As a foulness shall ye know Them. Their hand is at your throats, yet ye see Them not; and Their habitation is even one with your guarded threshold. The wind gibbers with Their voices, and the earth mutters with Their consciousness.

Event Fission is an outdoor performance on the Hudson River landfill, produced by Creative Time. Eiko & Koma danced with a huge white flag billowing on top of a sand dune as the audience watched from below.

To be a man, to be a hero, to be a wife: these conflicting voices inhabit the body of a documentary filmmaker as he re-enacts the climax of a Western morality play, 3:10 to Yuma.

"The video Emission found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies.

Once again a seaside serenade of sloshing oils and simmering scallops fills the crannies of Cape Cod with dingle-berries of dubious delight!  Join a crew of crustacean craving civilians as they shuck their shells of inhibitions to become the truly

Nancy Graves (1939-1995) was a New York sculptor, painter, and filmmaker who used natural history as a reference for dealing with the relationships between time, space, and form.

A young man of the "Modern Age" ponders sits alo

Fifteen holopoems compiled under the collective title Holopoetry.

The combination of a found site (an old power station in Norway), and a found object (a log) and a found instrument ( a wooden floor) produce a found sound in this acoustically alive action.

Eerily drifting through soft fades, superimposed images, close-ups, and visual feedback, this tape follows less a narrative structure and more a stringing together of seemingly random activities, set against two very different soundtracks.

Adam Khalil and Zack Khalil’s debut film re-imagines an Anishinaabe story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans.

This is Eiko & Koma's second collaboration with videographer James Byrne.

Still Life gazes unflinchingly at the violence of war, observing the West Bank and Gaza Strip collapsed under Israeli occupation.

A video diary about Cuthand's efforts to undergo artificial insemination. Cuthand contemplates a desire to have children and its relation to preserving Indigenous culture.

A Memory of Astoria, commissioned for Museum of the Moving Image, is an impressionistic portrait of the blocks surrounding the Museum in Astoria, New York.

A satire of the political television spot, Perfect Leader shows that ideology is the product and power is the payoff.

A rockin’ talkin’ pony and its human companion examine the evolution of Halloween games, from the ancient rite of bobbing for apples to the contemporary spectacle of American football.

A self-described “collage piece” of “stolen images,” Shanghaied Text starts with quiet Montana landscapes, among which are views of a powerful dam.

In this interview, Kori Newkirk (b.1970) describes his interest in the space that exists between categories. Hailing from the Bronx, earning a BFA at the School of the Art Institute of Chicago (SAIC), and finally settling on Los Angeles as his base of operations, Newkirk has always been motivated by a desire to eschew provincialism. In this conversation, he discusses the idea of regional identity, his complex relationship with the Los Angeles art community, and how his experience as a student at SAIC helped him move beyond the boundaries of a simple material definition of painting.

A stutter-step progression of "extended moments" unmasks the technological "miracle" of Wonder Woman's transformation, playing psychological transformation off of television product.

Lunar Pond is part of an audiovisual series about lunar cycles and rhythms in an attempt to evoke, integrate and develop the mythical presence of the Aztec lunar goddess Coyolxauhqui, thus evoking the eroded contemporary landscape of our t

An upbeat and engaging documentary with a dynamic, experimental style. Beijoquerio introduces viewers to a Brazilian man who strives for world peace by kissing all the rich and famous people he can reach.

Wobbly's very eccentric approach to music produces sounds and noises that consistently battles Anne McGuire's melodic voice. Anne's lyrics turned poems find a very differenct life in her performances as Freddy McGuire.

Benglis uses the video format as a metaphor for other types of limiting conditions or limited realities.

Paternal Rites is a first-person essay film that examines the secret underbelly of a contemporary Jewish American family as they grapple with the aftereffects of physical and sexual abuse on their present-day lives.

Part of a campaign initiated in 1989, this video is a component of Gran Fury’s plan to raise consciousness and advance medical and federal reform on AIDS policy.

The filmmaker and his friend, both Lebanese, meet two Israelis their own age in Paris, and spend some playful time with them.

Now Let Us Praise American Leftists is an experimental video animation that seeks to eulogize and ridicule the American leftist movement of the past century.

Wittnerchrome, Exacto Knife, 1.5mm Letter Punches, Hammer, Leather Puncher

Common Mistakes uses four synonyms for the word "mistake" (fallacy, error, accident, and blunder) to present a sample of widely held "truths" that later proved to be misconceptions.

"This movie was collected for four years before being sprayed scattershot over 28 minutes of psychic mayhem. The line between living and dead is a frontier crossed and re-crossed here.

I.S.L.A.N.D.S. #1: In Residence Dual trajectories through lush innerscapes propel us into color-saturated action-scenarios where the mission to re-establish identity and sustain communication linkage is never-ending.

This flashy drama about theater life was made with my students at the San Francisco Art Institute and follows the various personalities that make up the show-biz milieu of a fictitious city on a fog bound coast.

In Wigstock ’94, Glennda and her friend Bobra attend Lady Bunny’s Wigstock festival. Following the event’s move from the East to the West Village, they explore the changing dynamics and configurations of queer culture in New York.

An homage to Chicago's East 95th Street Bridge, Calumet Fisheries and to a couple of the city's infamous brothers.  The take-out shack, originally glimpsed in the background of a scene from The Blues Brothers, still operates.  It has

An over thirty-minute static long take of a grass lawn in front of a lake. A camera is set still to capture a day trip of a group of people around the lake.

An all-over textile constructed under the spell of Arachne, an audiovisual textile in five parts that exposes a web of raids in construction over the american houses, a landscape of protests under the webs of segmented time, the entrails of the american

A password-protected love affair, a little vapor on Venus, and a horse with no name ride out in search of a better world. Against the mounting darkness, a willing abduction offers a stab at tomorrow.

While asleep and dreaming, older children and adults alike tend to perceive dream events as external reality, but very young children do not understand "asleep" and "conscious" to be different domains. Perhaps they are not. 

How Little We Know of Our Neighbours is an experimental documentary about Britain's Mass Observation Movement and its relationship to contemporary issues regarding surveillance, public self-disclosure, and privacy.

Wawa peeks at the anxieties and difficulties of communication through the interactions between speakers of an endangered Indigenous language, each from differing cultural backgrounds and generations.

Miranda July (b.1974) makes performances, movies, and recordings—often in combination.

"A piece about self-consciousness and the fearful noise of wind in the trees.

"Image states / sound states.

Developed in collaboration with and performed by DonChristian Jones.

The genius and mystique of Edward D. Wood, filmmaker, actor, and author, permeates this excursion into the exposed underbelly of cookie-contaminated corruption and moral bankruptcy.

The viewer is whisked through a lovely cat-house, which also includes a turtle along with the whiskered pets, and then is suddenly immersed in the painted output of my old (yet still young and vibrant looking) friend, Michelle Joyce.

On January 26, 1973, the Videofreex’s installment of Lanesville TV (Channel 3) consists of an interview with a follower of the Divine Light Mission, a semi-religious organization lead at the time by then-17-year-old Guru Maharaj Ji.

A voyage into the labyrinthine memories of a Uitoto man, who worked for the drug Lords in the Colombian Amazon back in the 80s.

Based on a novel by Rita Mae Brown, Me and Rubyfruit chronicles the enchantment of teenage lesbian love against a backdrop of pornographic images and phone sex ads.