Suzanne Anker (b. 1946) is an American visual artist and theorist. Considered a pioneer in the field of Bio Art, her work is situated at the intersection of artistic practice and biological science.

A film titled Dance Movie (or, alternatively, Rollerskate) appears in many Warhol filmographies, but no work with this title has been found in the archive. The lost film, starring dancer Fred Herko, was shot in 1963.

Crossings and Meetings explores the image and sound of a walking man, expanding a simple image into increasingly complex permutations and arriving at what Emshwiller calls a "visual fugue" in time and space.

Ike is about a person showing their special gift — if pushed. The truth, fiction and lore of a brick thrower with deadly accurate aim.

Cast: Deondre “Champ” Jones, Derron Everson, Anthony Jerrell Jones.

Feminist artist Lynda Benglis is known for her sculptures, video performances, paintings, and photography. Her work in the 1970s was controversial, delving into issues of gender roles within and outside the art world.

A three-part series featuring important new works by internationally renowned conceptual artist, Lawrence Weiner, these works continue the themes of role- and game-playing, and the use of language.

An old Russian Akula submarine, armed with ballistic nuclear missiles, is assigned a new captain. But Captain Pavel seems to care very little for Navy protocol.

Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin.

Re-Animation 3,4, & 2 are short animations created by looping images of dead insects taken from the artist’s own amateur entomological collections.

The performers are seated around a pink octagonal table on pink, violet, and silver cinder blocks. One performer (Robert Stearns) stands up, recites the credits for the piece, and then says, “Do you believe in water?

This time, the call of the west sends me packing to Oregon, California and Arizona. You too can experience the dizzy delights of a whirlwind tour and witness wonders seen through the savage eye of a Sony camcorder.

Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and c

Zach Blas is an artist, writer, and filmmaker whose practice spans technical investigation, research, conceptualism, performance, and science fiction.

In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl rubbing his legs under the table.

This is not a sight-seeing film, but a poetic journey through light and darkness reflected on the city of New York, where I often found empty spaces and times like Ma in Japanese.  You do not often see the people walking on the streets or in the bu

In 1998 I made a sculpture of a decapitated head. I featured it in a photo and video. I thought of the head as a character whose adventures would be documented.

Two bizarrely costumed characters – a human ‘chicken’ in a fat suit, and an elaborate folksy creature called an ‘authenticity fetish’- meet and debate their plight.

"This is the first of a set of pieces that involve combining a series of electronic video process recordings, musics, texts and appropriated materials. These multiple elements, simple and tricky grammars, trigger expanding electronic narratives.

This video examines the iconic World Wide Web branding of the global marketplace, which creates disconnection and contrasts with the labor system in society.

A son discreetly records fleeting moments in his parents’ suburban home. An intimate portrait of a stable life lived according to the rules of society.

This real-time video-meets-digital-animation trilogy of shorts features the highly excited and mildly delusional Joe Gibbons, whose springboard becomes a surfboard as he fantasizes about his days as a lifeguard in 1963, when the young Brian Wilson would sit and jot down the songs he would sing while saving lives.

In 1958, Allan Kaprow (1927-2006) published an article on Abstract Expressionism entitled The Legacy of Jackson Pollock in which he suggested the separation of the art-making activity from the art itself.

Made in Ireland, October 8th, 2001.

A disorientating experience while attempting to watch the TV news in an Irish hotel room triggers a spontaneous response to the bombing of Afghanistan.

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self.

Breder had met Conceptual Artist and Painter Lucio Pozzi during the Painting after the Death of Painting exhibition in Moscow in 1989, ande the Visual Practice/Visual Theory Area Studies Group chose the occasion of his participation a

This is the state of mind in the post-Covid quarantine. This is the state of the body into the pandemic vortex. This is our post-Covid eyes. Part of the Hauntology and Post-Covid series.

Filmed by Jingqiu Guan on November 7, 2022 at Royce Hall Rehearsal Room during the creative residency sponsored by UCLA Center for the Art of Performance (CAP). This video was used for the performance on November 20, 2022 at UCLA.

“In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model’s role in numerous paintings....

“APP APPAP APP APAPPAP APP APP APP APAPPAPAPPAP APPAP APP”

An experimental video about cultural and political disputes surrounding immigration and naturalization processes. Work In Progress explores the effects of the 1986 U.S.

La Mesa explores the intersections of memory, identity and queer desire. It recreates fragmented and romanticized stories of a childhood in rural Mexico as told by the artist’s father.

"When we show you pictures of napalm victims, you'll shut your eyes. You'll close your eyes to the pictures. Then you'll close them to the memory.

Pemp traces the 25-year struggle of the Parakatêjê (Gavião) to maintain autonomy in the face of huge development projects in the south of Pará.

Millie Wilson is an installation artist whose work proposes a relationship between modernist art practices and modernity’s production of deviance, particularly regarding lesbian stereotypes.

Calling for oil like the Tin Man in The Wizard of Oz, Son Of Oil is a tale of the well-greased machine of the mind breaking down. Nuts fall off; thoughts turn bad; things don't work.

Shot in Portland International Airport. Animation by Jalal Jemison.

This video was produced as a part of Eiko & Koma's exhibition Time is not Even, Space is not Empty which opened at the Zilkha Gallery in Wesleyan University in the fall of 2009.

The tale of a fanatical tool collector who recreates the world according to a logic dictated by his cross-wrench.

Rhythmically chewing their meals, a herd of cattle creates interesting shapes, patterns, and movements in this “keyed” (a process of dividing areas of a black and white image into percentages of gradation) and colorized work.

A thirty-three minute video odyssey documenting one woman's search for the miracle of the Virgin Mary. A must-see for recovering Catholics and their families and friends worldwide.

Stardust is the second part of the trilogy where Nicolas Provost investigates the boundaries of fiction and reality by filming everyday life with a hidden high resolution camera and turning the cinematic images into a fiction film by using cine

Listen To This is a fragment of collective memory that finds critical relevance in contemporary Queer discourse.  Tom Rubnitz weaves narration, image, and a form of temporality, dislocated from ‘real time’, into a video where artist and AIDS activist David Wojnarowicz’s loss and anger is palpable.

A young man of the "Modern Age" ponders sits alo

A lavish home is visited, shutters click, bottoms are exposed, water splashes and a welcome wetness stains an area unquenched for so long. A jacuzzi bubbles to life in a bedroom community that floats to sleep on aqua-filled rubber.

This audio, visual laxative empties the mind of inhibitions to allow the spectator entrance into the whirlpool of sexual fixations.

As an ominous voice guides us through Best Is Man’s Breath Quality, we are confronted by dense and complex images and sounds that appear and disappear before us.

The Action Series finds our alienated heroes in desperate attempts to communicate and find a way out of their endless crisis scenarios. The two pieces share a domestic setting, though this is no comfortable home away from home.

Sirrocco was a drag performer and club icon in Cincinnati, Ohio during the 1980s and 1990s, and was also a close neighbor and friend of Teramana’s.

This European flavored melodrama depicts a fictional country of refined manners and debased desires that explode into chaos, sending its prodigal son into the pit of 20th Century technology.

This first work in the HalfLifers' Action Series plunges into a world of frantic heroes trapped in a continual crisis of dissolution and reification. An ordinary domestic setting is recast as a psychoactive landscape in which the concept of function becomes situational and fluid. Only through the strategic application of organic and inorganic “devices” can this zone be successfully navigated and the mission be saved.