Primate Cinema: Apes as Family is a drama made expressly for chimpanzees – and the chimps' reaction to its screening at the Edinburgh Zoo. Chimpanzees watch television as a form of enrichment in captivity.

In a motel in El Reno, Oklahoma, George observes the weather and copes with leaking air conditioning, food shopping, loneliness, television, and eating, among other things.

At the computer, I cut video threads of wind storms and quaking trees.

Newton Harrison, born 1932, is one of the earliest and best known social practice and environmental artists.

Weaving Stories While Walking, a reading-performance film by Sónia Vaz Borges and Mónica de Miranda, interweaves multiple accounts from members of the resistance against the colonial powers in Cabo Verde, Guiné-Bissau, Angola, and Portugal.

Cheang has taken her camera to the streets for a candid glimpse of lesbian public sexuality.

A very special episode of television's Full House devours itself from the inside out, excavating a hypnotic nightmare of a culture lost at sea. Tropes of video art and family entertainment face off in a luminous orgy neither can survive.

Based on a painting depicting St. Bernard receiving milk from a statue of the Virgin Mary.

Words: Donald Kuspit

Performer: Heidi Bartlett

Sound/Camera: Hans Breder

Post-production: Adam Burke

Slip is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

In this impressionistic piece, O’Reilly provides a gripping portrait of personal trauma, while detailing the severe mental and physical confusion following two incidents.

In Aspect colour, light and shadow shift across the surface of the forest as the duration of a calendar year is condensed into minutes.

Timely concerns about the future of video, artists’ complicity in the money making system of the ‘establishment,’ and the effect of the camera’s presence on personal encounters, is discussed and debated in this late night video produced by David Cort, C

The four‐part cycle Parallel deals with the image genre of computer animation. The series focuses on the construction, visual landscape and inherent rules of computer-animated worlds.

Richard Ross discusses his interest in photographing museums—their display of objects, frames, the entire context—in order to question our definitions of the museum.

A specific period of late-night TV channel surfing is dissected and manipulated through fast forward and freeze frame.

A rockin’ talkin’ pony and its human companion examine the evolution of Halloween games, from the ancient rite of bobbing for apples to the contemporary spectacle of American football.

Despite assurances from local municipalities, a fact of life is that Manholes blow sky high more frequently than most people realize.

A childhood experience is projected on a shadowy wall of a former movie theatre. A racist cinematic trauma passed between friends and family is remembered among the rustling of leaves and reflections of trees on an iPad screen.

This film is an appropriation from the 1949 movie On the Town.

This is a three-part tape shot in 1975, ’76, and ’78 as Winsor was working on three pieces: 50/50, Copper Piece, and Burnt Piece. The rhythms and rituals of her working process as well as her comments on the work are documented.

Tales of a Future Past is a video about a giraffe and a zebra who fight over an undefined baby creature, in hopes of making it one of their own species.

One plus one is two. Two plus two is four. Four plus four is eight. Eight plus eight is sixteen. Sixteen plus sixteen is thirty-two.

A caricature of a professor teaching English to non-native speakers. Her mannerisms, her accent, the content of her speech—all are absurd, in the tradition of an Ionesco character.

Crossings and Meetings explores the image and sound of a walking man, expanding a simple image into increasingly complex permutations and arriving at what Emshwiller calls a "visual fugue" in time and space.

Logging and approximating a relationship between audio recordings of the artist and his father, and videos gathered of the landscapes they both separately traversed.

Child masterfully composes a rhythmic collage of symmetries and asymmetries in a fluid essay that forefronts the treatment of the body as a mechanized instrument — placing the body in relation to the man-made landscape of factories, amusement parks and

Turn the lights down / Way down low / Turn up the music / Hi as fi can go / All the gang's here / Everyone you know / It's a crazy scene / Hey there, just look over your shoulder / Hoo hoo / Get the picture?

"The gerbil has long been associated with New World capitalism because of its incessant energy. The Golden Age of Hollywood takes on the history and evolution of this delightful household pet."

— International Film Festival Rotterdam (2003)

IN TRANSIT was shot in HD video during travels between 2008 - 2010. It is both an observational documentary and an experimental work in form and intent with an overall lyrical quality.

The place where my students and I confront each other and glimpse into a world infiltrated by beloved infidels.

A foley artist creates sounds for a film featuring a dressage horse and dissolves into their own imitation.

Untitled for Technically Sweet was originally inspired by the Antonioni script of the same title for an exhibition curated by Yvette Brackman and Maria Finn and shown at Participant Inc.

Addressing the imbalance of information flow between the wealthy and the destitute nations of the world, Towards A New World Information Order suggests means by which this imbalance might be rectified, including ways to control the press.

Apichatpong Weerasethakul is a venerated Thai artist and moving image maker who has directed many short works, and several feature films.

This is the howl, gaze, and agitation of the Coyote into the mountain. The Path of the Coyote.

This experimental documentary meditates on the space between two bodies and explores three key bodies in transition: the erotic "cruising" body, the transgender body, and the pregnant body.

A newly re-mastered collection of 17 vignettes and performances to camera, produced during 1974-75. Some use props and sight gags to preposterous effect; others star Man Ray, lapping milk from a glass, stopping marbles and dropping balls.

“We lose good artists to the past all the time because their work was ephemeral, or difficult, or fashion wasn’t on their side.

Carole S. Vance is an anthropologist and writer and Associate Research Scientist of Public Health and Director of the Program for the Study of Sexuality, Gender, Health and Human Rights at Columbia University.

1. The idea that a film about a city, a quiet, architectural film no less, can tell us anything that we don’t already know about urban life at this point in our new century is perhaps a bit arrogant.

"Interested in the hidden corners of exoticism and a reinterpretation of history as an aesthetic challenge, Colombian resident in France, Laura Huertas Millán (Bogotá, 1983), presents in Aequador—in her own words—'a parallel present modified by

flight is a frame-by-frame re-editing of an astronaut walking on the moon into a seven-minute long meditation on technological transcendence. The unstable, stuttering image depicts the astronaut's struggle to separate from his body.

By accident, the content of a computer encyclopedia is transferred into the brain of an animated parrot resulting in the emotional breakdown of a fine peach.

Oued Nefifik: A Foreign Movie is an experimental narrative that incorporates an actual political situation. The film was shot in the immediate aftermath of violent repression following food riots in Casablanca, June 1981.

Advice for Immigrants is an ongoing short video series that presents strange and humorous advice for immigrants around the world.

A Prayer For Nettie dramatizes the death of an elderly woman who was Cumming’s photographic model from 1982 to 1993, presenting an improvised series of prayers and memorials for Nettie Harris by people who knew her, and some who did not.

A minister recounts the perceived catastrophe that is butt sex. Pegging ensues.

West coast artists, Mike Mandel (b.1950) and Larry Sultan (1946-2009) became artistic collaborators in 1972 while both enrolled in the San Francisco Art Institute’s MFA program.

Adam Khalil and Zack Khalil’s debut film re-imagines an Anishinaabe story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans.

Dead Body Pose absurdly touches the contemporary bubble, encapsulating both connectivity and spirituality, a connection fueled by the global capitalistic consumption of the self.