Vanessa is based on the untimely death of Vanessa Jordan. A work about loss and Michelangelo.

I Stare at You and Dream is a slice of life melodrama that journeys to the core of interrelationships.

The Love Tapes included in this edition of Endless Love Tapes were filmed at the Berwick Film and Media Arts Festival in the United Kingdom.

In 2011 as the Congress debated the budget, Ligorano Reese installed an ice sculpture of the words Middle Class in the garden of Jim Kempner Fine Art.

At nineteen, Barbara Kruger (b. 1945) worked as a commercial artist designing for Conde Nast.

Filmed entirely in Sweden, VIEWFINDER is a surreal sound-film that entangles gestures of place, belonging, and monument.

Fulbeck force-feeds the viewer scores of all-too-familiar Asian female/Caucasian male pairings in Hollywood films, and combines them with contemporary excerpts from best-selling novels, magazines, and dating services.

In this 23-minute single-channel video, Campbell reconfigures scenes from archival 16mm film footage recorded by Solomon Sir Jones in the mid-1920s, film that documents the everyday lives of Black communities in Oklahoma, an area that once boasted

Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency comes across as Acconci gasps, "I'll accept you, I won't shut down, I won't shut you out....

Hidirtina (Sisters) is based on a mythology from Eritrea and northern Ethiopia. It is part of a larger story collection project that began in 2004.

If you lived here you’d be home by now occurs during the years of Williamsburg Brooklyn’s overheated real estate market, just before the 2008 financial bubble burst.

In this video the artist states that a public work demonstrates what qualifies as art within his conception. Like Beached, it was also shot in a marshy area near the sea and in sequences separated by dissolves.

This Was Home is comprised of three channels, which present three generations of the artist’s family.

A portrait of risk and language, DAREDEVILS, presents the experimental narrative of a writer as she interviews a well-known artist and feels the reverberations of their discussion throughout her day.

R.M. Fischer’s lamp sculptures, made from found industrial parts in a hybrid style of high-tech slickness and Baroque exaggeration suggested parodies of industrial commercials.

A portrait of a studio photographer, Her + Him VAN LEO also examines the photography of the 1940s and 50s from a critical perspective rather than a nostalgic one.

The sonic fabric of 2nd Person, [originally] a multi-channel video installation, is formed through an array of women’s voices orchestrated as parallel tracks in a musical composition.

The Duet Project: Distance is Malleable is a mutable and evolving series of experiments in collaboration. Negotiating differences of race, time, culture, ethnicity, religion and gender, the artists seek to maximize the potentials of t

Laura Mulvey published her seminal essay "Visual Pleasure and Narrative Cinema" in 1975; it has subsequently become one of the most influential work in film theory.

Inspired in part by the cover of "Megatron Man," Patrick Cowley's archetypal 80s disco album, Robot Love is a celebration of the playful, synthetic, party-driven, disposable culture of disco.

TVTV's inside view of the 1972 Republican National Convention made broadcast history.

Blood percolates beneath the hot skin of sweat soaked men as they wrestle with primal urges that rip open hearts, tie the gut in knots and turn emotions inside out.

An excerpt from an episode of On Our Own, this video features the roommates preparing to "get crazy, cut loose, and celebrate the day." The incessantly ringing doorbell incites Joe to poison the "punks" outside by injecting kitchen chemicals in

The word-based art and performances crafted by world-renowned artist Alison Knowles (1933-2025) were central to the 1960s international Fluxus movement and its enduring legacy.

Animal Attraction is a documentary about the relationship between people and animals that questions the way we project our hopes and desires onto our pets, and ascribe human qualities and attributes to their gestures.

Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.

It's not my memory of it is a documentary about secrecy, memory, and documents.

Constructed from a destroyed rescan of fashion magazine ads and a video self-portrait, Suspension is a meditation on the implicitly narcissistic nature of desire within a commodified context.

This 12-minute video by Tom Palazzolo and Chicago writer Jack Helbig tells the story of the recently discovered Chicago street photographer Vivian Maier.

"This video in two parts is a newcomer's portrait of Montréal, and focuses on two of my architectural obsessions: the Hydro Québec building and the Métro. I spent my first winter in Montréal in a cold, dark, first-floor apartment.

Spanning 500 years of colonial destruction, Nosferasta tells the story of Oba, a Rastafarian vampire, and Christopher Columbus, Oba’s original biter, as they spread the colonial infection throughout the “new world.” Formally a vampire film and

Endless Dreams and Water Between is a feature film with four fictitious characters sustaining an epistolary exchange in which their “planetary thought” is woven with the physical locations they inhabit, visual and aural characters in themselves

A Second Quarter is decidedly European; the “place” (Berlin) is the catalyst for the “action” (the work). The works recited in the film are concerned with barriers and borders, physical and geophysical phenomena.

A conjuring and convocation to begin the chronomorphic process of ‘giving it back’.

Part of The Savage Philosophy of Endless Acknowledgment suite.

Breder regarded Eclipse I as one of his most successful intermedia performance works for the complexity of the experience.

Rosa Barba’s work Disseminate and Hold investigates man-made geographies and landscapes, and how these are often deeply enmeshed with political agendas and utopian visions.

A video work that documents the annual orchid show at the New York Botanic Garden, Orchid Show critically observes notions of spectacle, gender and beauty as a query into the staging and imaging of nature.

Impetigo is the story of passion and possession in a steamy nocturnal landscape. The title is a reference to the poem A Man All Grown Up is Supposed To, by Terry Stokes.

"The videowork of Nelson Henricks, though quite varied in treatment and theme, has worked toward the articulation of a single concern: How can love fly through the air and be received by me?"

—Steve Reinke

Pagan and Christian souls clash in this student-collaborated mix of the defrocked and the deflowered.

The projection and screens in this installation are access points meant to connect the present to an ancestral past.

Ron Gorchov (b. 1930) is an American artist who has been working with curved surface paintings and shaped canvases since 1967.

My contribution to the group exhibition 1d for Abroad at Tintype gallery: a perky 4 minute consideration (made up) of a whole lot of postcards.

In this elegant demonstration, Sandin explains the mistake of using common language concepts and spatial relations to describe what actually can happen on the video screen.

Eiko performed unannounced in the Cathedral of St. John Divine, New York City as an artist in residence in 2016-2018.

Camera by Alexis Moh.

Glass House examines the creative process of a modern architect who builds a house made of glass and concrete for his family.

Now Let Us Praise American Leftists is an experimental video animation that seeks to eulogize and ridicule the American leftist movement of the past century.

Filmed in the remains of Soweto's historic Sans Souci Cinema (1948-1998), YOLO is a makeshift structuralist mash-up created in collaboration with the Eat My Dust youth collective from the Kliptown district of Soweto, South Africa.

Joan Fontcuberta was born in Barcelona in 1955. His work has been widely exhibited internationally. Fontcuberta uses photography as a conceptual medium, often testing the limits of the image’s credibility.