In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival. 

A Meditation on Nature in the Absence of an Eclipse is a poetic glimpse into the ways centuries of extraction, racism, pollution, and nature's commodification have altered our relationship to sacred land, water, and reso

It's the time of celebration and merriment in the Alto Xingu. The dry season is coming to an end. The smell of the damp earth is mixed with the sweet perfume of pequi.

Rubnitz’s tape celebrates and documents an early installment of the “storywig-in,” shot nearly a decade before the feature-length documentary.

After 500 years of African presence in Portugal, Black people find refuge in the utopian creation of The Island (A Ilha). A place founded in African history, a place to rest and to create futures.

David Cort of the Videofreex travels to Jerusalem. This tape contains raw footage of him as he is taken on a tour through a poor neighborhood by a group of young men. There is talk of the Israeli Black Panther Party, and of drug dealers and poverty.

The Cyan Garden considers the limits of giving form to the past which cannot cohere into memory.

Sort of a portrait of the videomaker Anne McQuire, who surfaces midway from this waterlogged landscape of El Nino disasters to dispense charm and chocolate within the confines of her concrete office.

In 2002, my troupe, La Pocha Nostra and I were invited to conduct a workshop at Columbia College in Chicago with 15 students and faculty from different departments.

Like all of Smith’s videotapes, Down in the Rec Room is based on a performance that finds Mike once again all dressed up with nowhere to go.

A bloated rendering of fear and loathing in the Bible Belt—a belt unable to circumscribe the girth of garbage that threatens to tear asunder the very fabric of Southern society.

The Red Tapes is a three-part epic that features the diary musings of a committed outsider: revolutionary, prisoner, artist.

This special box set, Jason Simon: Three Videos, includes a booklet with an in depth essay by media scholar Cynthia Chris.

Is everything larger in Texas? Everyone knows that Texans like to show off "big-ly" and they like to perpetuate the myth in a big way, too. The World's Largest features larger-than-life-size monume

In response to BLM events and to the whole world of injustice, slaughter and abuse... a small comment.

–– Ken Kobland

With animated collages of street conflicts and high-tension video effects, this short advertises what has been called the “next World War": the war of the poor, disenfranchised, and homeless against a government controlled by and serving only the wealth

A collection of the early video works by Chip Lord dealing with the deconstruction of television and the construction of identity.

This installation is based on the re-enactment of Franz Kafka’s allegory "Before the Law", interpreted live over a telephone line by Katharine Gun.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

Red Green Blue Gone with the Wind is a phosphorescent deconstruction of David O. Selznick's Technicolor classic Gone with the Wind (1939).

In 2006 I began to think again about the handwoven canvases based on the biblical Babel text that I created in the 1980s.

The Gift of Gab presents the sobering tale of life and death, love and loss, all told through a series of simple everyday exchanges.

Uncomfortable journeys through the work and ideas of Christopher Cozier, a leading contemporary artist in the Caribbean.

Cuevas is obsessed with the micro movements of daily life, with the border between truth and fiction, with the "impossibility" of reality.

Computer graphics by Dan Sandin and colleagues.

The project presents the blurring of the Green Line for Israelis and its consolidation for Palestinians, through important planning and legal decisions.

Part 3 profiles three California women artists: sculptor and lint and installation artist Slater Baron, mixed media installation artist Beverly Nadius, and book artist Sue Ann Robinson.

“Similar in structure to The Speech, this tape suggests the gesture and language of the television proselytizer as opposed to the politician.”

— Doug Hall

"In the guise of chronicling the final moments of three polar explorers marooned on an ice floe a century ago, Baron's film investigates the limitations of images and other forms of record as a means of knowing the past and the paradoxical interplay of

Brave new shopping worlds are being created. What have mall owners, architects, surveillance technicians, and supermarket workers done to turn human subjects into pure streams of consumers, into the perfect inhabitants of shopping mall paradise?

Playing with cliched feminine personae, Eleanor Antin in The Adventures of a Nurse manipulates cut-out paper dolls to tell the story of innocent Nurse Eleanor who meets one gorgeous, intriguing, and available man after another.

At the Lesbian Museum, Brenda and Glennda interview artists at the opening of Christine Martin’s controversial exhibition The Lesbian Museum: 10,000 Years of Penis Envy at Franklin Furnace.

This tape was shot in August 1972 by the same crew that had convened for pioneer video collective TVTV’s (Top Value Television) project Four More Years.

The video traverses the history and the memory of a place shared by both the Hočąk and the settler.

A collection of early conceptually oriented videos which were produced in Tokyo in the early 1970s using words along with images, except for the first two flicker-effect pieces: A Chair (1970) and Blinking (1970). 

In the late 1960s Kim Jong Il guaranteed his succession as the Dear Leader of North Korea by adapting his father's Juche (pronounced choo-CHAY) philosophy to propaganda, film and art.

Putting the Balls Away is a reenactment of the historic September 21, 1973, tennis match between Billie Jean King and Bobby Riggs, created for broadcast on the 35th anniversary of the original event.

Something primitive projects into the present to upset the lives of a group of people delving into past-life regression techniques.

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language.

In the summer of 1996 we filmed application training courses in which one learns how to apply for a job.

They wait for voices to reach them, touch them!

The daughter of a famous detective infiltrates a vice ring of white slavery, only to become ensnared in a sordid world of Burlesque houses and subterranean urges best left buried under law-enforcement paperwork.

Part of the paraconsistent sequence series.

A charred visitation with an icy language of control: "there is no room for love". Splinters of Nordic fairy tales and ecological disaster films are ground down into a prism of contradictions in this hopeful container for hopelessness.

A structure of Lawrence Weiner.

Graphics and Computer Editing: K. Hassett; The Song: “Wind and the Willows” Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner BMI; Cover Photo: Alice Weiner

Snapshots of individuals from all parts of Asia and the Pacific Islands form a stream of images that blankly proves the fallacy of the title phrase.

Another dream film. Eschewing the hyperkineticism so beloved of Super 8 makers, I locked off my camera and wrote a slow narrative, combining live action and animation.

Contains excerpts from: Women's Liberation March NYC, Gay Pride March NYC, Young Lords Occupy Manhattan Church, Native American Action at Plymouth Rock

VDB TV: Decades
1990s: The Whole World is (Still) Watching