An homage to Luis Bunuel's The Criminal Life of Archibaldo de la Cruz with a twist to these days control systems of security. From the moment we are suspects we are potential culprits. Therefore we are all guilty.

Gibbons presents a Son of Sam-like relationship between a man and his dog in which the man takes the dog to task for the terrible things he has made him do. Shot in Pixelvision.

Breakfast of Champions is an installation created in 1991 by the artist duo Ligorano Reese, comprising Nora Ligorano and

Eiko Otake, based in the United States since 1976, is a highly regarded artist who has performed in many countries as part of the performance duo Eiko & Koma.

Judy Chicago (b.1939) creates large-scale, collaborative artwork has brought greater prominence to feminist themes and craft arts such as needlework and ceramics.

In Jane and Mike Visit, George Kuchar documents a visit from his brother Mike and their friend and former Kuchar actress Jane Elford.

Shot in Naples, Vienna, and New York, Some Chance Operations explores the notion of an archival form, in this instance film, as an unstable memory receptacle that can vanish.

Beach House is a film about a unique example of rural modernism built on the UK coast of Suffolk by the architect John Penn. As well as being an architect, Penn was a painter, musician and poet.

In the midst of the 2011 revolution in Cairo, a few beduins listen to their car's radio near Jericho, a place which looks like the end of the world.

Robert Cumming (b. 1943) is an American photographer/sculptor/bookmaker who borrows from the artifice of theatrical sets to construct his elaborate and often absurd images. He has also published several books of photography and narration.

Lossless #2 is a mesmerizing assemblage of compressed digital images of Maya Deren and Alexander Hammid’s 1943 masterpiece Meshes of the Afternoon.

A provocative half-hour of guerrilla artists caught in the act on videotape, Undeniable Evidence is a public art extravaganza assembled by Igor Vamos and anonymous culture jammers.

An Ocean Between Us expresses the desire for a relationship that is made up of transitions, successive time shifts, and coordinated changes without an essential unity.

Reeves explores his personal journey to seek the center of existence through the teachings of Eastern religions. India is the source of images for his message about the eternal wheel of existence—life and its continuous process of change.

This title documents events at the opening of the 1970 exhibition Vision and Televison.

This is the path from the snake’s perspective.

I worked on Trio A alone for six months in 1965. The dance consisted initially of a 5-minute sequence of movement that would eventually be presented as The Mind is a Muscle, Part I at Judson Church on January 10, 1966.

"We buried ten Cadillacs in a row alongside Interstate 40 (the old Route 66), just west of Amarillo, Texas; each car represented a model change in the evolution of the tail fin.

A woman survives a clinical death in 1988 and wakes up hearing voices in her head. Samuel, a spirit, has started to speak through her. People identify her as a medium. Samuel proclaims a mission to save the world before the year 2012.

This is an over-the-top Video bouquet audaciously delivered by flamboyant "Pan" – like poets determined to paint the world pink.

flight is a frame-by-frame re-editing of an astronaut walking on the moon into a seven-minute long meditation on technological transcendence. The unstable, stuttering image depicts the astronaut's struggle to separate from his body.

Meditation is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

Chance observations of New York's Chinatown, commissioned by the Museum of Chinese in the Americas. 

"A sleepwalker's circumnavigation of one of the less homogenized parts of the city."

--Jem Cohen

Based on accounts of girlhood anorexia, Swallow unravels the masked and shifting symptoms that define clinical depression.

An example of what Reeves terms “video poetics,” layered images of a deserted village in the Spanish countryside play counterpoint to poetry by Cesar Vallejo and Pablo Neruda.

Eiko performed unannounced in the Cathedral of St. John Divine, New York City as an artist in residence in 2016-2018.

Camera by Alexis Moh.

Ascensor is an exploration of grief, longing and mysticism through a queer lens. It documents a syncretic ritual that culls from the magical reverberations in Mexican culture to process the unexpected loss of a dear friend.

As Laurie and her child's father lie in bed, taking an afternoon nap, a large balloon resting on her belly inflates under the sheet and explodes.

Designed as the centerpiece of Eiko & Koma’s three-year Retrospective Project, Raven is a radically scalable work.

Milton Resnick was born in Bratslav, Russia in 1917, and immigrated to the United States in 1922. Resnick was one of the few survivors of the second generation Abstract Expressionists, and is known for his large, thickly painted abstract canvases.

automatism and (-)(+) feedback is a 3:29-minute video made from shot footage of a 10-year-old child playing Zombie Smash on a handheld device.  The video footage and sound have been repeatedly rescanned and resampled using a telev

J. Morgan Puett is an internationally renowned artist living on a 95-acre compound in the deciduous forests of northeastern Pennsylvania.

"The title (Black Sun) is as evocative of solar eclipse as it is of the 'dark spleen' which doctors, all through Antiquity, used to attribute to melancholic and suicidal drives, especially as they affected artists.

A film about haircuts, clothes, and image/sound relationships.

The second in the Jaws series. Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

Strike Anywhere is a video essay that takes as its point of departure Swedish "Match King" Ivar Kreuger, whose privatization of financial crisis management strategies bears a direct relation to late-20th Century policies implemented by the IMF

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

You Are What You Are Born For features three blind sisters who sing for their survival on the streets of Campina Grande, Brazil.

Upon entering the harbor, the voyager leaves the exceptional condition of the boundless sea--this traversable space of maritime immensity--to come ashore in an offshore place, in a container world that only tolerates the trans-local state of not being o

The third in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jean Lamar, Hung Liu, Lorna Simpson, and Kathy Vargas—discuss their work and its cultural contexts. Moderated by Lucy Lippard. 

Thanksgiving in California is the setting in which the viewer experiences "the depression inherent to festive occasions. There were many things bothering me at this time, or maybe it was one thing that broke into many pieces.

Taking aim at the social standardization enforced particularly on women's bodies, Rosler critiques the politics of "objective" or scientific evaluation that result in the depersonalization, objectification, and colonization of women and Others.

Richard Schechner is Professor of Performance Studies at New York University, author of numerous books including Performance Theory (1988) and The Future of Ritual (1993), and editor of The Drama Review. This interview with Na

“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general.

The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.

An erotic/mystical misadventure in which the allure of the religious path is strewn with earthly temptations.

Sunday, 6th April 11:42 a.m. is a video about landscape as a complex network of connections that guide relationships between people.

An experimental portrait of a lighting stand-in and body double for a famous Hollywood actress, and a glimpse at the behind-the-scenes of cinema production

Music by The Velvet Underground.

The performers are seated around a pink octagonal table on pink, violet, and silver cinder blocks. One performer (Robert Stearns) stands up, recites the credits for the piece, and then says, “Do you believe in water?

A winter chill sets in making the furry residents of various dwelling places a center of affection and reflection. The images conjured up are steeped in a twilight worthy of polar pinpoints in the grip of glaciated gloom.