Dream Nightmare is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

Lunar Pond is part of an audiovisual series about lunar cycles and rhythms in an attempt to evoke, integrate and develop the mythical presence of the Aztec lunar goddess Coyolxauhqui, thus evoking the eroded contemporary landscape of our t

A primer in satellite system operation, Send/Receive extends the critique of media as commodity by asking questions concerning the people's right to access satellites.

A wide-screen video diptych of scenes shot during two different periods in Moscow––old footage from 1990 and newer from 2009.

A film about haircuts, clothes, and image/sound relationships.

A conversation with Canadian artist Stephen Andrews returns us to a pre-cocktail moment, when being HIV+ afforded us the consolation of certainty.

A rock. Buildings. Trees. Nothing happens. But something is always moving. People walk by. Time passes by. Seasons change. The Earth’s tectonic plates are in constant but imperceivable motion, which slowly move apart or crash together.

A short story about new bodies, the power of denial, and a state of no sunshine. Two infantile bodies float in a cyberspace ball, connected by two subconscious bodies in the background.

The union of humankind and the camera is a long and sordid tale. This lyrical dance illustrates the inseparable nature of the two.

Part of a cable TV series called Communications Update that aired on public access in New York City from 1979 through 1992, these tapes provide an early example of television made by artists.

A close-range look at pigs living on a farm in Las Vegas, Nevada. The pigs, individually and as a group, become a metaphor for humanity as they go from leisurely wallowing in the mud to the wildness of a feeding frenzy.

A meditation on maritime trade routes, SEA – SHIPPING – SUN is a short film directed by Tiffany Sia (b. Hong Kong) and Yuri Pattison (b.

Gibbons presents a Son of Sam-like relationship between a man and his dog in which the man takes the dog to task for the terrible things he has made him do. Shot in Pixelvision.

An all-over textile constructed under the spell of Arachne, an audiovisual textile in five parts that exposes a web of raids in construction over the american houses, a landscape of protests under the webs of segmented time, the entrails of the american

Featuring overlaying monologues, Phil Morton brings up a wide range of philosophical and mundane topics: self-exploration, evolution, personal values, frustration, exhaustion, spirituality, video making, etc.

A hand enters the screen and removes sheets of paper one at a time. This action continues in a seemingly infinite manner, without beginning or end.

Julie Ault is an artist, curator, and founding member of the artist collective Group Material, which has organized exhibitions on themes such as the U.S.’s involvement in Central America, AIDS, education, and mass consumerism.

Incense Sweaters & Ice is a new feature film inspired by the idea that anything one does while being watched is a performance. The film follows three protagonists — Mrs.

This video consists of raw footage from a Women’s Liberation Rally in New York City, shot on March 7th 1970, in celebration of International Women's Day. The first two thirds of the piece consist of footage of the crowd and speakers.

Through the memory of a high school classmate, footage from a film for teenagers called Be Popular, a video dating tape, and performances by political and entertainment figures, So, You Want To Be Popular? examines how cultural stereot

In the case of Carlos Motta’s career, the impetus has always been on, not adhering to particular medium or a particular style, but rather using media as it becomes appropriate tell a story that has heretofore been stifled by dominant power structures.

A compilation of five of Sadie Benning’s early works. In Jollies, Benning gives a chronology of her crushes and kisses, tracing the development of her nascent sexuality.

In this interview, Phyllis Kornfeld, author of Cellblock Visions: Prison Art in America, describes her initial interest in working with prisoners in her native Oklahoma City, stemmed from an exploration of outsider artists. Detailing her first visit to a high security prison as a ‘mind blowing and breathtaking’ experience, Kornfeld discusses how she came to her realization that prisons are fertile environments for free form experimentation with the teaching process. She learned that through personalized art education, inmates could teach themselves to make positive contributions to society. - Kyle Riley

The vacuum cleaner becomes the device of the feminist 'liberation', or the monster that devours us.

— Insite 2000 program, San Diego Museum of Art 

Gravity Hill Newsreels: Occupy Wall Street comprises Jem Cohen’s twelve-part series as a continuous and complete compilation.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Screened in the 1997 Whitney Biennial, the video Ladies, There's a Space You Can't Go is both a deconstruction and a distortion of an episode of Sally Jesse Raphael titled My Daughter Dresses Like A Hooker.

Developed in collaboration with and performed by DonChristian Jones.

1970 marked the publication of Gene Youngblood’s now-formative Expanded Cinema – a text that was instrumental in legitimizing video and new media as viable and serious artistic forms.

"Presented in seven parts, Beauty Plus Pity considers the potential for goodness amidst the troubled relations between God, humanity, animals, parents and children...

This experimental documentary chronicles Janice Tanaka’s search for a father she has not seen since she was three years old.

This is an agitprop piece about the reflection and dispersion of an eroded slogan and claim: Tierra y Libertad (Land and Freedom).

Phil Morton and Dan Sandin introduce video equipment and editing techniques to St. Olaf College students—a private liberal arts college in Northfield, Minnesota.

Originally commissioned by University of Dortmund to be installed during Internationalen Bach-Symposium. The video is based on the Robert Schumann song of the same name and continued to evolve as an ongoing piece.

Bar hopping in the City of Angels.

A reflection on the deep and the creatures that attempt to fathom its resources (such as baked salmon and rubbery crocodile meat).

A journey through home life where hope hangs by a tangle of fine and fragile threads.
A document of insecurity coming to rest on distinctly shaky ground.
An 8 minute video in which few answers are supplied, but much meaning is gathered along the w

“Ursonate 1986 is the result of a transference process which utilizes computer and video technology to transport a 1932 phonetic poem, Ursonate, by the German artist Kurt Schwitters into a contemporary context.

In this interview, American artist, independent curator, writer, and experimental filmmaker, Vaginal Davis reflects on her initiation into the punk rock and art scenes of Los Angeles during the 1980s and 90s, her stylistic influences, and her ongoing efforts to theorize queerness and visuality. Caught between the opposing poles of Hollywood classicism and the rawness of punk, Davis defines her unapologetically gender-bending, campy, and at times aggressively critical performances as scenarios, rather than spectacles or entertainment.

A defiant, weird, DIY lament on not keeping calm in toxic times.

Partially Buried Continued is a meditation on ways in which one’s associations to history, location, and genealogy become tangled in a subjective web which makes it complicated to separate history from fiction.

Parnes moves further into her interrogation of horror genres and the art world, with their sometimes over-lapping cults of personality.

“Nobody likes you if they think you’re rude- you better act the way you should.” But we didn’t.

The film reexamines J. Robert Oppenheimer's speech at Princeton Theological Seminary in 1958.

In a garden of roses and memorabilia from darkest Africa, a man and woman ponder the joy of cooking and the companionship of cats. Goodies for the guts abound in this visual essay on feline friendship and far away places.

The Dresden Codex is a prehispanic book that was kidnapped and was rediscovered in the city of Dresden, Germany. It keeps a presage of a destruction to come.

Judy Chicago (b.1939) creates large-scale, collaborative artwork has brought greater prominence to feminist themes and craft arts such as needlework and ceramics.

"Gregg Bordowitz’s 2017 performance lecture Only Idiots Smile features the artist on a stool in the New Museum’s top-floor sky room, riffing on the formation of his identity.

Contains Videofreex tapes Buzzy and the Flute, Buzzy at the Gaslight, Buzzy at the Videofreex Loft, Buzzy Linhart at the Record Plant