Concentrating on abstract shapes and color value, Animation 2 is a record of images manipulated through computer animation.

Featuring Ricky and Cecelia from Wendy Clarke's One on One video series, this video exchange between the pair explores topics concerning sibling love, decaying family relationships, and a shared interest in professional football.

"Exhibitons, whether of objects or people, are displays of the artifacts of our disciplines. They are for this reason also exhibits for those who make them, no matter what their ostensible subject.

Ever listen to Loveline? Well, here's an episode with a 24-year-old Korean American guy who's never been kissed. They're offering free concert tickets to any girl who'll come in and take a chance.

Rosler identifies the totalitarian implications of an argument for torture, under certain circumstances, as it appears as a guest editorial in Newsweek magazine in 1982.

Heliocentric uses timelapse photography and astronomical tracking to plot the sun's trajectory across a series of landscapes.

A collection of three remarkable works by Sadie Benning, produced between 1995 and 1998, including German Song, The Judy Spots, and Flat is Beautiful.

A portrait that follows Nan, my uncle who lives with his elderly parents, during the last two years that the three share the same house together.

Netherlands, January 29th 2006/January 29th 2007

Linda Montano is interviewed by Janet Dees, Curator at the Mary and Leigh Block Museum, Northwestern University.

Baldessari has Ed Henderson examine obscure movie stills and attempt to reconstruct the films’ narratives.

Easy Living ingeniously depicts leisure life in suburban America with a cast of little plastic dolls and miniature model cars—the toys that shape American children's ideas about success and adult life—focusing on a typical day in the life of an

In 1958, Allan Kaprow (1927-2006) published an article on Abstract Expressionism entitled The Legacy of Jackson Pollock in which he suggested the separation of the art-making activity from the art itself.

Sites Unseen is a 16mm film of the Jewish cemetery in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

Music by Zeena Parkins

This collection features a selection of short early video works by Laurie McDonald created between 1973 and 1977.

Flesh and blood souls breathe forth the colors of doubt, guilt and a hope for "peace of mind" in a world without moral directions...

"Brite Tip explores the indoctrination of children and police through an assortment of cross-fades, wipes, and other stock transitions. A highly danceable essay on breastfeeding."

—Gavin Smith

Featuring a swirling spiral from video feedback, this video provides a contemplative visual space for viewers. The spiral appears on and off against colorful oscillation patterns. 

In a celebrity-obsessed culture, filmmakers often exploit the downfall of a star to amplify the emotional undertones of the fictional films in which they perform.

Equal Rights for Unborn Drag Queens is a satirical short video in which Brenda and Glennda critique anti-abortion politics, homophobia, and religious fanaticism in the media.

In a guided meditation progress is posed as a godly icon for worship. The inseparability of the human labor-spirit connection is probed.

Addressing the camera, Segalove confesses to plagarizing her 5th grade report, The Story of Coal.

Les Levine has had a longstanding involvement with media. His works-video, installations, public posters, and other forms-have often dealt with the effect of images on our lives.

A Body in Fukushima is a film created by dance artist Eiko Otake consisting of still photographs, inter-titles, and an original score.

A video collage that chronicles the issues and events that arose in Linda M. Montano’s life while she devoted a year to each of the seven chakras.

In the face of environmental threats, a radical back-to-the-land community in the Sierra Foothills races to collectively stitch its 50 years of innovative sustainability into an epic 83-foot tapestry, one tiny stitch at a time.

The sale of a plot of land marks the kickoff of an unlikely road trip in this strange American odyssey. When eteam buys an acre of the Southwestern desert on eBay, the deed fails to arrive and the pair attempt to track down the phantom seller.

This video was made as the end-credit sequence for a film version of Ron Vawter's performance piece, Roy Cohen/Jack Smith, by Jill Godmilow. Ron was an extraordinary actor and extraordinary man.

