Vision of Anahúac: Traveler, you have reached the most transparent region of the air.

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

A stutter-step progression of "extended moments" unmasks the technological "miracle" of Wonder Woman's transformation, playing psychological transformation off of television product.

Space Ghost compares the experiences of astronauts and prisoners, using popular depictions of space travel to illustrate the physical and existential aspects of incarceration: sensory deprivation, the perception of time as chaotic and indistinguishable, the displacement of losing face-to-face contact, and the sense of existing in a different but parallel universe with family and loved ones.

Physical comparisons such as the close living quarters, the intensity of the immediate environment, and sensory deprivation, soon give way to psychological ones: the isolation, the changing sense of time, and the experience of earth as distant, inaccessible, and desirable. The analogy extends to media representations that hold astronauts and prisoners in an inverse relationship: the super citizen vs. the super-predator. Astronauts, ceaselessly publicized, are frozen in time and memory whereas prisoners, anonymous and ignored, age without being remembered.

Europlex tracks distinct cross-border activities through the Spanish Moroccan borderlands and seeks to make these obscure paths visible.

Frances, a young Gay Indian (2 Spirit), played by Lacey Hill, is struggling with the aftermath of a gay basing. Through her friendship with her ex Jean, she gathers the strength to go out in public again.

Kentridge's hauntingly beautiful series of animated black and white drawings brings viewers into the artist's unconscious.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times – the period just after Chairman Bobby Seale was wro

A collage piece. Oppositions of agony and ecstasy are explored. Morticia trims yet another rose stem, while Bugs Bunny takes up Zen. Guilt-wracked, a nun tries furtively to cleans herself of imagined sin. Or attain spiritual release.

While moving through the streets of Paris, a brother and sister confront their incestuous past under the watchful eye of their female taxicab driver.

The tapes in Facing the Self: Program 2 are organized around the appearance of the female form, particularly the face.

Taped on Prince Street in Soho, New York City, Skip Blumberg creates a one-word performance.

In 1972, Robert Morris and Lynda Benglis agreed to exchange videos in order to develop a dialogue between each other’s work. Morris’s video, Exchange, is a part of that process—a response to Benglis’s Mumble.

Christmas Eve. A man alone finds someone he can talk to.

There is no better place to meet people than in the temporary community which gathers under a scant awning on a New York street in a downpour.

A Palestinian filmmaker is writing a script in his New York apartment during the first Gulf war. As much as he tries to shut himself off from the exterior world, images of past wars in the Middle East come back to haunt him.

La Intolerancia en el Jardín de las Mentiras y el Pecado (The Intolerance in the Garden of Lies and Sin) recounts the rupture of the relationship between friends due to the ambition of the prized object.

Impetigo is the story of passion and possession in a steamy nocturnal landscape. The title is a reference to the poem A Man All Grown Up is Supposed To, by Terry Stokes.

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons, whose springboard becomes a surfboard as he fantasizes about his days as a lifeguard in 1963, when the young Brian Wilson would sit and jot down the songs he would sing while saving lives.

Common Mistakes uses four synonyms for the word "mistake" (fallacy, error, accident, and blunder) to present a sample of widely held "truths" that later proved to be misconceptions.

...were repeatedly raised and lowered and people grew exhausted from never knowing if the moment was at hand or was still to come A project of The Speculative Archive "Peace. I don't want it. Justice. Why? Victory? Makes me sick! Love?

Touch Parade is a 5-channel HD video installation consisting of crush (9:22 min. loop,) squeeze-2-pop (5:49 min. loop,) wading (3:41 min. loop,) glove love (6:58 min.

A short, hilarious cooking mantra, featuring Sister Dimension, The "Lady" Bunny, RuPaul, David Dalrymple, Lahoma Van Zandt and Maria Ayala. "Where's the pickle? That's the surprise!"

