This was the epitome of the one-video-a-night project: an un-altered home video clip set to a sped-up Game Boy version of a Roommate song, rendered as Video Art by Duchamp-derived title (suggested by the original wearer of the Pac-Man costume).

An Ocean Between Us expresses the desire for a relationship that is made up of transitions, successive time shifts, and coordinated changes without an essential unity.

"I was looking at postcards run through the David Jones digital video frame buffer.  The buffer had two inputs, a video image of white noise and a video image of holding a post card, blank back to the camera as a clip.

China, Beijing, I Love You! is an animated film about extraction of nickel and cobalt along China's Maritime Silk Road.

My Failure to Assimilate muses on the profound sense of melancholy that sets in after the end of a relationship.

The second in the Jaws series. Feedback-generated computer animations wiped and keyed with images and sounds from electronic oscillators via an analog video switcher.

This meditative silent video features gradual evolving swirls on top of vertically synced bars. Their ever-changing color, shapes, and sizes demonstrate the subtleties achieved through  image processing.

Danh Vo is a Vietnamese-born Danish conceptual artist, currently living and working between Berlin and Mexico City. His large installations often deal with issues of personal identity and belonging.

In a visually difficult construction, Silver plays with the viewer’s ability to focus and take in an entire image.

“It Did It explores my fictional character's story before and after I took Prozac. I used the scientific method to self-evaluate whether or not I needed anti-depressants while demonstrating how it affected my storytelling.”

At Breder's direction in the studio, the performer releases a body of light that casts a transient shadow. Following the tantric chakra stations, a match is lifted from root to crown.

George is invited to the AFI Video Festival to see the screening of his tape, Video Album 5: The Thursday People, but detours into a melodrama about the fear of internal spaces in buildings.

In Tree Song, Eiko & Koma continue their exploration of the body as a part of the landscape and the landscape as an extension of the body.

Natural Life is a feature-length experimental documentary challenging inequities in the U.S. juvenile justice system by depicting, through documentation and reenactment, the stories of five individuals who were sentenced to Life Without Parole (Natural Life) for crimes they committed as youth.

The youthful status and/or lesser culpability of these youths, their backgrounds, and their potential for rehabilitation were not taken into account at any point in the charging and sentencing process. The five will never be evaluated for change, difference or growth. They will remain in prison till they die.

Our Non-Understanding of Everything is a series of 16 videos that explore how the structures of architecture, semiconductors, and circuits become forms of expression refl

Made in Ireland, October 8th, 2001.

A disorientating experience while attempting to watch the TV news in an Irish hotel room triggers a spontaneous response to the bombing of Afghanistan.

Stephen Varble (1946-1984) staged gender-confounding costume performances on the streets of 1970s Manhattan, and became infamous for his anti-commercial disruptions of galleries, banks, and boutiques.

A drama in six episodes involving psychological breakdowns, marital showdowns, and messy obsessions.

Cobra Mist explores the relationship between the coastal landscape of Orford Ness and its traces of military history, particularly the extraordinary ruined architecture of experimental radar and the Atomic Weapons Research Establishment.

Among the handful of video recordings of Lanesville TV that exist today, this tape is particularly special for its documentation of one of its very first programs to run on the air.

The two related compilations of Julia Hechtman's video works titled Acts of Disappearance: Death and Acts of Disappearance: Environmental document twenty years of the artist's ongo

No More Nice Girls layers the personal and political histories of women active in the 1970s feminist art movement, including Brenda Starr, Yvonne Rainier, B. Ruby Rich, Carrie Mae Weems, and Sherry Millner.

Circle's Short Circuit is an experimental feature-length work with neither a beginning nor an end—the film can be viewed from any random point.

In the next chapter of Bobby Abate’s mysterious lo-fi cyborg tale, we find ourselves roaming the set of a 1960’s evening newscast.

