Videotaped on August 13th 1972, this tape features a number of scenes shot for Lanesville TV, including the Videofreex at the Catskill Game Farm shooting footage of the animals.

“A soldier’s trip to Syria is complicated when he accidentally impregnates a friend. Meanwhile, a horse breeder from Ohio is driven away from home by her own desire to become pregnant.

...a "mordantly nostalgic" sojourn across America. A landscape of mute streets, empty rooms and serene fields; the remains of a civilization which has momentarily disappeared.

–– Ken Kobland

In Mute, fragmented images of the female body, recalling sensuous landscapes, suggest the objectification of women in a culture that renders them silent.

Made in Germany, October 14th, 2004

While the Iraq war continues, a day's sightseeing and the features of a German hotel provoke a stream of thoughts about events large and small.

And They Came Riding Into Town on Black and Silver Horses looks at how media representations shape our perception of violence and violent crime, in effect creating racist stereotypes.

Parry Teasdale is one of the founding members of the video art collective Videofreex, which was active in the 1960s and 70s.

Breder regarded Eclipse I as one of his most successful intermedia performance works for the complexity of the experience.

Intertwining associated experiments in image and sound generation using AI, Nearest Neighbor focuses on language acquisition and mimicry between humans, birds and machines, asking fundamental questions about consciousness, learning and understa

Backwards Birth of a Nation is a re-editing of D.W. Griffith's 187-minute film, Birth of a Nation (1915), into a pulsating 13-minute black and white phantasm.

Red House is an animation that playfully explores metamorphosis in relation to the stability and structure of housing.

In Shayne's Rectangle, Dani Leventhal's moving and mysterious prayer for healing, a horse farm and a casual poolside dissection are the nodes between which a series of patiently taken sharp turns maneuver through moods both intimate and detache

Frozen in time and place, yet celebrating birthdays left and right, I ponder the technology that sends me out into the world via magnetism—a magnetism that not only attracts images and sound but also the particles of nothing that become something when a

A HalfLifers journey to a lush interior landscape where some domestic chores and an unexpected encounter provoke a crisis at Mission Control, paving the way for a seasonal reflection upon the meaning of "home."

In this wide-screen travelogue the viewer shares in the excitement of a Texas film festival, the cuisine of the not so rich and famous, and the thrill of attending exclusive enclaves of energized art.

Sara Magenheimer earned her MFA at Bard in 2013 and has since shown her work internationally in Canada, Iceland, the Czech Republic, and Denmark.

The Templo Mayor was the center of the Aztecs' religious life in Tenochtitlán, a ceremonial building in the heart of Mesoamerica. A center of political battles of contemporary Mexico. A ritual of resistance.

California has been multicultural for at least 100 years, home to Indians, Spaniards, and Anglos. An 1884 romance novel, in fact, paired a half-European/half-Indian woman with the son of a Luiseño Indian chief.

Part of the Hauntology Film Archives series.

Produced in 1974, and restaged in 2002, near Pilot Butte in southwestern Wyoming.

The artist makes a pilot light using ice, which he has fashioned into a magnifying lens to start a small fire.

Utilizing a four-way split screen, Divided Alto documents Landry’s improvised flute performance—focusing on the harmonics of the instrument as he plays double and triple chords.

Juxtaposing the text of Off Limits, a film made in 1987 about Saigon circa 1968, with the soundtrack and image of the last five minutes of Easy Rider, made in 1968, Tajiri parallel edits these representations to play with the evocation

To Start / From Finish  features the motorcycle racing scene at the Santa Fe Speedway–a now defunct speedway in Illinois.

A man explains global currency markets without the help of his formerly trusty rockin’ talkin’ pony, who is missing. Without the pony, the world is as disorientating as it is depressing. The audience is invited to help make order of the chaos.

A psychedelic portrait exploring epistemologies of Seminole alligator wrestlers. Considered a staple of Florida tourism, alligator wrestling has been performed by members of the Seminole Tribe for over a century.

In this video, Glennda Orgasm and Jackie Offie attend Lollapalooza '95 on Randall's Island, New York.

"Look at a landscape and imagine a different one there. Touch the body and let it slip from memory. Imagine a desert when what you see is winter.

I could not remember anything about my childhood before the age of twelve. I made a decision to remember.

Described by the New York Times as “an extraordinarily personal essay that struggles to explain and understand what went wrong in the director’s relationship with his father, Ray, a car dealer,” My Father Sold Studebakers is an auto-biographica

Cinnamon presents a glimpse into the world of African American drag racing. It follows the consistent routine of a bank teller and a mechanic as they prepare for the sport.

An ailing, elderly man listens to a private performance in his room. The singing is a halting mix cross-cultural-Inuktitut and Country & Western. Transgressive and mesmerizing, Karaoke distorts the landscapes of sound and body.

On the narrow stairway that exits Paul Kos’s Tunnel\Chapel, where his 27-channel Chartres Bleu installation is housed, Kos writes with both hands on opposite walls, recording the narrative of Noah’s Ark.

Coyolxauhqui recasts the mythical dismemberment of the Aztec Moon goddess Coyolxauhqui by her brother Huitzilopochtli, the deity of war, the Sun and human sacrifice.

Framelines is an abstract scratch film made by laser etching abstract patterns on the film emulsion of negative and positive 35mm film.

In this angry answer to the expectations advertising culture places on women and their bodies, Tanaka deftly edits commercial images and sound-bite slogans to underscore the message such images carry: that women exist to please men, as wives, mothers, a

Before his legendary proto-cinematic studies in motion, photographer Eadweard Muybridge was commissioned to document the United States Army’s war against the Modoc tribe in Northern California in a series of stereographs, many of them staged.

In this interview, political and social theorist, Terry Eagleton (b.

This is a later reworking of original video documenting the goings-on of the village, Tlocalula, Mexico in 1973.

Plowman's Lunch is called a documentary because its intent was to explore actual occurrences—be these the building of the work, or what befalls the players.

A fireworks display heralds the appearance of our heroine. She walks a hotel corridor with balloons held aloft and champagne on call. But then she stumbles. The perils of success.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Rebecca gazes into the crystal ball. It is afternoon in a Brooklyn neighborhood of industrial buildings. Rebecca has a way with words just as words have a way of seeking her out. The crystal ball intensifies this.

In her overt challenge to conventional modes of femininity and sexuality, Hester Scheurwater confronts the viewer with her own body.

Old Cat will eventually and pleasantly get to a destination. Shot in the summer of 2009, in a single take, on a lake in Virginia.

Cast: Chad Bowles, Marcus Bowles.

Employing footage from an obscure 8mm film trailer for Battle for the Planet of the Apes to highlight the unstable relationship between the real, historical past and the distant, imaginary future, this project revolves around a central question

Dani Leventhal gathered material for 9 minutes each day, then condensed it down to this 16-minute video montage of impressions which has a cumulative effect, accessed and read differently depending on the mental connections the viewer makes.

Musica Electronica Viva at Baggie’s is a quintessential Videofreex work in its documentation style and explicit discussion of the Videofreex project.

A dissemination of suspended bodies in the liminal space.

Julie Ault is an artist, curator, and founding member of the artist collective Group Material, which has organized exhibitions on themes such as the U.S.’s involvement in Central America, AIDS, education, and mass consumerism.

There is so much to absorb: the wetness from the sky. The hooded figure in the box. A big plate of pasta, and that chair on wheels. Messages of moral guidance clash with actions that are on a collision course with dilapidation.