A political composition on natural resistance. These images are an expiring breath in danger of extinction. These images become extinguished, consumed: a drop, a pure intensity which only appears when falling.

a/k/a Mrs. George Gilbert extends Coco Fusco’s in-depth examination of racialized imagery.

Students reclaim a popular gathering spot on the campus of the University of Virginia.

In Dani Leventhal’s Platonic, geometric specters twirl in space; pet cats foam at the mouth; a little boy mistakes his junkie dad for a superhero; and a confused adolescent worries he has sired a centaur. Platonic references both the ancient philosopher’s metaphysics of ideal Forms, which simultaneously exist outside our perceptions and yet give rise to them, and the related meaning in common parlance of non-romantic love.

A promotional vehicle with lane-changing tendencies, but both hands kept on the wheel at all times.

Love Songs #1 is composed of three pieces that pose questions about urban culture, race, and politics. Found footage images are manipulated and juxtaposed with popular music; the effects are unsettling, ironic, and sometimes humorous.

This is not a sight-seeing film, but a poetic journey through light and darkness reflected on the city of New York, where I often found empty spaces and times like Ma in Japanese.  You do not often see the people walking on the streets or in the bu

Lambert is a Chicago-based musician and media artist. His creative output primarily consists of vocal driven art-pop music and pop-inflected video art made from repurposed industrial and commercial media.

Segalove re-enacts the trials and travails of her desperate, hormonal, pubescent years with actors dancing their way through what looks like a techni-color version of the Cleaver’s backyard.

A found footage film with no found footage. A study in aphorisms: The Sad Tropics, un-attributed master paintings and mis-attributed artifacts alongside the history of denim. Signs, myths and legacy are questioned and revised.

A surrealistic deep dive into the interactive menus and screens that make up the mediated landscape.

There are approximately 30,000 Filipino guest workers living within the State of Israel. The majority are female and work as caregivers for the elderly or sick.

Felipe Ehrenberg is a prominent Mexican artist who has been actively producing interactive political art, installations, and murals for more than 30 years.

Timely concerns about the future of video, artists’ complicity in the money making system of the ‘establishment,’ and the effect of the camera’s presence on personal encounters, is discussed and debated in this late night video produced by David Cort, C

Babeldom is a city so massive and growing at such a speed that soon, it is said, light itself will not escape its gravitational pull. How can two lovers communicate, one from inside the city and one outside?

In the video Glennda does DC, Glennda interviews people in Washin

IN TRANSIT was shot in HD video during travels between 2008 - 2010. It is both an observational documentary and an experimental work in form and intent with an overall lyrical quality.

A short production I concocted with the students from the School of the Art Institute of Chicago and a tour through the old Playboy Mansion in Chicago where I bedded down for several days, alone and confused.

History haunts the border town of Columbus, New Mexico when riders on horseback cross the border to commemorate Pancho Villa's 1916 raid.

This is actually a rather warm, Xmas greeting which features some thawed items in full action as the Yuletide logs flicker and forks plunge earthward toward smoking piles of nourishment.

Using the opening of Godard's film Alphaville as a foundation, Lord constructs a vision of the evolving global city during the last years of the 20th Century.

Spanning 500 years of colonial destruction, Nosferasta tells the story of Oba, a Rastafarian vampire, and Christopher Columbus, Oba’s original biter, as they spread the colonial infection throughout the “new world.” Formally a vampire film and

Patti Smith asked if I would do a short film to accompany the release of her version of Nirvana's Smells Like Teen Spirit.

Wawa peeks at the anxieties and difficulties of communication through the interactions between speakers of an endangered Indigenous language, each from differing cultural backgrounds and generations.

Part of the paraconsistent sequence series.

American figurative artist Alex Katz (b.1927) has produced a remarkable and impressive body of work but is best known for his large-scale, flat, yet realistic portraits of friends and family notable for their relaxed attitudes and uncomplicated bearing.

George Kuchar’s Acid Redux is a raucous journey into the murky domains of mysticism and liminality.

As the AIDS epidemic took hold in the early 1980s, self-help guru Louise Hay created a space for healing called the Hayride.

Body Prep helps fortify and support the body during any level of activity—low, medium, or high intensity. It compares various alternatives to weightlifting with natural and artificial light sources.

Lines of Force opens with footage of a dramatic explosion. For most of the piece, the screen is divided, into a triptych at first, and slowly into horizontal and vertical bars.

Phalloi Phaerie emerges from the wood. Forest nymphs with carnivorous flowers begin their mating rituals in a playful, polymorphously perverse return to arcadia.

If anyone slaps you on the right cheek, turn to them the other cheek also. (Matthew 5:38-40)

In Oh, Rapunzel, when Rapunzel flees the tower, Condit's mother leaves her home for an independent living facility and a freedom that she has never known. A collaboration between Cecelia Condit and Dick Blau. Music by Stephen Vogel.

This is a kinetic tribute to Sylvia Plath at a time of the pandemic vortex, a dissemination of suspended bodies in the liminal space. Haunted figures in the Capitalocene era.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression reflecting hierarchies,

Meredith Monk (b.1942) has been composing, choreographing, and performing since the mid-1960s. Monk is primarily known for her vocal innovations, including a wide range of extended techniques, which she fir

Jonas uses reflections on a lake as a mirror to displace reality, creating a disruption and the illusion of presence.

A Memory of Astoria, commissioned for Museum of the Moving Image, is an impressionistic portrait of the blocks surrounding the Museum in Astoria, New York.

5% is a ten-minute work that questions the cult of pop stardom, deconstructs music industry practices, considers the problematics of live performance, and suggests other, more anonymous working strategies.

Robert Colescott paints expressive parodies of Western masterpieces.

Burrow-Cams features footage from cameras that have been placed inside underground animal habitats (dens, burrows, etc.).

Commissioned by Visual AIDS for STILL BEGINNING: The 30th Annual Day With(out) Art 

The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process.

Yvonne Jacquette (b.1934)is an American painter and printmaker known in particular for her depictions of aerial landscapes, especially her low-altitude and oblique aerial views of cities or towns, often painted using a distinctive, pointillistic techniq

The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his y

The Action Series finds our alienated heroes in desperate attempts to communicate and find a way out of their endless crisis scenarios. The two pieces share a domestic setting, though this is no comfortable home away from home.

What Farocki Taught is literally and stubbornly a remake — that is, a perfect replica in color and in English, of Harun Farocki’s black and white, 1969 German language film, Inextinguishable Fire.

Sportello Quattro, filmed during a residency at the American Academy in Rome, is about immigration, work and community among people of color in contemporary Rome, Italy.

Cast: Joseph Bayorha.

Give it Back: Stage Theory’s point of departure is the détournement of Panorama of the Monumental Grandeur of the Mississippi Valley (1850), a 9 foot tall, 348 foot long proto-cinematic moving panorama commissioned by and based on the contempor

As an ominous voice guides us through Best Is Man’s Breath Quality, we are confronted by dense and complex images and sounds that appear and disappear before us.