Three Songs of Lenin is an 11-minute piece made from three one-second samples taken from the second song We Loved Him of Vertov's film Three Songs About Lenin.

In the Post Pony Trilogy, Coonley serves as frustrated host to a series of flawed lessons on currency markets and current events. His heartbreak over a missing pony sidekick presents an obstacle to achieving his pedagogical goals.

Two years after the riots and deaths at Attica, New York, a community day was organized at Greenhaven, a federal prison in Connecticut.

Petrolia takes its name from a redundant oil-drilling platform set in the Cromarty Firth, Scotland.

A portrait of influential Dutch musician and composer Louis Andriessen, as he talks about composing a new work. Andriessen draws inspiration from the life of Dutch painter Piet Mondrian and his love for ballroom dancing.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times – the period just after Chairman Bobby Seale was wro

In this short but provocative tape, recorded August 4th, 1971, Carol Vontobel “interviews” Nancy Cain who is speaking about her “coke addiction problem” under the pseudonym Nancy X.

A documentary fiction inspired on the first accounts of the natural and ethnographic explorations in America by colonizers, missionaries, and scientists.

Why Not A Sparrow is about a girl who enters a fairy tale land where the distinction between human and other animal species is blurred. In this kingdom, survival and extinction are on the tip of every birds’ tongue.

"On January 22, 1987 an unjustly convicted Budd Dwyer grasped onto the pages of his final speech as Pennsylvania's State Treasurer before shooting himself in front of news cameras.

The fourth video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on t

Twenty-five years of marriage 'down the drain'!!

In Two-Spirits Speak Out, Brenda and Glennda interview members of We'Wah and Bar-Chee-Ampe, one of the first Two-Spirit Native American organizations in New York.

Cuerpos de Papel is a dense visual meditation on sexuality, loss, jealousy and intimacy. It uses rich sensual images to weave a digital portrait of an intimate, erotic, and emotional past.

A lighting psalmody by the current Mexican conflagration. Light through the veins.

Thornton asks viewers to question how one sees “space" — whether literally or figuratively — and what is being revealed? Images of a sonogram session grant viewers access to what is typically reserved for medical analysis — “inner space.”

Jack Tworkov (1900-1982) was an important member of the first generation of Abstract Expressionist painters and was, for a number of years, head of the Yale University art program.

High Water was filmed in post-Katrina New Orleans and the surrounding Louisiana wetlands, one of the fastest disappearing coastal areas on the planet.

That Which Is Possible is a portrait of a community of painters, sculptors, musicians and writers making work at the Living Museum, an art-space on the grounds of a large state-run psychiatric facility in Queens, New York.

China, Beijing, I Love You! is an animated film about extraction of nickel and cobalt along China's Maritime Silk Road.

The everyday performance of domestic labor is teleported into a surreal game world where an emotionally responsive AI chatbot provides no answers.

Made at the time of the 1988 presidential election, this piece is about media power and market censorship.

While out shooting for a different project altogether, I encountered two sleeping men on a Manhattan street.

Using performance as a means of personal transformation and catharsis, Mitchell’s Death mourns the death of Montano’s ex-husband.

Electronic musician and sound artist Stephen Vitiello (b.1964) creates sonic installations that function to give a physical form or space to audio. In this interview, Vitiello discusses his beginnings as a film student, and his transition from music to fine art through his investment in storytelling aspects of soundtracks. As a teacher, artist, and long-time curator at Electronic Arts Intermix, Vitiello’s insights and anecdotes offer up sentimental reflection and hard-learned life lessons, as well as perspective on the historic landscape of music and art in the 1980s and 90s. By discussing his partnerships with Tony Oursler, Jem Cohen, and Nam June Paik, Vitello provides entry into the myriad influences and collaborations that have shaped his working process and artistic career.

When she was 16, Benning stopped going to high school for three weeks and stayed inside with her camera, her TV set, and a pile of dirty laundry. This tape mirrors her psyche during this time.

