An anti-narrative adventure traveling through a phantasmagoric environment void of stability.

Separation of the (Earth by Fire) is a multi-disciplinary project that includes print collages, audio, and video.

Stephen Varble began Journey to the Sun as a series of performances with projected slides in 1978.

A pile-up of events pertaining to cinematic expositions begins its whirlwind of activity in the south and then moves west with the sun to the “golden state” for all that glitters on a silver screen.

A structure of Lawrence Weiner. Based upon the LP Niets Aan Verloren (1976) and the performance tape Niets Aan Verloren (1984).

A song of mourning, praise, and compassion for the sentient creatures with whom we share this planet. Focusing on the myth, history, and natural life of the elephant, the video explores the gulf we have created between ourselves and animals.

Reading the billboards, the cars, the people, and the graffiti of the street as cultural signs, Rosler extracts the network of social power and domination that determines whose culture gets represented where, asking whose culture is reported in the pres

Blending live action staged as if in a dollhouse with rarely seen archival footage from the National Archives, the fantastically true story of how America entered WWI is told.

This portrait is not simply an account of Simone Weil’s life, but rather the skein of her ideas. The “unoccupied zone” is therefore only marginally meant to refer to the southern part of France under Vichy.

This two-part video Gender Cruise on the Circle Line involves Brenda and Glennda leading a group of drag queens, drag kings, and other gender nonconforming people on a three-hour ride on the Circle Line boat around Manhattan.

A young man recovering from emotional wounds, defiantly re-enters the outside world that welcomes his return with all its abundant miracles.

NOMADS at the 25 DOOR is presented in three chapters and based around a series of interviews between Finley and Mickey Yates, a 22-year-old woman serving a double life sentence in the Nevada Women’s Correctional Institution for the murder of he

Snow falls gently in the background as kielbasa is cut and Walter Kapsuta mans the accordian in this Christmas special. Also on board is filmmaker Sharon Greytak, as she and I discuss matters of the flesh and joints.

The Sky Is Falling... is part of an ongoing series of performances that make up The Data Humanization Project.

A troubling relationship arose between the character played by Winona Ryder in the film Girl, Interrupted, the genuine depression experienced by the actress, and the shoplifting of which she was accused.

Blurred images, glowing like a foggy moon and reminiscent of early television broadcasts, are rhythmically set to a relentless, pulsing soundtrack.

... part Bronx reminiscence, part landscape fantasy; part morality play, part melodrama. A film in many parts with monologue segments written by James Strahs for Willem Dafoe, Spalding Gray, Ron Vawter, Peyton Smith and Luche Sacker.

A video letter to artist Nancy Holt, in homage to a shared interest in terminal lakes, framed views, monuments and time.  Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.

The Jersey Devil lives again in this work the students and I mounted (or disrobed) for skeptical scrutiny.

Part of paraconsistent sequence series.

The Prognosticator (Or, We Are All Pythagoreans Now) is Chapter 1 of Mysterium Cosmographicum.

An epistolary, musical reimagining of Wuthering Heights by Branwell Brontë — the tubercular, alcoholic and opium-addicted brother of Emily Brontë.

Shot in Firminy-Vert, a Le Corbusier Unité, or housing project, in south-central France, this work traces the building’s history through an engagement with the lives of its residents and traces of its past.

Striking images of human figures, landscape and architecture shape this video opera. Computer-animated sequences accompany brilliant studies of motion, where performers move through a landscape that remembers history.

The Bats details the mating habits of flying mammals in an abandoned Mayan temple in the 14th Century.

Etant Donné le Bleu (Given the Blue) is a visual narrative—images breaking in a parallel universe, the realm of science fiction and the fantastic.

Shutters click in this clothes-dropping exhibition of photographic exposures sure to quicken the pulse of those in need of extremity expansion.

The splendor of a mountain lake is clouded by the musings of a brain in memory mode. The head relives the heartbreak of suburbia and the vacancies that fill every motel on the edge of nowhere.

Transmission from the Liberated Zones is an experiment which brings together Swedish statements and documents, accessed and presented by a boy through a low-fidelity feedback channel — an optical dimension created to move through time, and betw

Video portraits of activists, lawyers, artists, and people simply in the wrong place at the wrong time, accused by the U.S. government of being or aiding terrorists, in these great times.

Bill Murray and Christopher Guest lead a behind-the-scenes tour of the 1976 showdown between the Dallas Cowboys and the Pittsburgh Steelers.

Deathrow Notebooks is structured around an interview with Mumia Abu-Jamal, a political prisoner who is on death row in Pennsylvania.

This tape was shot in August 1972 by the same crew that had convened for pioneer video collective TVTV’s (Top Value Television) project Four More Years.

Based on a tale by Charles Perrault, Tom Rubnitz's The Fairies comes complete with frogs, princes, kind fairies, and evil stepsisters—all costumed à la Rubnitz. Featuring Sister Dimension as the fairy godmother, Michael Clark, and others, the tape playfully illustrates a familiar fairytale moral, as each person gets what they deserve. The evil girl spits up toads, while flowers and jewels emerge from the mouth of Matilda the Good, and a dancing prince carries her away. 

"Sodom — for those of you who haven’t been there — is an island about ten miles in length by about two miles in width. There is no depth to it at all.

"i am very grateful that my 鬼鎮 (Ghosttown) series has shown internationally over the last couple years and is recognized by viewers, reviewers, critics, and curators as doing decolonizing work as a feminist project that queers and glitches

The Fool melds varied footage while a narrator describes a brief encounter with a former love interest. A performance of a gymnastics routine merges with iconic Baroque paintings; club scenes mix with a day at the beach.

Nine micro-essays on animation and death--with many appearances including Goethe, Pink Floyd and Bambi--leads to a final encounter and introduction.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the Waiãpi people’s first encounter with TV images of themselves and others.

This first "Frieda" collaboration between performance artists Barbara Lipp and Tom Koden and video artist Tom Rubnitz chronicles Frieda's rise from assembly-line worker in a box factory to singing superstar.

A hallucinatory portrait of a man traveling from Finland to Greece in search of the utopian summit described in René Daumal's Mount Analogue (1952) - a fictional mountain floating in the sea.

A black cat and a polka-dotted string puppet frolic amid the painted backdrops of a happy universe, while outside, in the real world, the reality washes away amid the onslaught of H2O and granulated granite. A merging of the plastic and the profane.

(tell me why): The Epistemology of Disco is an often humorous, at times sarcastic and poignant look at the role that disco music has played in the formation of gay male identity.

This video features California artists: drawer and painter Deanne Belinoff, sculptor and poet Sana Krusoe, wood relief carver and painter Palema Holmes, and New York-based video artist Shirley Clarke.

A summer sojourn is fleshed out for maximum solar exposure in this video travelogue of sun, sea and epidermal exhibitionism.

Using footage from a trip to the Orient, images of objects, products, the city and nature, Rankin investigates society's reverance for the "exotic" and the "pure" as manifested in tourism, Communism, Coca-Cola, Las Vegas, the Civil War, Hollywood, and p

Using imagery from a Japanese "creature feature" and a chewing gum commercial, Benglis's camera focuses on different parts of the screen to emphasize different messages.

With a combination of Hollywood, European, and Israeli film; documentary; news coverage; and excerpts of 'live' footage shot in the West Bank and Gaza strip, Muqaddimah Li-Nihayat Jidal (Introduction to the End of an Argument) critique

Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas and carefully worded alphabet soup.