Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

In the fall of 1986, Richard Fung made his first visit to his father’s birthplace, a village in southern Guangdong, China.

From The Files of the Pyramid Cocktail Lounge is a series of video clips taken at the Pyramid Club, a seminal location for the East Village drag scene in the midst of the club's most influential years.

Rosler uses the format of a cooking demonstration (as in Semiotics of the Kitchen) to address cultural transaction--the meeting of Eastern and Western cultures.

In today’s youth-oriented society, the experience and knowledge of older women is typically unheralded and neglected.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

The Disappointment: Or, The Force of Credulity is a documentary about the search for four lost treasures buried on a single farm in Missouri.

This feature-length experimental narrative, about women’s relationships to new reproduction technologies and genetic engineering, combines documentary interviews with field experts and a science fiction segment depicting stories of in-vitro fertilizatio

In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others.

During February and March of 2016, Danspace Project presented Platform, a month long curated program for which Eiko's solo project, A Body in Places, was the focus. At the center of the Platform's dense programs were Eiko's daily solos.

A pileup of human refuse and super-human powers permeates this hour-long canvas of bits and pieces documenting the smash-up of a house of healing, as the physicians in charge short circuit amid the electronic wizardry beyond the Panasonic barrier.

In The Lost Art of the Future, Cuthand talks about artists he has known who have passed while living with HIV/AIDS, and the art he wishes he had been able to see them make if their lifetimes had been longer.

Traders Leaving the Exchange, A Guard and the Street V.1 is a 15-minute unstable remix of a video I shot in 2000, and edited in 2011, of the "members" door of the New York Stock Exchange as the traders were leaving at the end of their workday.

made for an exhibition at the Inova gallery in Milwaukee Wisconsin in 2001, THE END OF THE WORLD is an intimate and emotional study of the photographic image.

A compilation of too-close observation, animation, and stolen moments, The Seven Wonders of the World adds an eighth: survival at the edge of the known universe — bare-plus life. 

In Northern California, land of mystery, there stands an edifice of stone that probes the heavens above and the subterranean secrets below the threshold of credibility. Its occupant, Dr.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

A psychedelic portrait of the founding theorist of Christianity.

This video is about the idea of narcissistic transference, sexual dependency, and the failure to distinguish between the self and the loved one.

A playful and dark conversational study—wrapping prose poetry into the recognizable conversational form and allowing both connections and missed meanings.

A wistful film on the love of homeland.

In The Great Mojado Invasion (The Second US - Mexico War), writer/performer Guillermo Gómez-Peña and filmmaker Gustavo Vazquez combine Chicano wit and political vision to create an ironic, post-millennial and postmodern look at the future of U.

Water and wind are friction forces that continuously erode and shape landscapes, and the record of their effects is left behind on Earth’s terrain.

This series of four videos explores Hock’s growing friendship and empathy with his Mexican neighbors, his acceptance into their community, and an examination of their day-to-day struggles.

Moving across the shores between Ceuta (Spain) and Tangier, Morocco, a man and woman discover the present borders and past archaeologies of these lands that were once one and now exist separately. Human shipwrecks meet the abyss of such separation.

This work was produced in connection with Icono Negro, a three-artist show at Long Beach Museum of Art exploring the dynamics and distinctions of black video art.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

On February 10th, 2005, Lynne Stewart was convicted of providing material support for a terrorist conspiracy. She is the first lawyer to be convicted of aiding terrorism in the United States.

Videofreex members Davidson Gigliotti, Bart Friedman, Skip Blumberg and Nancy Cain travel to Syracuse, New York to attend an exhibition and two-day conference featuring video art at the Everson Museum

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Workers Leaving the Factory - Ten Days that Shook the World – downloaded, repeatedly recompressed and reversed V.1 is a 13-minute re-edit of the film Workers Leaving The Lumière’s Factory in Lyon.

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

“Video is a fugitive medium,” said Getty Research Institute’s Glenn R. Phillips, and he should know.

Martha Rosler tackles mainstream media's representation of the case of surrogate mother Mary Beth Whitehead.

A world with no escape... from the surveying cameras, an eye, a presence, always there to control our minds and movements. Looking even for the most secure little movements of life. 

An early example of video erotica from the Videofreex. A group of naked people lounge around smoking and listening to music. A male and female couple is making love on the floor in a room full of monitors.

This is the final part of a trilogy about the tribulations of Sherri Frankenstein (at least I think it's the last of these atrocities).

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

​From below ground, a man named Eddie describes flood lines, levees and trivial histories of the crumbling infrastructure of Memphis, TN.

“In The Girl Chewing Gum a commanding voiceover appears to direct the action in a busy London street.

I’ve always enjoyed making trailers, figuring them as a celebratory time of play after the main work has been done; they function as both announcement and invitation, and - most likely - will be viewed by way more folk than will see the finished p

Blurred images, glowing like a foggy moon and reminiscent of early television broadcasts, are rhythmically set to a relentless, pulsing soundtrack.

How useful is personal testimony to History?

“The Riot Tapes is a video biography of Segalove’s political involvement in college, of her boyfriend (who became anorexic while dieting to evade the draft), and of her discovery that art could give her a voice and a forum for her political vie

Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their considerable tome on the age of enlightenment to Yon.

Notes from the Underground is a fragmented music video made from the 151 eye blinks George Bush made during his televised speech declaring war with Iraq.

In this wistful tape, Segalove looks at how her childhood vision of the future holds up (or doesn't) in adulthood. Commissioned by the Los Angeles County Museum of Art.

The threat of disaster heightens the shallow into prominence, making their eventual fall all the more poignant as we see through their protective garments to view an eager beaver on the prowl.