This film is an appropriation from the 1965 movie The Sound of Music. Each sync sound frame of the Prelude and opening song "The Hills are Alive" is

A remix of the 20-minute video Tuesday and I by young Canadian artist Jean-Paul Kelly.

The latest in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2012 campaigns, and highlights the development of the political strategy and marketing techniques of the T

Polycephaly in D is a densely collaged exploration of the existential drift, collective trauma, and psychological free-fall of the contemporary moment.

From the crashing waves of a wintry Pacific to the haunted vestibules of a Bay Area mansion, allow entry to this motley crew of ravished revelers who bring their choppers down on an assortment of improvised bon-bons.

By asking a group of space physicists the unanswerable, Semiconductor reveal the hidden motivations driving scientists to the outer limits of human knowledge.

It’s a delight; not fragile yet.

It’s not hockey bashing and blades.

Not the escapades, or a snake.

It’s an expanded definition of drawing.

The soundtrack begins with the artist stating the conditions: “An artist may construct a work and/or a work may be fabricated and/or a work need not be built.

Images cascade and collide in Acetone Reality, as animation, found images, and the artists’ own video recordings crash against a dialogue between computer-generated voices exploring the wonders of acetone and the

As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

Ned the dog eats, growls and passes gas as we, the viewers, pass the time with him and his keepers as they share the stolen hours with us all. It’s all here: the pizza, the memories, the good times and the bad.

Performing artist Neil Bartlett plays a gay lecturer whose attempt to go back into the closet is betrayed by the contents of his briefcase.

Set in East Berlin in 1977, this short experimental documentary interviews the Dadaist artist Hannah Höch as she reflects upon her experiences living and working during in 1920s Berlin. Höch compares

In this 2001 interview, filmmaker Jem Cohen discusses the origins of his film philosophy, and the circuitous route he has taken in his pursuit of an anti-narrative film practice outside the mainstream. Cohen sheds light on the many influences that have impacted his sentiments towards conventional film, and his desire to eschew both classical avant-garde and theatrical filmmaking in favor of a model rooted in the tradition of the 1940s New York School of street photography. Cohen also locates his aesthetic as being impacted by the 1970s hardcore and DIY scenes he was exposed to as a youth in Washington, DC.

The “greca”, the meander, is the main symbol weaved in the textiles made by the Navarro sisters, from Santo Tomás Jalieza, México.

A close-range look at pigs living on a farm in Las Vegas, Nevada. The pigs, individually and as a group, become a metaphor for humanity as they go from leisurely wallowing in the mud to the wildness of a feeding frenzy.

The scales of the snake refract a trance and invocation. In the epicenter, the pyramids join Izcóatl's battle, the Obsidian Serpent propagates an exhortation: all the dances against the war.

Ree Morton (1936-77) was an American artist working with large-scale mixed media installations.  Her mature career was brief, extending from 1971 to 1977.  However, her output and growth during these years was unusually large.  This was the first of two interviews Lyn Blumenthal and Kate Horsfield conducted with Morton; the second was for the journal Heresies in 1977.

Kim Jong Il, the Stalinist David O. Selznick, runs the state film studio as a way of promoting his own and his father's cult of personality.

A three-part series featuring important new works by internationally renowned conceptual artist, Lawrence Weiner, these works continue the themes of role- and game-playing, and the use of language.

Segalove gives us another series of true incidents involving the powerful influence of television on life, relationships, and attitudes. Among them is the tale of a family in serious dialogue about their decision to censor the tube.

It stands as a mecca to 16mm film, and weathers the withering breath of a shifting climate. Bundled-up in opulence and optimism, the film festival goes onward and upward while I succumb to a glacial deposit that proves unflushable.

75 people speak 50 languages sometimes simultaneously.

Accidental Confessions combines scenes from a demolition derby with statements taken from automobiles insurance claims.