This tape was shot in August 1972 by the same crew that had convened for pioneer video collective TVTV’s (Top Value Television) project Four More Years.

In part a remake of Hollis Frampton’s Gloria! (1979), in part a repurposing of hacked, 16-bit video game technology, The Well of Representation asks us to reconsider our fear of the liminal.

This video considers how Lebanese photographer Hashem el Madani captured the everyday movement of crowds, friends and family with his super 8 camera. The rushes used in the five movements of this

The Pencil Test film, a companion to Susan Mogul’s book of the same name, documents Mogul’s history of exposing her breasts throughout her five-decade career.

On the vast Kazakhstan Steppes, nine 16-year-olds prepare to graduate from the Akkol orphanage. Rockets launched overhead from the nearby Cosmodrome inspire their dreams as they write about and perform their imagined future-selves.

A collection of early conceptually oriented videos which were produced in Tokyo in the early 1970s using words along with images, except for the first two flicker-effect pieces: A Chair (1970) and Blinking (1970). 

The Writers Series consists of a number of video portraits of writers whose work I love.

— Cecilia Dougherty

What Rules The Invisible is a short film that upends archival travelog footage shot in Hong Kong.

Something primitive projects into the present to upset the lives of a group of people delving into past-life regression techniques.

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language.

"The Flag is the second part of a video series about the state-controlled national day ceremonies of the Turkish Republic.

Based on a Swedish folk tale, The Sausage tells the humorous story of two sisters, three wishes, and a calamitous obsession with a sausage.

The daughter of a famous detective infiltrates a vice ring of white slavery, only to become ensnared in a sordid world of Burlesque houses and subterranean urges best left buried under law-enforcement paperwork.

This video is the result of many hours of object manipulation for the camera. Sound itself is an object here and so is language, as sound effects trigger an off-screen narrative and letters rain down in a thunderstorm.

Snapshots of individuals from all parts of Asia and the Pacific Islands form a stream of images that blankly proves the fallacy of the title phrase.

A chance encounter with a sober student reveals the mystery of a woodland wonder that has left a mark on his youthful psyche just as it leaves huge footprints on the forest floor.

"i am very grateful that my 鬼鎮 (Ghosttown) series has shown internationally over the last couple years and is recognized by viewers, reviewers, critics, and curators as doing decolonizing work as a feminist project that queers and glitches

Point of View: An Anthology of the Moving Image, produced by Bick Productions (Ilene Kurtz Kretzschmar and Caroline Bourgeois) and the New Museum of Contemporary Art, was conceived to make accessible the work of some of the most important artis

Contains excerpts from: Women's Liberation March NYC, Gay Pride March NYC, Young Lords Occupy Manhattan Church, Native American Action at Plymouth Rock

The police phoned. They left a message on the machine. They said he was dead. The video unwinds through stories of sex for rent, unclaimed bodies, cigarette burns, and other monuments of life’s long run from wall to wall.

Uncomfortable journeys through the work and ideas of Christopher Cozier, a leading contemporary artist in the Caribbean.

Parry Teasdale, David Cort and Chuck Kennedy visit The Kitchen in New York looking for Shirley Clarke, and bump into Steina and Woody Vasulka who are overseeing a show in progress.  A few doors down they find Shirley in her studio, dressed in white and full of energy. 

Blurred images, glowing like a foggy moon and reminiscent of early television broadcasts, are rhythmically set to a relentless, pulsing soundtrack.

A summer sojourn is fleshed out for maximum solar exposure in this video travelogue of sun, sea and epidermal exhibitionism.

In this video, MICA-TV interprets the dark spaces of architect Peter Eisenman’s Wexner Center for the Visual Arts at Ohio State University through a fractured narrative of psychological perspectives.

Commissioned by the Oakland Museum, this video provides an artist’s interpretation of the museum’s displays and collections.

The Ruling Classroom documents a social studies experiment played out by seventh graders in Mill Valley, California.

From an inverted position, high above the floor, the camera records Nauman’s trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals.

A deceased hoarder, reconstituted through technology, recounts a difficult childhood as inhabitants of a virtual world struggle to reconcile materialistic tendencies. A scientist leads an effort to understand the passage of time, but the data is unreliable. The question remains, what happens to our things after we are gone?

The expansive cycles of time vs. the ever smaller circles of life under lockdown.

Joe Gibbons plays Dr. Joe Baldwin, the self-styled child education expert. He prepares Zoe, from birth, for acceptance into a coveted “gifted-only” kindergarten program.

Tippi the she-devil gets a little playmate of the feline persuasion while I dangle about the puppet populated premises with a head full of scholastic memories that delineate several teaching gigs featuring the fruits of our intercourse.

Believing that we are, "dragging our feet into the 21st Century," Almy made this video trilogy to celebrate technology and the future in an ironic melange of politics, sociology, sexuality, and economics.

For their first collaboration, artist duo eteam and the Hong Kong Puppet and Shadow Arts Center have developed a powerful opera-play that combines ancient stories and analog story-telling technologies with the digital tools and scripts we have available

This video was originally part of an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

An epistolary, musical reimagining of Wuthering Heights by Branwell Brontë — the tubercular, alcoholic and opium-addicted brother of Emily Brontë.

It's the time of celebration and merriment in the Alto Xingu. The dry season is coming to an end. The smell of the damp earth is mixed with the sweet perfume of pequi.

An anti-narrative adventure traveling through a phantasmagoric environment void of stability.

The Fancy is a speculative, experimental work that explores the life of Francesca Woodman (1958-1981), evoked by the published catalogues of and about her photographs.

A short atmospheric tour of a movie star’s mansion and a glimpse of the living things within the chambers: things that cook, feed the sharks, and gnaw on bones.

In 1972 Eric Siegel, an early pioneer of video art, set out on an extreme adventure driving from Europe six thousand miles overland to India. He was one of the first people to use the revolutionary new technology from Sony Corporation, the Portapak.

Stephen Varble began Journey to the Sun as a series of performances with projected slides in 1978.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals.

The Earth Is Young takes as its starting point a series of interviews conducted with Young Earth Creationists, who find evidence of a six-day, six-thousand-year old creation in their reading of the fossil and geological record.

Reading the billboards, the cars, the people, and the graffiti of the street as cultural signs, Rosler extracts the network of social power and domination that determines whose culture gets represented where, asking whose culture is reported in the pres

Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country.

This two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

What happens when memory collapses into an unknown landscape? Upside-down train tracks merge and blur the distinction between reality and imagination.

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride.