An animation developed from the collective experiences of a diverse group of LGBTQIA+ people to create a narrative. The result is a queer valentine having a fever dream.

Born in Los Angeles in 1933, Michelle Stuart spearheaded the use of non-traditional materials from nature in the early '70s, and has produced and exhibited her work internationally.

The only time I’ve visited a communist country was when I went to Poland in 1980, not long after Margaret Thatcher’s Conservative government was first elected in Britain.

A series of numbers that form infamous years that are uttered in a repetitive pedagogical litany. Ominous dates as a correlate of forgotten apolitical portraits. Portraits of a remembered royalty whose wealth was made possible by infamous times.

The artist visits with seven cosmetic surgeons specializing in blepharoplasty (cosmetic eyelid creasing surgery) in the West Hollywood/Beverly Hills area for initial consultation sessions.

"This compilation is a selection of six short films and videos, made in London over the period 1994 to 1999.

Gusella's title creates a pun on the term video "tape" by using a split screen in which one half is the electronic negative of the other. Gusella set up a glass sheet and suspended it from light poles. The glass was covered with black or white tape.

Setting her pixelvision camera on herself and her room, Benning searches for a sense of identity and respect as a woman and a lesbian.

In these lunar paths the moon is the celestial body of brilliant colors that crosses with its cyclical and mythical dance the dark space of our present time and in whose dance the moon enters, moves away, approaches and lies on itself in a cycle rhythmi

¡Macho Shogun! was created by Reed Anderson and Daniel Davidson over a single weekend some time in 2000.  It's your basic monster-robot / destroy-city kind of video that we wanted to make when we were kids but never did.

Segalove re-enacts the trials and travails of her desperate, hormonal, pubescent years with actors dancing their way through what looks like a techni-color version of the Cleaver’s backyard.

Originally commissioned by the Harvard Art Museums in response to the life and work of David Wojnarowicz, Survivor’s Remorse looks at how both art and bodies are maintained and the socio-economic influences that create a chasm between the value

Veronica Majano depicts the character of a street in the Mission District of San Francisco.

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

Laurie Simmons’s photographs are brought to life in Laurie Simmons: A Teaser, MICA-TV’s portrait of the acclaimed photographer.

M+ Museum presented A Body in Hong Kong in two locations as part of Mobile M+: Live Art, 2015.

Jessica Bardsley is an artist-scholar working across film, writing, and studio art.

A holiday video of good cheer and feline ferocity, this annual tradition of videotaped festivities centers on the oriental and occidental tidbits that make the season worthy for bipeds on wheels as they pedal from one calorie laden event to another.

A familiar landscape comprised of big box stores and parking lots proves a rich site for longing, intimacy, and radical change. Celebrities are observed in this environment and are reduced to ordinary beings in the process.

A behind-the-scenes look at the man behind the trophy and the poisons that taint an otherwise jubilant jamboree.

This title is also available on The World of George Kuchar.

The film centers on the images of the Gulf War, which caused worldwide outrage in 1991.

This extraordinary performance carries a wealth of associative meanings in the sexual dynamics of privacy and power -- man and woman pitted against each other in a struggle for mental and physical control.

John Smith’s Flag Mountain records a vast flag, the insignia of the Turkish Republic of Northern Cyprus, painted onto the side of the Kyrenia mountains overlooking Nicosia, the divided capital of the former island nation.

Peggy and Fred, sole inhabitants of post-apocalyptic Earth, weather a prairie twister and scavenge for sense and sustenance amid the ruined devices of a ghosted culture.

This is the crude and unnatural state of civilization, an image not yet processed or refined that hides and displays in its intermittence all the crude violence of the anthropocenic industry. The raw and fossil image of the Capitalocene.

Rong Xiang is a work on architectural replicas, piracy and its consequences. It is a comparison of LeCorbusier's chapel Notre Dame Du Hautin Ronchamp, France with its exact replica in Zhengzhou, Henan province East China.

"An autobiographical reflection on his unassuming name leads the filmmaker down a wayward path through family photographs, personal archives, and internet searches.

“I hung back, held fire, danced and lied. I was not going to come crawling out of my ruined house, all bloody, no, baby, sing no sad songs for me.”

—James Baldwin, “The Black Boy Looks at the White Boy,” Esquire (May 1961)

The third in a film triptych, Lefkosia was shot from within UN controlled territory on the border between south Cyprus and the Turkish occupied North.

California-based painterJoan Brown (1938-1990) attended the California School of Fine Arts (now the San Francisco Art Institute).

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

Voice: off is the autobiography of a forgotten man. Brain damaged, body violated, emotions crushed, Gerry who rarely spoke has now lost the power of speech.

"There are three scenes in this work, all reflecting a changing sense of time. Each has a voiceover soundtrack with a similar structure, but with different information.

Resisting the regime of the counter-shot, this experimental short fiction film follows the story of Alex on the eve of Le Pen’s defeat in the 2002 French presidential election.

A trip to a barren landscape of jagged peaks and deep crevasses becomes a playground for an over-dressed hiker and his beefcake buddy as they secrete and imbibe fluids from various containers.

Commissioned by Lower Manhattan Cultural Council (LMCC) for the occasion of Eiko receiving the Sam Miller Performing Arts Award. Premiered at LMCC’s A Toast to Downtown on December 9, 2020. Shot at LMCC’s Arts Center at Governors Island.

A compilation of five early short films made between 1966 to 1969.

Hand Movie 1966, 6:00, b&w, silent, 8mm

Close-up of a hand, the fingers of which enact a sensuous dance. Camerawork by William Davis.

"Bricks are the resonating fundamentals of society. Bricks are layers of clay that sound like records, just simply too thick. Like records they appear in series, but every brick is slightly different – not just another brick in the wall.

Juxtaposing the text of Off Limits, a film made in 1987 about Saigon circa 1968, with the soundtrack and image of the last five minutes of Easy Rider, made in 1968, Tajiri parallel edits these representations to play with the evocation

In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory.

This is a video that celebrates the New Year with a banging of plates and licking of bowls. The viewer gets to witness a house of canned celluloid and the watery vistas of a Bay Area burgh.

Between 1892 and 1927, almost 16 million people came to Ellis Island attempting to immigrate to the United States.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

"Look at a landscape and imagine a different one there. Touch the body and let it slip from memory. Imagine a desert when what you see is winter.

How do we tell the story of a life? What cruel reduction of an image will stand (in the obituary, the family photo album, the memory of friends) for the years between a grave and a difficult birth?

Earth, in the remote future, is visited by a Cyborg sent out to populate the Universe. The Sun will soon go Nova in its old age, and the Cyborg's visit is a 'mission' to save his earthbound humans from total extinction in this Sci-Fi saga.

Featuring Ricky and Cecelia from Wendy Clarke's One on One video series, this video exchange between the pair explores topics concerning sibling love, decaying family relationships, and a shared interest in professional football.

British-Ghanaian, writer, theorist and filmmaker Kodwo Eshun (b.1967) is known for his interest in the electronic mythology of sound. In this interview, Eshun discusses his desire to challenge the predominance of sociological inquiries into the historical and stylistic development of music.  Eshun seeks to establish a model of inquiry that is much more concerned with the materiality of sound.

In the first tape, Two Dogs and Ball, Wegman uses the area framed by the camera as his performance space, employing a single, fixed camera to record the scenes as he, Man Ray and Fay Ray, his Weimeraners, act them out.

A journey that begins in a Kansas City hotel and ends up in New Mexico. The bumpy ride is fuelled with libidinous juices as it lurches through college dormitories and sun-baked ghost towns. Rocks are lifted and things crawl out for all to see.