Glenn Belverio is an independent filmmaker and drag artist who lives and works in New York City.

The crossword puzzle addiction.

“His heart was a dark cave filled with sharp toothed, fierce clawed beasts that ran snapping and tearing through his blood. In pain he left the work table and prowled around the room, singing to himself, ‘Who can I be tonight?

In Dani Leventhal's video, 17 New Dam Rd., we are invited along on a house visit with a familial group. There's trash in the garden, guns on the sofa, and marshall arts in the living room.

140 Over 90 is about the crisis of hypertension in the Black community.

Cast: DeCarrio Couley, James Williams.

Created with Caleb Craig.

This short animation explores various ways to narrate an incident that once took place in the mythical Hotel Carlton.

These are the western lands of the mind. The western tracks in the land. The western landscapes of our time. The wasted times of our lives. So is the rest of the Capitalocene civilization.

With Benglis standing in front of a photograph of herself, which is then affixed to a monitor bearing her image, the notion of "original" is complicated—making the viewer acutely aware of the layers of self-images and layers of "self" that are simultane

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

Electronic musician and sound artist Stephen Vitiello (b.1964) creates sonic installations that function to give a physical form or space to audio. In this interview, Vitiello discusses his beginnings as a film student, and his transition from music to fine art through his investment in storytelling aspects of soundtracks. As a teacher, artist, and long-time curator at Electronic Arts Intermix, Vitiello’s insights and anecdotes offer up sentimental reflection and hard-learned life lessons, as well as perspective on the historic landscape of music and art in the 1980s and 90s. By discussing his partnerships with Tony Oursler, Jem Cohen, and Nam June Paik, Vitello provides entry into the myriad influences and collaborations that have shaped his working process and artistic career.

Looking like a 1970’s version of “Rosie the Riveter”, Mogul takes on the persona of an artist who makes a living posting billboards on the Sunset Strip in Hollywood.

Eerily drifting through soft fades, superimposed images, close-ups, and visual feedback, this tape follows less a narrative structure and more a stringing together of seemingly random activities, set against two very different soundtracks.

Letter to a missing woman, based partly on memories of someone who has been a political fugitive since 1983, combines documentary "evidence" and fiction in an imaginative reconstruction of public documents and private history.

Set in a campy western mining town, Stinkhorn tells the tale of a lady blacksmith named Dusty and her naughty trickster paramour, Blaze.

During a conference in the late 1970s, Carol Leigh (also known as the Scarlot Harlot) coined the term “sex worker.” Now, it is a fundamental part of the lexicon regarding all worker’s rights and this is owed in large part to Leigh’s artistic and activis

An excerpt from Assassin of Youth: A Kaleidoscopic History of Harry Anslinger’s War on Drugs [University of Chicago Press (2016)] as written and spoken in voice over by Alexandra Chasin.

A stutter-step progression of "extended moments" unmasks the technological "miracle" of Wonder Woman's transformation, playing psychological transformation off of television product.

Wendy Clarke's videos frequently feature unscripted dialogue, inviting speakers to create a video diary or to share their thoughts on a topic, such as love. This approach often results in sincere and honest portraits of the speakers.

You live somewhere, walk down the same street 50, 100, 10,000 times, each time taking in fragments, but never fully registering THE PLACE. Years, decades go by and you continue, unseeing, possibly unseen.

Vision of Anahúac: Traveler, you have reached the most transparent region of the air.

Playing off the notion of “interactivity”, Utopia poses itself as a video game plugged into the social consciousness of contemporary California.

In this early black and white, reel-to-reel video, small game traps are set to catch the rain.

We recently went to Guinea Bissau to research the guerrilla schools of the mangroves. Instead, we soon became ourselves the apprentices and the first lesson we had to learn was how to walk.

An Unangam Tunuu elder describes cliffs and summits, drifting birds, and deserted shores. A group of students and teachers play and invent games revitalizing their language. A visitor wanders in a quixotic chronicling of earthly and supernal terrain.

Immaterial Terrain is a film made by Emily Richardson along a seven-mile stretch of the UK coast between Sizewell nuclear power station and the mythic drowned city of Dunwich.

"Like any other great city, this one offered its populace more than merely every evening freedom. It offered a variety of slaveries to which the freedom might be put.

In this interview, American cartoonist and author Lynda Barry (b. 1956) describes the philosophy of teaching that has inspired and mobilized her art since the 1970s.

History haunts the border town of Columbus, New Mexico when riders on horseback cross the border to commemorate Pancho Villa's 1916 raid.

A movie trailer for a non-existent Bond-style spy thriller "coming soon to a mini-mall cineplex near you!" Featuring John Sex, Hapi Phace, Laura Levine, Dany Johnson and The French Twist.

Strike Anywhere is a video essay that takes as its point of departure Swedish "Match King" Ivar Kreuger, whose privatization of financial crisis management strategies bears a direct relation to late-20th Century policies implemented by the IMF

Credits is about re-reading information. Recycling. Image-making. Wallpaper TV. Zen. Money. Labor. And of course, credits.

The first of the series includes:

What Does Away Mean? by Jem Cohen advertises the need to recycle through reconsideration of landfills and garbage disposal.

A conjuring and convocation to begin the chronomorphic process of ‘giving it back’.

Part of The Savage Philosophy of Endless Acknowledgment suite.

Shot in Lebanon, Syria and Jordan, this essay uses transportation, video, and photography to examine images circulating in a historically charged, and presently war-torn and divided, Middle East.

Ángel Reparador (The Healing Angel) was shot in Buenos Aires, where the artist Sergio De Loof films Bobe in different places along the route that goes from the house of his parents, in the south of the suburbs, to the city center.

If anyone slaps you on the right cheek, turn to them the other cheek also. (Matthew 5:38-40)

A buoyant character struggles with hazards in a cloudy gray environment in this animation inspired by the Dylan Thomas poem Lie Still, Sleep Becalmed. The look of the entire animation is shades of gray.

The Soft Science “Cinema of Attractions” is a series of short movies by scientists. Commission and concept by Rachel Mayeri, electronic compositions and musical accompaniment by Joe Milutis.

A performer walks through footage of a pigeon on rooftop of Hotel Principal in Oaxaca. The corporeal form takes flight.

On April 6th, 1974, this episode of the Videofreex’s production of Lanesville TV aired, including four segments: a choreographed piece by the Elaine Summers Dancers, a Vietnam tape titled “Where do you get your money?,” several phone conversati

Jessica Bardsley is an artist-scholar working across film, writing, and studio art.

By accident, the content of a computer encyclopedia is transferred into the brain of an animated parrot resulting in the emotional breakdown of a fine peach.

In the four videos on this compilation, Helen Mirra utilizes performance, repetition, and the recitation of song to evoke the natural world, the sea, and landscape.

This tape deviates from the more purely formal investigations of Snyder’s earlier work; it has no soundtrack and uses camera images exclusively.

In Performer/Audience/Mirror, Graham uses video to document an investigation into perception and real time informational "feedback." The performance is doubly reflected back to the audience by the artist's lecturing, and the architectural devic

Untitled for Technically Sweet was originally inspired by the Antonioni script of the same title for an exhibition curated by Yvette Brackman and Maria Finn and shown at Participant Inc.

Nobody counts the hours and nobody cares how the years are piling up. Souls begin and end. Then comes the night. A snow landscape of souls.

Baldessari has Ed Henderson examine obscure movie stills and attempt to reconstruct the films’ narratives.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl