The video series Not Once began with the recording of personal stories by local Icelanders, about specific locations or a sense of place.

River ice sets the scene for Judy Garland's international justice cri de coeur.

At sunset a large orchestra, a choir and a group of young people position themselves against the backdrop of a mountain landscape. The musicians play the first section of Mahler's 8th Symphony, moving in precise choreography.

[A] postcard-sized [film that]…manage[s] to implicate the audience’s ethical imagination…Distant Shores models a necessary imaginative leap simply by juxtaposing footage of a Chicago River cruise with testimony of a migrant’s

Anne Bancroft and Patty Duke proceed to beat each other while text from psychiatrists and ex-patients discuss the violence in some forms of psychiatric care. Four actions repeat as the struggle for autonomy rages.

Ice is fashioned into a magnifying lens and it is used to start a fire. Created in 1974 and restaged 2004.

"Exhibitons, whether of objects or people, are displays of the artifacts of our disciplines. They are for this reason also exhibits for those who make them, no matter what their ostensible subject.

The colors of fall are muted by the fog of a lingering summer and the memory of that which is dark and naked among the dappled crimson.

Rosler identifies the totalitarian implications of an argument for torture, under certain circumstances, as it appears as a guest editorial in Newsweek magazine in 1982.

"Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle.

In conversation with Carol Vontobel (behind the camera) and Nancy Cain, Curtis (Mary Curtis) Ratcliff describes getting her first legal abortion, soon after the state of New York legalized the procedure in 1970.

A collection of three remarkable works by Sadie Benning, produced between 1995 and 1998, including German Song, The Judy Spots, and Flat is Beautiful.

A portrait that follows Nan, my uncle who lives with his elderly parents, during the last two years that the three share the same house together.

Night. The moon is a rock. The ears are stopped. A chair balances on the roof of a house. A silver box composes itself: a mysterious instrument. A marble rolls around in somebody’s head. Two rocks spin.

Linda Montano is interviewed by Janet Dees, Curator at the Mary and Leigh Block Museum, Northwestern University.

Easy Living ingeniously depicts leisure life in suburban America with a cast of little plastic dolls and miniature model cars—the toys that shape American children's ideas about success and adult life—focusing on a typical day in the life of an

Sites Unseen is a 16mm film of the Jewish cemetery in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

Music by Zeena Parkins

A Japanese student is taken by his teacher to the land down under from Frisco (LA) and gets to meet the mighty that fuel our lust for entertainment and art with gregarious gusto.

Flesh and blood souls breathe forth the colors of doubt, guilt and a hope for "peace of mind" in a world without moral directions...

A military installation is beset by unidentified flying objects while the personnel try to come to grips with their own mysterious yearnings and the cumbersome protuberances that protrude from their own species.

Featuring a swirling spiral from video feedback, this video provides a contemplative visual space for viewers. The spiral appears on and off against colorful oscillation patterns. 

In Reel 1, newly re-mastered in 2005, a series of vignettes and jokes to camera take place, some starring Wegman’s droll and obliging canine partner Man Ray.

In this interview, Phyllis Kornfeld, author of Cellblock Visions: Prison Art in America, describes her initial interest in working with prisoners in her native Oklahoma City, stemmed from an exploration of outsider artists. Detailing her first visit to a high security prison as a ‘mind blowing and breathtaking’ experience, Kornfeld discusses how she came to her realization that prisons are fertile environments for free form experimentation with the teaching process. She learned that through personalized art education, inmates could teach themselves to make positive contributions to society. - Kyle Riley

Equal Rights for Unborn Drag Queens is a satirical short video in which Brenda and Glennda critique anti-abortion politics, homophobia, and religious fanaticism in the media.

In a guided meditation progress is posed as a godly icon for worship. The inseparability of the human labor-spirit connection is probed.

This is the story of two young girls who dig up a tiny woman from the back garden.

The time is now!  The present can be replaced in real time. Not quite yet by the future, but very easily by the past? eteam's video Track One is a replay of such time disjuncture. As they keep following the memory of a yellow cab that keeps driving through the now deserted streets of Taipei, their pastime augments itself with a mesmerizing sense of reality.

Addressing the camera, Segalove confesses to plagarizing her 5th grade report, The Story of Coal.

A Body in Fukushima is a film created by dance artist Eiko Otake consisting of still photographs, inter-titles, and an original score.

This video documents the first cablecast of Austin Community Television (ACTV) in which George Stoney and a group of University of Texas students assembled playback equipment on a hilltop at the cable system's head-end.

Both Vermont Landscape and Pond Life followed two opera collaborations with composer Steve Re

Encompassing both Thanksgiving, Christmas and the exploding New Year's Eve celebrations, this holiday video is chock full of chicken and chatter befitting the season.

The sale of a plot of land marks the kickoff of an unlikely road trip in this strange American odyssey. When eteam buys an acre of the Southwestern desert on eBay, the deed fails to arrive and the pair attempt to track down the phantom seller.

This video was made as the end-credit sequence for a film version of Ron Vawter's performance piece, Roy Cohen/Jack Smith, by Jill Godmilow. Ron was an extraordinary actor and extraordinary man.

Transexual Menace takes its title from the name of "the most exciting political action group in the USA"—transgendered people who are defining themselves, demanding their legal rights, and fighting for medical care and against job discriminatio

Cobra Mist explores the relationship between the coastal landscape of Orford Ness and its traces of military history, particularly the extraordinary ruined architecture of experimental radar and the Atomic Weapons Research Establishment.

Shot in Portland International Airport. Animation by Jalal Jemison.

Breder used Stavros Deligiorgis’s encyclopedic ability to make associations as an element in this video art and performances, providing a kind of intellectual running commentary in works such as Intertext (1976).

A.R.M. Around Moscow documents particpants in A.R.M. (American-Russian Matchmaking) to explore the relationship of personal power to domestic identity, and economic and political structure.

The male/female, subject/object investigation in A Bit of Matter and a Little Bit More has no titillating introduction; the appetite is not whetted beforehand.

In this faux-recreation of a home-shopping network, Al Gore and George W. Bush offer you a 'super-premium' collectible lamp commemorating the 2000 presidential election.

'Misery' doesn't like 'company' -- but 'company' does love a 'party', so come join in on a catastrophic celebration, and do 'hang on' tight -- because it's a steep ride down into the depths of a soul in meltdown mode!

The Rudnick family run amok with unleashed talent in San Francisco and display a wide girth of creative curvature for all to admire over a hot cup of java.

Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency comes across as Acconci gasps, "I'll accept you, I won't shut down, I won't shut you out....

The title gives a bitter meaning to the uneasy image of a woman who is brushing her hair over her face with fierce movements.

Ming Wong creates videos that explore performance and issues of race and gender. Born in Singapore of Chinese heritage, and now based in Berlin, his work examines cross-cultural experiences by appropriating scenes of iconic world cinema.

Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema.

Using the Islington Gazette and local pigeons as my guides I strolled, re-strolled, and strolled some more along the Essex Road: updown, downup. Paving stones, buses. Railings railings railings. More buses.

Red Chewing Gum is a video letter that tells a story of separation between two men, set within the context of the changing Hamra, a formerly booming commercial center.

There is no need to "sin" because Hell is here, just go to the window and peek out…. It’s next door and is on display in this movie.