In Dani Leventhal's video, 17 New Dam Rd., we are invited along on a house visit with a familial group. There's trash in the garden, guns on the sofa, and marshall arts in the living room.

"Soundings is a meditation on the phenomenology of sound, the translation of image into sound and sound into image through a series of experiments on an audio speaker.

In Nibbles, George Kuchar crafts a mini-travelette documenting his adventures around Cape Cod. Shot primarily in Provincetown, Massachusetts, Kuchar visits friends and takes every opportunity to sample the local cuisine.

Using Paper Tiger's unique style of direct address and deconstruction, teenagers from the Bronx ask questions and try to understand the persistence of racial violence in the 1990s.

A brief glimpse into a "day at the office" in an edifice dedicated to personal expressions of the inner eye. I subjective view of twisted perspectives reflecting the morbid dreads of he who walks among the talented throng.

A house covered with beer cans, a tribute to the orange; Eyeopeners features seven Houston, Texas, folk art environments, eye-opening creations that are monuments to the wonders of ingenuity and imagina

Largely focused on the critical use of language both archaic and contemporary, poet Caroline Bergvall’s work asks questions about cultural identity and feminism and explores challenging or unknown historical and political events.

The latest in Muntadas and Reese's series documenting the selling of the American presidency features political ads from the 1950s to ads from the 2004 campaigns, and highlights the development of the political strategy and marketing techniques of the T

There is no better place to meet people than in the temporary community which gathers under a scant awning on a New York street in a downpour.

In ten-minute segments devoted to three photographers (Cindy Sherman, Richard Prince, Laurie Simmons), MICA uses video to mirror the photographic techniques of each artist.

I Wanted You shows a woman who is crawling over the floor. She is wearing only tights and a pair of red shoes with high heels.

"'I am nice. I... am nice. I am... nice," repeats the narrator, in this personal and highly poetic exploration of the construction of self. Mirra favors repetition as the device for reconstructing the stage of development when a child learns its name.

Naked is a "living" environmental installation created for and commissioned by the Walker Art Center in Minneapolis, where EIko & Koma were "on view" all the hours the museum was open for the month of November 2010.

My contribution to the group exhibition 1d for Abroad at Tintype gallery: a perky 4 minute consideration (made up) of a whole lot of postcards.

Robert Heineken (1931-2006) used technically sophisticated photographic methods to mingle erotic images with visuals from TV and advertising.

In Dry Blood (Sagre Seca), various historical moments of political activism in Mexico are superimposed and corroded on the emulsion of expired film.

Presenting a series of flashcards to the camera, Baldessari continues his exploration of visual semantics, defining the intersection of language and image. In this instance, each flashcard bears a picture that represents a letter of the alphabet.

A more socially-active addition to the Weather Diary series, we meet the natives and participate in the rituals of business and schooling and high hopes on the flatlands.

In November of 2004, I was invited to spend a couple of weeks in Cinque Terre (a string of towns along the Northern Mediterranean Italian coast).

Shot in Naples, Vienna, and New York, Some Chance Operations explores the notion of an archival form, in this instance film, as an unstable memory receptacle that can vanish.

In EVOL (love spelled backwards), the audience is voyeur, peering into the delirious and erotic dreams of a young man (Oursler). We drift with him through anecdotes that poke fun at the disparity between the culturally accepted stereotypes of sex and love we are taught as children and the realities we discover in adult life.

Appropriated network-TV footage of Jimmy Carter’s "I see risk" speech from the 1980 Democratic Convention meets Reagan’s gloomy inaugural ride through D.C.: "If you succumb to a dream world, you’ll wake up to a nightmare."

Dad’s Stick features three objects that my father showed me shortly before he died. Two of these were so well-used that their original forms and functions were almost completely obscured. The third object seemed to be instantly recognizable, but it turned out to be something else entirely.

An unexpected ASMR respiratory exam. ASMR is a popular genre of videos on youtube, lead by soothing sounds believed by its creators to generate euphoria, a sound porn of sorts.

“A short image-processed work, Thousands Watch deals with the issue of nuclear suicide.

Part of paraconsistent sequence series and the hauntology series.

Silver directs and performs all the roles in this raucous and hilarious music video rendition of Lynyrd Skynyrd’s "Freebird", the infamous Southern rock anthem for an entire generation of 1970s male youth.

Eyal Weizman is a British-Israeli architect and academic. He’s the founder of Forensic Architecture, which uses architectural research to investigate violations of human rights around the world.

Although this episode promises, at first, to be a typical program of Lanesville Television—presenting two videos of previously shot footage of a truck wreck and a recent opening of a Buddhist Temple in South Cairo, NY—an unplanned event, arisin

The colors of fall are muted by the fog of a lingering summer and the memory of that which is dark and naked among the dappled crimson.

“Levy's work is both ramified and momentous, addressing environments of many kinds, and filled with stories in which human behavior has played a decisive role.”

A troupe of male and female jugglers and musicians perform for a growing crowd in Central Park, New York, led by Hovey Burgess and Judy Finelli.  The sun is shining, and the troupe are skilful, playful, and flirtatious. 

Made at the time of the 1988 presidential election, this piece is about media power and market censorship.

1! is part of the Pop Manifestos series, a five video project realized in collaboration with Cokes' former students Seth Price and Damian Kulash, and originally conceived as part of a series for the conceptual band SWIPE.

Laurie was inspired by Laurie Weeks’ uncanny ability to simultaneously embody her characters and write them from a clear distance.

A flowing river, an injured arm, a dance floor, and a woman washing clothes in the bay—what carries the dust is the wind.

Plowman's Lunch is called a documentary because its intent was to explore actual occurrences—be these the building of the work, or what befalls the players.

Ken Mate, a 56 year old solipsistic individual, recites Finnegan's Wake while doing sit-ups, talks about talking, and kvetches when a neighbor "steals" the first tomato from his hand-cultivated garden.

This video is staged as a reading of the great Soviet poet Vladimir Mayakovsky's famous poem A Cloud in Trousers, written 1914-15.

This final weather diary travels through some rough inner and outer domains.  Social interactions blend more smoothly than the clash of air masses which threaten to clobber a prairie town in a vortex of violence.

Filmed from the artist’s window during lockdown, Citadel combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline

The annual holiday video is off and swinging with this foray into festive chatter and explosive fireworks. Sweet treats are served up along with ice cream and jungle jingles befitting this season of goodwill toward man and beast.

There were three brides, and they all married at different times to different people in different places.

A film about haircuts, clothes, and image/sound relationships.

Since the Gulf War in 1991, warfare and reporting it have become hyper-technological affairs, in which real and computer-generated images cannot be distinguished any more.

A short story about new bodies, the power of denial, and a state of no sunshine. Two infantile bodies float in a cyberspace ball, connected by two subconscious bodies in the background.

Babeldom is a city so massive and growing at such a speed that soon, it is said, light itself will not escape its gravitational pull. How can two lovers communicate, one from inside the city and one outside?

Irradiation is the thermal emanation of vital heat, the ancestral support that immerses beings in the solar blood. This is the immersion of beings in the bloody solar flow that gives the intense color of our present time.

Part of a cable TV series called Communications Update that aired on public access in New York City from 1979 through 1992, these tapes provide an early example of television made by artists.

In collaboration with Ishmael Houston-Jones.

On September 1, 2022, Eiko and Ishmael Houston-Jones performed in Beverly McIver's painting exhibition Full Circle, curated by Kim Boganey.