In this experimental interview with Jill Ker Conway, Freed outlines a portrait in chalk on a black surface as the soundtrack conveys Conway describing her fascination with the way ones visual self appears on camera and the way an artist perceives their

Shot in Naples, Vienna, and New York, Some Chance Operations explores the notion of an archival form, in this instance film, as an unstable memory receptacle that can vanish.

"Black Holes/Heavenly Bodies-Hell is a high-tech nightmare about a coming-of-age in America in which violence and mediocrity are the potent background noise." – Steve Seid

Language Lessons entwines the search for the fountain of youth with the dream of a common language. The fountain both promises and frustrates eternity, while this dream offers hope for common ground.

"Scenes from meetings within a company which advises corporations how to design their offices -- and the work done there. The film shows that words are not just tools, they have become an object of speculation." 

-- Harun Farocki

Originally constructed using a Super 8 camera and a walkman, Manipulation/Dictation investigates processes of lesbian seduction, betrayal, and the expectation that both parties can still be friends later.

Modeling Paranodal Space is part three of Zach Blas's Contra-Internet Inversion Practice series.

"Bricks are the resonating fundamentals of society. Bricks are layers of clay that sound like records, just simply too thick. Like records they appear in series, but every brick is slightly different – not just another brick in the wall.

Born in Los Angeles in 1933, Michelle Stuart spearheaded the use of non-traditional materials from nature in the early '70s, and has produced and exhibited her work internationally.

A video poem about the nature of social relations and mass media, Half Lies exposes the seemingly innocuous ways we distort truth.

A small portrait of the volatility of intimacy, and of breaking free from abusive cycles. Made in response to a year of collapsing relationships and violent accidents that left Stratman broken, dislocated, and stuck in her apartment.

In this tape, shot in August 1970, a number of Hells Angels are interviewed on the street in New York City. They talk about their bikes and their preparations for a “run”, and their reactions to the way they are portrayed by the mainstream media.

Based on a novel by Rita Mae Brown, Me and Rubyfruit chronicles the enchantment of teenage lesbian love against a backdrop of pornographic images and phone sex ads.

In imaginary landscapes where trees talk and frogs turn to handsome princes, Pizzly Bear is a story of a cross between a Grizzly and Polar Bear.

I sit at my computer cutting up real time footage of waterfalls, snow storms, boiling water. I combine these to make threads of moving images.

a/k/a Mrs. George Gilbert extends Coco Fusco’s in-depth examination of racialized imagery.

This is the audiovisual translation of the Walter Benjamin's Theses on the Philosophy of History.

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973.

A promotional vehicle with lane-changing tendencies, but both hands kept on the wheel at all times.

Part of the Long Beach Museum of Art’s Institute for Art and Urban Resources' Collectors of the Seventies series, this video focuses on the Betty Asher’s acquisitions. "I started collecting in 1939.

A Letter for Phil suggests an institutional critique in the form of a correspondence signed by “Matt/Rose/Tom/Isac.” The video juxtaposes two angles of the typewriter—one showing the typed text in realtime, another showing hands of the wr

"'I am nice. I... am nice. I am... nice," repeats the narrator, in this personal and highly poetic exploration of the construction of self. Mirra favors repetition as the device for reconstructing the stage of development when a child learns its name.

This experimental documentary meditates on the space between two bodies and explores three key bodies in transition: the erotic "cruising" body, the transgender body, and the pregnant body.

A weeklong, episodic live-streamed landscape film that attempts to reimagine the genre of a road movie in Hong Kong. Each of the seven short films begin at exactly at the moment of the official sunrise in Hong Kong.

Elisabeth Subrin is an artist and filmmaker who engages a wide range of genres, forms, and contexts to create conceptually driven projects in video, film, photography and installation.

A.R.M. Around Moscow documents particpants in A.R.M. (American-Russian Matchmaking) to explore the relationship of personal power to domestic identity, and economic and political structure.

