amaurosis is an experimental documentary about Dat Nguyen, a blind guitarist living in Little Saigon, Orange County, California. Dat Nguyen was a "triple outcast": blind, Amerasian, and an impoverished orphan.

The video series Not Once began with the recording of personal stories by local Icelanders, about specific locations or a sense of place.

An audio mix assembled as part of a memorial for the storyteller and very old friend, Spalding Gray, who lost himself in New York Harbor in 2004.

This title is audio only.

Rising 5th (Re-staging of a test for an unrealised memorial to Benjamin Britten) is a video work and sound installation that re-stages the story of the architect H. T. ‘Jim’ Cadbury-Brown’s unrealised memorial to Benjamin Britten.

Set in the industrial suburbs of Beirut, Majnounak (Crazy of You) explores male sexuality through interviews with three men who are asked to recount very openly the beginning, middle, and end of a sexual relationship they have experienced.

Seven digital mandala-chakras superimposed on video works made over several decades that relate to each chakra. This video compiles previous works into a chakra composite.

Flies buzz among the congestion of combustible contraptions as Western civilization gasps for air amid Oriental orifices that emit the stench of sugar and spice and everything nice.

Martha Rosler (b.1943) received her BA from Brooklyn College in 1965 and her MFA from the University of California, San Diego in 1974. Rosler has produced seminal works in the fields of photography, performance, video, installation, criticism, and theory. Committed to an art that engages a public beyond the confines of the art world, Rosler investigates how socioeconomic realities and political ideologies dominate everyday life. Rosler's work has entered the canon of contemporary art through a process of steady, stealthy infiltration. Lacking commercial gallery representation until 1993, her endeavors as a prolific essayist, lecturer, and political agitator enabled her agenda to trickle down through critical channels.

In 1993 President Mitterrand visited Korea.

Drink Deep is a lyrical vision of friendship, hidden secrets, and desires. Cohen uses several types of film image to add texture to the layered composition.

Phyllis Bramson (b.1941) is a Chicago painter whose post-imagist style emphasizes content and the deeply personal.

A portrait of Luce Vigo, film critic, educator, and the daughter of pivotal French filmmaker Jean Vigo.

Night. The moon is a rock. The ears are stopped. A chair balances on the roof of a house. A silver box composes itself: a mysterious instrument. A marble rolls around in somebody’s head. Two rocks spin.

Stasi is an audiovisual recall of the political and social substrates that sustain an actual system of images. Stasi is a recall of a system of images that, even now, dominates the global gaze of the world.

"There are three scenes in this work, all reflecting a changing sense of time. Each has a voiceover soundtrack with a similar structure, but with different information.

A self-described “collage piece” of “stolen images,” Shanghaied Text starts with quiet Montana landscapes, among which are views of a powerful dam.

Dream Nightmare is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

An independent film portrait of singer/songwriter Elliott Smith in Portland, Oregon in 1996, wherein he plays three songs. The songs were done live acoustic--in his old studio, a living room, and a bathroom (it was quiet in there).

In this video, Glennda and sex activist Chris Teen attend the opening of Dress Codes at Boston's Institute of Contemporary Art.

A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.

The low hills fronting the main California artery of Highway 5 exhibit a beautiful spectrum-like pattern, in stripes formed by the fields of flowers being grown there for commercial sale.

46+ years after Debord wrote "...the heart of the unrealism of the real society...," a nine-year-old child is instructed to repeatedly recite thesis #6 from The Society of the Spectacle. The recitations are re-mixed at one-second intervals form

Cambodian Stories is Eiko & Koma's multi-disciplinary collaboration with Reyum Painting Collective, young painters who study and work at the Reyum Institute of Arts and Culture in Phnom Penh, Cambodia.

"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested.

Partially Buried explores a web of genealogical traces. In this work the artist probes the notion of sites of memory as well as site-specific work by focusing on the location of Kent, Ohio.

Realizing the words by Jacques Derrida.

Both Vermont Landscape and Pond Life followed two opera collaborations with composer Steve Re

In the nest of the sun, Xolotl, Huitzilin and Xochitl meet to recover the dance of radiation, whose colorful heat stirs the new fire of their cosmic dance. Part of the Film Tonalli.

The question, “Who am I?” has been asked over the centuries in many different ways. Videomaker Carlos Nader adds another approach in his investigation into the nature of the individual by taking the work beyond self-examination and asking it of others.

A video recording of electronic oscillators producing colors, shapes, and sounds while patched through a computer and/or producing one or several feedback loops.

A vain, self centered mother competes with her daughter in the world of carnivorous men and sleazy movies.

Stavros Deligiorges watches a constantly changing mirror image and narrates his experience. His unscripted narration references “the seam” and the intercultural significance of symmetry.

My Failure to Assimilate muses on the profound sense of melancholy that sets in after the end of a relationship.

John Tagg is a writer, educator, and a leading contributor to the development of art-historical and photographic theory, focusing on political analysis of institutionalized culture and interventions within it.

O, Persecuted turns the act of restoring Kassem Hawal’s 1974 Palestinian Militant film Our Small Houses into a performance possible only through film. One that involves speed, bodies, and the movement of the past into a future that collides ideology with escapism.

With wit and humor, seven-year-old Kendra portrays ten female stereotypes, including an ingratiating Southern belle, a motorcycle-riding tough chick, and a simpering housewife.

With Cold Harbor, Donigan Cumming uses a minimum of elements to create a powerful anti-war message. Initially, the video seems enigmatic, almost abstract.

In Birth of a Nation, Jem Cohen takes his camera to Donald Trump’s presidential inauguration and to the next day’s protests.

Nancy Cain interviews an upside down chin face about Women's Liberation, asking "Where do you stand on the subject?"  The chin face professes to be happy with her lot, and says she enjoys living alone with her cat.

Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency comes across as Acconci gasps, "I'll accept you, I won't shut down, I won't shut you out....

This is a fragment of the sacred lizard in desecrated times, an intermittent tour of the flashing body of the Cipactli lizard. Part of the Cipactli series.

A movie trailer for a non-existent Bond-style spy thriller "coming soon to a mini-mall cineplex near you!" Featuring John Sex, Hapi Phace, Laura Levine, Dany Johnson and The French Twist.

You live somewhere, walk down the same street 50, 100, 10,000 times, each time taking in fragments, but never fully registering THE PLACE. Years, decades go by and you continue, unseeing, possibly unseen.

"Love at first sight, one night, down at Silverror’s Saloon!" Mickey R Mahoney and jonCates direct Silverror’s Saloon, the next film in the 鬼鎮 (Ghosttown) Glitch Western

Clarke works with four men (Paul, Solomon, Eli, and Leslie) making masks for their video image. The video was made through the Arts in Corrections program at the California Institution for Men in Chino, California.

We will live to see these things... is a documentary video in five parts about competing visions of an uncertain future. Shot in 2005/06 in Damascus, Syria, the work combines fiction and non-fiction.

Constituting an Outside (Utopian Plagiarism) is part one of Zach Blas's Contra-Internet Inversion Practice series. Contra-Internet Inversion Practice confronts the transformation of the internet into an instrument for sta

An eloquent personal narrative about the meaning of childhood and the use of children as political tools—specifically by “Right-to-Lifers” participating in the blockades of abortion clinics.

Imagining future Deep Time, Post-extinction, using dark humor to speculate on the defiant vitality of matter to evolve life again. Two billion years from now, the oceans are beyond understanding.

1.1 Acre Flat Screen is a 45-minute video about a year-long effort to improve a lot of 1.1 acres of desert land in Utah, which we purchased on September 4th 2002 on eBay.