Sunstone tracks Fresnel lenses from their site of production to their exhibition in a museum of lighthouses and navigational devices.

Swerving between branded content, documentary, and a decolonial episode of MTV 'Cribs', the film revolves around a tour of an apartment which has supposedly been "given back" - led by reformed Native American impersonator, and frequent New Red Order col

An image of the curandero in Tlocalula, Mexico.

Operation Atropos is a documentary about interrogation and POW resistance training. Director Coco Fusco worked with retired U.S.

It’s the first day of autumn, and Gibbons can already smell death in the air.

Growing up in the early computer age, around machines like the Commodore 64, had a formative effect on Marisa Olson and her subsequent artistic career.

In October 1969, the Videofreex visited the home of wealthy political and social activist, Lucy Montgomery, as she was hosting the Black Panther Party of Chicago during one of their most fraught times – the period just after Chairman Bobby Seale was wro

In El Gringo, viewers experience the discomfort of being an outsider when the camera is confronted by a pack of snarling dogs.

Subtitled A Rebellion against the Commodity, this engaged reading of the urban black riots of the 1960s references Guy Debord’s Situationist text, “The Decline and Fall of the Spectacle-Commodity Economy,” Internationale Situationniste

Ruth Jarman and Joe Gerhardt, who comprise the UK artist duo Semiconductor, make moving image works that explore the material nature of our world and question our place in the physical universe.

This compilation is a fresh, witty, and compelling addition to video’s rich legacy of media deconstruction.

A whimsical science fiction comedy with a soundtrack of pop music and experimental electronica. File under experimental. Play at maximum volume.

As Laurie and her child's father lie in bed, taking an afternoon nap, a large balloon resting on her belly inflates under the sheet and explodes.

Heliocentric uses timelapse photography and astronomical tracking to plot the sun's trajectory across a series of landscapes.

Jennifer, an intelligent but insecure 14-year-old student at a boarding school, seduces her married dormitory counselor, a photographer who has offered to teach her about his art and winds up shooting her in the nude.

A major figure among underground filmmakers, Stan Brakhage (1933-2003) boasted a prolific career that spanned more than 50 years and 300 films.

C.L.U.E. (color location ultimate experience), Part 1 is a collaborative video and performance work by artists A.L. Steiner and robbinschilds, with AJ Blandford and Seattle-based band Kinski. Inhabiting the intersection of human movement and architecture, A.L. Steiner and robbinschilds (Sonya Robbins and Layla Childs) present a full-spectrum video, set to a score by rock quartet Kinski.

Frozen in time and place, yet celebrating birthdays left and right, I ponder the technology that sends me out into the world via magnetism—a magnetism that not only attracts images and sound but also the particles of nothing that become something when a

Based on Emanuel Admassu's essay Menged Merkato, an architectural analysis and historical journey of the largest open-air market in Africa, located in Addis Ababa, Ethiopia.

“Trolling for news we call it,” says Bart Friedman a minute into this video, as he pushes down a road the Lanesville TV News Buggy – a baby carriage filled with video equipment, spilling over with wires.

Luis Cruz Azaceta (b.1942) creates paintings and mixed media works which use the recurring theme of the displaced individual. Marked by his own exile from Cuba—he emigrated to the U.S.

Das KunstKabinett or the Cabinet of Curiosities is a 'microcosm' or theater of the world, a memory theater which provides solace and a retreat for contemplation.

A rising moon and lowering standards in secular shenanigans highlight this documentary on the making of a sci-fi epic for mini-adults.

In Islands, Fung deconstructs the 1956 John Huston film Heaven Knows Mr. Allison to comment on the Caribbean’s relationship to the cinematic image.

In Jane and Mike Visit, George Kuchar documents a visit from his brother Mike and their friend and former Kuchar actress Jane Elford.

A young girl buys a weird toy from a charity shop. She forms such an intense relationship with it that it develops special ways of communicating and a strange connection to her that seems to defy the laws of physics.

Altamira is the paleolithic and post-human experience of the bloom of cinema. The cinema in a cave, the lightning of his presence, the fire of his birth. The paleolithic and post-human intermittence of the life of cinema.

Each year, more women undergo treatment at hospital emergency surgical services as a result of family violence than rapes, muggings, and car wrecks combined.

Coco Fusco is a Cuban-American artist and author who investigates race, gender, politics, and identity through installations, performances, video work, and writing.

a woman washes her hair in the kitchen sink while telling her friend about a memory of sitting in a bathtub and watching her aunt get ready to go out. 

In Stitch, computer graphics are altered with image processing effects. Beeps and electronic music provide a soundtrack as abstract structures and evolving shapes and patterns rotate in space.

" order to take the next step (not forward or backwards, but only: to go on) it is often necessary (for me) to lean on a picture made by someone else; sometimes a word will do, a gesture, the look on a stranger's face.

Combining collage and animation with an Asian-influenced soundtrack, images of women dancing sensually and devotional imagery, Matsushima Ondo compares religious devotion with sexual representation.

In Shelly Silver’s frog spider hand horse house, the effort of all things to keep existing has been observed by someone with a camera who seems, as far as personality goes, to be no one.

Prestidigitation before the age of the pixel. Very lively stop motion and open shutter piece, shot on Super 8, with all effects done in camera – but transferred to video for ease of viewing.

Taped on Prince Street in Soho, New York City, Skip Blumberg creates a one-word performance.

Shot in Lebanon, Syria and Jordan, this essay uses transportation, video, and photography to examine images circulating in a historically charged, and presently war-torn and divided, Middle East.

This video is a response to Kobland’s experiences as a DAAD (Deutscher Akademischer Austauschdienst) fellow in West Berlin.

Known as one of Italy's most important filmmakers, Pier Paolo Pasolini was first and foremost one of its poets.

Is the left simply a mirror of the right or vice versa?

This title is also available on Sympathetic Vibrations: The Videoworks of Paul Kos.

Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS

Hollis Sigler (1948–2001) was a Chicago-based artist. She received degrees from both Moore College of Art and the School of the Art Institute of Chicago.

white and fifteen movies starring Charlton Heston is a stroboscopic work made from fifteen films starring Charlton Heston. Each film has been algorithmically condensed down to thirty seconds in length.

A surrealistic deep dive into the interactive menus and screens that make up the mediated landscape.

A series of unnatural deaths and departures (almost all, of men) disrupts the lives of nine families sharing an apartment building in Jerusalem.

Produced in Liege for Belgium TV, this tape considers how broadcast television functions in a multi-lingual area.

Something Else is a film about found footage as subject matter and Miss Black Roanoke, Virginia 1971 expressing her thoughts about the upcoming Miss Black Virginia 1971 Pageant.

Cast: Rene Marie.

Black Body is a harsh and compelling meditation on the contradictory values assigned to black bodies in American culture: they exist as both desired and feared, abject and powerful.

In Birth of a Nation, Jem Cohen takes his camera to Donald Trump’s presidential inauguration and to the next day’s protests.