The latest in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2004 campaigns, and highlights the development of the political strategy and marketing techniques of the T

"Look how the willow shoots its fine sprays into the air! Look how through them a boat passes, filled with indolent, with unconscious, with powerful young men. They are listening to the gramophone; they are eating fruit out of paper bags.

Syms’s 4-channel installation — avaliable through VDB as a single channel video — follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of vie

Like a generation of viewers, I was profoundly affected by Deliverance.  But I have always been troubled by the hegemonic structures of gender proposed by Boorman and Dickey.

Nobody counts the hours and nobody cares how the years are piling up. Souls begin and end. Then comes the night. A snow landscape of souls.

A big splashy rendering of Hollywood in hot action. The babes, the boobs, the boo-boos and the inner triumphs all brought to the screen by the uncorked youth and uncouth old bats of the San Francisco Art Institute.

Contains Videofreex tapes Buzzy and the Flute, Buzzy at the Gaslight, Buzzy at the Videofreex Loft, Buzzy Linhart at the Record Plant

Marcia Tucker (1940-2006) was a curator, writer and art historian, known for founding the New Museum of Contemporary Art after her dismissal from her curatorial post at the Whitney Museum of American Art, due to creative disagreements.  Tucker served as the visionary director of the New Museum from 1977 to 1999, during which time she organized major exhibitions like The Time of Our Lives (1999), A Labor of Love (1996), and Bad Girls (1994), and edited the series Documentary Sources in Contemporary Art.

“Mining an ironic vein by turning technology against itself, AlienNATION undercuts the sociological ramifications of modern living.

Produced in collaboration with MICA-TV, Summer of Love is a public service announcement produced for the American Foundation for AIDS Research. Featuring The B-52’s, David Byrne, Allen Ginsburg, Quentin Crisp, John Kelly, and others.

Pirated satellite feeds revealing U.S. media personalities’ contempt for their viewers come full circle in Spin.

A. D. Coleman started writing regularly on photography in 1967 for the Village Voice, at a time when very few critics took the medium seriously.

The dark and sloppy side of touring college towns with your work. An internal expose of external secretions that unfortunately make it to the boob tube in full color.

This title documents the participation of artist Aldo Tambellini at the opening of the 1970 exhibition Vision and Televison.

Documentarian and independent film producer Warrington Hudlin co-founded the Black Filmmaker Foundation in the late-1970s to help develop and promote emerging artists.

Four short pieces: three featuring anecdotes and conversations, the fourth an icy landscape.

The violent overreaction to 9/11 and to the revolutions of the 1960s cannot be explained only with fear and politics.

In collaboration with DonChristian Jones.

Room was produced during 2020 virtual creative residency of Eiko Otake supported by the Center for the Arts, Wesleyan University in Middletown, CT.

Film and video maker Ken Kobland returns to the urban landscapes he filmed 20 years previously, such as the New York subway and the S-Bahn in Berlin. We leave, we travel, but it’s always the same images that we are drawn to.

Linda Montano (b. 1942) is an American performance and video artist.  At the source of’s work is her search for a personal harmony and balance.

This is actually a rather warm, Xmas greeting which features some thawed items in full action as the Yuletide logs flicker and forks plunge earthward toward smoking piles of nourishment.

Part of the paraconsistent sequence series.

Peggy and Fred meet up with Peter the Penguin, to once again make their way through the fragmentary remains of 20th Century American culture. They fashion a tumultuous, arbitrary world that teeters dangerously on the edge of nonsense and oblivion.

A performance about the artist’s experience in the aftermath of an accident.

A brief glimpse into a "day at the office" in an edifice dedicated to personal expressions of the inner eye. I subjective view of twisted perspectives reflecting the morbid dreads of he who walks among the talented throng.

I reconcile the violent act.

In this irreverent and hilarious videotape, renowned street performer Stoney Burke leads us on a subversive tour of the 1992 Republican National Convention in Houston’s Astrodome.