"It was as if I was living by the Nike slogan Just Do It."
— George Barber

Martha Rosler (b.1943) received her BA from Brooklyn College in 1965 and her MFA from the University of California, San Diego in 1974. Rosler has produced seminal works in the fields of photography, performance, video, installation, criticism, and theory. Committed to an art that engages a public beyond the confines of the art world, Rosler investigates how socioeconomic realities and political ideologies dominate everyday life. Rosler's work has entered the canon of contemporary art through a process of steady, stealthy infiltration. Lacking commercial gallery representation until 1993, her endeavors as a prolific essayist, lecturer, and political agitator enabled her agenda to trickle down through critical channels.

In One Man Ladies, Glennda Orgasm is joined by Vaginal Davis as they meet women on the streets of New York City to discuss Laura Schlessinger's book Ten Stupid Things Women Do to Mess Up Their Lives.

After the screening of his film Wai'á rini, the power of dream in other Xavante villages, the people of Aldeia Nova from the São Marcos reservation asked Divino to make a film on the same ritual, the Wai'á ceremony.

The work of Dani Leventhal explores the complicated space that exists between decay and renewal, intimacy and disconnection and the sacred and mundane.

This is an agitprop piece on resistance from the autonomy and indigenous sovereignty that hold in his own name, in his own letters, in his own sparks and embers of letters.

Filmed in Susan Mogul’s Los Angeles multi-ethnic working class neighborhood, Highland Park, Everyday Echo Street: A Summer Diary, is an insider’s view of how home and neighborhood are constructed in everyday relations.

Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS

In her brilliant video Art Herstory, [Freed] has restaged art history, putting herself in the model's role in numerous paintings...

“A documentary about the Arkestra, but it's one whose presentation reflects the multilevel approach Sun Ra had to music and life in general.

Through a catalogue of looks, movements, and gestures, Mayhem presents a social order run amok in a libidinous retracing of film noir conventions.

"The life of objects intrigues me. Apparently inanimate, they adopt the souls, actions and lifestyles of their keepers. Here, a bed testifies to what goes on behind the closed door of a decent family's bedroom."

—Ximena Cuevas

“Now too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn’t count.”

--Toni Morrison, “Beloved”

A collage piece. Oppositions of agony and ecstasy are explored. Morticia trims yet another rose stem, while Bugs Bunny takes up Zen. Guilt-wracked, a nun tries furtively to cleans herself of imagined sin. Or attain spiritual release.

Peter Schjeldahl (b.1942) began writing his “poetical criticism” for Tom Hess at ArtNews in the mid 1960s.

Sixty-five years after the Allied invasion of Southern France, the director's mother, Cecily Barker Finley, tries to recall her involvement as a social worker aboard a WWII Red Cross ship.

This experimental video breaks many the silences surrounding lesbians and AIDS. Interweaving the voices of two friends—an HIV+ Latina lesbian and an HIV- Jewish lesbian—the video juxtaposes two very different yet overlapping experiences.

No Damage is a composition made out of fragments from over 80 different feature and documentary films that show the architecture of New York City — its architectural presence as captured on film over eight decades.

Using color video Freed captures three mirrors in various positions on a grassy lawn. As the title suggests, Freed employs reflections in the work to signify video’s intrinsic quality of spatial manipulation.

Archives recovers the formal community that mobilizes the diagrammatic experience of archives, a formal community that claims the sensory nucleus where hypertrophic rhythms, abstract machines, monuments and memorials, digital servers, corporate

BE CAREFUL KYLE was produced over a few days shortly before Jacob Ciocci and Kent Lambert discussed their work with Scott Wolniak in a webinar for the University of Chicago's Local Produce series.

In this wide-screen travelogue the viewer shares in the excitement of a Texas film festival, the cuisine of the not so rich and famous, and the thrill of attending exclusive enclaves of energized art.

"One of Baldessari’s most ambitious and risky efforts. Seated and holding a sheaf of papers, he proceeds to sing each of Sol LeWitt’s 35 conceptual statements to a different pop tune, after the model of Ella Fitzgerald Sings Cole Porter.

Contra-Internet: Jubilee 2033 is a re-imagining of scenes from filmmaker Derek Jarman’s 1978 queer punk film Jubilee, starring Susanne Sachsse and Cassils.

The filmmaker accepts the challenge of the philosopher and changes not only a table but also chairs, shoes, jugs, teapots and almost everything else lying around his house.