A video response to September 11th and the public dialogue captured on radio, including this call-in radio program’s discussion about whether Mohammed Atta’s last meal in a Pizza Hut undermined his proclaimed spiritual motive.

We have come to this place of meaning together, celebrating our un-remaindered completeness.

“Jesus Christ, look at the white people, rushing back. White people don’t care, Jack...” - Richard Pryor

In the Post Pony Trilogy, Coonley serves as frustrated host to a series of flawed lessons on currency markets and current events. His heartbreak over a missing pony sidekick presents an obstacle to achieving his pedagogical goals.

No More Nice Girls layers the personal and political histories of women active in the 1970s feminist art movement, including Brenda Starr, Yvonne Rainier, B. Ruby Rich, Carrie Mae Weems, and Sherry Millner.

This video consists of raw footage from a Women’s Liberation Rally in New York City, shot on March 7th 1970, in celebration of International Women's Day. The first two thirds of the piece consist of footage of the crowd and speakers.

German filmmaker Valeska and her crew—soundwoman Constanza and cameraman Albert—arrive at Maple Tree Farm during the Thanksgiving holiday of 1971 to film a piece for German TV on the Videofreex.

Fulbeck force-feeds the viewer scores of all-too-familiar Asian female/Caucasian male pairings in Hollywood films, and combines them with contemporary excerpts from best-selling novels, magazines, and dating services.

BE CAREFUL KYLE was produced over a few days shortly before Jacob Ciocci and Kent Lambert discussed their work with Scott Wolniak in a webinar for the University of Chicago's Local Produce series.

“Now too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn’t count.”

--Toni Morrison, “Beloved”

Theo Cuthand and his mother Ruth Cuthand have a candid conversation about Theo's last hospitalization for Bipolar Disorder in 2007.

In this interview, Kori Newkirk (b.1970) describes his interest in the space that exists between categories. Hailing from the Bronx, earning a BFA at the School of the Art Institute of Chicago (SAIC), and finally settling on Los Angeles as his base of operations, Newkirk has always been motivated by a desire to eschew provincialism. In this conversation, he discusses the idea of regional identity, his complex relationship with the Los Angeles art community, and how his experience as a student at SAIC helped him move beyond the boundaries of a simple material definition of painting.

Stephen Varble (1946-1984) staged gender-confounding costume performances on the streets of 1970s Manhattan, and became infamous for his anti-commercial disruptions of galleries, banks, and boutiques.

alexia is an experimental video about word-blindness and metaphor.

A very special episode of television's Full House devours itself from the inside out, excavating a hypnotic nightmare of a culture lost at sea. Tropes of video art and family entertainment face off in a luminous orgy neither can survive.

U & I dOt cOm is an experimental narrative/documentary hybrid about Zoey, a teenage girl who negotiates her identity in cyberspace. Dreaming about the perfect true love, she secretly navigates 3-D worlds to find romance.

This is the fourth work of Eiko's 2020 Wesleyan Virtual Creative Residency and a collaboration with William Johnston.

Sylvia is a portrait of the civil rights pioneer Sylvia Rivera for her memorial service in 2002, as told by her chosen family immediately following her death.

Rirkrit Tiravanija’s work explores the social role of the artist, and that role’s ability to create interactive spaces for people to come together.

In the 1960s and '70s, Hollis Frampton (1936-1984) emerged as one of the most important experimental filmmakers, creating structuralist works such as Zorns Lemma (1970), Poetic Justice (1972), and Nostalgia (1973).

Part of the paraconsistent sequence series.

As a document of an early performance, this video details the process of orientating the body and self in space, providing a physical metaphor for the process of adjusting oneself in society.

In our 'freelancer' age in general, even before the lockdowns, many find themselves domestically confined, using mostly a computer screen to branch out.

Begun as a consideration of the upgrading from manual to digital film editing techniques, Transitional Objects explores the anxiety and loss inevitable in such a transition while also suggesting the consequences of other life transitions.

As the artist writes on a paper pinned to the wall in chalk, the left hand writes a mirror image of the right hand. The text reads "Symmetry is nature's way of seeing itself. P Kos 2004-2016"

Wojtasik's Nine Gates explores the possibility of transcendence through sexual passion: averting the gaze from the objectification of the other, the female body or the obscure enemy, to the vast and microscopic details of the body unknown to th

The distant future. An orbital facility of unknown origin. Here, the debt of taking a life will be finally repaid…. through resurrection.

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing.

Handy Man examines the window as a site of voyeurism and surveillance. With his Hi-8 camera, Henricks documents two workers in his interior courtyard. The camerawork has a secretive and furtive feel, treating the male body as an erotic object.

Ring attempts to exhibit the “sweet science” of boxing in an elegant way.

A woman is standing barefoot on a tile floor.  In slow motion, the investigative camera circles around her.  Her breasts are bared and liquid runs down her legs.  Bit by bit, every part of her body is shown, except her face, which remains

Strip / Musrara is part of Assor's ongoing “Strip” series, set in Jerusalem’s Musrara neighborhood. It is an attempt to create a living map that is both collective and subjective – a plurality of combined perspectives.

Using “found” imagery shot in a SoHo playground, the first part of the Damnation of Faust trilogy explores the possible relations between childhood play and a woman looking on from outside.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

Mohamed Yousry: A Life Stands Still (also known as Good Translator) is a short documentary about Mohamed Yousry, a naturalized American citizen who's life changed radically after September 11, 2001.

An intimate portrait of the artist at his home in San Francisco, this film delves into Mike Kuchar's life and work.

Cats meow and claw at exits beyond the reach of those who suffer within the walls of their own litter boxes.

Re-Animation 3,4, & 2 are short animations created by looping images of dead insects taken from the artist’s own amateur entomological collections.

1970 marked the publication of Gene Youngblood’s now-formative Expanded Cinema – a text that was instrumental in legitimizing video and new media as viable and serious artistic forms.

In May 2025, Wendy guest lectured for a class of international graduate students taught by filmmaker Irene Lusztig at the University of California in Santa Cruz.

Taking the idea of loss and dispossession as a starting point, this second reflection on photography and its people looks at the individual’s position within the context of war and how photographs become the sole record of that displacement, at the risk

Colorful lines follow the gestures of a conductor leading the orchestra until he disappears just at the point of crescendo. As the music slows, he starts to reappear. A sketch as a tribute to Walt Disney. 

For Shigeko Kubota the video image-making process is a cultural and personal experience.

Hotel Diaries is an ongoing series of video recordings made in hotel rooms, all of which relate personal experiences to contemporary world events.

Presenting his bare torso to the camera, Nauman meticulously applies, and removes, layers of white and black pigment, to his face, arms, and chest.

Standing on the brink of elimination, the suspense threatening to fracture their composure, contestants wait and see if they will be going home. The audience at home is also waiting... Part two of Bearing Witness Trilogy.

Security Anthem’s requisite components came together relatively slowly. I’d known for years that I wanted to make something out of the Oto speakers’ most sinister, suggestive sentences.

Inventing freedom as they roam, videomaker Ellen Spiro and her dog Sam go west in a vintage Airstream trailer in search of elderly dropouts and their dogs who have pulled out of society and into by-the-side-of-the-road trailer communities.

Part of paraconsistent sequence series and the hauntology series.

A woman confronts symbols of eternity while walking alone in the woods.