The Waiãpi videomaker Kasiripinã decides to show white people the documentation he did on his people in Amapo. He presents and comments on three celebrations that represent episodes of the myth-cycle of the creation of the universe.

Produced in collaboration with MICA-TV, Summer of Love is a public service announcement produced for the American Foundation for AIDS Research. Featuring The B-52’s, David Byrne, Allen Ginsburg, Quentin Crisp, John Kelly, and others.

This video, shot in March 1970, contains raw footage from a Women’s Liberation event and discussion that took place in an art space. The tape begins with shots of the crowd mingling while music and speeches are heard in the background.

Deaf Dogs Can Hear is an autobiographical work that traces the tragic yet humourous episodes of the artist as a young girl, and her pet chihuahua.

Fulbeck force-feeds the viewer scores of all-too-familiar Asian female/Caucasian male pairings in Hollywood films, and combines them with contemporary excerpts from best-selling novels, magazines, and dating services.

Blind Huber is a film interpretation of a poem by the American writer Nick Flynn loosely based on the life of Francois Huber, the blind 18th Century beekeeper, who sat before a series of hives for fifty years unlocking an unknown world.

In the four videos on this compilation, Helen Mirra utilizes performance, repetition, and the recitation of song to evoke the natural world, the sea, and landscape.

During a conference in the late 1970s, Carol Leigh (also known as the Scarlot Harlot) coined the term “sex worker.” Now, it is a fundamental part of the lexicon regarding all worker’s rights and this is owed in large part to Leigh’s artistic and activis

This Was Home is comprised of three channels, which present three generations of the artist’s family.

Pandora is one who communicates to the human world the powers of the night. These are glimpses of her visions.

Shot in black and white, this rough-and-ready trilogy is about twin sisters who "act out" and act up in their own best interests.

Peggy and Fred meet up with Peter the Penguin, to once again make their way through the fragmentary remains of 20th Century American culture. They fashion a tumultuous, arbitrary world that teeters dangerously on the edge of nonsense and oblivion.

They just flew in from New York, and boy, are their arms tired...

In shimmering rainbow hues, iridescent as the aurora borealis, this meditative presentation contemplates the mechanics inside existence.

This compilation collects seven short works made between 1977 and 1984.

In this early black and white, reel-to-reel video, small game traps are set to catch the rain.

Distracted Blueberry follows a performance art band through a series of poetic encounters. Masculine tropes are undone to form a relationship between male sexuality and the human death drive.

TVTV's inside view of the 1972 Republican National Convention made broadcast history.

As a document of an early performance, this video details the process of orientating the body and self in space, providing a physical metaphor for the process of adjusting oneself in society.

Threads of Belonging depicts the daily life of Layton House, a fictional therapeutic community, where doctors live with their schizophrenic patients.

The Choco area in Colombia is isolated between the sea and the forest. Religious missions, military operations, and tourists have come and gone within the region — coexisting and ignoring each other simultaneously.

Freed overlays the signal from two cameras pointed toward one another. Each camera is panned around to reveal a domestic environment.

Crush consists of six chapters, the first five portray the transport, bending, piercing, and crushing of various vehicles, cars and trucks.

Reverend Howard Finster was a preacher-turned-folk artist. He created Paradise Gardens Park & Museum, a product of all his murals, drawings, sculptures, and mosaics—and Summerville, Georgia’s largest tourist attraction.

A voyage into the labyrinthine memories of a Uitoto man, who worked for the drug Lords in the Colombian Amazon back in the 80s.

In 1992, Tran came across a New York Times article about a group of hysterically blind Cambodian women in Long Beach, California, known as the largest group of such people in the world.

This video examines the iconic World Wide Web branding of the global marketplace, which creates disconnection and contrasts with the labor system in society.

Filipa César is an artist and filmmaker interested in the fictional aspects of the documentary, the porous borders between cinema and its reception, and the politics and poetics inherent to the movi

Cats meow and claw at exits beyond the reach of those who suffer within the walls of their own litter boxes.

Philip Pearlstein (b.1924) began painting figures in the 1960s and is known as a leading figure in American Realism. Throughout his career, Pearlstein's paintings evolved from an expressionistic style to a meticulously analytical vision.

Four short videos by artist Miranda July, covering the period 1996 to 2001.

In this interview, American artist, independent curator, writer, and experimental filmmaker, Vaginal Davis reflects on her initiation into the punk rock and art scenes of Los Angeles during the 1980s and 90s, her stylistic influences, and her ongoing efforts to theorize queerness and visuality. Caught between the opposing poles of Hollywood classicism and the rawness of punk, Davis defines her unapologetically gender-bending, campy, and at times aggressively critical performances as scenarios, rather than spectacles or entertainment.

Gallup, New Mexico, in the American Southwest, has hosted the Inter-Tribal Indian Ceremonial annually since 1922.

Calling for oil like the Tin Man in The Wizard of Oz, Son Of Oil is a tale of the well-greased machine of the mind breaking down. Nuts fall off; thoughts turn bad; things don't work.

El Zócalo is an observational portrait of Mexico City’s central Plaza de la Constitutión during one day in August.

I made this piece within my first year of using Facebook. Dozens of people I’d thought I’d never hear from again were suddenly accessible to me in mystifyingly dynamic, flattened form.

There is a presence lingering in the dark woods, just under the surface of a placid lake and at the end of dreary basement corridor. It’s not easy to locate because it’s outside but also inside.

This is the audiovisual translation of the Walter Benjamin's Theses on the Philosophy of History.

A response to the inability of his local General Motors dealer to fix Morton's 1974 Chevy van to his satisfaction, this tape blends experimental image-processing techniques with documentation of the faulty vehicle.

Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.

Blood percolates beneath the hot skin of sweat soaked men as they wrestle with primal urges that rip open hearts, tie the gut in knots and turn emotions inside out.

This alternative commercial promotes the aggressive democratic use of home video equipment to record local news of community activism and other events that don’t make the headlines for political reasons.

Hotel Globo critically examines the changing urban surface of Luanda through video, photographic and performative incursions into the interior landscapes of the 1950s Hotel Globo in Luanda, Angola.

“‘I will not make any more boring art,’ John Baldessari wrote over and over again in a work done in 1971. The impulse for the piece, he says, came from dissatisfaction with the ‘fallout of minimalism,’ but its implications are far greater.

"A film about the time of the blast furnaces — 1917-1933 — about the development of an industry, about a perfect machinery which had to run itself to the point of its own destruction. This essay...

Shot during an NLP (neuro-linguistic programming) seminar in Berlin, a group fluxuates between guided meditation and discussion on consciousness and self-acceptance.

In 50 Blue a young man (the artist’s brother) pushes an elderly disabled man (the artist’s father) in a wheel chair through a muddy landscape. It is a long and exhausting trip to an unknown destination only discovered at the end.

"I made Take Off in my studio apartment on Myra Avenue during my second year living in Los Angeles.

Cyclops / "monitor" / minotaur.

Note: A 20-second video loop self-portrait.

On Photography People and Modern Times is the outcome of three years of research on photography conducted by the artist in Lebanon, Jordan and Egypt during the founding years of the Arab Image Foundation (AIF).