MICA-TV creates a video format to express the idea of verticality and optimism common to the work of artists Dike Blair, Dan Graham, and Christian Marclay.

The story of a matron and a midget in the heat of an unbridled passion. The colors run thick and heavy for paint and prurient pleasures as the electronic canvas unscrolls to reveal a bevy of beasties and beauties of nature and the unnatural.

Victor Burgin (b.1941) is known as a highly influential artist and a renowned theorist of still and moving images.

An episode from a Lebanese TV series entitled "Image + Sound."  Each episode in this groundbreaking series is based on paralleling TV news images alongside staged even

... it's not what it used to be.

a personal album and homage, in my own way, to an influential film ... a closet-cleaning scrapbook of beloved photos and oddities ‐ and the gift of fire.

–– Ken Kobland

By using clips of evil queens/witches this video plays off the sadomasochistic lesboerotic subtexts commonly found in children's entertainment. A helpless maiden is tiring of her consensual s/m relationship with her lover, and "evil" queen.

"Emptiness: I just watched your latest video, Colchones Individuales (Single Beds), Volume 1: Desolacion, and I wanted to write you about it. Oddly, Single Beds sums up much of what I have been thinking lately.

A look at the town of Rome N.Y., including an arts panel visit to the Art and Community Center.

This is a three-part tape shot in 1975, ’76, and ’78 as Winsor was working on three pieces: 50/50, Copper Piece, and Burnt Piece. The rhythms and rituals of her working process as well as her comments on the work are documented.

There are times when concurrent multiple realities of place demand at least an attempt to determine who in fact has, and where is, this place in the sun. Hearts and Helicopters occurs at that moment in the lives of four people.

"I don't put myself into my movies because that would be too much--my pictures reflect my own feelings.  So hopefully it's entertaining.  Otherwise I can't bear looking at them, ha ha!"
–– Mike Kuchar

"Third Known Nest is a collection of nine short works completed approximately one per year from 1991 to 1999.

In this satirical video the Yonemotos deconstruct the myth of Oedipus within the framework of the myth of Kappa: a malevolent and hedonistic Shinto god of fresh water, whose prankish harassment of young maidens includes hiding beneath outhouses to pinch

Addressing the imbalance of information flow between the wealthy and the destitute nations of the world, Towards A New World Information Order suggests means by which this imbalance might be rectified, including ways to control the press.

A modulation of the discourse produces a portrait of the philosopher Slavoj Žižek during a dialogue.

All forms of human sport become sites for sexual play and celebratory eroticism.

Tarlabaşı integrates performances of everyday movements and gestures as a direct response to the devastation caused by the centralized state sponsored urban renewal project in downtown Istanbul.

California-based painterJoan Brown (1938-1990) attended the California School of Fine Arts (now the San Francisco Art Institute).

In the first of George Kuchar’s Alumni Series, he braces the unusually volatile weather, contending with torrential rain and flooding on his way to visit the apartment of alumni Peter Van Langen.

Embark on an expressive excursion into the body of a young man who’s lips issue words from his soul.

This meditative silent video features gradual evolving swirls on top of vertically synced bars. Their ever-changing color, shapes, and sizes demonstrate the subtleties achieved through  image processing.

This mock-virtual environment is a playground for the imagination.

The two related compilations of Julia Hechtman's video works titled Acts of Disappearance: Death and Acts of Disappearance: Environmental document twenty years of the artist's ongoing expl

In this episode of The Brenda and Glennda Show, Brenda and Glennda comically debate changing the name of their show to Drag Queens for Jesus, in order to convert all the secular homosexuals to Christianity

Rosie Cutler, a middle school lunch lady, and TJ Fortune, a outcast student, have an unusual relationship.

Audrey Flack uses an airbrush to produce large photorealistic paintings and works from slides for her precision. She selects subjects with great personal significance that also represent fragments of contemporary American life.

The first in a pair of silent Super 8 films centering on the backyard of a modest house in a coastal community of north San Diego County.

M+ Museum presented A Body in Hong Kong in two locations as part of Mobile M+: Live Art, 2015. Tim Mei Avenue, where Eiko chose and performed, was the main site of 2014 Umbrella Revolution.

From childhood memories to recurring nightmares, Nine Fish attacks and illuminates the indecision and confusion surrounding euthanasia and care of the elderly in the United States.

Steve Kurtz is a founding member of the Critical Art Ensemble and Associate Professor of Art at University of Buffalo. His areas of focus are contemporary art history and theory as well as post-studio practices.

Partially Buried explores a web of genealogical traces. In this work the artist probes the notion of sites of memory as well as site-specific work by focusing on the location of Kent, Ohio.

Letters, conversations: New York-Chicago, Fall, 2001 is driven by a fragmented voice-over that criss-crosses between two female voices – one seemingly formal and distant, the other more conversational and intimate.

A hand enters the screen and removes sheets of paper one at a time. This action continues in a seemingly infinite manner, without beginning or end.

The violent overreaction to 9/11 and to the revolutions of the 1960s cannot be explained only with fear and politics.

A surreal vision of one man's endeavor to contact the spirit world and come to terms with nightmares of a mysterious death.  A séance is orchestrated according to instructions written in 1920 by revered parapsychologist Hereward Carrington, voiced

Performance engineers Survival Research Laboratories (SRL) construct machines that live in their own fictional world, acting out scenarios of perpetual torment, exasperated consumption, and tragic recognition.

"Black Holes/Heavenly Bodies-Hell is a high-tech nightmare about a coming-of-age in America in which violence and mediocrity are the potent background noise." – Steve Seid

Banshee is a duet between Margaret Leng Tan playing The Banshee (Henry Cowell) and Eiko's Night With Moths (camera by Rebekkah Palov) in a performance of The Duet Project: Distan

Time Bomb tells the story of a young girl's experience at a Baptist retreat, where she is called upon to accept Jesus into her life after a coercive game of terror.

Amidst growing discussions on the headscarf issue, the President of Turkey was holding the annual Republic Day Ball at the Presidential Palace.

Strangely Ordinary This Devotion is a visceral exploration of feral domesticity, queer desire, and fantasy in a world under the threat of climate change.

This is the flowers under attack. An entire ecosystem under attack. This is the omen of the bugambilia. This is the pulsation of the nervous trance of petals in the anthropocentric times. Part of the Hauntology series.

There were three brides, and they all married at different times to different people in different places.

Elizabeth Murray (1940-2007)  was an American painter, printmaker and draughtsman.

A man returns, after fifty years, to Chinatown to care for his dying mother. He is a librarian, a re-cataloguer, a gay man, a watcher, an impersonator. He passes his time collecting images that he puts before us – his witnesses and collaborators.

A young boy caught in an emotional web spun by adults must untangle the relationships that are deep as the sea surrounding him.

Slip is from Martine Syms’ Kita’s World series. Kita enacts the performances of everyday life in a hyper-digitized world.

Invoking a biblical story of life coming from dry bones, Condit constructs an experimental narrative about an older woman’s confrontation with her own mortality after the death of her mother.

I sit at my computer cutting up real time footage of waterfalls, snow storms, boiling water. I combine these to make threads of moving images.

Kuyenda N’kubvina looks at how thought and culture propagate in the slender nation of Malawi.