An evening-length collaboration work with the celebrated avant-garde pianist Margaret Leng Tan. The stage set is by Eiko & Koma and the lighting is by David Ferri.

The historic Great Blizzard of 1978, one of the most severe blizzards in U.S. history, hit southern New England with paralyzing effects.

During Videofreex member David Cort's travels to Jerusalem, a scene was shot in a hospital where a female patient is having electrodes attached to her body.

The Pyramid used to be a mountain.

John Smith, throughout his 40-year career, has approached the moving image from film, video and installations, generating a tremendous body of work that’s as diverse in its topics as it is in its methods.

The story of the anti-Vietnam War movement from the perspective of James R. Roebuck, the first African American president of University of Virginia’s Student Council.

American figurative artist Alex Katz (b.1927) has produced a remarkable and impressive body of work but is best known for his large-scale, flat, yet realistic portraits of friends and family notable for their relaxed attitudes and uncomplicated bearing.

A woman raises her voice and gives a painful and endless speech that with time becomes even more overwhelming, because her words are heartbreaking and permanent impressions in the collective memory, stabbing with words an old Mexican film, a celluloid t

A love letter to the Internet from a feral cat in Brooklyn.

Andres Serrano was born and raised in New York. At fifteen he dropped out of high school. A few years later he attended the Brooklyn Museum School and studied painting and sculpture.

“I am a mannish / Muff-diving / Size queen / With bad attitude / An arse-licking / Psychofag / Molesting the flies of privacy / Balling lesbian boys / A perverted heterodemon / Crossing purpose with death / I am a cock-sucking / Straight-acting / Lesbia

e-[d]entity: Female Perspectives on Identity in Digital Environments is a two-part collection of videoworks created from 1982-2000 that explores the cyber environment and how it affects, expands, confuses, and involves female identity.

Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.

Adapted from a performance by the same name, this courageous video fuses autobiographical material with information about how an alcoholic family perpetuates addictive behavior.

Detail is indeed a detail. It is an excerpt from Mograbi’s feature film Avenge But One of My Two Eyes, where human conditions face military situations.

This is the third part of the hyperkinetic still life. This triptych is part of the Hyperkinetic and Hauntology film series.

John Cage’s work has had an immeasurable influence on 20th Century music and art, and his formal and technological innovations were tied to his desire to push the boundaries of the art world.

Ram Dass, born Richard Alpert, was a spiritual guru and crucial figure in the early research of psychedelics alongside Timothy Leary in the 1960s–70s. In the early 70s, he gave a lecture at the Art Institute of Chicago.

Bob Snyder is a Chicago-based composer, video artist, and author who has been experimenting with sound and video synthesis since the 1960s.

An unexpected ASMR respiratory exam. ASMR is a popular genre of videos on youtube, lead by soothing sounds believed by its creators to generate euphoria, a sound porn of sorts.

Filmed entirely in Sweden, VIEWFINDER is a surreal sound-film that entangles gestures of place, belonging, and monument.

"Gregg Bordowitz’s 2017 performance lecture Only Idiots Smile features the artist on a stool in the New Museum’s top-floor sky room, riffing on the formation of his identity.

In this interview, American filmmaker, teacher, and video artist Peggy Ahwesh (b.1954) delves into the key figures and primary texts that have inspired her work in Super-8 and video since the 1970s.  She discusses her early influences as a member of the underground art scenes in Pittsburgh in the late 70s and Soho’s Kitchen in the 80s. Ahwesh’s experimental hand-processing and controversial subject matter can be traced to feminist theory, and her exposure to underground experimental films, including works by Werner Herzog, George Amaro, Kenneth Anger, Jack Smith and her teacher at Antioch College, Tony Conrad.

Through poetic juxtaposition of the virtual landscape of the phone, the calm landscape of the cabin, and the chaotic landscape of memory, 1991 paints a cruel image of the horror of war and separation.

"You don't have to go to Hawaii to be in Hawaii. Nor do you have to be sensual to feel sensual. You look the way you are supposed to look. The sensuality of Hawaii completely fascinates me in this video."

