Emotions and urges, like ripples on a pond in an unexplored forest, reverberates in the human heart where forgotten memories rise to the surface, reflecting souls now haunted and intoxicated by a far place lost in time. 

Subtitled A Rebellion against the Commodity, this engaged reading of the urban black riots of the 1960s references Guy Debord’s Situationist text, “The Decline and Fall of the Spectacle-Commodity Economy,” Internationale Situationniste

A mirror reflects voiceless eyes with stories to tell, ‘stories’ about feet attempting to climb steps to "perfection"....."stories" about canvasses that are traps for a caged artist who’s paint brush needs colors that

"I showed a video from my diary called Chapter One to graduate film students at the University of California, Los Angeles. After seeing it they made their own Love Tapes.

A portrait of an unnamed city in Italy. Sidestepping the tourist attractions that make the city famous, the film/video posits an almost-imaginary place that draws closer to the reality of its inhabitants.

A two part treatise on needs, met and unmet. A painter putters around his apartment. Spoils his cereal with rotten milk, gets a do-over with a fresh gallon.

This tape combines off-air footage, infomercials, interviews, and street protests with ‘60s pop classics in agitational/reflective collages.

Literally depicting Point of View, Sala stimulates the viewers' senses of sight and sound by forcing them to concentrate on a single puzzling image until it is revealed in a surprise ending.

Gay Tape: Butch and Femme is Cecilia Dougherty's first video work. She was immersed in two things at the time: making artwork, and being a part of the Oakland, California lesbian bar scene. The tape is the child of those two activities.

They called him Umbrella Boy when he started his business. After repairing umbrellas on the same city block for over fifty years, he became Uncle Umbrella, a man who earned the respect and affection of his neighbors and customers.

The idea of suspension is evoked on shifting registers – as levitation, cessation, preservation, and suspense – and located in sites whose identities slip as we track through a space within a space.

M+ Museum presented A Body in Hong Kong in two locations as part of Mobile M+: Live Art, 2015. Tim Mei Avenue, where Eiko chose and performed, was the main site of 2014 Umbrella Revolution.

Locke’s Way is the photographic path to knowledge, full of twists and turns, treacherously steep. What has happened down here? A family’s photographs tell us everything and nothing about the subterranean past.

An episode from a Lebanese TV series entitled Image + Sound.  Each episode in this groundbreaking program was based on paralleling TV news images alongside staged events. This episode was shot at the St.

come lontano is a perverse historical romance in which two lives are exposed, inter-mixed, doused with sentiment, and — hopefully — redeemed. The work revolves around a central ‘couple’ — Pier Paolo Pasolini and Maria Callas.

From the green ooze of a haunted forest arise lonely shamans in red gowns alongside twisted creatures from nightmarish cartoons with the long suppressed belief in pagan ways now real and raw in the sun and shadows of

REVOLVER is a short film that weaves the perceptual phenomenon of pareidolia (a situation in which someone sees a pattern or image of something that does not exist) with an oral history narrated by a descendent of Exodusters.

Gravity is a long passionate film kiss in which kissing scenes from different films are woven in each-other by switching every three frames between two scenes. Deep passion becomes a stranglehold as cinematographic high points pile up.

In this episode of The Brenda and Glennda Show, Brenda and Glennda create a satire of 1990's infomercials. The video includes interviews and performances by Vaginal Davis, Bruce LaBruce, and Chris Teen.

Budlong Memorial Middle School is heating up.

Ulrike Ottinger is a prolific German filmmaker whose work includes Madame X (1977), Ticket of No Return (1979), Freak Orlando (1981), Johanna D'Arc of Mongolia (1989), Countdown (1989), and Exile Shanghai

Jeremy Blake (1971-2007) used digital media to create works that function on a flexible spectrum between being more painting-like or more film-like.

In 1988 the World Financial Center in lower Manhattan asked artists and architects to produce installations that centered on “the rapid development of the modern city and its enormous impact on how people live and work” for the New Urban Landscapes

A newly re-mastered collection of 22 comedic performances to camera, produced during 1973-74.

