George is invited to the AFI Video Festival to see the screening of his tape, Video Album 5: The Thursday People, but detours into a melodrama about the fear of internal spaces in buildings.

This classical animation explores personal memory, associations and atmosphere.

"I remember from the other room I could hear you violently buttering bread. I secretly hoped that I could be your next victim."

(In) Visible Women shows the heroic responses of three women with AIDS in the context of their respective communities. In the face of adversity, these women confront all aspects of the AIDS crisis in their lives.

A series of intimate video-8 vignettes depicting the fierce love between Malverna and Sandi, 88 and 22, grandmother and grandson. The two playmates dress up drag-esque for this moving portrait of a woman’s lifetime struggle with gender and sexuality.

Louis Henderson’s work focuses on anti-colonialism and criticizing the neocolonialisation of cyberspace.  Born in England in 1983, he graduated from London College of Communication and Le Fresnoy - Studio nati

This is the nest image, the camouflage image, the vortex image, the haunt image, the net image, the drill image, the wire image, the cocoon image, the haunted image, the interconnected image, the pandemic image. The haunted space of the image.

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

“It is curious that in the most important periods of one’s life, one never keeps a diary. There are some things that even a habitual diary-keeper shrinks from putting down in words—at the time, at least.

Cool sheets and warm male bodies ignite the screen with antics that go from hot pink to black and blue as they romp, stomp, spit and strut their "goods" before your eyes.

This film is about a five-day seminar designed to teach executives to "sell themselves" better.

A video diary about Cuthand's efforts to undergo artificial insemination. Cuthand contemplates a desire to have children and its relation to preserving Indigenous culture.

Perceptual concerns predominate in my videoworks.

In this video, Glennda and Judy LaBruce (Bruce LaBruce) visit the auction house Christie's East on New York's Upper East Side to view Judy Garland memorabilia that is being auctioned off.

Poet Leticia Plotkin's final poem, intended to praise the ancient deities who control one's fate, turns instead into a bitter damnation scribbled in venom.

Among the leading pioneers of the eco-art movement, the collaborative team of Newton and Helen Mayer Harrison (often referred to simply as “the Harrisons”) have worked for almost forty years with biologists, ecologists, architects, urban planners and ot

I borrowed this absurd phrase from a sign posted on the conductor’s booth in the Washington, D.C. subway. The language of civil service here borders on unintentional parody, with its blankly polite tone and bureaucratic single-mindedness. I.G.G.B.S.R.A.U.C. revisits my 1992 tape Nation, and features a dense chorus of faces and voices. These strangers ask us to consider the question, 'Who is the public?'
— Tom Kalin

A mechanical toy figure dressed as an American soldier bends and sways, playing God Bless America — the sentimental, unofficial, and highly favored national anthem during World War II — on a bugle.

How Little We Know of Our Neighbours is an experimental documentary about Britain's Mass Observation Movement and its relationship to contemporary issues regarding surveillance, public self-disclosure, and privacy.

Dó is an audio/visual synthesis between a dual screen video installation and a sound installation which was developed in collaboration with the Portuguese-Cape Verdean rapper/music composer Chullage.

Their first longer piece entirely in silence. The backdrop and floor were painted with a burned flour paste which crumbled down as they moved.

A brief glimpse into the cycles of Coyolxauhqui, the moon goddess, whose cycles used to be a dance. A fast-paced jazz soundtrack accompanies the quick, darting movements of the moon.

A troupe of male and female jugglers and musicians perform for a growing crowd in Central Park, New York, led by Hovey Burgess and Judy Finelli.  The sun is shining, and the troupe are skilful, playful, and flirtatious. 

Originally part of a larger sculptural installation using prospector's tools, this tape reenacts the search for "Olga," a miner's wife who disappeared on her honeymoon in 1936. As Paul and Marlene Kos call out, "Olga...

