The second in the Jaws series. Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

Nocturne is a 5-minute film shot entirely at night in deserted streets of London. The film attempts to find images of the city that reveal the presence of the past, or the presence of the dead, hinting at a concealed history.

Rankus’s elegant black and white video takes us into an intensely dark inner world. The visual elements remind us of clues in a mystery story: dark corridors, half-revealed bodies, a man with a gun, a throw of the dice.

Featuring Ricky and Cecelia from Wendy Clarke's One on One video series, this video exchange between the pair explores topics concerning sibling love, decaying family relationships, and a shared interest in professional football.

In Les LeVeque Videoworks: Volume 3, Les LeVeque explores time and the way in which it can be manipulated to affect the communication of emotion.

Sausages simmer and so do the manicured remains of manly torsos as they struggle to ventilate in a manufactured world of soap opera bubbles and globular goo that bead the brows of summer folk.

In a fusion of text and image, Rosler re-presents the NBC Nightly News and other broadcast reports to analyze their deceptive syntax and capture the confusion intentionally inserted into the news script.

From the outskirts of Santa Fe, New Mexico, to the innards of a castle of contraptions, this video explores the creative bric-a-brac of several entities who pioneered a wired frontier filled with fire wires and fire water.  Join them as they schmoo

September 24th, 2016, North Avenue Beach, Chicago. It was a sunny day. According to the weather report, the temperature was 75°F, with the barometer reading of 30 inches height and the wind speed of 13 miles per hour.

The introductory title to The Blindness Series, aletheia presents an indexing of categories investigating different aspects of blindness as metaphor.

This is the hauntological image of the sacred Mesoamerican snake. The contemporary flickering of his shamanic presence. Part of the Hauntology series.

An homage to Luis Bunuel's The Criminal Life of Archibaldo de la Cruz with a twist to these days control systems of security. From the moment we are suspects we are potential culprits. Therefore we are all guilty.

A tone-poem in blue and red.

A descent into the blackness of the projected image and the curators who flick the switches and grease up all moveable parts for hot action when the lights go out.

Life Without Dreams is set in the outer space of consciousness, where the surfaces of far out planetary bodies form the terrain for an exploration of 24/7 capitalism, insomnia, and the disappearance of darkness.

California-based painterJoan Brown (1938-1990) attended the California School of Fine Arts (now the San Francisco Art Institute).

Gallup, New Mexico, in the American Southwest, has hosted the Inter-Tribal Indian Ceremonial annually since 1922.

For 5 months, Clarke held workshops with young women, ages 18-23 years old, who were incarcerated at the Ventura Youth Correctional Facility in Camarillo, California.

The language and imagery related to celebrity perfumes (both descriptive and visual) are a starting point to think about consumer desires and the corruptness of branding. Give us your songs, your smells and we will give you everything.

Possibly In Michigan is an operatic fairytale about cannibalism in Middle America. A masked man stalks a woman through a shopping mall and follows her home. In the end, their roles are reversed when the heroine deposits a mysterious Hefty bag at the curb. Like Condit's other video narratives, Possibly In Michigan shows bizarre events disrupting mundane lives. Combining the commonplace with the macabre, humor with the absurd, she constructs a world of divided reality.

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

In a celebrity-obsessed culture, filmmakers often exploit the downfall of a star to amplify the emotional undertones of the fictional films in which they perform.

Kevin Jerome Everson’s prolific body of work is grounded in formalism and combines scripted and documentary elements.

“The syntactic structure and lateral movement of Arcade match its fairground equivalent.

Eiko & Koma's second son Shin Otake created this video for the occasion of the 2004 American Dance Festival Scripps Award ceremony. Shin edited and narrated the video to convey Eiko & Koma's history and the concepts behind their works.

Derived from Ernie Gehr's Serene Velocity, Lossless #4 is the result of a digital file's debugging routine that reveals vectors describing apparent movement in the frame.

An audiovisual experience of the current Mexican war.

Steve Kurtz is a founding member of the Critical Art Ensemble and Associate Professor of Art at University of Buffalo. His areas of focus are contemporary art history and theory as well as post-studio practices.

Hotel Globo critically examines the changing urban surface of Luanda through video, photographic and performative incursions into the interior landscapes of the 1950s Hotel Globo in Luanda, Angola.

The University of Virginia gospel choir Black Voices returns home from a triumphant concert in Hampton Roads.

A love letter to the Internet from a feral cat in Brooklyn.

It's not my memory of it is a documentary about secrecy, memory, and documents.

Cloudless Blue Egress of Summer is a two-channel synchronized video installation. A composite of the two channels presented side by side in one video is available from Video Data Bank for educational use only.

John Smith’s Flag Mountain records a vast flag, the insignia of the Turkish Republic of Northern Cyprus, painted onto the side of the Kyrenia mountains overlooking Nicosia, the divided capital of the former island nation.

Segalove relates a tale from her childhood of a man's exposure with text (“the painter wagged it at me right here”), while an arrow blinks over a shot of the house where she grew up.

A detective is hired to find the original copy of a lost ancient book. The book recounts the tale of a plague. A form of radiation, unknown at the present time, activates a virus.

A primer in satellite system operation, Send/Receive extends the critique of media as commodity by asking questions concerning the people's right to access satellites.

Vision of Anahúac: Traveler, you have reached the most transparent region of the air.

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

Baldessari has Ed Henderson examine obscure movie stills and attempt to reconstruct the films’ narratives.

Europlex tracks distinct cross-border activities through the Spanish Moroccan borderlands and seeks to make these obscure paths visible.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

Frances, a young Gay Indian (2 Spirit), played by Lacey Hill, is struggling with the aftermath of a gay basing. Through her friendship with her ex Jean, she gathers the strength to go out in public again.

In this interview, Kori Newkirk (b.1970) describes his interest in the space that exists between categories. Hailing from the Bronx, earning a BFA at the School of the Art Institute of Chicago (SAIC), and finally settling on Los Angeles as his base of operations, Newkirk has always been motivated by a desire to eschew provincialism. In this conversation, he discusses the idea of regional identity, his complex relationship with the Los Angeles art community, and how his experience as a student at SAIC helped him move beyond the boundaries of a simple material definition of painting.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times – the period just after Chairman Bobby Seale was wro

"Brite Tip explores the indoctrination of children and police through an assortment of cross-fades, wipes, and other stock transitions. A highly danceable essay on breastfeeding."

—Gavin Smith

While moving through the streets of Paris, a brother and sister confront their incestuous past under the watchful eye of their female taxicab driver.

Plagued by blindness, sloth, and devotion, a troubled scene from Little House On The Prairie offers itself up to karaoke exorcism.

— Michael Robinson

The tapes in Facing the Self: Program 2 are organized around the appearance of the female form, particularly the face.