A Walk with Nigel is a video essay that constructs a dialogue between two artists from two different times, between movement and stillness, between speech and silence.

Event Fission is an outdoor performance on the Hudson River landfill, produced by Creative Time. Eiko & Koma danced with a huge white flag billowing on top of a sand dune as the audience watched from below.

Nocturne is a 5-minute film shot entirely at night in deserted streets of London. The film attempts to find images of the city that reveal the presence of the past, or the presence of the dead, hinting at a concealed history.

“A soldier’s trip to Syria is complicated when he accidentally impregnates a friend. Meanwhile, a horse breeder from Ohio is driven away from home by her own desire to become pregnant.

A wonderful and humorous example of early image processing, Parry Teasdale and Carol Vontobel perform to camera as their faces are morphed together, forming an image of one person. 

In November of 2004, I was invited to spend a couple of weeks in Cinque Terre (a string of towns along the Northern Mediterranean Italian coast).

A short animation commissioned for Peter Burr’s touring media project Special Effect connecting Tarkovsky’s Stalker to its original text Roadside Picnic by the Strugatski Brothe

Film and video maker Ken Kobland returns to the urban landscapes he filmed 20 years previously, such as the New York subway and the S-Bahn in Berlin. We leave, we travel, but it’s always the same images that we are drawn to.

A short portrait of artist Anne Truitt (1921-2004).

Breder regarded Eclipse I as one of his most successful intermedia performance works for the complexity of the experience.

A wonderfully witty work about nostalgia and desperation. Anne McGuire portrays a Kennedy-era singer performing in the space where theatre meets television. McGuire's Garland-esque gestures provide both a sense of tragedy and humor. I Am Crazy And You’re Not Wrong weaves narrative, performance, memory and history into an ironic and haunting work of singular proportions.

I Stare at You and Dream is a slice of life melodrama that journeys to the core of interrelationships.

An investigative documentary on police brutality that uses the Rodney King incident as a springboard to analyze the inner workings of the LAPD under the leadership of former police chief, Daryl Gates.

Joseph Beuys (1921–1986) was born in Kleve, Germany. After serving as a volunteer in the German military, Beuys attended the Dusseldorf Academy of Art to study sculpture, where in 1959 he became a professor.

Sara Magenheimer earned her MFA at Bard in 2013 and has since shown her work internationally in Canada, Iceland, the Czech Republic, and Denmark.

Billion Dollar Bimbo: A Musical is a story of a young Hollywood actress’s psychological roller coaster ride through loss and redemption. One day on set the actress witnesses her mother collapse in the middle of shooting.

This is a fragment of the sacred lizard in desecrated times, an intermittent tour of the flashing body of the Cipactli lizard. Part of the Cipactli series.

On September 22, 2018 artists Ligorano Reese installed a 2500 pound sculpture of the word Truth carved in ice on the National Mall in front of the U.S. Capitol.

Utilizing a four-way split screen, Divided Alto documents Landry’s improvised flute performance—focusing on the harmonics of the instrument as he plays double and triple chords.

Against images of an inventor-chemist juggling brightly colored molecules, psychedelic arms passing out pesticides, and nightmarish landscapes that include trapped live subjects, Oursler presents Hopewell, Virginia—a turn-of-the-century boomtown gone bu

Women with a Past brings together four 20th Century artists — Yvonne Rainer, Christine Choy, Martha Rosler, and Nancy Spero — in videotaped interviews, shaped and edited by Lyn Blumenthal to examine the art of documentary.

In this video, Glennda Orgasm and Jackie Offie attend Lollapalooza '95 on Randall's Island, New York.

Rosa juxtaposes the life of the filmmaker in two extreme locations (Baghdad and Montana) through three elements of nature: dust, rust and wind.

Miranda July (b.1974) makes performances, movies, and recordings—often in combination.

Described by the New York Times as “an extraordinarily personal essay that struggles to explain and understand what went wrong in the director’s relationship with his father, Ray, a car dealer,” My Father Sold Studebakers is an auto-biographica