During her graduate studies at Hunter College, Alice Aycock (b. 1946) began to forge links between personal and more inclusive subject matter and form. In her quest for contemporary monuments, Aycock wrote her Master’s thesis on U.S. highway systems.

Produced for Britain’s Channel 4, Bright Eyes is an impressive and complex essay detailing the various factors that have colluded to misrepresent the true nature of the threat posed by AIDS.

This fictional docudrama—based in part on the careers of Anita Bryant, Phyllis Schlafly, and Marabel Morgan—covers the fictitious assassination of Clovis Kingsley, a powerful, pro-family, anti-feminist ideologue, and fictional author of The Power of

Using a pulsing rock soundtrack and music video-style editing, X-PRZ combines archival footage of Malcolm X, advertisements, and corporate logos in No Sell Out to provide a scathing commentary on commodity culture.

The sonic fabric of 2nd Person, [originally] a multi-channel video installation, is formed through an array of women’s voices orchestrated as parallel tracks in a musical composition.

On the eve of the 1984 Presidential election, Jenny Holzer used a truck equipped with a sound system and an 18-foot Diamond Vision electronic board to display images, statements, and man-on-the-street interviews.

Beach House is a film about a unique example of rural modernism built on the UK coast of Suffolk by the architect John Penn. As well as being an architect, Penn was a painter, musician and poet.

In the late 1970s, Walter Naegle was walking to Times Square to buy a newspaper when he ran into a striking older African American man on the corner. Walter says that “lightning struck” and his life changed forever at that moment.

Scottish artist Thomas Lawson (b. 1951) is a painter, critic, and founding editor of REAL LIFE magazine who lives and works in Los Angeles. His paintings are tied to the particularities of the present, and he is especially critical of the art world’s infatuation with ego and creativity. His portraits, appropriated from the print media, represent an intervention in that vein.

A mechanical toy figure dressed as an American soldier bends and sways, playing God Bless America — the sentimental, unofficial, and highly favored national anthem during World War II — on a bugle.

During Videofreex member David Cort's travels to Jerusalem, a scene was shot in a hospital where a female patient is having electrodes attached to her body.

Twenty Minutes is about the design and usage of the pulley from the era of Leonardo Da Vinci to the early 21st Century.

Cast: Clifton Bazemore, Derek Bazemore. Animation: Aaron Biscombe.

John Smith, throughout his 40-year career, has approached the moving image from film, video and installations, generating a tremendous body of work that’s as diverse in its topics as it is in its methods.

In(sul)ar marks the dichotomy between reality and fiction, by creating meta-images of an imagined island, where time and space are confused with each other.

American figurative artist Alex Katz (b.1927) has produced a remarkable and impressive body of work but is best known for his large-scale, flat, yet realistic portraits of friends and family notable for their relaxed attitudes and uncomplicated bearing.

A barricade is built inside the Main Temple of the Aztecs. Testimony of the contemporary battles against the governmental aggressions.

A love letter to the Internet from a feral cat in Brooklyn.

"We buried ten Cadillacs in a row alongside Interstate 40 (the old Route 66), just west of Amarillo, Texas; each car represented a model change in the evolution of the tail fin.

“I am a mannish / Muff-diving / Size queen / With bad attitude / An arse-licking / Psychofag / Molesting the flies of privacy / Balling lesbian boys / A perverted heterodemon / Crossing purpose with death / I am a cock-sucking / Straight-acting / Lesbia

Within a backdrop of the natural world, a woman explores a personal relationship with the home artificial intelligence (AI) device, Alexa.

Featuring Arnold and Ahneva from Wendy Clarke's One on One video series, this video dialogue deeply connects the pair through discussion of Black brother and sisterhood.

 A.K. Burns’ early video works use ritualized performance, finite gestures, dueling and duality to explore power relations and the body.

Detail is indeed a detail. It is an excerpt from Mograbi’s feature film Avenge But One of My Two Eyes, where human conditions face military situations.