Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary.

A trip across the bay to Concord yields a harvest of non-fruit-like beings who celebrate a housewarming that simmers with macho machinations and family discord.

Contemplating mixed race identity in Canada, Cuthand presents us with images of blood ties and land ties for indigenous people, and questions the use of the words "white passing" and "light skinned." As a light skinned indigenous, Cuthand reiterat

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

I'm here to bring you the Truth and the Pleasure

Here to show you the meaningful form

It's going to feel like a new kind of leisure

It's going to smell like a freshly mown lawn

I'm installing a personal toolkit for thinking

Through a successful eBay bid in January of 2004, 1975 eteam dollars turned into 10 acres of personal U.S. property. The lot, a generic square within the larger American grid of townships, is located in the desert of Nevada.

The vanishing point of Images of The World is the conceptual image of the 'blind spot' of the evaluators of aerial footage of the IG Farben industrial plant taken by the Americans in 1944.

VDB TV: Decades, The 2000s

An original program for VDB TV: Decades curated by Aily Nash.

Based on his ever-changing performance Indian Tails, this video features Luna sitting alone in his darkened room in front of the TV on Christmas Eve.

The Physical Impossibility of Life in the Mind of Someone Dead is Chapter 2 of Mysterium Cosmographicum.

Within the long cycle of initiation ceremonies of the Xavante People, the Wai’a celebration introduces young men to spiritual life and puts them in contact with supernatural forces.

Land locked souls seek the key to a spiritual doorway that transcends earthly existence.

"In the free space of the commodity, I digitally took apart moving image sequences and re-animated them into an encoded montage to create a metaphor of experience where the viewer feels like a fiber optic cable has been hard-wired into their co

This series of four videos explores Hock’s growing friendship and empathy with his Mexican neighbors, his acceptance into their community, and an examination of their day-to-day struggles.

The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life.

Four Ikpeng children reply to a video-letter from the children of Sierra Maestra in Cuba, introducing their village, families, toys, celebrations, and ways of life with grace and lightheartedness.

as the waves play along with an invisible spine (the workers die) is a stroboscopic work that pulsates black and white at approximately 14 Hz.

Amid the greenery of what should be a White Christmas, there sits the blackness close to my heart; and beyond that there bellows a legion of behemoths who know not shame nor guilt.

Mid-day light illuminates a pond of decaying lotuses and turns black plant forms against a white background into scenes of abstract calligraphy, loose and flowing yet taut within its own geometry. Central to the meaning of 

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

A bouncy music-video burlesque shot in and around Santiago, Chile, entwines reminders of U.S. corporate presence and of past political terror, with national and international musical strains.

In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others.

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

During February and March of 2016, Danspace Project presented Platform, a month long curated program for which Eiko's solo project, A Body in Places, was the focus. At the center of the Platform's dense programs were Eiko's daily solos.

George Kuchar has been invited to Francis Ford Coppola’s vineyard for a large family picnic. Walking around the property with a friend, the two look on as a team of workers picks grapes for winemaking.

In The Girls at the Dock, Teramana features performers at The Dock, a popular LGBTQ+ bar and nightclub in Cincinnati, Ohio.

A compilation of too-close observation, animation, and stolen moments, The Seven Wonders of the World adds an eighth: survival at the edge of the known universe — bare-plus life. 

The Hundred Videos is a project undertaken by prolific video artist Steve Reinke, including 100 video works made from 1989-1996.

During a video workshop in the Kuikuro village in the Upper Xingu, Brazil, an eclipse takes place. Suddenly, everything changes. The animals take new forms. Blood falls from the sky like rain. The sound of the sacred flutes crosses the dark night.

The Disappointment: Or, The Force of Credulity is a documentary about the search for four lost treasures buried on a single farm in Missouri.

A wistful film on the love of homeland.

Kipnis describes this tape as "an appropriation of the aesthetics of both late capitalism and early Soviet cinema—MTV meets Eisenstein—reconstructing Karl Marx for the video age.” She presents a postmodern lecture delivered by a chorus of drag queens o

Between the Frames is a series that offers a glimpse into contemporary history that is already past, a portrait of personalities and opinions shaping what and how art reaches a public forum.

Chapter 3: The Galleries

Hermine Freed collaborates with James Ingo Freed to create a video essay/documentary that reflects upon memories of the holocaust during the design of a US memorial building.

A video adaptation of James Joyce’s Ulysses shot at the Parkville Senior Center, Connecticut, with the seniors reading the lines from cue cards. The piece addresses society, war, and personal mortality.

An ordinary living room with a green screen, TV, and domestic cat serves as the backdrop for this DIY introduction to experimental philosophy. The president of a company is considering a vice president's moneymaking scheme.

The Love Tapes: World Trade Center is a collection of videos from Wendy Clarke's Love Tapes project. The project began in 1977 and is ongoing.

An experimental documentary comprised of regional vignettes about faith, force, technology and exodus.

In this video, Brenda and Glennda attend the opening day of The New Festival (now known as NewFest), a queer film festival in New York City. They interview attendees and filmmakers at the festival to discuss the importance of queer film.

Sponsored by Kodak and Chicago Filmmakers, I was given a film roll to shoot. All editing was done in-camera.

A distinguished looking man (performance artist Richard Layzell) is apparently trapped in an ever changing void of colour, locked in a power play with a perversely operated camera.

Peggy And Fred In Hell is one of the strangest cinematic artifacts of the last 20 years, revealing the abuses of history and innocence in the face of catastrophe, as it chronicles two small children journeying through a post-apocalyptic landsca

A deft and cunning re-examination of John Boy’s near-death experience at the sawmill. A homespun midnight deconstruction of an entire era of television mannerisms.

In April 1974, Video Data Bank co-founders Lyn Blumenthal and Kate Horsfield conducted their first interview, an in-depth conversation with art historian and curator Marcia Tucker.

In this episode of The Glennda and Brenda Show, Glennda and Brenda take over a public bus to protest discrimination and violence against queer people who are "out and outrageous".

"John Smith uses humour to repeatedly subvert and frustrate potentially threatening content in an economically constructed tale of the narrator’s descent into paranoia and, ultimately, oblivion, as he is pursued, haunted, and finally destroyed by a myst

Don’t You Like the Green of A? is based on the correspondences between letters and colors specific to Joan Mitchell’s synesthesia––a condition that Henricks happens to share with her.

Inspired by the analogy between weaving (vertical warp threads traversed by horizontal weft threads) and the construction of the television image (vertical and horizontal scans of an electron gun), Stephen Beck built the Video Weaver in 1974, and produc

A poem is read and emotions are unleashed. A book is signed and pets pampered as this tour of talented talkers weaves its way through Provincetown and New Jersey (with a turbulent exit in Manhattan).

Little Radek, the step-dancing Bolshevik; Machera, the Andean Robin Hood, and Maria Spiridonova, the Russian socialist assassin are your guides for Past Leftist Life Regression therapy.