“This melodrama, staged by me and produced with my students at the San Francisco Art Institute, follows the turbulent journey of an aspiring singer as she flees a frigid environment to heat up a tepid career.

Within the historic district of Saida, Lebanon, a boy learns to capture light.

Cast: Husni Tutunji

Camera: Abdallah al-Bunni

Part of the paraconsistent sequence series.

Created in a deadpan presentational style reminiscent of Coonley's faux-instructional Pony videos, the Experimental Philosophy Trilogy fuses a farrago of materials appropriated from stock media archives, chroma-key mischief, and simula

Pursuing an answer to the title question, Segalove interviews kids, executives, consultants, etc., in order to educate herself as to the ins and outs of the financial world.

In January 2001, the KEN BURNS’ JAZZ promotional blizzard hit New York City.

"Harun Farocki was commissioned by the Lille Museum of Modern Art to produce a video about his work. His creation was an installation for two screens that was presented within the scope of the 1995 exhibition The World of Photography.

"On my mother’s side there are two lands I come from, separated by the Atlantic ocean, all those fathoms deep. The lands of my grandma and grandpa. I had been through the lands of my grandfather, that is where I still live.

A classic example of feminist performance videos of the 1970s, which often incorporated autobiography, expansion of self through personae, and assertions of a new identity for women.

In(sul)ar marks the dichotomy between reality and fiction, by creating meta-images of an imagined island, where time and space are confused with each other.

The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his y

Eiko performed unannounced in the Cathedral of St. John Divine, New York City as an artist in residence in 2016-2018.

Camera by Alexis Moh.

In this video diary of Breder’s trip, the viewer is given an after-hours tour of the Soviet capital.

A collection of three remarkable works by Sadie Benning, produced between 1995 and 1998, including German Song, The Judy Spots, and Flat is Beautiful.

"...Deep in the garden of the Artist's heart, ghosts of bygone worlds arise on gothic wings, calling forth delicious languors."

— Mike Kuchar

Which celebrity do you most resemble? For artist Kip Fulbeck, this question starts a rollicking ride that is part autobiography, part family portrait, part pop-culture survey, and all Disney* all the time.

Actions speed up, slow down, and run at regular speed. The usual props are there, as is a wet dog. Subtle nuances are revealed as the behavior of the anxiety-laden protagonists is rendered, for once, in real-time.

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

An eloquent personal narrative about the meaning of childhood and the use of children as political tools—specifically by “Right-to-Lifers” participating in the blockades of abortion clinics.

Company Line is a film about one of the first predominately Black neighborhoods in Mansfield, Ohio.

An image of the curandero in Tlocalula, Mexico.

Set in a campy western mining town, Stinkhorn tells the tale of a lady blacksmith named Dusty and her naughty trickster paramour, Blaze.

Subtitled "The Refusenik", "The Zealot", and "The Father", this video takes us on a journey where Germans, Turks, Israelis, Palestinians, fathers, grandmothers, daughters and animals are together for 13 minutes.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times – the period just after Chairman Bobby Seale was wro

Six powerful native women gather up to celebrate a new beginning and the end of the world as we know it.

Milton Resnick was born in Bratslav, Russia in 1917, and immigrated to the United States in 1922. Resnick was one of the few survivors of the second generation Abstract Expressionists, and is known for his large, thickly painted abstract canvases.

This classical animation explores personal memory, associations and atmosphere.

"I remember from the other room I could hear you violently buttering bread. I secretly hoped that I could be your next victim."

An Ocean Between Us expresses the desire for a relationship that is made up of transitions, successive time shifts, and coordinated changes without an essential unity.

Taken almost verbatim from a newspaper, The Arizona Daily Star, the video recounts the story of Ramona Barrrara, a New Mexico woman who saw the face of Jesus in a tortilla when she was rolling her husband's burrito.

Opening with jarring violence, Dani Leventhal's Tin Pressed proceeds to negotiate a balancing act between the bewildering tonal variances of daily life — with all of its unnameable and enchantingly fragmented specifics — and the gravitational u

American figurative artist Alex Katz (b.1927) has produced a remarkable and impressive body of work but is best known for his large-scale, flat, yet realistic portraits of friends and family notable for their relaxed attitudes and uncomplicated bearing.

In this conversation, Cathy Lee Crane (b.

An experimental investigation into the use of race as an arbitrary signifier.

I loved and was haunted by Jon Krakauer’s book Into the Wild and found Sean Penn’s cinematic adaptation to be absurdly overwrought. My original plan for condensing it was to string together all of its grandiose slow-motion shots.

The installation created by Monica de Miranda in collaboration with Teatro GRIOT accompanies the play Os Negros. It includes a photographic and video exhibition that abstractly uses the images inspired by the play.

There is so much to absorb: the wetness from the sky. The hooded figure in the box. A big plate of pasta, and that chair on wheels. Messages of moral guidance clash with actions that are on a collision course with dilapidation.

Ever listen to Loveline? Well, here's an episode with a 24-year-old Korean American guy who's never been kissed. They're offering free concert tickets to any girl who'll come in and take a chance.

A short documentary about life in the Everglades National Park with its few male residents. Living in the midst of a national park, they learn to exist with the wild.

Vera is an assisted self-portrait of consumption. The subject is a woman whose passions and compulsions are of spending and loss, taste and subjectivity.

I Stare at You and Dream is a slice of life melodrama that journeys to the core of interrelationships.

At nineteen, Barbara Kruger (b. 1945) worked as a commercial artist designing for Conde Nast.

Encompassing both Thanksgiving, Christmas and the exploding New Year's Eve celebrations, this holiday video is chock full of chicken and chatter befitting the season.

In Stitch, computer graphics are altered with image processing effects. Beeps and electronic music provide a soundtrack as abstract structures and evolving shapes and patterns rotate in space.

Commissioned by Visual AIDS for STILL BEGINNING: The 30th Annual Day With(out) Art 

Ireland, October 20th 2007

The filmmaker returns to the city where he made the first video in the series and looks back at the events of the past six years.

Taped on Prince Street in Soho, New York City, Skip Blumberg creates a one-word performance.

[A] postcard-sized [film that]…manage[s] to implicate the audience’s ethical imagination…Distant Shores models a necessary imaginative leap simply by juxtaposing footage of a Chicago River cruise with testimony of a migrant’s

Psychologically disturbed Professor Herville (Joe Gibbons) analyzes the literary classic Moby Dick. He gives a tour of the Herman Melville Museum and makes much ado about the book’s Oedipial themes.

Water and paths of migration converge to shape the borderlands along the U.S./Mexico boundary when staging actors in a politicized landscape leads to the rupture of fiction for fact.