A carload of trouble embarks on a journey few will survive in this horror tale of ancient evil permeating some acreage in upstate New York.

This video is the result of many hours of object manipulation for the camera. Sound itself is an object here and so is language, as sound effects trigger an off-screen narrative and letters rain down in a thunderstorm.

A classic feminist video, Learn Where the Meat Comes From depicts how “gourmet carnivore tastes take on a cannibalistic edge.

A chance encounter with a sober student reveals the mystery of a woodland wonder that has left a mark on his youthful psyche just as it leaves huge footprints on the forest floor.

"i am very grateful that my 鬼鎮 (Ghosttown) series has shown internationally over the last couple years and is recognized by viewers, reviewers, critics, and curators as doing decolonizing work as a feminist project that queers and glitches

Ecstasy Unlimited is an engaging video essay on the social construction of sexuality.

Point of View: An Anthology of the Moving Image, produced by Bick Productions (Ilene Kurtz Kretzschmar and Caroline Bourgeois) and the New Museum of Contemporary Art, was conceived to make accessible the work of some of the most important artis

Interspersed with clips of Judy Garland films and televised concerts, Glennda Orgasm and Judy LaBruce (Bruce LaBruce's Garland inspired drag persona) travel to the West Village to "discover their gay roots".

I’ve always enjoyed making trailers, figuring them as a celebratory time of play after the main work has been done; they function as both announcement and invitation, and - most likely - will be viewed by way more folk than will see the finished p

Uncomfortable journeys through the work and ideas of Christopher Cozier, a leading contemporary artist in the Caribbean.

Yon and Payola find themselves in a Victorian conservatory. They are companionable, disoriented and petulant––they whip wildly through these disembodied states. Payola reads an excerpt of their considerable tome on the age of enlightenment to Yon.

A pioneer of the small-format camera, Andre Kertesz’s photographic vision shaped the course of contemporary photojournalism.

A summer sojourn is fleshed out for maximum solar exposure in this video travelogue of sun, sea and epidermal exhibitionism.

"Generics" is the name applied to no-name foods and household items that began appearing in grocery stores during the recession of the 1970s.  When novels were added to the collection of genre products, entitled "Western," "Romance," "Adventu

A drummer and guitarist on a rooftop high above New York City. A beat, a song, a trance, or just a celebration…? 

The film is a durational performance document, direct but mysterious.

An urban and suburban blend of nerd, nebbish and nympho, united in the urge to create a cosmetic cosmology.

This first program deals with stories of captivity. To start, Hostage: The Bachar tapes by Walid Raad presents us with an imagined hostage presumably held in custody along with the American hostages in Lebanon during the 1980’s.

Footage of a May 1970 rally featuring political speakers, including members of the Black Panther Party. Abbie Hoffman talks about fighting imperialism at home, and the Chicago 7 Conspiracy Trial.

After an all-night session of editing Free Society, Garrin headed home with video-8 camera in-hand, only to happen upon the Tompkins Square riots.

The "dazzling, delightful, and delicious" messages of broadcast television get scrutinzed in Social Studies, Part II: The Academy.

...just what it says, it's about the street. 

During a video workshop, the Ikpeng community decides to act out the myth of the origin of the tattooing ceremony. The mythical hero, Maragareum, dreams about the collective death of the villagers of his friend’s Eptxum’s village.

A sweeping saga of an evil matriarch and her march to infamy as she invades the hearts and souls of those organs and entities that reside in the male physique.

A three-day teleplay done at CalArts takes a sordid behind-the-scenes look at an art school professor’s life.

Rising fundamentalism and a government that cites faith to defend war actions have helped grow a desperate society.

The Pencil Test film, a companion to Susan Mogul’s book of the same name, documents Mogul’s history of exposing her breasts throughout her five-decade career.

Notes from the Underground is a fragmented music video made from the 151 eye blinks George Bush made during his televised speech declaring war with Iraq.

A multiple award winner, this experimental tape explores the psychological ramifications of a woman growing up under orthodox Islamic law.

Baldessari presents photographs to his friend Ed Henderson and asks him to reconstruct the meaning of the image.

Behind the yellow gates is a realm that sparkles like diamonds under a desert sun.

In The Blood is an experimental documentary about American-Jewish attitudes towards Germans, and the role the Holocaust plays in shaping Jewish identity.

VDB TV: Decades
1990s: The Whole World is (Still) Watching

Part of paraconsistent sequence series.

The Observers portrays one of the world's last staffed weather observatories in two different seasons.

Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life.

This two-disc title contains the following video documentation:

In the Queen City is a series of three videos shot in Buffalo, New York that were produced following an invitation from Hallwalls Contemporary Art Center as part of their Ways In Being Gay festival.

A collection of five computer and feedback-generated animations.

Part 1 of Two Movies by Mike Kuchar.

A historical analysis of the on-going war in the Western Sahara. Liza Bear interviews Abdullah Majdid, the Polisario Front's United Nations representative.

This tape, shot in April 1971, documents the making of a WNET/13 TV show about video collectives and how they use the new video technology.

Sounds in the Distance is a video adaptation of David Wojnarowicz's 1982 book Sounds in the Distance: Thirty-five Monologues from the Road.

In 1972 Eric Siegel, an early pioneer of video art, set out on an extreme adventure driving from Europe six thousand miles overland to India. He was one of the first people to use the revolutionary new technology from Sony Corporation, the Portapak.

Artists with brushes need light to paint a picture, but human feelings function just as well in the dark.

Martí arrives in Bilbao for an artistic residency. His clothes take up only a small part of the huge wardrobe in his new room. When he meets someone, the wardrobe gradually begins to fill up.

Rosler calls Domination and the Everyday, with its fragmented sounds, images, and crawling text, an artist-mother's This Is Your Life.

A Wet Finger in the Air, a single-channel video, assembles appropriated footage of bilingual weather reports from 1980’s through 1997-era Hong Kong TVB and Pearl broadcasting stations into a hypnotic, randomized loop that repeats every hour.

The Bus Stops Here is an experimental narrative about two sisters, Judith and Anna, plunged into depression by their struggle to gain control over their lives.

Shown at the Brooklyn Museum of Art, Brooklyn. The Real Art World Episodes explore the awkward social interaction of the studio visit.

As a testament to the Videofreex joyful investment in the medium of video, Skip Blumberg, Bart Friedman, and Nancy Cain take turns singing Christmas carols in the shower on Christmas Day.