“Reading various popular magazines through the camera, the dominance of advertising over content becomes apparent as the same cigarette ads are consistently legible, while the various articles become a blur.

Presented as a fictional documentary, the sound film All the Time in The World sees the millions of years that have shaped and formed the land, played out at the speed of sound.

During a video workshop in the Kuikuro village in the Upper Xingu, Brazil, an eclipse takes place. Suddenly, everything changes. The animals take new forms. Blood falls from the sky like rain. The sound of the sacred flutes crosses the dark night.

A playful and dark conversational study—wrapping prose poetry into the recognizable conversational form and allowing both connections and missed meanings.

Moving across the shores between Ceuta (Spain) and Tangier, Morocco, a man and woman discover the present borders and past archaeologies of these lands that were once one and now exist separately. Human shipwrecks meet the abyss of such separation.

The vanishing point of Images of The World is the conceptual image of the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.

Based on his ever-changing performance Indian Tails, this video features Luna sitting alone in his darkened room in front of the TV on Christmas Eve.

This documentary explores the groundbreaking street performances of Cuban artist JuanSí González during the 1980s.

"In the free space of the commodity, I digitally took apart moving image sequences and re-animated them into an encoded montage to create a metaphor of experience where the viewer feels like a fiber optic cable has been hard-wired into their co

Mid-day light illuminates a pond of decaying lotuses and turns black plant forms against a white background into scenes of abstract calligraphy, loose and flowing yet taut within its own geometry. Central to the meaning of 

The Making and Unmaking of the Earth turns to geology as both a metaphor for and a psychic container of women's emotional states and embodied experiences of physical pain.

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life.

"The dream and the waking is a documentation of my commute between New York and Boston, which I make every week for my job.

Amid the greenery of what should be a White Christmas, there sits the blackness close to my heart; and beyond that there bellows a legion of behemoths who know not shame nor guilt.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.

Through a successful eBay bid in January of 2004, 1975 eteam dollars turned into 10 acres of personal U.S. property. The lot, a generic square within the larger American grid of townships, is located in the desert of Nevada.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Traders Leaving the Exchange, A Guard and the Street V.1 is a 15-minute unstable remix of a video I shot in 2000, and edited in 2011, of the "members" door of the New York Stock Exchange as the traders were leaving at the end of their workday.

On the Flies of the Market Place deals with the idea of the European space, divided and sacrificed.

Six Indians of different Waimiri and Atroari villages, located in the Amazon, document the day-to-day life of their relatives in the Cacau village.

George Kuchar has been invited to Francis Ford Coppola’s vineyard for a large family picnic. Walking around the property with a friend, the two look on as a team of workers picks grapes for winemaking.

In The Girls at the Dock, Teramana features performers at The Dock, a popular LGBTQ+ bar and nightclub in Cincinnati, Ohio.

The Disappointment: Or, The Force of Credulity is a documentary about the search for four lost treasures buried on a single farm in Missouri.

The spirit of poets permeates the space/time occupied by an assortment of dinner engagements that occasionally erupt into physical or verbal assaults on the taste buds.

Land locked souls seek the key to a spiritual doorway that transcends earthly existence.

In The Lost Art of the Future, Cuthand talks about artists he has known who have passed while living with HIV/AIDS, and the art he wishes he had been able to see them make if their lifetimes had been longer.

VDB TV: Decades, The 2000s

An original program for VDB TV: Decades curated by Aily Nash.

Contemplating mixed race identity in Canada, Cuthand presents us with images of blood ties and land ties for indigenous people, and questions the use of the words "white passing" and "light skinned." As a light skinned indigenous, Cuthand reiterat

In La Lucha (the fight), families struggle to cope with frequent deportations and the constant threat of INS sweeps that, in the end, completely dismantle the community. Following up two years later, Hock reports their triumphs and setbacks.

With an amusing sense of drama, The Houses That Are Left illustrates Silver’s technique of building an obscure narrative into a complex net of miscellaneous texts and images.

George stays in San Francisco for this video about local filmmakers and their future projects.

This piece investigates the possibilities and limits of writing a history of the Lebanese civil wars (1975-1991). The videos offer accounts of the fantastic situations that beset a number of individuals, though they do not document what happened.

The Badger Series has issues and attempts, each episode, to resolve them. Recasting a glove puppet show through his own present day sensibilities, Paul assumes the role of kindly uncle mentor to a household of capersome woodland creatures.

Ellen Altfest is known for her representational paintings in which she renders every detail of her subjects on a one-to-one scale. The World Must Be Measured by Eye follows the meticulous, repetitive and painstaking creative process o

This distanced narrative, which approximates a soap opera or a TV interview of bereaved relatives of a victim, confronts two means by which food is used as a weapon: the internalized oppression of self-starvation as a consequence of social learning (ano

Letters in the Dark was originally shown as a two-channel video installation, accompanied by photographs at the Benrubi Gallery, New York, in 2016. In 2024, Hall decided to make it available as a single-channel work.

Frisco anxiously awaits the pyrotechnic birth of a New Year while the remnants of holiday greenery still burn bright in all the right places.

Tripping out on loneliness, The Loner drifts through one daydream about “Her” after another. Oursler nightmarishly fantasizes about the dismal prospect of looking for love in a sleazy singles bar.

A short introduction to the New York City public access television show The Brenda and Glennda Show, hosted by Brenda Sexual and Glennda Orgasm.

Over The Horizon is a moving image installation that takes its name from the failed radar system developed on Orford Ness in Suffolk during the Cold War.

This tape compiles three profiles of performance artists: A Creative Synthesis: George Coates Performance Works (10:00), The Performance World of Rachel Rosenthal (16:00), and Paul Dresher Ensemble (08:00).

“Christopher Wilcha’s fascinating feature-length video reminds us how seldom we’re allowed to see certain businesses operating from the inside.

Woman as Protagonist: The Art of Nancy Spero is an invigorating look at the 40-year career of acclaimed feminist artist Nancy Spero, who, in her own works, is concerned with “rewriting the imaging of women through historical time.” With Spero’s

A compilation of works by Bob Snyder, remarkable for their formal elegance, conceptual scope and sensual lusciousness.

From the performance by the same name, by Suzanne Lacy, Julio Morales and Unique Holland, with Kim Batiste, Raul Cabra, Patrick Toebe, David Goldberg, and Anne Maria Hardeman, Oakland, 1998-2000.

The Fool melds varied footage while a narrator describes a brief encounter with a former love interest. A performance of a gymnastics routine merges with iconic Baroque paintings; club scenes mix with a day at the beach.

Red Green Blue Gone with the Wind is a phosphorescent deconstruction of David O. Selznick's Technicolor classic Gone with the Wind (1939).

Three ladies of the shadows come forth to illuminate themselves in the glare of a spotlight that is usually aimed at figures groomed for cinematic celebrity.

The waters run deep as massive jaws chomp and bubbles burst in a world gone mad with technological delusion and prehistoric puppetry.

The feminist art movement of the 1970s set off an explosion of artmaking and analysis that still reverberates in the art world today, and the Woman's Building in Los Angeles was one of the major centers of activity.