—Ximena Cuevas

Mexican video artist Ximena Cuevas documented the preparations and opening of the Marina Abramovic Videoinstalaciones exhibit at Mexico City's Laboratorio Arte ALameda, the first Abramovic exhibition ever to take place in Mexico, in November of

Spanning two years of protest and resistance, this video chronicles the politically-motivated police harassment of the homeless population in Manhattan’s Lower East Side; including suspected arson, illegal eviction, and the demolition of buildings that

A psychedelic portrait exploring epistemologies of Seminole alligator wrestlers. Considered a staple of Florida tourism, alligator wrestling has been performed by members of the Seminole Tribe for over a century.

This project on family violence, spanned two years and several sites across the country, and involved wrecked cars in sculptural installations. The cars were reconfigured by women and children who suffered violence at the hands of loved ones.

Notes for a DejaVu is a paramnesic experience of the images where Jonas Mekas still lives and we can hear him comment on the memory of an imaginary trip to Mexico. This film is shot with an expired 16mm celluloid during a popular protest.

“Trolling for news we call it,” says Bart Friedman a minute into this video, as he pushes down a road the Lanesville TV News Buggy – a baby carriage filled with video equipment, spilling over with wires.

A video diary about Cuthand's efforts to undergo artificial insemination. Cuthand contemplates a desire to have children and its relation to preserving Indigenous culture.

I worked on Trio A alone for six months in 1965. The dance consisted initially of a 5-minute sequence of movement that would eventually be presented as The Mind is a Muscle, Part I at Judson Church on January 10, 1966.

A fairy tale, a road movie, a folly.

In this 2014 interview, South African artist Kendell Geers (b. 1968) discusses the function of magic, myth, and memory in his work. Beginning at childhood, Geers charts the path he has taken in his understanding of his own biography as a site of resistance. This interest in the use of personal biography culminated in 1993 with his decision to change his date of birth to May 1968 as a way to reference both the May 1968 student protests, and the fact that 1993 was the first year that South Africa had participated in the Venice Biennale since 1968.

While moving through the streets of Paris, a brother and sister confront their incestuous past under the watchful eye of their female taxicab driver.

Christmas Eve. A man alone finds someone he can talk to.

A short Flicker Film adulterated by some extra images shot in Malawi, Africa. FF was in answer to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which I was asked to make a “Future Film”.

Commissioned by Lower Manhattan Cultural Council (LMCC) for the occasion of Eiko receiving the Sam Miller Performing Arts Award. Premiered at LMCC’s A Toast to Downtown on December 9, 2020. Shot at LMCC’s Arts Center at Governors Island.

The sixth in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here–gay activist and self portrait artist Lyle Ashton Harris, Chicano photographer and tourist Robert Buitron, Cherokee writer, curator, and video

A video which introduces potential NRO informants and accomplices to the concept of Savage Philosophy™, which asserts that signs have a real and physical connection with things, that signs take part in things instead of taking their place.

A portrait of a studio photographer, Her + Him VAN LEO also examines the photography of the 1940s and 50s from a critical perspective rather than a nostalgic one.

A voice for which an event impossible to internalize remains distant. An event that in its distance does not cease to make the narration of something that should not take place anywhere foreign.

A documentary presenting an overview of Eduardo Kac's trajectory, including interviews with the artist and with art critics Annick Bureaud, Christiane Paul, and Arlindo Machado.

Walking Off Court is the story of the nervous breakdown of a tennis fan and his rising inability to find tennis partners.

This project started with an email from a stranger in 2017. The sender was the widower of the late artist Tania and he invited the filmmaker to look at her “archive.” Tania was born to Jewish parents in Poland in 1920.

This tape includes footage of one of the first broadcasts of Lanesville TV, as it appears on the television set of Lanesville local, Todd Benjamin, and a television set installed in a public bar.

A formidable collage of striking images, this powerful and provocative work confronts racial violence through images of ecological mayhem, machismo, pornography, and Third World poverty — images which return to the taboo body of a black man.

“For quite some time the Hamburg artist Cornelia Sollfrank has been researching female hackers and found that hacking is a field completely under male domination.

Playing Dead is a film about lying still to stay alive. A news reporter queries the survivor of a brutal attack.