Appropriated network-TV footage of Jimmy Carter’s "I see risk" speech from the 1980 Democratic Convention meets Reagan’s gloomy inaugural ride through D.C.: "If you succumb to a dream world, you’ll wake up to a nightmare."

Cobra Mist explores the relationship between the coastal landscape of Orford Ness and its traces of military history, particularly the extraordinary ruined architecture of experimental radar and the Atomic Weapons Research Establishment.

Acid Migration of Culture occupied the main windows of the Donnell Library, the branch of the New York Public Library directly across from the Museum of Modern Art.

Listen To This is a fragment of collective memory that finds critical relevance in contemporary Queer discourse.  Tom Rubnitz weaves narration, image, and a form of temporality, dislocated from ‘real time’, into a video where artist and AIDS activist David Wojnarowicz’s loss and anger is palpable.

Breder used Stavros Deligiorgis’s encyclopedic ability to make associations as an element in this video art and performances, providing a kind of intellectual running commentary in works such as Intertext (1976).

The male/female, subject/object investigation in A Bit of Matter and a Little Bit More has no titillating introduction; the appetite is not whetted beforehand.

I moved three thousand miles from the east coast to join the feminist art program at CAL ARTS in 1973.  I had only been in LA three weeks when Judy Chicago took us to a "Menstruation" art exhibition at Womanspace Gallery.  The exhibit included

Benning gives a chronology of her crushes and kisses, tracing the development of her nascent sexuality.

Footage from the May Day 1971 events in Washington DC. Davidson, a Videofreex member, gets arrested, and what follows is rarely seen footage of the inside of the detainment bus and the jail cell, videotaped by an arrestee.

Ming Wong creates videos that explore performance and issues of race and gender. Born in Singapore of Chinese heritage, and now based in Berlin, his work examines cross-cultural experiences by appropriating scenes of iconic world cinema.

"One of Baldessari’s most ambitious and risky efforts. Seated and holding a sheaf of papers, he proceeds to sing each of Sol LeWitt’s 35 conceptual statements to a different pop tune, after the model of Ella Fitzgerald Sings Cole Porter.

Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema.

Using the Islington Gazette and local pigeons as my guides I strolled, re-strolled, and strolled some more along the Essex Road: updown, downup. Paving stones, buses. Railings railings railings. More buses.

Matthew Coolidge is a founder and director of The Center for Land Use Interpretation (CLUI), an organization dedicated to raising awareness about how land is apportioned, used and perceived by its inhabitants. Through exhibitions, publications, and guided tours, Coolidge and the CLUI seek to foster and encourage a heightened sense of awareness of natural surroundings. In this interview, Coolidge defines a ‘land art spillover effect,’ in which the perceived significance of the landscape seems to increase the closer people get to a piece of environmental art.

There is no need to "sin" because Hell is here, just go to the window and peek out…. It’s next door and is on display in this movie.

Beginning with Phil Morton narrating in a Southern twang, he demonstrates how to flip a video with low cost—72 cents—on modification on the camera.

Plagued by blindness, sloth, and devotion, a troubled scene from Little House On The Prairie offers itself up to karaoke exorcism.

— Michael Robinson

In this video, Glennda is joined by social critic and feminist scholar Camille Paglia in New York's fashion district. The pair visit designers studios to discuss their respective styles and creative processes.

"Soundings is a meditation on the phenomenology of sound, the translation of image into sound and sound into image through a series of experiments on an audio speaker.

Born in 1943 in Poland, Wodiczko lives and works in New York and Cambridge, MA, where he has been professor at MIT since 1991.

Failing Up describes career advancement despite bad decisions, bankruptcies, and intellectual mediocrity.

John Arthur Clark (1943-1989) was born in Yorkshire, England. He attended Hull College of Art, receiving a National Diploma in Art and Design (N.D.D.) in painting. From 1966 to 1968 he attended Indiana University, receving an M.F.A. in painting.