Hub proposes that the idea of home is today perhaps better expressed as a sense of being between places.

Decidedly low-tech, this optical abstraction begins with a shot of an aluminum reflector inside a lamp; a lightbulb in the shot’s center flicks on and off.

A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

... it's not what it used to be.

a personal album and homage, in my own way, to an influential film ... a closet-cleaning scrapbook of beloved photos and oddities ‐ and the gift of fire.

–– Ken Kobland

Taking its title from the four consonants of the ancient Hebrew name for God, Tetragramaton contemplates the relationship between man, technology, and ecological systems.

Fluid Frontiers is the fifth and final film in the series entitled The Diaspora Suite, exploring Asili’s personal relationship to

Anhedonia doesn't play to the back of the church. It shoots directly to the point with poetry and images that evoke controversy in one mind set and passion in another. Depression and suicide are met head on with Cuthand's honesty.

This rapid-montage music video for John Sex’s song “Hustle with My Muscle” portrays the singer as a ladies’ man with ample endowment to share. “Can you handle all the man below my belt?” he provocatively asks.

Every Wandering Cloud is the first installment in a series of experimental videos inspired by the writings of Oscar Wilde.

Wawa peeks at the anxieties and difficulties of communication through the interactions between speakers of an endangered Indigenous language, each from differing cultural backgrounds and generations.

In a world of Internet and high technology, there still remains something so arcane, so simple and extraordinary, so absolutely incredible as a circus of educated fleas. Marvel at Maria Fernanda Cardoso's work as the powerful Brutus (The Strongest Flea on Earth) pulls a locomotive that weighs 160,000 times his own weight. See the flea ballerinas dressed in micro-tutus, dance to the rhythms of Tango! Hold your breath as the highwire artists defy gravity on the tightrope and swing precariously on a miniature trapeze.

Les Levine has had a longstanding involvement with media. His works-video, installations, public posters, and other forms-have often dealt with the effect of images on our lives.

Poet Leticia Plotkin's final poem, intended to praise the ancient deities who control one's fate, turns instead into a bitter damnation scribbled in venom.

Bracketed by the Fall of Berlin Wall and the Collapse of the World Trade Center, a decade that saw the ossification of the neoliberal project, the rise of third-wave feminism, the proliferation of digital media, and even, perhaps, the “end of history":

China, Beijing, I Love You! is an animated film about extraction of nickel and cobalt along China's Maritime Silk Road.

Holt's terrain is her Aunt Ethel's home in New Bedford, Massachusetts, presented in still images and excerpts from letters to the artist from her aunt.

Solstice is a music video illustrating the feelings inspired by this holiday song written by a young man I met in Atlanta, Georgia, Andy Ditzler.

Ulrike Ottinger is a prolific German filmmaker whose work includes Madame X (1977), Ticket of No Return (1979), Freak Orlando (1981), Johanna D'Arc of Mongolia (1989), Countdown (1989), and Exile Shanghai

An artist looses faith in the world his brush depicts...

In this tape, shot in August 1970, a number of Hells Angels are interviewed on the street in New York City. They talk about their bikes and their preparations for a “run”, and their reactions to the way they are portrayed by the mainstream media.

In this interview, communications theorist, Gene Youngblood (b. 1942) maps out the various stages of the development of video technology and its philosophical implications for human interaction. The range of topics discussed moves beyond video to offer an extensive and rich survey of American culture from the 1960s to the present moment. In addition to discussing his canonical text, Expanded Cinema, Youngblood shares stories from his early days as a police reporter for the Los Angeles Herald Examiner, where he gained intimate knowledge of the media’s politics of representation. With the acuity of hindsight, Youngblood discusses important self-discoveries, and his life-changing decision to move from the mainstream media into the world of the underground press.

Beach House is a film about a unique example of rural modernism built on the UK coast of Suffolk by the architect John Penn. As well as being an architect, Penn was a painter, musician and poet.

