of the Catskill Moutains.

This early Videofreex production exemplifies the type of imaginative approach that the collective adopted when exploring the medium of video, and how, in many ways, this balance of play and experimentation defined and unified the group's work from the v

In Reel 1, newly re-mastered in 2005, a series of vignettes and jokes to camera take place, some starring Wegman’s droll and obliging canine partner Man Ray.

Home Exercises is a short dancefilm and hybrid documentary investigating the gestural habits and choreographies of aging individuals in their homes.

In this interview, Phyllis Kornfeld, author of Cellblock Visions: Prison Art in America, describes her initial interest in working with prisoners in her native Oklahoma City, stemmed from an exploration of outsider artists. Detailing her first visit to a high security prison as a ‘mind blowing and breathtaking’ experience, Kornfeld discusses how she came to her realization that prisons are fertile environments for free form experimentation with the teaching process. She learned that through personalized art education, inmates could teach themselves to make positive contributions to society. - Kyle Riley

By using clips of evil queens/witches this video plays off the sadomasochistic lesboerotic subtexts commonly found in children's entertainment. A helpless maiden is tiring of her consensual s/m relationship with her lover, and "evil" queen.

This is the story of two young girls who dig up a tiny woman from the back garden.

George Kuchar just received a tape of himself on the Dog and His Friends from the Dog House television show, but he must first track down a VHS player to watch it.

The time is now!  The present can be replaced in real time. Not quite yet by the future, but very easily by the past? eteam's video Track One is a replay of such time disjuncture. As they keep following the memory of a yellow cab that keeps driving through the now deserted streets of Taipei, their pastime augments itself with a mesmerizing sense of reality.

Lee Krasner (1908-1984) was born in New York and attended Cooper Union, the National Academy of Design, and the Hofmann School to study painting.

This video documents the first cablecast of Austin Community Television (ACTV) in which George Stoney and a group of University of Texas students assembled playback equipment on a hilltop at the cable system's head-end.

Encompassing both Thanksgiving, Christmas and the exploding New Year's Eve celebrations, this holiday video is chock full of chicken and chatter befitting the season.

This is the fourth work of Eiko's 2020 Wesleyan Virtual Creative Residency and a collaboration with William Johnston.

The first of the series includes:

What Does Away Mean? by Jem Cohen advertises the need to recycle through reconsideration of landfills and garbage disposal.

Eerily drifting through soft fades, superimposed images, close-ups, and visual feedback, this tape follows less a narrative structure and more a stringing together of seemingly random activities, set against two very different soundtracks.

Shot in Portland International Airport. Animation by Jalal Jemison.

Part of the paraconsistent sequence series.

Pemp traces the 25-year struggle of the Parakatêjê (Gavião) to maintain autonomy in the face of huge development projects in the south of Pará.

Shot in the northeast United States landscape, Willie and Brewsie reflects on the contemporary resonances of the last novella written by Gertrude Stein in 1946 entitled Brewsie and Willie.

In this faux-recreation of a home-shopping network, Al Gore and George W. Bush offer you a 'super-premium' collectible lamp commemorating the 2000 presidential election.

Originally commissioned by the Harvard Art Museums in response to the life and work of David Wojnarowicz, Survivor’s Remorse looks at how both art and bodies are maintained and the socio-economic influences that create a chasm between the value

'Misery' doesn't like 'company' -- but 'company' does love a 'party', so come join in on a catastrophic celebration, and do 'hang on' tight -- because it's a steep ride down into the depths of a soul in meltdown mode!

The music of John Bender punctuates a flow of processed images.

The installation created by Monica de Miranda in collaboration with Teatro GRIOT accompanies the play Os Negros. It includes a photographic and video exhibition that abstractly uses the images inspired by the play.

The Rudnick family run amok with unleashed talent in San Francisco and display a wide girth of creative curvature for all to admire over a hot cup of java.

The title gives a bitter meaning to the uneasy image of a woman who is brushing her hair over her face with fierce movements.

In a world of Internet and high technology, there still remains something so arcane, so simple and extraordinary, so absolutely incredible as a circus of educated fleas. Marvel at Maria Fernanda Cardoso's work as the powerful Brutus (The Strongest Flea on Earth) pulls a locomotive that weighs 160,000 times his own weight. See the flea ballerinas dressed in micro-tutus, dance to the rhythms of Tango! Hold your breath as the highwire artists defy gravity on the tightrope and swing precariously on a miniature trapeze.

A video documenting Rara Avis, a telepresence artwork in which participants interact with birds in the gallery space – locally and remotely – from the point of view of a telerobotic macaw located in a large aviary.

Red Chewing Gum is a video letter that tells a story of separation between two men, set within the context of the changing Hamra, a formerly booming commercial center.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

This tape includes footage of one of the first broadcasts of Lanesville TV, as it appears on the television set of Lanesville local, Todd Benjamin, and a television set installed in a public bar.