Framelines is an abstract scratch film made by laser etching abstract patterns on the film emulsion of negative and positive 35mm film.

BAGHDAD IN NO PARTICULAR ORDER is an ambient video essay of life in Baghdad before the invasion and occupation. Men dance, women draw and sufis sing as they await the coming of another war.

This is a later reworking of original video documenting the goings-on of the village, Tlocalula, Mexico in 1973.

The discovery of a VHS tape of the artist’s films for sale on eBay triggers obsessive speculation about the seller’s identity.

Plowman's Lunch is called a documentary because its intent was to explore actual occurrences—be these the building of the work, or what befalls the players.

Animal Attraction is a documentary about the relationship between people and animals that questions the way we project our hopes and desires onto our pets, and ascribe human qualities and attributes to their gestures.

Untitled for Technically Sweet was originally inspired by the Antonioni script of the same title for an exhibition curated by Yvette Brackman and Maria Finn and shown at Participant Inc.

Ascensor is an exploration of grief, longing and mysticism through a queer lens. It documents a syncretic ritual that culls from the magical reverberations in Mexican culture to process the unexpected loss of a dear friend.

Designed as the centerpiece of Eiko & Koma’s three-year Retrospective Project, Raven is a radically scalable work.

Black and White Tapes derive from a series of performances Paul McCarthy undertook in his Los Angeles studio from 1970 to 1975.

J. Morgan Puett is an internationally renowned artist living on a 95-acre compound in the deciduous forests of northeastern Pennsylvania.

Commissioned to be a "promo" for a loud punk rock band, Mr. Kuchar feared that the noise the band made would spoil the mood of his visuals, so he used the sound of a lush orchestra to score the picture and the antics.

"The title (Black Sun) is as evocative of solar eclipse as it is of the 'dark spleen' which doctors, all through Antiquity, used to attribute to melancholic and suicidal drives, especially as they affected artists.

The second in the Jaws series. Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

“Nancy Holt’s Revolve, a videotape where the artist, off-camera, interviews her friend Dennis Wheeler who is dying of leukemia, uses his illness and mental reflection as a metaphysical site.

System failure: A man repeats the story of a prison stabbing as something goes wrong with the tape.

Panzano creates a matrix where the three most taken-for-granted elements of any film (camera, subjects, and the spaces they inhabit) are all delicately at odds with one another — allowed to float freely, gauge the terrain, and stake out a compr

Taking aim at the social standardization enforced particularly on women's bodies, Rosler critiques the politics of "objective" or scientific evaluation that result in the depersonalization, objectification, and colonization of women and Others.

“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general.

Free Society is a short experimental music video that juxtaposes images of police harrassment in the U.S. with images of the military quelling revolutionary opposition. Includes comments from televangelist Jerry Falwell.

The strings of fate manipulate the living and the dead against a landscape of water vapor and watercolors which make more palatable the unacceptable and the undigestable.

An experimental portrait of a lighting stand-in and body double for a famous Hollywood actress, and a glimpse at the behind-the-scenes of cinema production

Music by The Velvet Underground.

As a "Post-Mexican” performance artist operating out of the US for over 20 years, one of my conceptual obsessions has been to constantly reposition myself within the hegemonic maps.

The performers are seated around a pink octagonal table on pink, violet, and silver cinder blocks. One performer (Robert Stearns) stands up, recites the credits for the piece, and then says, “Do you believe in water?

The four-part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

For 5 months, Clarke held workshops with young women, ages 18-23 years old, who were incarcerated at the Ventura Youth Correctional Facility in Camarillo, California.

A fragmented puzzle of a sinister narrative turned inside out and comprised of digital video, digital video animation, and Super-8, with model animation and human pixelation.

Filming is alchemy; preserving, seeing, devouring, cutting. Chopping the flow of images with a push of a button. It privileges a solitary unseen protagonist, choosing this over that and then that, it eats anything, not everything,

Community Action Center is a 69-minute sociosexual video by A.K. Burns and A.L. Steiner which incorporates the erotics of a community where the personal is not only political, but sexual.

The two related compilations of Julia Hechtman's video works titled Acts of Disappearance: Death and Acts of Disappearance: Environmental document twenty years of the artist's ongoing expl

CHANNELING is an entryway into the spirit realm and the queer body politic: a program of experimental moving image work that calls up the ghosts of the past and the specters of the future.

Revolving around a movie mogul’s familial intrigues, Made In Hollywood tells the story of two artists selling out to make movies, and a simple country girl’s angelic rise to fame despite it all.

In collaboration with DonChristian Jones.

An experimental video about immigration.

A speculative portrait of a Dutchman living in the Surinamese jungle, fixing canoe motors, who is accused of eating the locals' children.

Radio reports analyze staged photographs we do not see, showing the victims of a mass murder committed by Mexican soldiers.

“Criminality may present itself as a kind of saintly self-mastery, an absolute rejection of hypocrisy.”

—Angela Carter, The Sadeian Woman and the Ideology of Pornography (New York: Pantheon Books, 1978)

The University of Virginia gospel choir Black Voices returns home from a triumphant concert in Hampton Roads.

This is sort of an Easter holiday affair as it has bunny images in it, plus the finale was shot on an Easter Sunday visit to a friend’s gallery.

A newsletter that turned into a film about hands (fast forwarding through slow times).

"Inspired by Ralph Hocking's fish biting video.  Eighty-seven stones thrown, volumes shifting of water sound, a real time performance event. Holding the camera and throwing 87 stones into the frame. 1/2" reel to reel Sony portapack." 

“Hopinka’s video Mnemonics of Shape and Reason (2021) traverses the memory of a place and space visited by the artist.

“Living in Los Angeles is like being on vacation, or in a coma. I don’t really like it, but it’s so pleasant I don’t want to leave. I’ve only had one idea since I’ve been here and that was to video a cake in the rain in MacArthur Park.

A hand enters the screen and removes sheets of paper one at a time. This action continues in a seemingly infinite manner, without beginning or end.

Black Rain is sourced from images collected by the twin satellite, solar mission, STEREO.

"Black Holes/Heavenly Bodies-Hell is a high-tech nightmare about a coming-of-age in America in which violence and mediocrity are the potent background noise." – Steve Seid

An incomplete and imperfect portrait of reflections from Standing Rock. Cleo Keahna recounts his experiences entering, being at, and leaving the camp and the difficulties and the reluctance in looking back with a clear and critical eye.

Set in the industrial suburbs of Beirut, Majnounak (Crazy of You) explores male sexuality through interviews with three men who are asked to recount very openly the beginning, middle, and end of a sexual relationship they have experienced.

The Politics of Breathing: Tear Gas.