George goes to Oklahoma, but there's a lull in storm activity. It's spring, and though there's romance in the air, the lightning just doesn’t strike; so George makes his own rain—of sorts. Despite the drought, the videos must go on.

Encompassing both Thanksgiving, Christmas and the exploding New Year's Eve celebrations, this holiday video is chock full of chicken and chatter befitting the season.

In collaboration with DonChristian Jones.

Room was produced during 2020 virtual creative residency of Eiko Otake supported by the Center for the Arts, Wesleyan University in Middletown, CT.

Transexual Menace takes its title from the name of "the most exciting political action group in the USA"—transgendered people who are defining themselves, demanding their legal rights, and fighting for medical care and against job discriminatio

Taking its title from a sound design maxim and using it as a conceit to grasp the desire for connection, See A Dog, Hear A Dog probes the limits and possibilities of communication.

Shot in Portland International Airport. Animation by Jalal Jemison.

Part of the paraconsistent sequence series.

Angel appears to Weirdo and forces a distasteful issue.

A.R.M. Around Moscow documents particpants in A.R.M. (American-Russian Matchmaking) to explore the relationship of personal power to domestic identity, and economic and political structure.

Wendy Clarke's videos frequently feature unscripted dialogue, inviting speakers to create a video diary or to share their thoughts on a topic, such as love. This approach often results in sincere and honest portraits of the speakers.

In this faux-recreation of a home-shopping network, Al Gore and George W. Bush offer you a 'super-premium' collectible lamp commemorating the 2000 presidential election.

I reconcile the violent act.

'Misery' doesn't like 'company' -- but 'company' does love a 'party', so come join in on a catastrophic celebration, and do 'hang on' tight -- because it's a steep ride down into the depths of a soul in meltdown mode!

Wu Tsang is a filmmaker, visual artist, and performer who incorporates strategies of activism, art making, event planning, and stage production across a range of multi-disciplinary projects.

In Stitch, computer graphics are altered with image processing effects. Beeps and electronic music provide a soundtrack as abstract structures and evolving shapes and patterns rotate in space.

The Rudnick family run amok with unleashed talent in San Francisco and display a wide girth of creative curvature for all to admire over a hot cup of java.

Newton Harrison, born 1932, is one of the earliest and best known social practice and environmental artists.

The title gives a bitter meaning to the uneasy image of a woman who is brushing her hair over her face with fierce movements.

Home is about disappointment in northern Ohio. The scoreboard depicted is on the grounds of Mansfield Senior High. The sentiment conjures the close call.

A selection of Love Tapes — a collection of video recordings of 2,500 people from diverse backgrounds who share their personal feelings about love.

Red Chewing Gum is a video letter that tells a story of separation between two men, set within the context of the changing Hamra, a formerly booming commercial center.

The Erosions series develop the concepts of oxidation, wear and entropy from an audiovisual and cinematographic perspective.

In this well-known early tape, Jonas manipulates the grammar of the camera to create the sense of a grossly disturbed physical space.

In 1993 President Mitterrand visited Korea.

The temperature in your eyes will rise when you contract ‘FEVER DREAMS’ and experience the haunted mayhem contained therein.

"Three months in an architects’ firm in Berlin. From the architecture down to the tiniest door handle, a questioning of matter and the verb."

— Harun Farocki

Broadcasters across Ireland and Britain have entered into a blackout strike. The workers are transmitting a programme bringing censored voices back onto the airwaves.

Culture Capture: Crimes Against Reality extends NRO’s Culture Capture series towards examining desires for monumentality and its dissolution, pursuing fantasies of removal by morphing monuments into metastasizing flesh via ritualized photogramm

Six powerful native women gather up to celebrate a new beginning and the end of the world as we know it.

This video is a 7-minute single channel piece consisting of two monologues: the first is a speech prepared for Richard Nixon in the event of a moon landing disaster in 1969, the second is the final words of the computer HAL from the film 2001.

West coast artists, Mike Mandel (b.1950) and Larry Sultan (1946-2009) became artistic collaborators in 1972 while both enrolled in the San Francisco Art Institute’s MFA program.

Erase the 1940s. The desire to better appearances. To try to record a love story. It's in this way that a facial can become the biggest remaining pleasure.

"The films of John Smith conduct a serious investigation into the combination of sound and image, but with a sense of humour that reaches out beyond the traditional avant-garde audience.

Legendary filmmaker George Kuchar, in between trips to the bathroom, visits three Bay area friends: an eccentric filmmaking couple who produce zombie movies, and performer Billy Nayer.

In the spell of one of the most exquisite pop songs I know, with the most rudimentary of animation skills, I sought to produce a smooth and rapid transition from innocuous kindergarten silliness to faux-Lynchian horror.

This compilation features 11 of Jem Cohen's collaborations with musicians.

Actor Richard Marcus speaks directly and intimately to the viewer, relating a tale of personal loss, and then changing the subject to baseball. The video is about amateur vs. professional, personal vs. public space, and loyalty and self-confidence.

The second in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed here—Jolene Rickard, Robbie McCauley, Judy Baca, and May Sun—discuss their work and its cultural contexts. Moderated by Lucy Lippard.

Former East/Former West was shot in Berlin three years after German reunification. Comprised largely of street interviews conducted in various parts of the city, the video documents Berliners' feelings about their national identity.

Untitled for Technically Sweet was originally inspired by the Antonioni script of the same title for an exhibition curated by Yvette Brackman and Maria Finn and shown at Participant Inc.

No Damage is a composition made out of fragments from over 80 different feature and documentary films that show the architecture of New York City — its architectural presence as captured on film over eight decades.

Following the premise that water will always find its level, the term Communicating Vessels describes the way liquid moves between conjoined containers: gravity and pressure conspire to keep the surfaces aligned, pulling the shared liquid back and forth

"The Camel with Window Memory piece was made one weekend in the early '80's. I pulled out my post card collection and began to look at specific postcards run through the new digital video buffer I had built together with David Jones.

Klaus Nomi (born Klaus Sperber) was an underground superstar in the East Village arts scene in the 1970s and early 1980s.

"Let Each One Go Where He May is the stunning feature debut of celebrated Chicago-based filmmaker Ben Russell.

The sun pretty much shines throughout this romp back East as waves crash against a land of plenty while the residents bathe in its nutritional offshoots.

A portrait of an unnamed city in Italy. Sidestepping the tourist attractions that make the city famous, the film/video posits an almost-imaginary place that draws closer to the reality of its inhabitants.

Space Ghost compares the experiences of astronauts and prisoners, using popular depictions of space travel to illustrate the physical and existential aspects of incarceration: sensory deprivation, the perception of time as chaotic and indistinguishable, the displacement of losing face-to-face contact, and the sense of existing in a different but parallel universe with family and loved ones.

Physical comparisons such as the close living quarters, the intensity of the immediate environment, and sensory deprivation, soon give way to psychological ones: the isolation, the changing sense of time, and the experience of earth as distant, inaccessible, and desirable. The analogy extends to media representations that hold astronauts and prisoners in an inverse relationship: the super citizen vs. the super-predator. Astronauts, ceaselessly publicized, are frozen in time and memory whereas prisoners, anonymous and ignored, age without being remembered.

talkin' 'bout droppin' out examines the multiple reasons why 40% of students in New York, Boston, and Chicago drop out of high school each year.

This humorous video begins with two women—one white, the other Asian—attempting to fit into a Japanese bathtub.