This video features California artists: drawer and painter Deanne Belinoff, sculptor and poet Sana Krusoe, wood relief carver and painter Palema Holmes, and New York-based video artist Shirley Clarke.

"Fusco revives and embodies the chimpanzee animal psychologist Dr. Zira from the original Planet of the Apes films of the late 1960s and early 1970s.

Visit a ghetto for the gifted in this Christmas tape that features painting, cooking, and a private tour of cubicles dedicated to culture. Revel in the un-whiteness of a Los Angeles holiday and bask in the heat of noshing newlyweds. Happy New Year!

Using footage from a trip to the Orient, images of objects, products, the city and nature, Rankin investigates society's reverance for the "exotic" and the "pure" as manifested in tourism, Communism, Coca-Cola, Las Vegas, the Civil War, Hollywood, and p

With a combination of Hollywood, European, and Israeli film; documentary; news coverage; and excerpts of 'live' footage shot in the West Bank and Gaza strip, Muqaddimah Li-Nihayat Jidal (Introduction to the End of an Argument) critique

A structure of Lawrence Weiner.

Player: Alice Zimmerman; Computer Graphics: K. Hassett; Sound clips from “Postcards from Heaven,” “Ships at Sea,” “Sailors and Shoes”; Music: Ned Sublette, ASCAP; Lyrics: Lawrence Weiner, BMI

The close collaboration between internationally celebrated artist-filmmakers Ben Rivers (Two Years at Sea) and Ben Russell (Let Each One Go Where He May) has yielded an intriguing ethno-trance aesthetic

This compilation features five music videos produced by Cathy Lee Crane from 1995 to 2022. 

NOMADS at the 25 DOOR is presented in three chapters and based around a series of interviews between Finley and Mickey Yates, a 22-year-old woman serving a double life sentence in the Nevada Women’s Correctional Institution for the murder of he

Kent Merritt waxing poetically about being one of the first four Black scholarship athletes at the University of Virginia.

A poem is read and emotions are unleashed. A book is signed and pets pampered as this tour of talented talkers weaves its way through Provincetown and New Jersey (with a turbulent exit in Manhattan).

There are times when concurrent multiple realities demand an attempt to determine who has this "place in the sun" and where, exactly, it is located. Hearts and Helicopters occurs at that moment in the lives of four people.

In an empty room, a slideshow projection of abandoned places plays alongside the narrative of two girls who find themselves on the shores of a pre-apocalyptic paradise.

From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.

...As the Moth is lured to the candle's flame, so it is that a group of misfits enter a dark house to converse with shadows amid the dust of Time.

—Mike Kuchar

Through a stack of personal journals, this video reconstructs a biography of the South Dakota-born, New York City-enlightened artist James Wentzy.

Conversations Across the Bosphorous intertwines the narratives of two Muslim women from Instanbul, Mine and Gokcen, who demonstrate through poetic voices how their relationship to faith has shaped and determined their personal lives.

... part Bronx reminiscence, part landscape fantasy; part morality play, part melodrama. A film in many parts with monologue segments written by James Strahs for Willem Dafoe, Spalding Gray, Ron Vawter, Peyton Smith and Luche Sacker.

In the solar system 18 SCORPII, located some 45.3 light years from Earth at the northern edge of the Scorpius constellation, two planets have evolved cultures of profound mutual symbiotic reliance.

Timely concerns about the future of video, artists’ complicity in the money making system of the ‘establishment,’ and the effect of the camera’s presence on personal encounters, is discussed and debated in this late night video produced by David Cort, C

In this episode of the Whispering Pines series, Moulton's character Cynthia is confronted with a distorted mirror image that slips between the grotesque and the exotic, depending on her posture.

Richard Ross discusses his interest in photographing museums—their display of objects, frames, the entire context—in order to question our definitions of the museum.

A specific period of late-night TV channel surfing is dissected and manipulated through fast forward and freeze frame.

Dark Sun Squeeze is a darkly meditative exploration of a sewage treatment plant, revealing the hidden rhythms and bizarre journey of raw human waste.

This video was produced as a part of Eiko & Koma's exhibition Time is not Even, Space is not Empty which opened at the Zilkha Gallery in Wesleyan University in the fall of 2009.

Now That I've Lost My Buffalo, I Don't Know Who to Grind is a short animation conceived through the collaboration of three visual artists — Diane Christiansen, Jessie Mott, and Alejandra Trigoso — that stages a volatile theater of bodies in flu

Body Prep helps fortify and support the body during any level of activity—low, medium, or high intensity. It compares various alternatives to weightlifting with natural and artificial light sources.

This is a three-part tape shot in 1975, ’76, and ’78 as Winsor was working on three pieces: 50/50, Copper Piece, and Burnt Piece. The rhythms and rituals of her working process as well as her comments on the work are documented.

In Blood & Cinnamon Mott’s creatures discuss existential crises as they flip and rotate and disappear from view.

--F News Magazine, December, 2010

The film reexamines J. Robert Oppenheimer's speech at Princeton Theological Seminary in 1958.

A caricature of a professor teaching English to non-native speakers. Her mannerisms, her accent, the content of her speech—all are absurd, in the tradition of an Ionesco character.

In our 'freelancer' age in general, even before the lockdowns, many find themselves domestically confined, using mostly a computer screen to branch out.

Crossings and Meetings explores the image and sound of a walking man, expanding a simple image into increasingly complex permutations and arriving at what Emshwiller calls a "visual fugue" in time and space.

Dykes and trans guys take over the Jackhammer for a punk show.

Feminist artist Lynda Benglis is known for her sculptures, video performances, paintings, and photography. Her work in the 1970s was controversial, delving into issues of gender roles within and outside the art world.

A shot-for-shot remake of the climax of Tokyo Story (Yasujiro Ozu, 1953).

¡Macho Shogun! was created by Reed Anderson and Daniel Davidson over a single weekend some time in 2000.  It's your basic monster-robot / destroy-city kind of video that we wanted to make when we were kids but never did.

How Little We Know of Our Neighbours is an experimental documentary about Britain's Mass Observation Movement and its relationship to contemporary issues regarding surveillance, public self-disclosure, and privacy.

1933. Berlin. The last year of the Wiemar Republic. Through the lense of her personal "home movies", Leni Riefenstahl records a day in her life with a young Eva Braun.

Veronica Majano depicts the character of a street in the Mission District of San Francisco.

amaurosis is an experimental documentary about Dat Nguyen, a blind guitarist living in Little Saigon, Orange County, California. Dat Nguyen was a "triple outcast": blind, Amerasian, and an impoverished orphan.

Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin.

Half On, Half Off documents a team of workers on a Pensacola, Florida beach dealing with the aftermath of the recent Deepwater Horizon Spill.  Filmed one frame at a time, compressing hours of work onto a single 3-minute roll of 16mm film.

This is the howl, gaze, and agitation of the Coyote into the mountain. The Path of the Coyote.

A call from the beginning, the ancestral water, the everlasting belly from where life cries out.

The performers are seated around a pink octagonal table on pink, violet, and silver cinder blocks. One performer (Robert Stearns) stands up, recites the credits for the piece, and then says, “Do you believe in water?

Dani Leventhal gathered material for 9 minutes each day, then condensed it down to this 16-minute video montage of impressions which has a cumulative effect, accessed and read differently depending on the mental connections the viewer makes.

Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and c

Vice President Mike Pence eagerly plays cheerleader in chief for Donald Trump.

In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl rubbing his legs under the table.