Jonas's performance piece, an homage to 18th century French outdoor theater, incorporates mythology as well as spontaneously occurring events into the narrative.

PANEL originated as a performance-based, multi-channel video/sound installation, drawn from a transcript of a discussion at “Schizo Culture,” the notorious conference on schizophrenia and radical politics organized by Sylvère Lotringer at Columbia Unive

Consciousness is the realm where unsaid words are rendered in colors and form.

In Bad Grrrls, Glennda and Fonda LaBruce attend a Riot Grrrl conference on New York’s Lower East Side. At the conference, they conduct interviews with punk women, performers and artists, including Penny Arcade and Sadie Benning.

[This] is my first attempt to construct a video piece using one set of generative intervals for both sound and color.

A musical portrait of Vic Chesnutt and company recording the song, CHAIN.

On June 23rd, 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.

A movie trailer for a non-existent Bond-style spy thriller "coming soon to a mini-mall cineplex near you!" Featuring John Sex, Hapi Phace, Laura Levine, Dany Johnson and The French Twist.

Bracketed by the Fall of Berlin Wall and the Collapse of the World Trade Center, a decade that saw the ossification of the neoliberal project, the rise of third-wave feminism, the proliferation of digital media, and even, perhaps, the “end of history":

Detail is indeed a detail. It is an excerpt from Mograbi’s feature film Avenge But One of My Two Eyes, where human conditions face military situations.

Though difficult at times to understand what is happening due to audio damage, this tape provides rich historical documentation of a protest on Wall Street in May of 1971.

A segment produced for radical early video collective Videofreex’s unlicensed broadcast television station, Lanesville TV, a weekly broadcast that was one of the first American pirate stations of its type.

Scenes from a vacation. Music comes on loud and clear and washes over a series of visual impressions of the land and the sky and the faulty plumbing that submerges porcelain bottoms in a sea of unmentionable froth.

A short recruitment video for the public-secret society ‘New Red Order’, which simultaneously satirizes and sincerely engages with solidarity and the desire for Indigenous epistemologies.

An eloquent personal narrative about the meaning of childhood and the use of children as political tools—specifically by “Right-to-Lifers” participating in the blockades of abortion clinics.

A childhood experience is projected on a shadowy wall of a former movie theatre. A racist cinematic trauma passed between friends and family is remembered among the rustling of leaves and reflections of trees on an iPad screen.

suicide is 70 packed minutes of a fictional filmmaker's crazed ruminations on travel, family history, death and sex as she traverses a world of malls, airports and train stations, chronicling her fiercely hopeful search for a reason to continue

Miyoko Ito was known as an “abstract surrealist.” Her paintings are landscape-based abstractions of very intense subtleties of structure and color.  Ito was born to Japanese parents in Berkeley, CA in 1918. She studied art at the University of California at Berkeley for a short time until she was imprisoned in a Japanese-American camp after the bombing of Pearl Harbor. Ito continued her education in prison, after which she attended Smith College. She was then given a scholarship to attend the School of the Art Institute of Chicago. It was in Chicago that Ito's career as an artist flourished, where she explored cubism and latent abstraction in her works. Ito remained in Chicago until her death in 1983.

"Weeks before the 2006 midterm elections in the U.S., Venezuelan President Hugo Chávez came to the United Nations and blew everyone's minds with his "smells of sulfur" speech about Bush.

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology.

Turn the lights down / Way down low / Turn up the music / Hi as fi can go / All the gang's here / Everyone you know / It's a crazy scene / Hey there, just look over your shoulder / Hoo hoo / Get the picture?

This video is related to Seven Years of Living Art (a seven-year performance of personal endurance Montano began in December of 1984) and adopts the Zen Chakra system of seven centers as a structuring device.

Nine Hamlet RGB engages a simple algorithm to destabilize the timing of the red, green and blue frame sequential display system while incorporating fragmented, appropriated “to be or not to be” excerpts from nine Hamlet films.

This is the burial hymn for thousands of souls in the anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.

Waves crash on rocks as tongues flap in the wind about all things cinematic.

This film is an appropriation from the 1953 movie Gentlemen Prefer Blonds.

An ode to the memories of El Aliso, the sycamore tree that once stood at the center of Yaangna, the Indigenous Gabrieleno village that Los Angeles grew out from.

An excerpt from an episode of On Our Own, this video features the roommates preparing to "get crazy, cut loose, and celebrate the day." The incessantly ringing doorbell incites Joe to poison the "punks" outside by injecting kitchen chemicals in

Audio-visual recordings of zoo-animals are woven into a fine web of actions and reactions, that finally spiral into a collective animalistic concert.

Taiwanese artist Shu Lea Cheang (b.

Freed intercuts still color imagery of Roy Lichtenstein’s paintings with a close quarters interview conducted in Southampton, N.Y in Summer 1972.  Lichtenstein discusses the creation of his work, points of inspiration and his recurring aesthetic ch

In this tape, the Videofreex record their visit with Dr. Eugene Schoenfeld, then recognized widely for his popular medical advice column, Dear Dr. Hip Pocrates, which doled out information about sex and drugs.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Cindy Sherman received an MFA from the State University of New York at Buffalo in 1976, where she studied photography. During this time she was also involved with HallWalls, an alternative gallery space in Buffalo.

A Japanese Kabuki-influenced performance piece, shot in the woods in Winter. A masked woman emerges from a snowy forest and approaches a stone dwelling, where another woman is waiting.  The pair enact a tea ceremony in silence. 

R.M. Fischer’s lamp sculptures, made from found industrial parts in a hybrid style of high-tech slickness and Baroque exaggeration suggested parodies of industrial commercials.

A silent, moving poem, this video incorporates the “voices” of a wide variety of text sources into one scrolling script.

Strap on your seat belts and get comfortable for a 7,000 mile drive. This documentary invites you to travel along with the Center for Land Use Interpretation as they find suggested photo spots across North America.

An homage to Luis Bunuel's The Criminal Life of Archibaldo de la Cruz with a twist to these days control systems of security. From the moment we are suspects we are potential culprits. Therefore we are all guilty.

Fifty years after the Cultural Revolution in China, two elderly Chinese women recite the propaganda songs they learn at the educational camps. 

"A meditation on history, memory, and change in Central and Eastern Europe, Buried in Light is a non-narrative journey, a cinematic collage.

Judy Chicago (b.1939) creates large-scale, collaborative artwork has brought greater prominence to feminist themes and craft arts such as needlework and ceramics.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

In Jane and Mike Visit, George Kuchar documents a visit from his brother Mike and their friend and former Kuchar actress Jane Elford.

Utilizing strategies of condensation and re-assemblage, these three pieces take Hollywood classics as their starting point. The re-editing process shifts and displaces old meanings until new ones are made.

In the midst of the 2011 revolution in Cairo, a few beduins listen to their car's radio near Jericho, a place which looks like the end of the world.

Commissioned for the Ocularis curated Free to Be…You and Me Invitational compilation, which premiered at Brooklyn’s Galapagos Art Space and also screened at Chicago Filmmakers, where Mercedes Landazuri and I performed a banjo and synth renditio

Robert Cumming (b. 1943) is an American photographer/sculptor/bookmaker who borrows from the artifice of theatrical sets to construct his elaborate and often absurd images. He has also published several books of photography and narration.

Part of paraconsistent sequence series and the hauntology series.

Lossless #2 is a mesmerizing assemblage of compressed digital images of Maya Deren and Alexander Hammid’s 1943 masterpiece Meshes of the Afternoon.