The two Social Studies videos call into question fundamental assumptions about the cross-purposes of entertainment: to entertain, to present cultural values, to mediate public policies, and to define social relationships.

A two part treatise on needs, met and unmet. A painter putters around his apartment. Spoils his cereal with rotten milk, gets a do-over with a fresh gallon.

A familiar landscape comprised of big box stores and parking lots proves a rich site for longing, intimacy, and radical change. Celebrities are observed in this environment and are reduced to ordinary beings in the process.

"A cup and saucer, pouring and drinking coffee, a duration ritual of contemplation and invigoration, doubled (tape copied), mixed, keyed + synthetic color, normal play and rewinding, sync events, the opening of a space to put the self in.

John Smith’s Flag Mountain records a vast flag, the insignia of the Turkish Republic of Northern Cyprus, painted onto the side of the Kyrenia mountains overlooking Nicosia, the divided capital of the former island nation.

This tape was originally an installation at the Whitney Museum of American Art, part of which included the video collaboration Channels of Desire.

A contemporary vision of the ancient valley of Anahuac. It has been integrated into the life of the current city of Mexico.

Part of paraconsistent sequence series and the hauntology series.

In this hour-long video, Dan Sandin demonstrates and explains in detail on modules of the Sandin Image Processor.

Waves crash on rocks as tongues flap in the wind about all things cinematic.

A sort-of music video that focuses on and under young women and men engaged in focusing video and movie cameras on other young men and women.

A man learns his daughter has been brutally murdered by her husband.

Employing the 'case studies' of Helen Keller, Genie the 'wild child' and Angel at My Table author Janet Frame, Goss's extraordinary video contemplates the struggle to be heard, to break free from the prison of the incommunicable self.

A montage of architecture and cabaret, juxtaposing a second hand view of New York as refracted through this artist's eyes.

Confrontation is the element that defines Acconci’s work, from explorations of the body and self to his performances, videos, and installations to the more recent “transporting and self-erecting architecture.” Throughout his wo

A short anecdote created for an exhibition in commemoration of the events of September 11.

Resisting the regime of the counter-shot, this experimental short fiction film follows the story of Alex on the eve of Le Pen’s defeat in the 2002 French presidential election.

The strings of fate manipulate the living and the dead against a landscape of water vapor and watercolors which make more palatable the unacceptable and the undigestable.

This is an edited excerpt of Eiko and Iris McCloughan's experiment working over Zoom on May 5, 2020 as a part of Eiko's Virtual Creative Residency hosted by Wesleyan University. 

A document of two life processes: the passing of my friend Andre’s 10 year old German Shepherd, Cortàzar, and the tattooing of Cortàzar‘s image on Andre’s chest.

Images from magazines and color supplements accompany a spoken text taken from Herbert H. Clark’s “Word Associations and Linguistic Theory” (in New Horizons in Linguistics, ed. John Lyons,1970).

Based on the filmmaker's autobiography, You Are Here examines the search for home within our era of transnational displacement.

In this tape made shortly after fiber and sculpture artist Claire Zeisler’s death, art critic Dennis Adrian discusses her influence and aesthetic strategies.

Through poetic juxtaposition of the virtual landscape of the phone, the calm landscape of the cabin, and the chaotic landscape of memory, 1991 paints a cruel image of the horror of war and separation.

Irradiation is the thermal emanation of vital heat, the ancestral support that immerses beings in the solar blood. This is the immersion of beings in the bloody solar flow that gives the intense color of our present time.

This early Videofreex production exemplifies the type of imaginative approach that the collective adopted when exploring the medium of video, and how, in many ways, this balance of play and experimentation defined and unified the group's work from the v

Sections 31-60 of an incomplete extended poem describing the artist's connection to the radical black tradition. The completed poem will be formed of 180 sections.

“[Segalove] pursues her self-analysis via the popular culture and TV addiction of her youth: seeing JFK shot on TV, falling in love with the TV repairman, being glued to the tube while suffering from the requisite bout of mononucleosis, and associating