In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival. 

Rubnitz’s tape celebrates and documents an early installment of the “storywig-in,” shot nearly a decade before the feature-length documentary.

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora.

David Cort of the Videofreex travels to Jerusalem. This tape contains raw footage of him as he is taken on a tour through a poor neighborhood by a group of young men. There is talk of the Israeli Black Panther Party, and of drug dealers and poverty.

The close collaboration between internationally celebrated artist-filmmakers Ben Rivers (Two Years at Sea) and Ben Russell (Let Each One Go Where He May) has yielded an intriguing ethno-trance aesthetic

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

Like all of Smith’s videotapes, Down in the Rec Room is based on a performance that finds Mike once again all dressed up with nowhere to go.

Part 2 of Two Movies by Mike Kuchar.

A bloated rendering of fear and loathing in the Bible Belt—a belt unable to circumscribe the girth of garbage that threatens to tear asunder the very fabric of Southern society.

The Red Tapes is a three-part epic that features the diary musings of a committed outsider: revolutionary, prisoner, artist.

...As the Moth is lured to the candle's flame, so it is that a group of misfits enter a dark house to converse with shadows amid the dust of Time.

—Mike Kuchar

Film festivals are in progress as this video takes the viewer from the autumn rich colors of a Washington State movie event to the Virginia countryside of flaming, October foliage.

Is everything larger in Texas? Everyone knows that Texans like to show off "big-ly" and they like to perpetuate the myth in a big way, too. The World's Largest features larger-than-life-size monume

An episodic adventure highlighting the riff between mind and body. Through a series of animated narratives, role reversals and associations, images are driven out and stacked one on top another.

With animated collages of street conflicts and high-tension video effects, this short advertises what has been called the “next World War": the war of the poor, disenfranchised, and homeless against a government controlled by and serving only the wealth

Hostage: The Bachar Tapes (English Version) is an experimental documentary about "The Western Hostage Crisis." The crisis refers to the abduction and detention of Westerners like Terry Anderson, and Terry Waite in Lebanon in the 80s and early 90s by "Islamic militants." This episode directly and indirectly consumed Lebanese, U.S., French, and British political and public life, and precipitated a number of high-profile political scandals like the Iran-Contra affair in the U.S.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

The Gift of Gab presents the sobering tale of life and death, love and loss, all told through a series of simple everyday exchanges.

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons. As the phony, Gibbons recounts his influence among rock legends Iggy Pop and Brian Wilson. Brilliant superimposed computer animation by Emily Breer provides an additional layer of biting commentary.  

Computer graphics by Dan Sandin and colleagues.

Part 3 profiles three California women artists: sculptor and lint and installation artist Slater Baron, mixed media installation artist Beverly Nadius, and book artist Sue Ann Robinson.

“Similar in structure to The Speech, this tape suggests the gesture and language of the television proselytizer as opposed to the politician.”

— Doug Hall

"In the guise of chronicling the final moments of three polar explorers marooned on an ice floe a century ago, Baron's film investigates the limitations of images and other forms of record as a means of knowing the past and the paradoxical interplay of

Playing with cliched feminine personae, Eleanor Antin in The Adventures of a Nurse manipulates cut-out paper dolls to tell the story of innocent Nurse Eleanor who meets one gorgeous, intriguing, and available man after another.

At the Lesbian Museum, Brenda and Glennda interview artists at the opening of Christine Martin’s controversial exhibition The Lesbian Museum: 10,000 Years of Penis Envy at Franklin Furnace.

PASSIONS run deep and LOVE flies high on Cupid’s arrow when ‘Boys’ are the desired target.

This tape was shot in August 1972 by the same crew that had convened for pioneer video collective TVTV’s (Top Value Television) project Four More Years.

The sense that you are about to be shown something wrong lingers throughout this bizarre semi-narrative.

Believing that we are, "dragging our feet into the 21st Century," Almy made this video trilogy to celebrate technology and the future in an ironic melange of politics, sociology, sexuality, and economics.

This video was originally part of an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

The Night Visitors is a movie about moths. In large and small fragments, looking both inward and out, through a critical lens that is by turns social and personal, the film closely examines these under-known creatures.

Back in the days of hippy bliss, Ulrike and her husband used to believe that the world would be revolutionized by their activities, consisting mainly of smoking pot and having sex.

Something primitive projects into the present to upset the lives of a group of people delving into past-life regression techniques.

This video proposes an ironic metaphor to grasp the follies of U.S. government action and inaction in Central America. The process of learning U.S. policy is similar to the process of a young child acquiring the principles of language.

We are still here. We the birds. Part of hauntology Film Archives and shamanic materialism. 

The daughter of a famous detective infiltrates a vice ring of white slavery, only to become ensnared in a sordid world of Burlesque houses and subterranean urges best left buried under law-enforcement paperwork.

From an isolated wooded cabin a trans man star gazes, scruff chats with guys, watches YouTube tutorials, takes drugs, and lies about taking drugs - feeling his way through a cosmology of embodiment.

Experimental but heartfelt, all fiction + mostly video.

Featuring: phantoms, parakeets, some animation, much smoke, Super 8 hi-jinks, several actors.

Snapshots of individuals from all parts of Asia and the Pacific Islands form a stream of images that blankly proves the fallacy of the title phrase.

In 1959, Jean Rouch directed the film La Pyramide Humaine. Situated between fiction and documentary, Rouch’s work presents his attempts to initiate a debate between two groups of students from the Ivory Coast, a white group and a Black group.

Contains excerpts from: Women's Liberation March NYC, Gay Pride March NYC, Young Lords Occupy Manhattan Church, Native American Action at Plymouth Rock

The police phoned. They left a message on the machine. They said he was dead. The video unwinds through stories of sex for rent, unclaimed bodies, cigarette burns, and other monuments of life’s long run from wall to wall.

This video retells and disorders an important of a pre-Columbian Native American city directly across the Mississippi River from modern St.

Parry Teasdale, David Cort and Chuck Kennedy visit The Kitchen in New York looking for Shirley Clarke, and bump into Steina and Woody Vasulka who are overseeing a show in progress.  A few doors down they find Shirley in her studio, dressed in white and full of energy. 

Blurred images, glowing like a foggy moon and reminiscent of early television broadcasts, are rhythmically set to a relentless, pulsing soundtrack.

The Story of Milk and Honey is a short experimental video belonging to a larger project, which includes photographs, drawings and text, detailing an un-named individual’s failure to write a love story.

In this video, MICA-TV interprets the dark spaces of architect Peter Eisenman’s Wexner Center for the Visual Arts at Ohio State University through a fractured narrative of psychological perspectives.

Dan Carbone sings Debbie and the Demons.

A witch’s moon ignites an artist’s canvas with lurid colors that keep him from sleep in a city that is the subject for his brush.