Undefeated is about mobility and immobility, or just trying to stay warm. Featuring DeCarrio Couley shadowboxing to the rhythm of a hand–cranked Bolex.

Cast: DeCarrio Couley, James Everson.

R.M. Fischer’s lamp sculptures, made from found industrial parts in a hybrid style of high-tech slickness and Baroque exaggeration suggested parodies of industrial commercials.

A camcorder diary and chronicle of public opinion in Moscow during a time of huge political, economic, and hence cultural, changes in the former Soviet Union.

talkin' 'bout droppin' out examines the multiple reasons why 40% of students in New York, Boston, and Chicago drop out of high school each year.

Linda M. Montano: 14 Years of Living Art is a video catalog of the artist’s exhibition, performance and workshop in Montreal in 2003.

"Actions, states, one B+W video camera, the Paik Abe Colorizer, a video switcher. The two states, a b a b, I put my hand in the camera frame and saw a colored hand shifting.

A silent, moving poem, this video incorporates the “voices” of a wide variety of text sources into one scrolling script.

Some forms we can only know by their shadow.  In homage to the spirits of space test dogs, or any being we use in the name of progress. 

Slip is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

Half tongue-in-cheek absurdism and half deadly earnest, Culture Capture: Terminal Adddition continues New Red Order’s ongoing project of “culture capture,” recruiting viewers to participate in a program of practical strategies to counter the “s

Compromise is Episode 1 of the video art trilogy, This is More Than Love I Feel Inside, in which Jillian Peña traces a queer relationship from inception to demise.

Earthglow is a poem written for the character generator and switcher that conveys a writer's internal dialogue through both subtle and dramatic color changes and through movement, size, and placement of words. The ambient soundtrack evokes the confluence of past and present perceptions.

Never Rest/Unrest is a hand-held short film about the relentless political actions in Hong Kong, spanning early summer to late 2019.

This being an annual, Xmas holiday video, you can be guaranteed good cheer on a platter and maybe a plop in a bowl or two.

In conversation with curator and educator Mary Jane Jacob, visual artist Ann Hamilton (b.

Joan Fontcuberta was born in Barcelona in 1955. His work has been widely exhibited internationally. Fontcuberta uses photography as a conceptual medium, often testing the limits of the image’s credibility.

"I made Take Off in my studio apartment on Myra Avenue during my second year living in Los Angeles.

In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model's role in numerous paintings...

In this rare and humorous record of the art dialogue of the late 1960s, Holt and "guest" Robert Smithson assume opposing artistic viewpoints: the uptight, intellectual New Yorker versus the laid-back Californian.

Since the early 1970s, Rackstraw Downes has committed himself to painting from observation, on site, from start to finish. He has painted both urban and rural landscapes, as well as interior spaces, in New York, Texas, and Maine.

Frenzied voices on the Chicago Police Department’s scanner call for squad cars and reprisals during the 2020 uprising in response to the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, as Google Earth tracks the actio

Gone is a two-channel installation based on the second episode of An American Family — the landmark PBS verité docu

A Sly and the Family Stone tarmac arrival as a point of departure.

This title is only available on Can You Move Like This: Black Fire.

Leafless is a poem of textures about becoming familiar with a significant other’s body in reservation with its landscape.

The Grandmother recites the Mourners' Kaddish over her granddaughter.

O Night Without Objects, A Trilogy explores the relationship of conversion experiences - therapeutic, political and religious - to technology, fear and family.  The segments are stylistically diverse, employing theatrical, documentary and

Rist explores the macrocosm of humanity in a video art and music collaboration. A lyrical tale of a witch's coven is played over images of a person where each body part symbolically represents an area of the world.

Half On, Half Off documents a team of workers on a Pensacola, Florida beach dealing with the aftermath of the recent Deepwater Horizon Spill.  Filmed one frame at a time, compressing hours of work onto a single 3-minute roll of 16mm film.

With Cold Harbor, Donigan Cumming uses a minimum of elements to create a powerful anti-war message. Initially, the video seems enigmatic, almost abstract.

“Hey, how’s that TV work?” 

The scene: the industrial neighborhood of Gowanus, Brooklyn.

The players: wind, a flooded road, passersby, and birds...

The time: shortly before the 10th anniversary of 9/11.

The raw facts and naked truths behind hedonistic rascals and obsessive artists is boldly uncovered and revealed to you.

"I got my first Sony Portapak in 1972 and started keeping a video diary. I sat facing my image on the monitor and talked about what was going on in my life. In 1977 I decided to talk about my current experience with love.

This short animation explores various ways to narrate an incident that once took place in the mythical Hotel Carlton.

...were repeatedly raised and lowered and people grew exhausted from never knowing if the moment was at hand or was still to come A project of The Speculative Archive "Peace. I don't want it. Justice. Why? Victory? Makes me sick! Love?

The urge to relieve a winter valley of permanent shadow and find fortune in alluvial gravel are part of a long history of desire and extraction in the far Canadian north.

Eiko Otake, based in the United States since 1976, is a highly regarded artist who has performed in many countries as part of the performance duo Eiko & Koma.

"The human ear. A gatherer of energy. A gatherer of sound. RPMs and BPMs. Satellites go up to the sky."

The Battle of Karbala (680) resulted in the death of Hussein, the grandson of prophet Muhammad and all his supporters. This battle is central to Shi'a Muslim belief in which the martyrdom of Hussein is mourned by an annual commemoration, Ashura.

In two parts:
One – a residency at the MacDowell Colony in Petersboro, New Hampshire with the seasons passing.
Two – an experiment with green-screen chroma-key and a play between 2-D and 3-D space.

–– Ken Kobland

Originally filmed as an installation in Berlin, a digital reworking of documentation results in digital video artwork which uses image, narration, and raw sound for the sake of deconstructing and reconstructing.

Aura of IEVE, edited by Phil Morton, is video documentation of the first Interactive Electronic Visualization Event (IEVE) at the University of Illinois Circle Campus.

A trip to the Los Angeles film festival leads to a glamorous gauntlet of flashing smiles and flashing bulbs that add the extra “humph” to a reunion of old friends.

"If there's something big, big that you want to reach for, you begin by dreaming." —Ivonne and Ivette

Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin.

“A short image-processed work, Thousands Watch deals with the issue of nuclear suicide.

Northern Irish artist Willie Doherty (b. 1959) works in photography and video installation. Since the late 1980s, his work has responded to the urban setting and rural outskirts of his hometown of Derry, Northern Ireland.

A hypnosis-inducing pan-geographic shuttle built on brainwave-generating binaural beats, Deep Sleep takes us on a journey through the sound waves of Gaza to travel between different sights of

Juliana Huxtable was born in Texas and studied at Bard College, NY.

An attempt to explore the metamorphic drama of expanding entomological entities. Sparkles of the screen-membrane in erosion.