A short story about new bodies, the power of denial, and a state of no sunshine. Two infantile bodies float in a cyberspace ball, connected by two subconscious bodies in the background.

In Over My Shoulder, Gordon uses hand gesticulations against a white sheet to communicate both violent and sensual emotions.

Facial Weaponization Communiqué: Fag Face protests against biometric facial recognition — and the inequalities these technologies propagate — by proposing the creation of “collective masks” that are modeled from the aggregated facial data of ma

Part of a cable TV series called Communications Update that aired on public access in New York City from 1979 through 1992, these tapes provide an early example of television made by artists.

"A meditation on history, memory, and change in Central and Eastern Europe, Buried in Light is a non-narrative journey, a cinematic collage.

Lucy Lippard (b. 1937) earned degrees from Smith College and New York University before beginning her career as an art critic in 1962, when she began contributing to publications such as Art International and later, Artforum. In 1966, she organized an exhibition entitled Eccentric Abstraction at the Fischbach Gallery in New York City.  

Goodbye Thelma synthesizes footage from the 1991 film Thelma & Louise with footage of the author’s own making to create a mysterious, and at times disturbing, exploration of traveling alone.

Julie Ault is an artist, curator, and founding member of the artist collective Group Material, which has organized exhibitions on themes such as the U.S.’s involvement in Central America, AIDS, education, and mass consumerism.

Split screen. On the left is a walk up a twisting, rocky trail while on the right is Kanji caligraphy describing the action, completing a Haiku by Basho.

Rare footage of a September 1970 rally honoring the late Fred Hampton, Deputy Chairman of the Illinois chapter of the Black Panther Party. One of the speakers leads the audience in a call and response.

Portuguese House is a journey throughout Lisbon, visiting the houses built by African communities from the Portuguese ex-colonies that have already been demolished.

Through the memory of a high school classmate, footage from a film for teenagers called Be Popular, a video dating tape, and performances by political and entertainment figures, So, You Want To Be Popular? examines how cultural stereot

A compilation of five of Sadie Benning’s early works. In Jollies, Benning gives a chronology of her crushes and kisses, tracing the development of her nascent sexuality.

A minor reflection on the wonders of modern medicine.

Detour de Force presents the world of thoughtographer Ted Serios, a charismatic Chicago bell hop who, in the mid-1960’s produced hundreds of Polar

The vacuum cleaner becomes the device of the feminist 'liberation', or the monster that devours us.

— Insite 2000 program, San Diego Museum of Art 

Dirty Laundry speculates upon the buried narratives of gender and sexuality in Chinese-Canadian history of the 19th Century, when Chinese communities were almost exclusively male.

Thai conceptual performance video artist Kamin Lertchaiprasert (b.1964) anchors his work through a commitment to the core principles of Buddhism and his definitive goal to create “life-specific” rather than “site-specific” art. For Lertchaiprasert, the purpose of art is to reclaim the meaningfulness of human activities and collaboration. The artist describes how his techniques of production and his choice of medium ranges from environmental works, to formal sculptures made from recycled materials, to the use of relational aesthetics in the creation of collaborative workshops. With reference to cultural and religious differences between East and West, Lertchaiprasert also posits how the philosophy of art under Buddhist ideals can be a matter of survival, helping us to better understand the essence of being alive. -Faye Gleisser

"A cup and saucer, pouring and drinking coffee, a duration ritual of contemplation and invigoration, doubled (tape copied), mixed, keyed + synthetic color, normal play and rewinding, sync events, the opening of a space to put the self in.

In these lunar paths the moon is the celestial body of brilliant colors that crosses with its cyclical and mythical dance the dark space of our present time and in whose dance the moon enters, moves away, approaches and lies on itself in a cycle rhythmi

This experimental documentary chronicles Janice Tanaka’s search for a father she has not seen since she was three years old.

Freed overlays the signal from two cameras pointed toward one another. Each camera is panned around to reveal a domestic environment.

Indians In Brazil is an educational series for Brazilian public schools that invites students to experience cultural diversity.

Following the Israeli attack on Lebanon in 2006, the filmmaker examines the boredom of everyday life in a besieged country.

This title is only available on Radical Closure.

Wittnerchrome, Exacto Knife, Fishing Line, Sewing Machine

“Ursonate 1986 is the result of a transference process which utilizes computer and video technology to transport a 1932 phonetic poem, Ursonate, by the German artist Kurt Schwitters into a contemporary context.

