A loosely structured and evocative drama that centers around the search for a lost oasis. Shot in a bizarre Californian landscape, the piece is a contemporary desert fantasy.

This is a video that celebrates the New Year with a banging of plates and licking of bowls. The viewer gets to witness a house of canned celluloid and the watery vistas of a Bay Area burgh.

Segalove re-enacts the trials and travails of her desperate, hormonal, pubescent years with actors dancing their way through what looks like a techni-color version of the Cleaver’s backyard.

A short, hilarious cooking mantra, featuring Sister Dimension, The "Lady" Bunny, RuPaul, David Dalrymple, Lahoma Van Zandt and Maria Ayala. "Where's the pickle? That's the surprise!"

Prophecies of doom, disaster and political catastrophe envisioned by some of the world’s most famous psychics between the 1960’s and the year 2001 are conjured up through 3D-animation, industrial films, text and historical footage -- the sum of which co

“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general.

A series of numbers that form infamous years that are uttered in a repetitive pedagogical litany. Ominous dates as a correlate of forgotten apolitical portraits. Portraits of a remembered royalty whose wealth was made possible by infamous times.

"Look how the willow shoots its fine sprays into the air! Look how through them a boat passes, filled with indolent, with unconscious, with powerful young men. They are listening to the gramophone; they are eating fruit out of paper bags.

An experimental portrait of a lighting stand-in and body double for a famous Hollywood actress, and a glimpse at the behind-the-scenes of cinema production

Music by The Velvet Underground.

CB is an experimental bio-pic: its heroine, Charlotte Brontë. A collaboration between Doug Ischar and Tom Daws, CB was commissioned by the Laumeier Museum, St. Louis, for their inaugural Nightlight series.

The performers are seated around a pink octagonal table on pink, violet, and silver cinder blocks. One performer (Robert Stearns) stands up, recites the credits for the piece, and then says, “Do you believe in water?

Super 8 footage layered with Sharpie marked lines and circles obscuring the image illustrates the story of the Cuthand’s experience with temporary episodes of migraine related blindness and his cousin’s self induced blindness later in life.

Filming is alchemy; preserving, seeing, devouring, cutting. Chopping the flow of images with a push of a button. It privileges a solitary unseen protagonist, choosing this over that and then that, it eats anything, not everything,

Pirated satellite feeds revealing U.S. media personalities’ contempt for their viewers come full circle in Spin.

Andries Botha (b.1952) creates sculptural forms made of found objects and natural materials which serve to interrogate the natural and social order. His work has been exhibited extensively throughout Africa and Europe. Botha lives and works in Durban, KwaZulu-Natal, South Africa.

CHANNELING is an entryway into the spirit realm and the queer body politic: a program of experimental moving image work that calls up the ghosts of the past and the specters of the future.

Trudging from here to there and beyond, the traveler, weary from the weight of his own body, finds replenishment in boxes both large and small, as the vast wetness of all outdoors offers water, water everywhere, and not a drop to drink.

“All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.”

A chilling and revealing look at bureaucratic techno-speak, Finley provides a course in “official” media rhetoric, presenting terms and decoding for the audience (i.e.

A speculative portrait of a Dutchman living in the Surinamese jungle, fixing canoe motors, who is accused of eating the locals' children.

Taped on Prince Street in Soho, New York City, Skip Blumberg creates a one-word performance.

El jardín del amor (The garden of love) is a celebration of life and love, religious ecstasy, where animals, humans and nature coexist in harmony.

Still Life gazes unflinchingly at the violence of war, observing the West Bank and Gaza Strip collapsed under Israeli occupation.

Nest of Tens is comprised of four alternating stories which reveal mundane yet personal methods of control. These systems are derived from intuitive sources.

A trip to the Los Angeles film festival leads to a glamorous gauntlet of flashing smiles and flashing bulbs that add the extra “humph” to a reunion of old friends.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times – the period just after Chairman Bobby Seale was wro

For Shigeko Kubota the video image-making process is a cultural and personal experience.

Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin.

Northern Irish artist Willie Doherty (b. 1959) works in photography and video installation. Since the late 1980s, his work has responded to the urban setting and rural outskirts of his hometown of Derry, Northern Ireland.

Deaf Dogs Can Hear is an autobiographical work that traces the tragic yet humourous episodes of the artist as a young girl, and her pet chihuahua.

A hypnosis-inducing pan-geographic shuttle built on brainwave-generating binaural beats, Deep Sleep takes us on a journey through the sound waves of Gaza to travel between different sights of

This tape is, in effect, a ready-made. Produced by the Pepsi Cola Company for its own use, it was accidentally substituted for one of my tapes in 1974.

In Islands, Fung deconstructs the 1956 John Huston film Heaven Knows Mr. Allison to comment on the Caribbean’s relationship to the cinematic image.

Less than two minutes long, this short tape makes playful and surreal use of video’s editing capabilities.

Part of the Hauntology Film Archives series.

A specific period of late-night TV channel surfing is dissected and manipulated through fast forward and freeze frame.

"You always have to be careful. You always have to have the shower backward in order to see the water, which means you better watch out, or you might electrify, or electrocute your stars.

A silent 16mm film shot in Nebraska during the total solar eclipse in 2017. The work was shot on film to capture this light-based phenomenon on a light reactive medium, as opposed to on digital video.

Chris Burden came into prominence in the late 1960s, but unlike many of the performance artists of his generation, Burden was interested in empirical and scientific investigations.

A Prayer For Nettie dramatizes the death of an elderly woman who was Cumming’s photographic model from 1982 to 1993, presenting an improvised series of prayers and memorials for Nettie Harris by people who knew her, and some who did not.

A brief glimpse into a "day at the office" in an edifice dedicated to personal expressions of the inner eye. I subjective view of twisted perspectives reflecting the morbid dreads of he who walks among the talented throng.

Eric Fischl's early works were large-scale abstract paintings. While teaching in Nova Scotia, Fischl began to shift from abstraction to smaller, image-oriented paintings, beginning with narrative works that investigated a fisherman's family.

Conversations is a live Slow-Scan Television (SSTV) work realized at the Centro Cultural Três Rios [Três Rios Cultural Center], in São Paulo, on November 17th, 1987.

Henry Johnson was an elderly gas station attendant living in Goldsmith, Texas, a West Texas town of four hundred people.

In Reunion in Los Angeles, George Kuchar visits his friend, actress Virginia Giritlian.

This is a gaze of the body and a notion of spectator that the 90´s decade constructed, this is the audiovisual legacy of the 90's for our actual audiovisual control world.

lovehotel uses excerpts from the book Fleshmeat by Australian Internet artist Francesca da Rimini, detailing her life online from 1994 to 1997.

She Mad is an episodic project that uses fragments from the sitcom format to explore the sign of blackness in the public imagination.

Beach House is a film about a unique example of rural modernism built on the UK coast of Suffolk by the architect John Penn. As well as being an architect, Penn was a painter, musician and poet.

As two heavily made-up women take turns directing each other and submitting to each other's kisses and caresses, it becomes increasingly obvious that the camera is their main point of focus.