Something primitive projects into the present to upset the lives of a group of people delving into past-life regression techniques.

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language.

In the summer of 1996 we filmed application training courses in which one learns how to apply for a job.

Over The Horizon is a moving image installation that takes its name from the failed radar system developed on Orford Ness in Suffolk during the Cold War.

The daughter of a famous detective infiltrates a vice ring of white slavery, only to become ensnared in a sordid world of Burlesque houses and subterranean urges best left buried under law-enforcement paperwork.

A structure of Lawrence Weiner.

Graphics and Computer Editing: K. Hassett; The Song: “Wind and the Willows” Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner BMI; Cover Photo: Alice Weiner

In 2003, Rosler announced an open call for a live re-staging of her 1975 video Semiotics of the Kitchen, to be held at the Whitechapel Gallery in London, for A Short History of Performance, Part II.

Snapshots of individuals from all parts of Asia and the Pacific Islands form a stream of images that blankly proves the fallacy of the title phrase.

Another dream film. Eschewing the hyperkineticism so beloved of Super 8 makers, I locked off my camera and wrote a slow narrative, combining live action and animation.

Contains excerpts from: Women's Liberation March NYC, Gay Pride March NYC, Young Lords Occupy Manhattan Church, Native American Action at Plymouth Rock

The police phoned. They left a message on the machine. They said he was dead. The video unwinds through stories of sex for rent, unclaimed bodies, cigarette burns, and other monuments of life’s long run from wall to wall.

This chaotic fantasy involves an underground empire of Halloween-type entities that bedevil the surface people of earth with yellow rays that cause civilians to go on murderous rampages.

Parry Teasdale, David Cort and Chuck Kennedy visit The Kitchen in New York looking for Shirley Clarke, and bump into Steina and Woody Vasulka who are overseeing a show in progress.  A few doors down they find Shirley in her studio, dressed in white and full of energy. 

Between job losses, foreclosures, living with family, and the Cande’s constant desire to return to Mexico, Pancha and Cande work through the strains of their marital relationship in San Diego County.

In this video, MICA-TV interprets the dark spaces of architect Peter Eisenman’s Wexner Center for the Visual Arts at Ohio State University through a fractured narrative of psychological perspectives.

The Turkish national anthem, regularly sung in schools on Mondays and Fridays, is recorded with Super-8 and video to capture the fragile links that tie young citizens to nationhood.

Commissioned by the Oakland Museum, this video provides an artist’s interpretation of the museum’s displays and collections.

A personal interpretation of the poetry and letters of T.S. Eliot that explores the ambiguities of language and space in a scenario built around an anagram.

An homage to Walter Benjamin and other time-traveling artists and expatriates that have inspired me, especially Chris Marker. Benjamin, fleeing from fascism in the 1930s, took refuge in Paris where Biblioteque Nacional became his home away from home.

The Ruling Classroom documents a social studies experiment played out by seventh graders in Mill Valley, California.

This video retells and disorders an important of a pre-Columbian Native American city directly across the Mississippi River from modern St.

"...a rumination, a series of borrowed 'dialogues' out of an ongoing argument with myself. It meanders, mentally and physically, reflecting on the conditions of being human; on transience, consciousness and desire.

From an inverted position, high above the floor, the camera records Nauman’s trek back and forth and across the studio; his stamping creates a generative rhythm reminiscent of native drum beats or primitive dance rituals.

Gautam Chatterjee uses the streets, parks, and temple grounds of the city of Varanasi, India, to teach his students a 2000-year old method of acting.

The Wake was filmed at the Invertebrate Zoology department of the Carnegie Natural History Museum in Pittsburgh.

Directed by artist and filmmaker Tiffany Sia, The Sojourn imagines a restless landscape film in Taiwan. Visiting scenic locations shot by King Hu, the short experiments with the road movie genre and its intersection with the martial arts epic.

Part cloning experiment, part documentary, Stories from the Genome follows an unnamed CEO-geneticist whose company sequenced the Human Genome in 2003 — a genome that secretly was his own.

Produced and directed by Darlene Haber/MediaVision, executive director, Suzanne Lacy.

Believing that we are, "dragging our feet into the 21st Century," Almy made this video trilogy to celebrate technology and the future in an ironic melange of politics, sociology, sexuality, and economics.

This video was originally part of an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

As If the World Had No West tells of the journey of a young woman who travels through the desert and who, through her relationship with the Mirabilis, ancient plants, listens to the cosmos.

"Perhaps Cuevas' most chilling work, Cinepolis forecasts an image-driven invasion of everyday life, picture-perfect and unnoticed.

A short atmospheric tour of a movie star’s mansion and a glimpse of the living things within the chambers: things that cook, feed the sharks, and gnaw on bones.

We are still here. We the birds. Part of hauntology Film Archives and shamanic materialism. 

The Palace at 4 am is the experience of a fragile palace of collisions suspended in a montage vision. A hazy patchwork of structures. The Palace becomes visible only to repeatedly collapse in a liminal interference of the absence.

Stephen Varble began Journey to the Sun as a series of performances with projected slides in 1978.

Ellen Altfest is known for her representational paintings in which she renders every detail of her subjects on a one-to-one scale. The World Must Be Measured by Eye follows the meticulous, repetitive and painstaking creative process o

Jacqueline Goss and Jenny Perlin retrace the journey of two 18th-century astronomers tasked with determining the true length of the meter.

A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals.

Reading the billboards, the cars, the people, and the graffiti of the street as cultural signs, Rosler extracts the network of social power and domination that determines whose culture gets represented where, asking whose culture is reported in the pres

Filmed primarily in Alaska, The Aquarium contrasts the openness of the primeval Arctic landscape with the entrapment of captured sea mammals in aquariums. It speaks of the progressive destruction of these animals’ habitat, seeing beyond the alluring spectacle.

Most of TVTV’s work takes place in the city, at the center of some pop culture event. “The Good Times Are Killing Me” takes place in the country – Southwest Louisiana, around the towns of Mamou and Eunice, the heart of Cajun country.

This two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

Small-town friends watch fuzzy TV, play music, and venture to the video store. Mom bakes a cobbler.

"A chamber drama set in the confines of an apartment’s sun room, this video further explores visual themes and obsessions found in my earlier works and adds in a few new ones for good measure.

Three factories. Three radically different modes of production.

In Takeover of the Empire State Building, Brenda and Glennda visit the top of the Empire State Building as it is lit up in lavender for Gay Pride.

The pages of books that deal with nostalgia and the vanishing vistas of America's past are infiltrated by the appreciative presence of two hulks from today, who go their own ways through the by-ways and highways of an illustrated yesteryear.

Craggy, ice-encrusted peaks soar skyward as blue lagoons lap incessantly to the drumbeats of big city behemoths hellbent on halibut and hashbrowns!

In the words of activist Dhoruba Bin Wahad, “Historical and social events are subject to almost instant censorship by those who have better access and control over the medium of communication.