A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

Pagan and Christian souls clash in this student-collaborated mix of the defrocked and the deflowered.

Dykes and trans guys take over the Jackhammer for a punk show.

Ron Gorchov (b. 1930) is an American artist who has been working with curved surface paintings and shaped canvases since 1967.

September 24th, 2016, North Avenue Beach, Chicago. It was a sunny day. According to the weather report, the temperature was 75°F, with the barometer reading of 30 inches height and the wind speed of 13 miles per hour.

In 1993 President Mitterrand visited Korea.

Found-footage video about America’s obsession with guns and some of the negative consequences of that obsession. 

In this elegant demonstration, Sandin explains the mistake of using common language concepts and spatial relations to describe what actually can happen on the video screen.

Fences Make Senses re-stages and interrogates international barriers and borders using the bodies of non-refugees.

Now Let Us Praise American Leftists is an experimental video animation that seeks to eulogize and ridicule the American leftist movement of the past century.

Kevin Jerome Everson’s prolific body of work is grounded in formalism and combines scripted and documentary elements.

Joan Fontcuberta was born in Barcelona in 1955. His work has been widely exhibited internationally. Fontcuberta uses photography as a conceptual medium, often testing the limits of the image’s credibility.

This is a kinetic tribute to Sylvia Plath at a time of the pandemic vortex, a dissemination of suspended bodies in the liminal space. Haunted figures in the Capitalocene era.

In 1992, Tran came across a New York Times article about a group of hysterically blind Cambodian women in Long Beach, California, known as the largest group of such people in the world.

Masked men prowling in the bushes and not touching anything but satin, dandelions and flesh.

This video presents a history of alternative spaces in New York City during the late 1960s and early 1970s, focusing on two galleries that no longer exist.

Five prayers are sent skyward, and five curses get directed inward by those living in the purgatory of "modern life"... Attend this moody Mass in the church of "thoughts and feelings"... It will uplift you.

This video was made as the end-credit sequence for a film version of Ron Vawter's performance piece, Roy Cohen/Jack Smith, by Jill Godmilow. Ron was an extraordinary actor and extraordinary man.

In this 2006 interview, filmmaker Jem Cohen discusses his early interest in art, his family’s welcome antipathy towards commercialization, and his unconventional, anti-mainstream film practice. In particular, Cohen discusses his film This is a History of New York, and how this piece exemplifies his interest in the “territory of sensation” rather than simple visual descriptiveness. Cohen concludes by discussing the role of archiving in his practice, and how compulsive documentation of the quotidian and unexceptional can result in the empowerment of the everyday.

Transplanting is a video performance film looking at the connection between the movement of plants and bodies within the contemporary post-colonial context.

"We buried ten Cadillacs in a row alongside Interstate 40 (the old Route 66), just west of Amarillo, Texas; each car represented a model change in the evolution of the tail fin.

Bee Film is a collaboration between filmmaker Cathy Lee Crane and composer Beth Custer that explores the life of bees in Hilo, Hawaii and their human caretakers who are working to preserve an endangered species. 

A search for a non-existent image, a desire to create an image where there is none,“ leads to Rea Tajiri’s composition on recorded history and non-recorded memory.

Pictures from Dorothy is a current day consideration of the symbolism of Frank Baum’s Wizard of Oz.

Cast: Matilda Washington. Music: David Reid.

A great example of early 1970s counter-cultural activity and the influence of Buckminster Fuller. The video, shot in Woodstock, NY in November 1971, includes footage of a communal meal being eaten in the woods, and of children playing in the mud.

In Dani Leventhal’s Platonic, geometric specters twirl in space; pet cats foam at the mouth; a little boy mistakes his junkie dad for a superhero; and a confused adolescent worries he has sired a centaur. Platonic references both the ancient philosopher’s metaphysics of ideal Forms, which simultaneously exist outside our perceptions and yet give rise to them, and the related meaning in common parlance of non-romantic love.

A fragmented, experimental biography of the 19th-century poet and writer Isabelle Eberhardt, whose brief, unusual life ended abruptly in a flash flood in the desert.

A commissioned portait of Pamplona, a small city in the North of Spain, shot and edited there in under 2 weeks. The film is a humble set of observations of place, people, atmospheres, and local rituals.

Footage from a performance produced at Forum en Scene in Middleburg, Holland of the players continually enacting the same tasks. Nothing To Lose opens with a young, androgynous sailor standing between two buildings, while the song Nothing To Lo

A modulation of the discourse produces a portrait of the philosopher Slavoj Žižek during a dialogue.

"Blight was made in collaboration with composer Jocelyn Pook. It revolves around the building of the M11 Link Road in East London, which provoked a long and bitter campaign by local residents to protect their homes from demolition.

As I rummage through a stack of photos the memories of this and that plus who’s what and where rush in helter skelter.

Using highly-manipulated and over-processed images, Latham investigates the process of video as inherently fragmented. Weaving together various people’s impressions of the artist and her work, the work demonstrates important parallels between video, storytelling, and the formation of identity — all processes of active fabrication that blend “lies” and truth in the construction of a certain reality, history, or past. Labeling an image of herself talking as “her most recent explanation,” Latham addresses “the construction of her video personality” as an identity outside of herself.

If anyone slaps you on the right cheek, turn to them the other cheek also. (Matthew 5:38-40)

An homage to Luis Bunuel's The Criminal Life of Archibaldo de la Cruz with a twist to these days control systems of security. From the moment we are suspects we are potential culprits. Therefore we are all guilty.

Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the cor

"The films of John Smith conduct a serious investigation into the combination of sound and image, but with a sense of humour that reaches out beyond the traditional avant-garde audience.

Sharon Lockhart is a photographer and filmmaker. Her photographic and filmic works interrogate the inversion of the static image as cinematic and the manipulation of the moving image into a static/stop-motion frame.

Revived as part of the Retrospective Project, White Dance is the first piece that Eiko & Koma performed in America.

Two women, miles apart in spacial terms, chat about their art and motivational meanderings amid images of Chinese potstickers and fresh pasta.

This video was originally created to be used as a projection in a performance of Bodies on March 29, 2019.

Trans filmmaker Jules Rosskam's against a trans narrative is a provocative and personal experimental documentary investigating dominant constructions of trans-masculine identity, gender, and the nature of community.

Through the testimonies of five women, this video lays out the complex problem of anorexia, detailing how the disease develops as a response to both personal and societal pressures.

Two characters speak urgently to camera about their relationship with an intelligent substance they call ‘Animal Expanded’. The man has swallowed it, as he expands it impregnates his home, improving his family.

This humorous video begins with two women—one white, the other Asian—attempting to fit into a Japanese bathtub.

A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.

In May 2025, Wendy guest lectured for a class of international graduate students taught by filmmaker Irene Lusztig at the University of California in Santa Cruz.

Robert Irwin (b.

An Unangam Tunuu elder describes cliffs and summits, drifting birds, and deserted shores. A group of students and teachers play and invent games revitalizing their language. A visitor wanders in a quixotic chronicling of earthly and supernal terrain.

Breakfast of Champions is an installation created in 1991 by the artist duo Ligorano Reese, comprising Nora Ligorano and