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Politics

"I, Soldier is the first part of a video series in which I am dealing with the state-controlled ceremonies for the national days of the Turkish Republic. The nationalistic attributes attached to these large-scale ceremonies are underlined in a non-descriptive and almost voyeuristic point of view. I, Soldier was shot at the National Day for Youth and Sports; the day that marks the start of the independence war of the Turkish public under the leadership of Mustafa Kemal Atatürk, against the Allied Forces back in 1919.

In Birth of a Nation, Jem Cohen takes his camera to Donald Trump’s presidential inauguration and to the next day’s protests.

BIT Plane, 1999

BIT Plane is a highly compact spy plane, wingspan 20 inches, radio-controlled, video-instrumented and deployed over areas of scenic interest. Due to its refined dimensions, BIT plane is able to enter territory inaccessible to other aircraft. Pioneering flight: in an aerial reconnaissance over the Silicon Valley, California 1997, BIT plane flew solo and undetected into the glittering heartland of the Information Age.

Subtitled A Rebellion against the Commodity, this engaged reading of the urban black riots of the 1960s references Guy Debord’s Situationist text, “The Decline and Fall of the Spectacle-Commodity Economy,” Internationale Situationniste #10 (March 1966). Along with additional commentary adapted from Barbara Kruger and musicians Morrissey and Skinny Puppy, the text posits rioting as a refusal to participate in the logic of capital and an attempt to de-fetishize the commodity through theft and gift.

This is the burial hymn for thousands of souls in the anthropocentric times. The ghosts of the American way of life. Part of the Hauntology series.

Blight, 1996

"Blight was made in collaboration with composer Jocelyn Pook. It revolves around the building of the M11 Link Road in East London, which provoked a long and bitter campaign by local residents to protect their homes from demolition. Until 1994, when our houses were destroyed, both the composer and I lived on the route of this road. The images in the film are a selective record of some of the changes which occurred in the area over a two-year period, from the demolition of houses through to the start of motorway building work.

Blood and Guts in High School features actress Stephanie Vella in a series of video installations* that re-imagine punk-feminist icon Kathy Acker's book of the same title. The book received noteriety from 1978-1982 during the rise of Reagan republicanism and the emergence of punk rock. In Parnes' interpretation, each video-chapter presents a typical scene in the life of Janie bracketed by U.S. news events from the time period in which the book was written.

M+ Museum presented A Body in Hong Kong in two locations as part of Mobile M+: Live Art, 2015. Tim Mei Avenue, where Eiko chose and performed, was the main site of 2014 Umbrella Revolution. Nearly 100,000 people camped out, and in doing so, stopped traffic on twelve-lane highways and created a politically charged sphere.

Book Report explores themes of sexual assault, the weaponization of language, and the futility of escape. It combines short sequences of Mad Men's Don Draper with relevant facts about the 2016 presidential campaign — including a history of the hashtag #trumpbookreport and notes on a payment to the mysteriously named “Draper Sterling” ad agency. A choral voice-over, drawn from the infamous Access Hollywood transcript, revises the misogynist “locker room talk,” turning it against the original speaker.

Book Report explores themes of sexual assault, the weaponization of language, and the futility of escape. It combines short sequences of Mad Men's Don Draper with relevant facts about the 2016 presidential campaign — including a history of the hashtag #trumpbookreport and notes on a payment to the mysteriously named “Draper Sterling” ad agency. A choral voice-over, drawn from the infamous Access Hollywood transcript, revises the misogynist “locker room talk,” turning it against the original speaker.

®™ark is an organization dedicated to bringing anti-corporate subversion and sabotage into the public marketplace. This updated video compilation includes a glitzy promotion for the ®™ark system (Bringing It All to You!); a behind-the-scenes look at some ®™ark propaganda efforts; an ®™ark PowerPoint presentation concerning "the Y2K bug”; a Danish television report about ®™ark and Hitler; a Boston news report about ®™ark; and, finally, the grand prize winner of ®™ark 1998 Corporate Poetry Contest, reading his winning entry.

