A 12-year-old Olympic swimmer and her mother (both played by July) speak to the public about going for the gold.

After the shrieks and howls of Hymn of Reckoning, I felt that I needed to close out the Oto trilogy with a gentle flashback, to a 1980s sunset beach on a tropical island.

This is the crude and unnatural state of civilization, an image not yet processed or refined that hides and displays in its intermittence all the crude violence of the anthropocenic industry. The raw and fossil image of the Capitalocene.

Four tales about cannibal monsters narrated and performed by the Waiãpi Indians. “We have made the video,” say the Waiãpi, “to teach people to be more careful with monsters they never heard about.

This video, shot in March 1970, contains raw footage from a Women’s Liberation event and discussion that took place in an art space. The tape begins with shots of the crowd mingling while music and speeches are heard in the background.

Reclamation is a documentary-style imagining of a post-dystopian future in Canada after massive climate change, wars, pollution, and the after-effects of the large-scale colonial project which has now destroyed the land.

Meditation is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

Fulbeck force-feeds the viewer scores of all-too-familiar Asian female/Caucasian male pairings in Hollywood films, and combines them with contemporary excerpts from best-selling novels, magazines, and dating services.

During a conference in the late 1970s, Carol Leigh (also known as the Scarlot Harlot) coined the term “sex worker.” Now, it is a fundamental part of the lexicon regarding all worker’s rights and this is owed in large part to Leigh’s artistic and activis

This interview depicts American writer, activist, and AIDS historian Sarah Schulman (b.

Half tongue-in-cheek absurdism and half deadly earnest, Culture Capture: Terminal Adddition continues New Red Order’s ongoing project of “culture capture,” recruiting viewers to participate in a program of practical strategies to counter the “s

A fable-like tale, Splash explores the interplay between identity, fantasy, and homosexual desire in pre-adolescence within the narrow confines of black masculinity.

Shot in black and white, this rough-and-ready trilogy is about twin sisters who "act out" and act up in their own best interests.

Is Miley more or less happy than June Cleaver?

They just flew in from New York, and boy, are their arms tired...

Approximates a small child’s fantasy world in the dark. In a series of close-ups, the nightlight is transformed into a meditative star-spangled sky. An improvisation, edited inside the camera and shot on a single reel.

The University of Virginia gospel choir Black Voices returns home from a triumphant concert in Hampton Roads.

Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and c

In this early black and white, reel-to-reel video, small game traps are set to catch the rain.

Wittnerchrome, Exacto Knife, 1.5mm Letter Punches, Hammer, Leather Puncher

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood.

As a document of an early performance, this video details the process of orientating the body and self in space, providing a physical metaphor for the process of adjusting oneself in society.

Threads of Belonging depicts the daily life of Layton House, a fictional therapeutic community, where doctors live with their schizophrenic patients.

Garrin advocates the use of video as an activist and community tool and a means for people to represent themselves.

Drink Deep is a lyrical vision of friendship, hidden secrets, and desires. Cohen uses several types of film image to add texture to the layered composition.

Crush consists of six chapters, the first five portray the transport, bending, piercing, and crushing of various vehicles, cars and trucks.

BZV is a film about the result of labor.  It has a couple using their hard earned wages in search of furniture, citizens’ leisurely water skiing and fishing. BZV was shot in and around Brazzaville, The Republic of Congo.

Reverend Howard Finster was a preacher-turned-folk artist. He created Paradise Gardens Park & Museum, a product of all his murals, drawings, sculptures, and mosaics—and Summerville, Georgia’s largest tourist attraction.

A barricade is built inside the Main Temple of the Aztecs. Testimony of the contemporary battles against the governmental aggressions.

While on tour for his new book Exo-Psychology: A Manual on The Use of the Nervous System According to the Instructions of the Manufacturer, Timothy Leary gives a lecture at the University of Illinois Circle Cam

"I'm not finished. I don't know how long it's going to take. As far as I'm concerned I'm officially dead."

Lips that issue forth melodious vows. Warm skin on bedsheets stained with dreams.

A collection of love tapes made at the Metropolitan Correctional Center, a federal prison in New York City. The videos are part of Wendy Clarke's ongoing project, Love Tapes.

Cats meow and claw at exits beyond the reach of those who suffer within the walls of their own litter boxes.

This two-part episode features Glenn Belverio and Duncan Elliott participating in an ACT UP demonstration at President George Bush’s summer house in Kennebunkport, Maine, interviewing activists and documenting this historic event.

In this interview, American artist, independent curator, writer, and experimental filmmaker, Vaginal Davis reflects on her initiation into the punk rock and art scenes of Los Angeles during the 1980s and 90s, her stylistic influences, and her ongoing efforts to theorize queerness and visuality. Caught between the opposing poles of Hollywood classicism and the rawness of punk, Davis defines her unapologetically gender-bending, campy, and at times aggressively critical performances as scenarios, rather than spectacles or entertainment.

A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.

El Zócalo is an observational portrait of Mexico City’s central Plaza de la Constitutión during one day in August.

A small portrait of the volatility of intimacy, and of breaking free from abusive cycles. Made in response to a year of collapsing relationships and violent accidents that left Stratman broken, dislocated, and stuck in her apartment.

There is a presence lingering in the dark woods, just under the surface of a placid lake and at the end of dreary basement corridor. It’s not easy to locate because it’s outside but also inside.

Eiko edited this video to illuminate, in fast pace, her solo performance project A Body in Places. The red cloth she often uses in her performance is used as a visual link between different places and communities where Eiko performed.

A response to the inability of his local General Motors dealer to fix Morton's 1974 Chevy van to his satisfaction, this tape blends experimental image-processing techniques with documentation of the faulty vehicle.

Burns and Discenza continue to battle invisible forces with the use of various children’s toys, cars and a mechanical digger, a paddling pool, rubber rings and ladders. Eventually they escape the scene of their distress in a hatchback car.

Painter/mixed media artist David Dunlap creates installations and performances that draw from the notebooks he has kept since the mid-’70s—giving three-dimensional, public form to his intimate thoughts and diaries.

A performer walks through footage of a pigeon on rooftop of Hotel Principal in Oaxaca. The corporeal form takes flight.

Andres Serrano was born and raised in New York. At fifteen he dropped out of high school. A few years later he attended the Brooklyn Museum School and studied painting and sculpture.

"A film about the time of the blast furnaces — 1917-1933 — about the development of an industry, about a perfect machinery which had to run itself to the point of its own destruction. This essay...

George is invited to the AFI Video Festival to see the screening of his tape, Video Album 5: The Thursday People, but detours into a melodrama about the fear of internal spaces in buildings.

In 50 Blue a young man (the artist’s brother) pushes an elderly disabled man (the artist’s father) in a wheel chair through a muddy landscape. It is a long and exhausting trip to an unknown destination only discovered at the end.

(In) Visible Women shows the heroic responses of three women with AIDS in the context of their respective communities. In the face of adversity, these women confront all aspects of the AIDS crisis in their lives.