Partially Buried Continued is a meditation on ways in which one’s associations to history, location, and genealogy become tangled in a subjective web which makes it complicated to separate history from fiction.

Chic Point was shot in a fictional location: the occupied catwalk. Employing all the elements of a fashion show, models reveal their abdomens in outfits designed especially to suit Israeli checkpoints.&

A color-separation portrait of the Exarchia neighborhood of Athens, Greece, made during the Anti-Austerity protests in late 2011.

Hub proposes that the idea of home is today perhaps better expressed as a sense of being between places.

A short Flicker Film adulterated by some extra images shot in Malawi, Africa. FF was in answer to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which I was asked to make a “Future Film”.

Arguably, the most successful of the four “Gerald Ford’s America” shows was “Chic To Sheik,” a TVTV tour of the private culture of the official Washington.

This is the crude and unnatural state of civilization, an image not yet processed or refined that hides and displays in its intermittence all the crude violence of the anthropocenic industry. The raw and fossil image of the Capitalocene.

This film was made from The New York Times newspaper articles. The semi-automated animation process resulted in sentence recombinations that sometimes made sense while randomly emphasizing certain words and images.

The Videofreex document a street intervention by Turkish artist Tosun Bayrak (b.1926). The performance was to become a notorious example of the element of "shock" in contemporary art. Within the work:

“The individual is not an autonomous, solitary object but a thing of uncertain extent, with ambiguous boundaries. So too is matter, which loses much of its allure the moment it is reduced to an object, shorn of its viscosity, pressure and density.

U & I dOt cOm is an experimental narrative/documentary hybrid about Zoey, a teenage girl who negotiates her identity in cyberspace. Dreaming about the perfect true love, she secretly navigates 3-D worlds to find romance.

The later 1950s and early 1960s saw the development and proliferation of radically new forms of dance driven by a desire to understand the essentiality of movement divorced from traditional, balletic and modern syntaxes.

Documentarian and independent film producer Warrington Hudlin co-founded the Black Filmmaker Foundation in the late-1970s to help develop and promote emerging artists.

Ice falls from the sky as tears plip-plop onto wall-to-wall carpeting. No degree of renovation can enliven the dead that we mourn in our hearts as the storm of the centuries assails our heads with memories of the passing parade that got rained on.

Electronic musician and sound artist Stephen Vitiello (b.1964) creates sonic installations that function to give a physical form or space to audio. In this interview, Vitiello discusses his beginnings as a film student, and his transition from music to fine art through his investment in storytelling aspects of soundtracks. As a teacher, artist, and long-time curator at Electronic Arts Intermix, Vitiello’s insights and anecdotes offer up sentimental reflection and hard-learned life lessons, as well as perspective on the historic landscape of music and art in the 1980s and 90s. By discussing his partnerships with Tony Oursler, Jem Cohen, and Nam June Paik, Vitello provides entry into the myriad influences and collaborations that have shaped his working process and artistic career.

Leafless is a poem of textures about becoming familiar with a significant other’s body in reservation with its landscape.

Taking its title from the sea nymphs in Homer’s Odyssey—the treacherous spirits whose sweet voices lured sailors to their death upon the rocks—Sirens presents four hallucinatory scenes, visual puns authored by a mischievous agent.

Commissioned by Lower Manhattan Cultural Council (LMCC) for the occasion of Eiko receiving the Sam Miller Performing Arts Award. Premiered at LMCC’s A Toast to Downtown on December 9, 2020. Shot at LMCC’s Arts Center at Governors Island.

Prestidigitation before the age of the pixel. Very lively stop motion and open shutter piece, shot on Super 8, with all effects done in camera – but transferred to video for ease of viewing.

Born out of an "objective hazard" (a 16mm roll where two different subjects were imprinted by mistake), jeny303 is a composite work intertwining two portraits.

“I am a mannish / Muff-diving / Size queen / With bad attitude / An arse-licking / Psychofag / Molesting the flies of privacy / Balling lesbian boys / A perverted heterodemon / Crossing purpose with death / I am a cock-sucking / Straight-acting / Lesbia

In an interview I did earlier this year for the Milan Game Video/Art exhibition, I deflected a question about the connection between Hymn of Reckoning and Reckoning 3, discouraging the idea that there was much of a link betwee

In 1927 Henry Ford bought land in the Brazilian Amazon and called it Fordlandia.

Strapped for time due to her busy schedule of personal appearances, Anderson creates a rather clumsy looking clone to take over and keep up her artistic production.