"This film is closely related to my last feature-length project, Counting. I take the temperature of a neighborhood. In this case, the place is my New York. I think about street life and its threatened demise – a death ushered in as Big Money relentlessly re-makes cities in ever more categorical ways. I think with the camera, on the move, in fragments.

Spanning two years of protest and resistance, this video chronicles the politically-motivated police harassment of the homeless population in Manhattan’s Lower East Side; including suspected arson, illegal eviction, and the demolition of buildings that forced families onto the street. Taking its title from a quote by Malcolm X, By Any Means Necessary is an indictment of government systems that violate the law willfully and at random in the service of wealthy real estate developers.

Starting with student-recorded VHS footage of two successive Take Back the Night marches at Princeton University, Birnbaum develops a saga of political awareness through personalized experiences. This localized student activity then progresses to, and is contrasted with, the 1988 National Student Convention at Rutgers University. Through this dynamic portrait, Birnbaum posits a series of compelling questions: How can the voice of the individual make itself seen and heard in our technocratic society? What forms of demonstration support this expression? How is a voice of dissent made possible?

A Kafkian vision of the New World. The arrival of Karl Rossman to the contemporary Babylon under the spell of the paranoid avant-garde. Kinetic coexistence of the archaic forms in dissolution.

The Videofreex had several experiences with the Black Panther Party, including interviewing Illinois Chapter Deputy Chairman Fred Hampton and New Haven Minister of Information Cappy Pinderhughes. In this tape, recorded on March 5th 1971, the Videofreex one-person camera crew Bart Friedman is walking the hallways of CBS, trying to find out where a video statement by Black Panther Eldridge Cleaver is located. The shots are mostly close up on people’s torsos and there is some image loss, but the sound is intact. The tape has an eerie espionage feel.

Shot in October 1969, this tape gives an inside view of the workings of late-sixties radical groups and the debates going on within their ranks. At a meeting of Yippies, there is a discussion about the nuts and bolts of fundraising through benefit concerts and events in an attempt to finance support efforts related to the Chicago 8 Conspiracy Trial.

An interview with a group of people shot in October 1969, some of whom were involved in The Weathermen’s "Days of Rage" actions. As those present recount the significance of the actions, and the possible ramifications on the movement as a whole, some critics voice serious complaints.

"Weeks before the 2006 midterm elections in the U.S., Venezuelan President Hugo Chávez came to the United Nations and blew everyone's minds with his "smells of sulfur" speech about Bush. It was an emperor wears no clothes moment with perfect comic timing. Bush was officially a lame duck after that speech. No matter what nutty things Chávez ever did, our nation's children will always be grateful." 

– Jim Finn

Little Radek, the step-dancing Bolshevik; Machera, the Andean Robin Hood, and Maria Spiridonova, the Russian socialist assassin are your guides for Past Leftist Life Regression therapy. In this third Inner Trotsky Child video, narrator Lois Severin— a former Trotskyite turned suburban housewife—attempts to radicalize the personal fulfillment and self-help scene.

Part of paraconsistent sequence series.

"You are invited to Jim’s party! Snake optional."

--Cinematexas Festival (Austin, 2001)

"Three more sing-alongs, this time with swans, a snake, and the Red Army Chorus."

--L.A. Freewaves Festival

This title is also available on Jim Finn Videoworks: Volume 1.

This video takes its departure from the BBC's coverage of the killing of three IRA volunteers by British Security Forces in Strabane, a small town on the border between Northern Ireland and the Irish Republic. Interrogating television discourse, the video examines what is referred to as the British “shoot to kill” policy of planned assassination in the North.

This video takes its departure from the BBC's coverage of the killing of three IRA volunteers by British Security Forces in Strabane, a small town on the border between Northern Ireland and the Irish Republic. Interrogating television discourse, the video examines what is referred to as the British “shoot to kill” policy of planned assassination in the North.

Coyolxauhqui recasts the mythical dismemberment of the Aztec Moon goddess Coyolxauhqui by her brother Huitzilopochtli, the deity of war, the Sun and human sacrifice. The film is a poem of perception, one that unveils how contemporary Mexican femicide is linked to a patriarchal history with roots in deeper cultural constructs.