“The syntactic structure and lateral movement of Arcade match its fairground equivalent.

In imaginary landscapes where trees talk and frogs turn to handsome princes, Pizzly Bear is a story of a cross between a Grizzly and Polar Bear.

Derived from Ernie Gehr's Serene Velocity, Lossless #4 is the result of a digital file's debugging routine that reveals vectors describing apparent movement in the frame.

"Black Holes/Heavenly Bodies-Hell is a high-tech nightmare about a coming-of-age in America in which violence and mediocrity are the potent background noise." – Steve Seid

Pitayas are the sacred Mesoamerican fruits that grow on Mexican nopales, an ancient plant. This is the colorful body, the vibrant blood and the radiant skin of the open life.

Nine individuals visit the Santa Monica Mall and share their thoughts and feelings about love with Wendy Clarke and her camera. Love Tapes: Santa Monica Mall is part of Clarke's ongoing project, Love Tapes.

Steve Kurtz is a founding member of the Critical Art Ensemble and Associate Professor of Art at University of Buffalo. His areas of focus are contemporary art history and theory as well as post-studio practices.

Goodbye Thelma synthesizes footage from the 1991 film Thelma & Louise with footage of the author’s own making to create a mysterious, and at times disturbing, exploration of traveling alone.

A love letter to the Internet from a feral cat in Brooklyn.

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

It's not my memory of it is a documentary about secrecy, memory, and documents.

Modeling Paranodal Space is part three of Zach Blas's Contra-Internet Inversion Practice series.

John Smith’s Flag Mountain records a vast flag, the insignia of the Turkish Republic of Northern Cyprus, painted onto the side of the Kyrenia mountains overlooking Nicosia, the divided capital of the former island nation.

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

I sit at my computer cutting up real time footage of waterfalls, snow storms, boiling water. I combine these to make threads of moving images.

Focusing on the mentorship of Eiko and Koma with the young artists who study and work at the Reyum Institute of Arts and Culture in Phnom Penh, Cambodia, Cambodian Stories evokes questions of tradition, i

A primer in satellite system operation, Send/Receive extends the critique of media as commodity by asking questions concerning the people's right to access satellites.

This fictional docudrama—based in part on the careers of Anita Bryant, Phyllis Schlafly, and Marabel Morgan—covers the fictitious assassination of Clovis Kingsley, a powerful, pro-family, anti-feminist ideologue, and fictional author of The Power of

At this time even the flowery wars are ready to begin and the flowery atavism begins to flash. The flowers, the skulls, the moon and the sun are ready for the sacrificial trance. Part of Tonalli.

Students reclaim a popular gathering spot on the campus of the University of Virginia.

Baldessari has Ed Henderson examine obscure movie stills and attempt to reconstruct the films’ narratives.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

Future From Inside is the last in the trilogy begun in 2016, by Dani and Sheilah ReStack (also including Strangely Ordinary this Devotion and

In this interview, Kori Newkirk (b.1970) describes his interest in the space that exists between categories. Hailing from the Bronx, earning a BFA at the School of the Art Institute of Chicago (SAIC), and finally settling on Los Angeles as his base of operations, Newkirk has always been motivated by a desire to eschew provincialism. In this conversation, he discusses the idea of regional identity, his complex relationship with the Los Angeles art community, and how his experience as a student at SAIC helped him move beyond the boundaries of a simple material definition of painting.

"Brite Tip explores the indoctrination of children and police through an assortment of cross-fades, wipes, and other stock transitions. A highly danceable essay on breastfeeding."

—Gavin Smith

Plagued by blindness, sloth, and devotion, a troubled scene from Little House On The Prairie offers itself up to karaoke exorcism.

— Michael Robinson

A one-hour heliocopter flight over the suburban sprawl of Long Island to Fresh Kills, the New York City Landfill on Staten Island; accompanied by an operatic audio-mix of bad-mouth talk-radio mayhem and historic nostalgia.

John Smith, throughout his 40-year career, has approached the moving image from film, video and installations, generating a tremendous body of work that’s as diverse in its topics as it is in its methods.

Sahara Chronicle encompasses an undefined number of short videos documenting the present sub-Saharan exodus towards Europe.

The supposed existence of a golden kingdom motivated numerous expeditions, and the belief remained in force until the 19th century, although its location moved from Colombia to the Guianas, as the process of conquest and colonization of the South Americ

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

My Heart Belongs to Daddy is the third in a trilogy of experimental videos (Mad About the Boy and Can't Help Lovin' Dat Man).

Joe Sacco is a cartoonist who has contributed to a wide range of comic magazines including Drawn and Quarterly, Prime Cuts, Real Stuff, Buzzard, and R.

In Biemann’s film, she traces the routes and reasons of women who travel across the globe for work in the sex industry. By using the latest images from NASA satellites, the film investigates the consequences of the U.S.

"You are invited to Jim’s party! Snake optional."

--Cinematexas Festival (Austin, 2001)

"Three more sing-alongs, this time with swans, a snake, and the Red Army Chorus."

--L.A. Freewaves Festival

George Kuchar just received a tape of himself on the Dog and His Friends from the Dog House television show, but he must first track down a VHS player to watch it.

Nascentes Morimur grew out of a series of works on autopsy — an earlier video and a number of still images — that were exhibited together as Like a Shipwreck We Die Going Into Ourselves.

In collaboration with art historian Dore Bowen, a video recording of her phone interview with Yoko Ono during which a discussion of John Cage and chance operations intervene.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.

Desire and the Home: Program 1

Challenging the dominant ways of making and critiquing art, feminist art practice in the 1970s stressed personal connections to materials and immediacy of context over formal abstraction.

By asking a group of space physicists the unanswerable, Semiconductor reveal the hidden motivations driving scientists to the outer limits of human knowledge.

In(sul)ar marks the dichotomy between reality and fiction, by creating meta-images of an imagined island, where time and space are confused with each other.

In collaboration with Rebekkah Palov. 

This first work in the HalfLifers' Action Series plunges into a world of frantic heroes trapped in a continual crisis of dissolution and reification. An ordinary domestic setting is recast as a psychoactive landscape in which the concept of function becomes situational and fluid. Only through the strategic application of organic and inorganic “devices” can this zone be successfully navigated and the mission be saved.

Ángel Reparador (The Healing Angel) was shot in Buenos Aires, where the artist Sergio De Loof films Bobe in different places along the route that goes from the house of his parents, in the south of the suburbs, to the city center.

"One of Baldessari’s most ambitious and risky efforts. Seated and holding a sheaf of papers, he proceeds to sing each of Sol LeWitt’s 35 conceptual statements to a different pop tune, after the model of Ella Fitzgerald Sings Cole Porter.

Made in Germany, October 14th, 2004

While the Iraq war continues, a day's sightseeing and the features of a German hotel provoke a stream of thoughts about events large and small.

A silent 16mm film shot in Nebraska during the total solar eclipse in 2017. The work was shot on film to capture this light-based phenomenon on a light reactive medium, as opposed to on digital video.

1970 marked the publication of Gene Youngblood’s now-formative Expanded Cinema – a text that was instrumental in legitimizing video and new media as viable and serious artistic forms.

Part of shamanic materialism and the aesthetic of trance.