In Northern California, land of mystery, there stands an edifice of stone that probes the heavens above and the subterranean secrets below the threshold of credibility. Its occupant, Dr.

Traders Leaving the Exchange, A Guard and the Street V.1 is a 15-minute unstable remix of a video I shot in 2000, and edited in 2011, of the "members" door of the New York Stock Exchange as the traders were leaving at the end of their workday.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

made for an exhibition at the Inova gallery in Milwaukee Wisconsin in 2001, THE END OF THE WORLD is an intimate and emotional study of the photographic image.

This video is about the idea of narcissistic transference, sexual dependency, and the failure to distinguish between the self and the loved one.

A hug/punch eulogy for all things impossible now.

A playful and dark conversational study—wrapping prose poetry into the recognizable conversational form and allowing both connections and missed meanings.

A wistful film on the love of homeland.

In The Great Mojado Invasion (The Second US - Mexico War), writer/performer Guillermo Gómez-Peña and filmmaker Gustavo Vazquez combine Chicano wit and political vision to create an ironic, post-millennial and postmodern look at the future of U.

Videofreex members Davidson Gigliotti, Bart Friedman, Skip Blumberg and Nancy Cain travel to Syracuse, New York to attend an exhibition and two-day conference featuring video art at the Everson Museum

A compilation of too-close observation, animation, and stolen moments, The Seven Wonders of the World adds an eighth: survival at the edge of the known universe — bare-plus life. 

In The Lost Art of the Future, Cuthand talks about artists he has known who have passed while living with HIV/AIDS, and the art he wishes he had been able to see them make if their lifetimes had been longer.

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

This documentary explores the groundbreaking street performances of Cuban artist JuanSí González during the 1980s.

This work was produced in connection with Icono Negro, a three-artist show at Long Beach Museum of Art exploring the dynamics and distinctions of black video art.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

Workers Leaving the Factory - Ten Days that Shook the World – downloaded, repeatedly recompressed and reversed V.1 is a 13-minute re-edit of the film Workers Leaving The Lumière’s Factory in Lyon.

A psychedelic portrait of the founding theorist of Christianity.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

On February 10th, 2005, Lynne Stewart was convicted of providing material support for a terrorist conspiracy. She is the first lawyer to be convicted of aiding terrorism in the United States.

As documented in The Winner’s Circle and la Migra (the emigrant), the move north brings many changes to family life, specifically mothers going to work and children learning English in school.

Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary.

A trip across the bay to Concord yields a harvest of non-fruit-like beings who celebrate a housewarming that simmers with macho machinations and family discord.

In a series of 1992 performances, Coco Fusco and performance co-creator Guillermo Gómez-Peña decked themselves out in primitive costumes and appeared before the public as “undiscov

“Reading various popular magazines through the camera, the dominance of advertising over content becomes apparent as the same cigarette ads are consistently legible, while the various articles become a blur.

Moving across the shores between Ceuta (Spain) and Tangier, Morocco, a man and woman discover the present borders and past archaeologies of these lands that were once one and now exist separately. Human shipwrecks meet the abyss of such separation.

Land locked souls seek the key to a spiritual doorway that transcends earthly existence.

The vanishing point of Images of The World is the conceptual image of the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.

Presented as a fictional documentary, the sound film All the Time in The World sees the millions of years that have shaped and formed the land, played out at the speed of sound.

Six Indians of different Waimiri and Atroari villages, located in the Amazon, document the day-to-day life of their relatives in the Cacau village.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

"In the free space of the commodity, I digitally took apart moving image sequences and re-animated them into an encoded montage to create a metaphor of experience where the viewer feels like a fiber optic cable has been hard-wired into their co

Based on his ever-changing performance Indian Tails, this video features Luna sitting alone in his darkened room in front of the TV on Christmas Eve.

An experimental documentary about the street drag racing scene on Chicago’s near West Side. This is a rambling textured film about obsession.

From an isolated wooded cabin a trans man star gazes, scruff chats with guys, watches YouTube tutorials, takes drugs, and lies about taking drugs - feeling his way through a cosmology of embodiment.

Two gardens of plenty sprout with the seeds of bitter fruit made sweeter by the touch of summer, which rushes in with the scent of floral flatulence.

Paint drips and body fluids ooze in this "tell all" and "hide nothing" documentary about two San Francisco males.

Steve Reinke has long been lauded for his irreverent, philosophical, and often acerbic works, which typically adopt the form of personal essays to wryly bend and reread wide-ranging topics, from pop cu

A furniture hoist strap encircles Laurie’s waist, lifting and guiding her through this interpretation of the waltz from the ballet “The Sleeping Beauty.” The stage and setting is the parking lot behind the Electron Movers studio, Providence, Rhode

The evolution of man from ape to yuppie flashes before the viewer amid 3-D animation, paint box images, and digital compositions while a narrator provides satiric play-by-play commentary.

Baby Bush meets Tubby-land. Completed in August 2001, this project was initially just a simple comic skewering of George W. Bush and his defense policies—but after September 11th, it took on a whole new meaning.

This East Coast travelogue documents my journey from New York City to Boston as several screenings plunge me into a maelstrom of social excess and tummy filling delights.  You too can digest this banquet of artists, poets and movie-makers as this f

Letters in the Dark was originally shown as a two-channel video installation, accompanied by photographs at the Benrubi Gallery, New York, in 2016. In 2024, Hall decided to make it available as a single-channel work.

I wander around empty halls of academic buildings carrying bags of Halloween atrocities for our latest class project: a horror movie that lives up to that classification on multiple levels.

From the performance by the same name, by Suzanne Lacy, Julio Morales and Unique Holland, with Kim Batiste, Raul Cabra, Patrick Toebe, David Goldberg, and Anne Maria Hardeman, Oakland, 1998-2000.

A bullet fired by two children travels on and randomly, intervening in a series of scenes in Oursler’s quirky, dismal puppet land.

Featuring Vito Acconci, Richard Serra, Willoughby Sharp, Keith Sonnier, and William Wegman

Using imagery from a Japanese "creature feature" and a chewing gum commercial, Benglis's camera focuses on different parts of the screen to emphasize different messages.

I’ve always enjoyed making trailers, figuring them as a celebratory time of play after the main work has been done; they function as both announcement and invitation, and - most likely - will be viewed by way more folk than will see the finished p