The politics of the interior of the house – as both psychological and physical space – is lacking in historical accounts of modern architecture.

Snow falls gently in the background as kielbasa is cut and Walter Kapsuta mans the accordian in this Christmas special. Also on board is filmmaker Sharon Greytak, as she and I discuss matters of the flesh and joints.

THE COUCH CHRONICLES, are ruminations on place, the times, and the general question of what's on one's mind that's worth mentioning to others

A meditation on birth, silence and American cinema, sealed with a kiss.

A woman recounts her story of the mass exodus of Palestinians from Jerusalem. Beginning with the arrival and ending with the departure, the tale moves backwards in time and through various landscapes.

Phenomenolgocial dramas involving household objects like candles, spoons, and matches, unfold with an extreme economy of gesture. Fox balances a spoon and a piece of ice on top of a bent fork.

The passage from Germany to the United States influenced by moments lived during WWII era Germany.

The Jersey Devil lives again in this work the students and I mounted (or disrobed) for skeptical scrutiny.

These five short videos introduce Judy, a paper maché puppet who ruminates on her position in society.

This video diary visits two sites that exhibited my visual works this past year, culminating at the VOLTA ART SHOW in N.Y.C., where I sold some paintings and a photograph.

Thinking of herself as a spy assigned by the female sex, Green reinterprets baseball’s symbolism—its womblike landscape, its cycles and rituals—and constructs an iconography that pays homage to the female.

A Meditation on Nature in the Absence of an Eclipse is a poetic glimpse into the ways centuries of extraction, racism, pollution, and nature's commodification have altered our relationship to sacred land, water, and reso

In 1985, Hassan Zbib and Olga Nakkas separately started to develop film scenarios based on simple narratives, and would shoot them on Super 8, which was still possible to develop in Beirut at the time.

In this video, Glennda Orgasm and Chris Teen travel to Washington, DC to attend a feminist art exhibition titled Walk the Goddess Walk at the District of Columbia Arts Center.

Marielle Nitoslawska’s Breaking the Frame is a feature–length profile of the radical New York artist Carolee Schneemann.

A portrait of Marion Eaton, film and stage actress, etched with a green thumb and a brown nose.

140 Over 90 is about the crisis of hypertension in the Black community.

Cast: DeCarrio Couley, James Williams.

Using the Islington Gazette and local pigeons as my guides I strolled, re-strolled, and strolled some more along the Essex Road: updown, downup. Paving stones, buses. Railings railings railings. More buses.

My Mother Married Wilbur Stump is a video family album compiled by Skip Sweeney, a founder of San Francisco’s Video Free America, an alternative media facility. The video documents a discussion between the artist, his mother, and sister ab

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons, whose springboard becomes a surfboard as he fantasizes about his days as a lifeguard in 1963, when the young Brian Wilson would sit and jot down the songs he would sing while saving lives.

Operation Atropos is a documentary about interrogation and POW resistance training. Director Coco Fusco worked with retired U.S.

Filmed directly from the screen of a smartphone using a language translator app that has been told to translate from French into English, Steve Hates Fish interprets the signage and architecture in a busy London shopping street.

“Mining an ironic vein by turning technology against itself, AlienNATION undercuts the sociological ramifications of modern living.

Defiantly humorous in its tone, Delirium reflects Faber’s mother’s personal experience with what has been classified as “female hysteria.”  While never reducing her mother’s condition to a single explanation, Delirium firmly and c

In Over My Shoulder, Gordon uses hand gesticulations against a white sheet to communicate both violent and sensual emotions.

In 1998, Zaatari interviewed Egyptian photographer Van Leo in Cairo.

Although this episode promises, at first, to be a typical program of Lanesville Television—presenting two videos of previously shot footage of a truck wreck and a recent opening of a Buddhist Temple in South Cairo, NY—an unplanned event, arisin

The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.

Military Road is a project of visual mapping of the suburban realities of the city of Lisbon in connection to the migrant fluxes to Europe conected to de-colonization and the end of the Portuguese Empire in Africa.

A troupe of male and female jugglers and musicians perform for a growing crowd in Central Park, New York, led by Hovey Burgess and Judy Finelli.  The sun is shining, and the troupe are skilful, playful, and flirtatious. 

Emory Douglas is a political artist and activist, producing revolutionary art for important political movements.

Horace Bristol discusses his long career in photography, which began with shooting for Life and Fortune magazines in the 1930s. His photojournalism took him to the Dutch East Indies and post-war Japan.

Millie Wilson is an installation artist whose work proposes a relationship between modernist art practices and modernity’s production of deviance, particularly regarding lesbian stereotypes.

In 1998 I made a sculpture of a decapitated head. I featured it in a photo and video. I thought of the head as a character whose adventures would be documented.

Flesh and blood souls breathe forth the colors of doubt, guilt and a hope for "peace of mind" in a world without moral directions...

Richard Prince appropriates images from commercial advertising and travelogues for his photographs. Choosing these images for their melodramatic, super-real power, he then isolates their stylistic realism to accentuate its rhetoric.

Still Life gazes unflinchingly at the violence of war, observing the West Bank and Gaza Strip collapsed under Israeli occupation.

Part of the Hauntology Film Archives series.

Equal Rights for Unborn Drag Queens is a satirical short video in which Brenda and Glennda critique anti-abortion politics, homophobia, and religious fanaticism in the media.

Letters, conversations: New York-Chicago, Fall, 2001 is driven by a fragmented voice-over that criss-crosses between two female voices – one seemingly formal and distant, the other more conversational and intimate.

20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere.

"Between March 1972 and February 1977, the Videofreex aired 258 television broadcasts from a home-built studio and jerry-rigged transmitter in an old boarding house they rented in the tiny Catskill Mountain hamlet of Lanesville. It was a revolutionary act in defiance of FCC regulations — the first unlicensed TV station in America."

On September 11, 2021, Eiko Otake performed at 7am and 6pm at Belvedere Plaza in Battery Park City by the Hudson River, directly west of where the Twin Towers once stood. This video work is from the 6pm performance. 

The horizon, where the sky and the earth meet, is always elsewhere, a promised place where these two elements come together. A metaphor, an orienting, a promise of transition, change, transcendence.

The Action Series finds our alienated heroes in desperate attempts to communicate and find a way out of their endless crisis scenarios. The two pieces share a domestic setting, though this is no comfortable home away from home.

“Jesus Christ, look at the white people, rushing back. White people don’t care, Jack...” - Richard Pryor

A portrait of New York author Joe Westmoreland. Joe is reading from his short story Sweet Baby Joe. This video was shot in 2014 in Joe's Chelsea loft, and the reading was recorded in 2016. 

In Joan Does Dynasty — a hilarious classic of feminist media deconstruction — critic Braderman literally projects herself onto the set of the favorite series of one hundred million people in 78 countries.

This first work in the HalfLifers' Action Series plunges into a world of frantic heroes trapped in a continual crisis of dissolution and reification. An ordinary domestic setting is recast as a psychoactive landscape in which the concept of function becomes situational and fluid. Only through the strategic application of organic and inorganic “devices” can this zone be successfully navigated and the mission be saved.