Millie Wilson is an installation artist whose work proposes a relationship between modernist art practices and modernity’s production of deviance, particularly regarding lesbian stereotypes.
The Politics of Breathing: Tear Gas.
In a tape that stands out as one of the earliest examples of the use of appropriated television footage, Freed assembles a collage of images representing American media icons, from Mickey Mouse and Richard Nixon, to The Wizard of Oz and the Rol
If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.
As the cacophony of grieving opens onto the deep quiet of mourning, this poetic journey explores mortality as the psychic space of dwelling.
Incense Sweaters & Ice is a new feature film inspired by the idea that anything one does while being watched is a performance. The film follows three protagonists — Mrs.
It’s the first day of autumn, and Gibbons can already smell death in the air.
Wawa peeks at the anxieties and difficulties of communication through the interactions between speakers of an endangered Indigenous language, each from differing cultural backgrounds and generations.
"The films of John Smith conduct a serious investigation into the combination of sound and image, but with a sense of humour that reaches out beyond the traditional avant-garde audience.
This is the contained power of the sacred seeds, the vibration of the ancient seeds of corn and their passage through an ocean of pulsating luminosity. A germinal liturgy of holy seeds.
Interviewed by Colin Westerbeck.
A historical interview originally recorded in 1987.
In this diptych, Yi-Ching Chen plays the lowest possible sound on her tuba and Magenheimer's own electronically synthesized voice sings a letter that Ada Byron, the world's first computer programmer, wrote to her mother.
By using clips of evil queens/witches this video plays off the sadomasochistic lesboerotic subtexts commonly found in children's entertainment. A helpless maiden is tiring of her consensual s/m relationship with her lover, and "evil" queen.
Efforts to “decolonize” institutions are embodied in ritual acts of acknowledging Indigenous presence and claims to territory.
An experimental video about immigration.
Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Xąwįska — or the Indian Pipe Plant — used by the Ho-Chunk to revive those who have fainted.
Freed experiments with kaleidoscopic imagery while capturing images of children and herself around the home.
Woman, monster, animal? A portrait of a woman's face, the movement slowed down and reversed, the grotesquely made-up face examined in close-up.
Set to music by Bikini Kill (an all-girl band from Washington), Sadie Benning's Girl Power is a raucous vision of what it means to be a radical girl in the 1990s. Benning relates her personal rebellion against school, family, and female stereotypes as a story of personal freedom, telling how she used to model like Matt Dillon and skip school to have adventures alone. Informed by the underground “riot grrrl” movement, this tape transforms the image politics of female youth, rejecting traditional passivity and polite compliance in favor of radical independence and a self-determined sexual identity.
VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973.
Two performers, Acconci and a young woman, occupy two wooden boxes in separate rooms, connected via monitor, camera, and microphone.
This is not a sight-seeing film, but a poetic journey through light and darkness reflected on the city of New York, where I often found empty spaces and times like Ma in Japanese. You do not often see the people walking on the streets or in the bu
The Battle of Karbala (680) resulted in the death of Hussein, the grandson of prophet Muhammad and all his supporters. This battle is central to Shi'a Muslim belief in which the martyrdom of Hussein is mourned by an annual commemoration, Ashura.
Cloudless Blue Egress of Summer is a two-channel synchronized video installation. A composite of the two channels presented side by side in one video is available from Video Data Bank for educational use only.
John Cage’s compositions and performances have had a profound influence on generations of musicians and artists. In this tape, he initiates For the Third Time as author Richard Kostelanetz interviews him.
Identically dressed, and with sibling-like resemblance, performance artists Trevor Martin and Kym Olsen shift between spoken word and athletic dance choreography in a collection of 29 scenes.
"Gregg Bordowitz’s 2017 performance lecture Only Idiots Smile features the artist on a stool in the New Museum’s top-floor sky room, riffing on the formation of his identity.
As a well-known painter and collagist, teacher at the School of the Art Institute of Chicago and mentor to the Chicago Imagists, Ray Yoshida (1930-2009) had far reaching influence. In this interview, Yoshida offers a tour of his home, showing us the unique dolls, masks, trinkets and tattoo art from which he drew inspiration. Describing his own stylistic progression from the late 1950s to the early 1970s, Yoshida also talks about the collage aesthetic and persistence of visual complication in the Chicago Imagist style, demonstrating its various permutations by showing off his collection of works by former students at SAIC. A lover of curiosities, Yoshida also describes discussions he had with Chicago artist Roger Brown about opening a museum for their vast collections of oddities.
— Kyle Riley
Edited from over seven hours of interviews with Houstonian Beverly (last name withheld), Telephone Dating: A Quest for That One Special Man is about the oftentimes frustrating s
Broadcasters across Ireland and Britain have entered into a blackout strike. The workers are transmitting a programme bringing censored voices back onto the airwaves.
“On the surface, Rea Tajiri’s work reads like the standard deconstruction of appropriated popular media via text to which we have grown accustomed in the ’80s.
The third video of the installation Touch Parade, which as a whole explores “plastic love” or fetish culture and the assimilation of marginalized sexuality on th
"Superimposing the stories of two women—the filmmaker’s late grandmother and the amateur filmmaker Joan Thurber Baldwin—Home When You Return explores the psychogeographies of mourning through a variety of
Rudy Burckhardt (1914-1999) was best known as a photographer and filmmaker. He moved to New York from his native Basel in 1935 at age 21.
Cobra Mist explores the relationship between the coastal landscape of Orford Ness and its traces of military history, particularly the extraordinary ruined architecture of experimental radar and the Atomic Weapons Research Establishment.
Actions speed up, slow down, and run at regular speed. The usual props are there, as is a wet dog. Subtle nuances are revealed as the behavior of the anxiety-laden protagonists is rendered, for once, in real-time.
A video which introduces potential NRO informants and accomplices to the concept of Savage Philosophy™, which asserts that signs have a real and physical connection with things, that signs take part in things instead of taking their place.
Video from the 2nd Interactive Electronic Visualization Event (IEVE), a collaboration event with SAIC's Video Department and the University of Illinois Circle Campus.
Hotel Diaries is an ongoing series of video recordings made in hotel rooms, all of which relate personal experiences to contemporary world events.
This Was Home is comprised of three channels, which present three generations of the artist’s family.
The Videofreex tape a group of young people working on a farm run by Chris Locke and his wife in Shandaken, NY. After learning how to take care of the chickens, they are taught how to kill and pluck one. Later they sit down for a communal di
The Guerilla Girls are an anonymous activist group who refer to themselves as “the conscience of the art world” and whose stated goal is to combat racism and sexism.
A minimal, suggestive narrative about a summer trip to the Jersey Shore, fictionalized by subtraction.
A woman is lying on her back on the floor. She seems to be tied down on the ground, but she is holding her ankles with her own hands. She wears only tights and a pair of high-heeled red shoes. Her hair-covered face makes her an anonymo
Documentation of the installation The Future of Metropolis at Technical University in Berlin, Germany.
A portrait of Luce Vigo, film critic, educator, and the daughter of pivotal French filmmaker Jean Vigo.
The artist follows the British government's advice while self-isolating at home during the COVID-19 lockdown.
In this cooking demonstration/performance, Sobell wears a chicken carcass over her face while dressing (literally, in baby clothes) a chicken to be cooked for dinner.
Ireland, October 20th 2007
The filmmaker returns to the city where he made the first video in the series and looks back at the events of the past six years.
Originally part of a larger sculptural installation using prospector's tools, this tape reenacts the search for "Olga," a miner's wife who disappeared on her honeymoon in 1936. As Paul and Marlene Kos call out, "Olga...