BIT Plane is a highly compact spy plane, wingspan 20 inches, radio-controlled, video-instrumented and deployed over areas of scenic interest. Due to its refined dimensions, BIT plane is able to enter territory inaccessible to other aircraft.

Following the Israeli attack on Lebanon in 2006, the filmmaker examines the boredom of everyday life in a besieged country.

This title is only available on Radical Closure.

A self-help speaker encourages self-reflection. Friends in Chicago hang out.

The three videos that comprise Jesse McLean Videoworks: Volume 1 (The Eternal Quarter Inch, Somewhere only we know and The Burning Blue) all concern various facets of our complicated emotional and psychological r

Filmed in Susan Mogul’s Los Angeles multi-ethnic working class neighborhood, Highland Park, Everyday Echo Street: A Summer Diary, is an insider’s view of how home and neighborhood are constructed in everyday relations.

Short for "Probably The Last" (of the series), Spiral PTL uses the image processor like a musical instrument to create variations on a spiral, transforming its basic form into an ever-moving gyro.

A descent into the blackness of the projected image and the curators who flick the switches and grease up all moveable parts for hot action when the lights go out.

Electric Yogurt documents different modes of childlike play, beginning with footage of a group of people dancing together with arms outstretched against a background of growling, cooing, and coughing.

Vito Acconci (b. 1940) is known as a conceptual designer, installation and performance artist.

These are the western lands of the mind. The western tracks in the land. The western landscapes of our time. The wasted times of our lives. So is the rest of the Capitalocene civilization.

Possibly In Michigan is an operatic fairytale about cannibalism in Middle America. A masked man stalks a woman through a shopping mall and follows her home. In the end, their roles are reversed when the heroine deposits a mysterious Hefty bag at the curb. Like Condit's other video narratives, Possibly In Michigan shows bizarre events disrupting mundane lives. Combining the commonplace with the macabre, humor with the absurd, she constructs a world of divided reality.

Glass House examines the creative process of a modern architect who builds a house made of glass and concrete for his family.

In the wake of Lord of the Universe, TVTV planned to cover the impeachment of Richard Nixon, but, unfortunately, Nixon resigned.

Modeling Paranodal Space is part three of Zach Blas's Contra-Internet Inversion Practice series.

in complete world is a feature-length documentary made up of street interviews done throughout NYC.

Inspired by Tennessee Williams’ The Roman Spring of Mrs.

In ten-minute segments devoted to three photographers (Cindy Sherman, Richard Prince, Laurie Simmons), MICA uses video to mirror the photographic techniques of each artist.

Hal Foster is Professor of Modern Art at Princeton University, and has written and edited numerous influential books on postmodernism, art, and culture.

Biting Nations, a video produced in collaboration with Luna Montenegro, Lisa Bradley, Arantxa Johnson questions the assumption of fixed national identities and investigates one’s multiple notions of geographical belonging.

John Killacky is Eiko's long time friend. It was in July 2018 when both of them were attending the tree planting ceremony of their mutual friend Sam Miller at the Jacob's Pillow that Eiko invited John to join her Duet Project.

“I may have to get a back up career.” I mull over what I might do if I don’t make it as an artist. What if I lose my eyes?

Stop action animation, ink on glass.

In the midst of the 2011 revolution in Cairo, a few beduins listen to their car's radio near Jericho, a place which looks like the end of the world.

2 Spirit Dreamcatcher Dot Com queers and indigenizes traditional dating site advertisements.

Robert Cumming (b. 1943) is an American photographer/sculptor/bookmaker who borrows from the artifice of theatrical sets to construct his elaborate and often absurd images. He has also published several books of photography and narration.

A 10-part series with preface.

Reflecting, ruminating, remembering, lamenting, drawing and living with the past and present…

Lossless #2 is a mesmerizing assemblage of compressed digital images of Maya Deren and Alexander Hammid’s 1943 masterpiece Meshes of the Afternoon.